Episode 221
Look the Part, Lead with Presence – Speaker Style with Kay Korsh
What does your outfit say about your authority before you even speak?
In this insightful and practical episode of Present Influence, I sit down with Kay Korsh, an international speaker and style advisor who helps professional speakers elevate their credibility, presence, and personal brand through their wardrobe choices.
Whether you're speaking in front of 5,000 or just hopping on a Zoom workshop, your style is part of your message. Kay explains how fit, colour, fabric, and even shoes can either reinforce your message or distract from it entirely.
We cover:
- Why your appearance impacts influence, likability, and bookings
- How to align your outfit with your brand and audience
- Common speaker wardrobe mistakes that sabotage credibility
- Why “looking current” helps you stay relevant (especially with age)
- How to build a small but powerful speaking wardrobe
- Why tailoring and digitising your closet might be game-changers
If you've ever wondered what to wear on stage—or felt unsure if you’re dressing the part—this episode is your backstage pass to speaker style success.
🎯 Connect with Kay Korsh on LinkedIn: https://www.linkedin.com/in/kay-korsh/
Download Kay’s free guides:
Clothing Budget Calculator For Keynote Speakers: https://outfit.mindoverfashion.com/clothingbudgetcalculator
Colour Quiz for Professional Speakers: https://kkorsh.outgrow.us/speakers-colourtest
📸 Bonus: Learn how to digitise your wardrobe and avoid decision fatigue (in episode)
Chapters & Timecodes
00:00 – Introduction
01:19 – Meet Kay Korsh
01:51 – Why Style Matters for Speakers
03:48 – Kay’s Journey to Speaker Styling
06:11 – The Power of First Impressions
08:20 – Common Wardrobe Mistakes
13:16 – Building a Speaker Wardrobe
16:39 – Comfort, Audience, and Personal Branding
21:14 – Standing Out vs. Staying Authentic
23:34 – Dressing for Body Types
29:17 – Corporate vs. Personal Style
32:38 – How Many Looks Does a Speaker Need?
36:41 – Digitizing and Organizing Your Wardrobe
39:03 – Budgeting for Speaker Outfits
41:01 – The Importance of Tailoring
44:07 – Trends, Timelessness, and Staying Current
48:44 – Practical Style Tips & Do’s and Don’ts
54:11 – Working with Kay: Process & Programs
59:13 – How to Connect with Kay Korsh
1:01:20 – Closing Thoughts & Next Episode Preview
Go to presentinfluence.com to take the Speaker StrengthsFinder Quiz and discover your greatest strengths as a speaker, as well as where to focus for growth. For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn
You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence
Thanks for listening, and please give the show a 5* review if you enjoyed it.
Transcript
Do you want to look like the expert you really are before you
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:even say a single word on stage?
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:Well, in today's episode of Present
Influence, I'm joined by international
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:speaking style advisor, Kay Korsh,
who helps professional speakers dress
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:with intention, impact, and influence.
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:From first impressions to fabric choices,
we explore how your look communicates
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:authority, credibility, and confidence
long before you open your mouth.
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:And if you've ever wondered what to wear
on stage, how to balance authenticity
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:with polish, or whether your outfit
could be undermining your message,
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:this episode can be your new style
playbook, and if you are watching
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:us on video, I will say in advance.
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:I have realized that I probably
shouldn't sweep my hair all the way back.
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:It was not a good style choice and I
certainly do not look anything like a
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:stylish as Kay in the video episode.
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:And if you are watching on YouTube,
please do like and subscribe
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:and maybe even leave a comment.
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:It does help people to find the show.
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:It also means the world to me.
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:I'd love to hear from you.
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:Let's start the show.
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:Welcome to Present Influence, the
professional speaking show for
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:people who want to impact, influence
and inspire with their talks.
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:My name's John Ball and I'm your
guide on this journey to mastery
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:level communication skills.
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:I am very happy to, welcome to the
show, my guest today, Kay Korsh.
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:Kay, welcome to Present Influence.
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:It's great to have you here.
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:Kay Korsh: Thank you
so much for having me.
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:I'm very excited to talk to you.
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:John: Well, suitably for for those of
our, audience who can see the video,
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:you are very stylishly dressed today,
so that gives some clue as to what
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:we're going to be talking about, which
is style for the stage you are someone
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:who is helping professional speakers to
look good on stage, isn't that right?
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:Kay Korsh: Yes, exactly.
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:That's, what I got into
about five years ago now.
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:John: Fantastic.
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:How did you end up coming
into this as a area of work?
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:I.
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:Kay Korsh: I worked with
celebrities and luxury brands for
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:a long time and loved doing that.
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:And then when COVID started, I all of a
sudden that all went, dead for a while.
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:And, I've decided to play around
and thought, what else can I try?
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:And, I met somebody who said to me, I
think you should work with professional
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:speakers because we all need you.
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:At that time I wasn't even sure.
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:I didn't know that was a thing.
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:I didn't know that people
create business out of this.
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:And they started, looking into this.
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:And, I met, a wonderful
woman, Maria Franzo, who.
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:I started, doing workshops together
with, for car cohorts and it
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:kind of rolled on from there.
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:And I really love doing this.
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:I think, professional speakers is
probably the closest it can get
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:to, actors and celebrities because
they're also exposed to big audiences,
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:and they have interesting stories, so.
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:I love the aspect of it where you kind
of have to look at the person and try to
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:work out what the messaging is for them,
how they can use their outfit as a tool
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:and help how the outfit can
help them maximize on the
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:impact that they're creating.
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:And, yeah, I can't believe
it's, it's been so long already.
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:John: It's, it's a great area
of what I think you're the only
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:person I've ever come across
who is doing this specifically.
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:I had mentioned to you before, I
met a lady who was doing smiling
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:for people, for being on video.
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:Specifically during lockdown and
COVID periods where people were on
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:video all the time, she's helping
people to look good on video.
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:I don't, I'm not sure what she's moved
into now, but, but certainly you're then
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:a person I've come across who is that
focused on helping speakers look better
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:on stage and my goodness that we need it.
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:I know I do, but can, can you share
with us, some of the reasons why it's
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:particularly important for speakers?
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:to focus on their style
and their looks on stage.
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:Kay Korsh: Well, let me ask you, why do
you think it's important for speakers?
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:John: Well, I'm someone who studies a lot
of influence and persuasion and just from
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:that perspective alone, if you don't look
the part, there's already going to be
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:a disconnect between what you're saying
and or anything else with the audience.
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:They're gonna be looking
at you thinking, well.
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:You say you are an expert in this,
but you don't really look like it,
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:you know, much like even when we go
to what, an opticians or a nail tech,
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:whatever, and they've got the white
coats on, and they're probably not, I
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:mean, opticians have medical training,
I guess, but they, they don't need to
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:be wearing white coats for what they do.
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:But because we associate that
with medical, and procedural
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:things, we see that they fit
the part that they're playing.
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:And as speakers, we need to
do that as well to a degree.
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:So I think for me, that's
one of the main reasons.
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:Would, would you agree with that?
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:Kay Korsh: Yes, a lot of it, a lot
of the content I talk about is about,
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:minimizing the distractions and making
sure that, as you said, your messaging
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:and your outfit are aligned, because.
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:People are going to make judgements about
us, whether they want it or not, or not.
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:It's just human nature.
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:So before you even start speaking,
when you show up on stage or when
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:people see you online, because we
all have online presence now as well,
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:they're going to, stereotype, they're
going to have some ideas about what
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:you do, what kind of person you
are, what kind of speaker you are.
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:This is just, as I mentioned earlier,
just one of the tools to help them.
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:Create that connection with bookers,
with, clients, with audience.
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:And, the way I, talk about this
is think about the train of
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:thought, which your audience has.
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:The first instance, they see
you before you start speaking.
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:And it's the simplest things possible.
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:It's, for example, if
somebody is an architect.
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:You can do this exercise with
your niche, with any niche you
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:are in if you're an architect.
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:What do people think when they think
of an architect in their brain?
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:What do architects normally look like?
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:And then you can look at your style
and think whether it's aligned or not.
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:Is there any way to, improve that,
to make more connections for people?
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:John: Right.
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:I did, an episode about,
maybe a month or so ago.
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:With a guy called John Demato who is a
professional photographer and he does
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:photography, headshots, and content shots.
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:A general sort of portfolio for speakers
to have those images and what you
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:want to have different outfits, you
wanna look different particular ways.
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:Probably someone would want to, probably
should consult with somebody like
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:you before doing all of that stuff.
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:Because yeah, you want those images, you
want the stuff that's gonna represent
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:you well on your, on your website,
on your bios or stuff you're gonna be
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:sending out to bookers on your, even on
your demo videos and things like that.
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:So we want to be looking, looking probably
as good as we can make ourselves look.
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:Because ultimately aesthetics is still
a part of, presentation, how you
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:look is part of your, part of your
presentation and the whole concept
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:of pulling everything together.
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:So dealing this is, vital for people.
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:Where do you see perhaps speakers
going wrong with this the most?
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:Kay Korsh: Well, I think the most
practical thing where speakers go
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:wrong is does your outfit fit you well?
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:So there are, a lot of stuff
I talk about is connected with
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:credibility and credibility.
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:I put it into.
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:Two different buckets, and you want
to make sure that both of those, tick
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:the boxes on both of those, and one
is the fit a lot of it is to do with
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:when you buy something, you are making
sure that the length of the trousers
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:is correct, the length of the sleeve
is correct because if, the fit is
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:not correct, you might come across a
sloppy and if you come across a sloppy,
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:you automatically lose credibility.
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:With your audience and
you don't want that.
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:So making sure that you've got a
seamstress or a tailor who you can trust
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:and you can take your items to, check
if the length of the items is correct.
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:And then just making sure
that everything is done up.
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:For example, I've got quite an
elaborate blouse on, but if I move
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:around, nothing is gonna happen to it.
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:Sometimes we've got some ribbons.
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:Women especially, there are some
things which can get undone.
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:Or, for instance, there was a story
where somebody shared with me about the
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:speaker who had a prop in his pocket.
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:And when he came on stage and started
speaking, he took the prop out of the
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:pocket, but the lining came out as well.
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:So everything, what people were looking
at was the lining outta the pocket.
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:They couldn't concentrate on his stock.
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:So again.
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:That created a lot of distraction and
we want to minimize that distraction.
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:So practicing in your outfit and
making sure that nothing goes wrong
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:with them and the fit is all correct.
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:That's one of the very
important things to do.
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:John: I think it is.
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:I, I get exactly what you're saying.
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:About the distraction be.
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:I can remember one time seeing a
guy, a great speaker on stage, really
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:animated, and his flies were undone.
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:His zipper was undone on his trousers.
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:And of course everyone,
everyone was noticing it.
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:He hadn't realized it,
nothing was exposed.
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:But everyone could see that the zipper was
open and it's all you could think about
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:because you're just watching on the page.
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:Like, does he not know?
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:Is he gonna zip it up?
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:Is he gonna realize it?
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:And of course, afterwards, somebody
told him, but my goodness, there
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:mean something that small can.
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:Completely distract your audience and
take everyone off of what you're saying.
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:So yeah, these things really do
matter, so I get that completely.
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:Do, do you tend to work with a particular
kind of speaker, or do you work with
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:speakers from, from multiple areas,
like people in corporate, people
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:who are doing maybe more educational
stuff or personal development?
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:Inspirational.
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:What
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:Kay Korsh: I love working with
speakers for the, specifically
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:because they're all so different.
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:So I appreciate working with people
in different areas of expertise.
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:So it's not boring for me.
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:I get, I guess I get bored quite easily,
so having people in different niches
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:where they need to create different
styles is what I really like doing.
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:John: I can appreciate that.
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:And, and so you, you generally
do work with speakers from
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:all sorts of different areas.
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:Um, and is that gonna impact, like
depending on who their audience is, is
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:that gonna impact how, how they dress?
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:Or would you encourage people to dress
more in alignment with their own style?
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:Kay Korsh: That's a really good question.
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:When I start working with somebody,
I always start with their personal
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:comfort, what they're comfortable
with, and that applies both to
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:physical comfort and emotional comfort.
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:So physical is, what kind of fabrics
they prefer, what kind of fit do
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:they like more fitted stuff or.
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:Looser stuff.
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:Do they move around a lot?
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:What kind of stuff works for them?
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:And only after that we'll look at their
audience because it's really important
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:for them to be comfortable, right?
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:If they're not comfortable with what
they were, they're not going to be able
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:to deliver their a hundred percent.
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:To the audience.
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:And then when we start looking
at their audience, we're trying
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:to align those two things.
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:So we're trying to align the train of
thought, which the audience is going
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:to have, what kind of messaging they
want, to, to have with their audience,
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:and what they're comfortable with.
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:And we're trying to find the middle
ground where everybody is happy, and
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:that's how we come up with their style.
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:John: So when you are working with a
speaker to initially get their style
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:and their comfort, does that mean
kind of going through their wardrobe
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:with them or do you have a particular
process that you take people through?
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:I.
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:Kay Korsh: We always look at the existing
wardrobe first, and this is when we
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:have conversations about what kind of
styles work for them, shapes, what their
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:Buddha type is, what their colors are.
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:We do the car analysis and we're having
that conversation about what do you
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:want your audience to think about you?
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:How do you want to be perceived?
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:What are the values in
your, within your brand?
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:Are you playful or are you
authoritative, knowledgeable,
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:credible, you know, all of those words.
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:What are the key words of your business?
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:And from then we start
building up the new wardrobe.
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:John: Do you ever get speakers?
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:Who want to do something a little bit
crazy for maybe just so they stand out.
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:Kay Korsh: Yes.
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:I worked with, a lot of speakers
who, obviously that's a big thing.
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:You want to stand out as a speaker.
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:However, I always, say that it's
not a necessity if style is not
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:your thing and you are creative in
different ways, you don't have to.
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:And that tends to put people at
ease because they kind of feel
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:relieved that they don't have to
stand out if they don't want to.
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:I worked with, somebody who, whose
business was related to, a pirate.
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:So there was like some
pirate references, but I do.
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:I like to keep it not costy.
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:I don't appreciate one that goes
into kind of the costume, area, you
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:know, so it's always important that
it's up to date and we can inject
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:some references, but still keep it
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:modern
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:John: I'm with you there.
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:I think a professional keynote should
not be veering into the area of pantomime
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:Kay Korsh: Yes.
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:John: costumes.
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:Yeah, absolutely.
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:When it comes to working with different,
different people, I mean obviously
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:there are different, body types as well.
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:I'm just wondering, like what, for
people with la particularly larger
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:or smaller figures, what are the
guidelines for how we may want to
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:dress according to our body types?
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:Kay Korsh: Wait, so do you mean
according to the body types
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:or according to the audience?
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:I didn't quite,
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:John: I guess I want to get a sense of
what, but anything that could help us
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:with our decision making and what we're
gonna wear that relates to, if you have
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:this kind of body type, you maybe want to.
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:Think about this sort of look or,
shaping more than anything else.
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:Or you may want to know if you're
larger, this might help you to look slim
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:or if you're small, this may help you
to, to appear a bit larger on stage.
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:So yeah, that kind of thing.
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:Kay Korsh: Yeah, so we, this is
always the first thing we'll look
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:at, at what kind of shapes and
colors work for a specific person.
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:And the, the system I work
with is quite, complex.
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:I don't like the, you know, apple,
inverted triangle sort of thing because
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:it's, people are very different.
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:It's very important.
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:It's actually, think of it
as looking, balanced right?
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:You want your speech to be balanced and
you want your look to be balanced as well.
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:So, helping to shape, kind of
put your shape into golden ratio.
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:Is, one of the ways to,
minimize distractions.
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:I guess I can't really go into.
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:Specifics now of explaining
because it's, it is quite complex.
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:But, it's what I would recommend for
listeners, if you want to work out what
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:your body type is, things like height
is really important because you could
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:be, say, curve your angular, but if
you, if you're petite or tall, that
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:will, have different result and, try
to find celebrities of who style you
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:like and who have similar body types.
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:So look at, as I mentioned now,
look at things like angularity or
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:curves and, have you got, I dunno,
broad shoulders or waistline?
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:The, the length, like, is
your body to long or short?
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:And then try to find similar people
and then start creating inspirational.
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:Like a folder with inspirational pictures
and then it will help you, concentrate
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:on what works specifically for you.
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:Because what tends to happen is we look at
images of somebody and we are like, ah, I
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:love this person's style, but they might
work well for those specific items and
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:silhouettes, because they have different
body type and it might not work for you.
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:Does that make sense?
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:John: No, it absolutely,
it absolutely does.
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:And I get that there's gonna
be specifics that you would do
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:and that you individualize the
process when you work with people.
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:That might make it a bit harder
to, to give more generalized,
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:principles, around this as well.
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:But I think that's some good
guidance there to take a look.
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:And let's see if you can find people
in the public eye who have a similar.
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:Shape and size to you that might be
able to give you some style guides.
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:I'll go and check out,
George Clooney and Brad Pitt.
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:'cause I look just like, no, I
don't look anything like that.
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:But I'm, I'm sure there are some
celebrities out there that that
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:have some similarity to me as well.
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:Let ask you this, when you work with,
I'm sure work particularly with people
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:who are in corporate speaking as well.
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:Is it the case that for men and
for women that it has to be a
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:suit and it has to be a shirt?
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:Or is there more scope for
what people can wear in those
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:sorts of speaking environments?
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:Kay Korsh: Well, in fact, I always say
that it doesn't have to be a suit because,
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:as I said, you, you always look at your
own branding and your own style, what you
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:are comfortable with, and then you try
to kind of match it with the audience.
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:But a lot of speakers I work with
obviously go to speak front of a
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:corporate audience and they quite often
are not dressed in suits because I
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:always, Say that you come into that
audience, front of that audience, you
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:are bringing your own story, right?
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:And that's why they hired you.
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:They hired you for your story and
for your expertise, and you can show
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:that within your outfit as well.
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:For some people, a suit is something
which they're comfortable with.
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:They like putting a suit on
and the back straightened up.
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:They feel like, a speaker,
like an authority.
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:It's almost like they, get into that role.
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:It helps them to get into that
role, but for other people, they
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:like, they like more relaxed style
and it's totally fine as well.
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:John: So potentially
you could get away with.
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:wearing jeans on stage as a corporate
speaker, if you are, if that's your style.
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:Is that right?
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:Kay Korsh: Jeans, not necessarily,
but there are loads of other ways
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:to hit that smart casual look.
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:And, especially now with wider fit, with
maybe more relaxed fabrics, I always
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:still think it needs to be premium.
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:The stuff which you.
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:Where, especially for male speakers,
it's crucial because they are, the
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:silhouettes are not as diverse, right?
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:So they really need to
concentrate on the quality.
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:But, you can definitely go
with minimal sneakers, even
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:if you look as more relaxed.
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:So even if you are wearing,
maybe not jeans, but something,
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:you know, like smart, chinos or
there are other things out there.
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:Which are not jeans, but
they're not part of a suit.
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:So you kind of hit that, tone of smart
casual, which is quite difficult.
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:I would say that's probably
the hardest thing for people
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:to hit the right note with.
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:They're a bit unsure.
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:Some people are sure about the smart
look or their casual look, but how
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:do I hit the smart casual look?
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:John: Yeah, how many looks
are, different looks.
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:As a minimum, would a speaker do
you think generally need, if they're
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:speaking, if they're speaking on
a regular basis, is it just one or
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:two looks or should there be several
outfits that they kind of work between?
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:Or maybe it depends on where
they're going to speak going.
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:What are some of the things
that you've experienced there?
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:Kay Korsh: That's a really good question.
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:Obviously there are
different types of audiences.
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:Sometimes people speak in front of
5,000 people, sometimes 230 people,
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:and it will determine the tone
of what they're wearing as well.
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:So you do need to have a variety.
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:I don't like to dictate
the number of outfits.
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:I would say maybe minimum would be
five, six, so that you at least cover
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:the different audiences and have a
couple of different looks for each.
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:Also, you have things like different
color backgrounds, different
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:temperatures and things like that.
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:What I would say is we are all different.
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:Some of us like clothes, some of us don't.
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:For people who don't like clothes,
it is better to stick to a simple
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:formula in which you can repeat.
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:Famous example is, Steve Jobs the same
outfit, and you can do that, or that is
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:obviously quite extreme, but you can come
close to that but other people who like
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:expressing themselves through clothes.
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:They might have a huge wardrobe,
and that's okay as well.
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:But what would be really helpful, what
I recommend people do is that they
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:digitize their wardrobe so that they can
keep tops of on what they actually own.
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:They don't buy the same thing twice if
they already have it in that wardrobe.
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:And the easiest way to do
it, folders on your phone.
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:You can create different folders of,
these are my shirts, these are my
375
:trousers, dresses, jackets, and so on.
376
:I also recommend to do a Conva
document where you put all of
377
:those looks next to each other and
you can kind of get an overview.
378
:You can print it out.
379
:Ultimately, whatever you personally
find the easiest to digest so that
380
:you have the visual reference of
what you've got is really useful.
381
:I heard this, story from one of my clients
recently that he had the tailor with whom
382
:he did all of his, made to measure suits.
383
:So he, ordered a new suit.
384
:He came home with a new suit, opened the
wardrobe, and realized he already had
385
:exactly the same suit and the same fabric.
386
:And he was furious because,
he spent a lot of money on it.
387
:And he said, why don't they
have a record of which fabrics
388
:I've already used as a customer?
389
:So having your wardrobe
digitized definitely helps with
390
:to avoid that kind of problem.
391
:John: Yeah.
392
:Great.
393
:And yeah, Canva whiteboards are
great for doing things like that
394
:as well, for helping you see that.
395
:I love that.
396
:I know we went into my wardrobe
would probably mostly just see
397
:a hundred different polo shirts.
398
:So that gives you a pretty good
idea of what I'm generally gonna be
399
:wearing, wearing for speaking gigs.
400
:Kay Korsh: Are they in different
colors or the same color?
401
:John: they, they are in different colors,
so probably the majority are in black.
402
:But I have, I have a bunch that
are in, I have like red green.
403
:Blue.
404
:This one's sort of olive, color today.
405
:Yeah, I do, I do like a range of
colors with that as well, but I tend
406
:to, I tend to wear black ones when
I'm, when I'm doing, speaking work.
407
:Kay Korsh: okay.
408
:You kind of, you tend to, you are
more on a, Steve Jobs side of things
409
:where you, you like it simple.
410
:John: I, I like it simple and I like
something that I feel comfortable
411
:in and can move around with and, and
ideally something that has a collar on
412
:it as well, but isn't actually a shirt.
413
:So yeah, I think that's where polo
shirts meet the right balance for
414
:me and, and tend to fit better.
415
:You know, I'm a little on the larger
side, so they tend to fit better than
416
:my dress shirts and stuff as well,
although I do sometimes like that too.
417
:It's always good to get these.
418
:Style tips and advice from somebody
like yourself when it comes to, if we
419
:think about putting a wardrobe together,
what would you recommend as a sort
420
:of budget to get yourself started?
421
:What would be a good budget to take?
422
:You said you want to have quality stuff.
423
:You wanna make sure good, if you can,
for those who are looking to do this.
424
:What would be an ideal kind
of budget to be able to go and
425
:shop for the speaker outfits?
426
:Kay Korsh: That's a great question.
427
:I actually have a resource which
is called A budget calculator.
428
:A clothing budget calculator, which
I can share with you, if you like.
429
:What it, it does depend.
430
:What I would suggest is always look at
your existing wardrobe and see first what
431
:you actually need to get, because chances
are you don't need to start from scratch.
432
:And it also depends on which
bucket of, what kind of, budget
433
:you want to spend for, clothes.
434
:I would say probably.
435
:Looking at how much you earn, and
then thinking about 10% of that
436
:if you want to get a lot of stuff.
437
:I don't, I don't recommend
to go to like High Street.
438
:So High Street can differ.
439
:So normally what I recommend is kind
of higher end of High Street, so
440
:you don't have to go astronomical.
441
:On brands,
442
:making sure that you have good
quality clothes is, important.
443
:John: So would it be like, would you
maybe advise somebody to, to find a
444
:professional tailor or, or seamstress?
445
:Kay Korsh: A hundred percent.
446
:It's, I would say it's crucial.
447
:A lot of people, take it as a, as a
luxury, but I think it, it is an absolute
448
:necessity, because it can completely
transform the look of what you've got.
449
:I've encountered it with clients, quite
often where we go through the existing
450
:wardrobe and we take everything out and
they put it on and they say, all you need
451
:to do is just make it a bit small on the
way so that it fits in the right place and
452
:it completely transforms the whole look.
453
:And all of a sudden they've
got an item, which they already
454
:had and didn't know why they.
455
:Didn't wear it, something was
wrong, even though it seemed okay.
456
:And with that little change, they
can wear that item all the time.
457
:John: Yeah.
458
:I, I do think for, for guys particularly,
and, and, and for some women as
459
:well, it's probably, it is a good
idea to have at least one properly
460
:fitted suit, uh, in your life.
461
:But if you're a speaker,
probably more, yeah, it's
462
:Kay Korsh: Yes.
463
:But also, I, I definitely think it's
for both, male and female speakers.
464
:I.
465
:And, especially, you know, for
petite women for example, it's
466
:almost every single thing.
467
:Even if they do buy, stuff in
petite sizes, they still need a
468
:seamstress to adjust the length.
469
:So literally checking with every single
item, which you buy, like every single
470
:pair of trousers and, a shirt, a jacket.
471
:John: That's great.
472
:Are there, when it comes to trends
and fashions, is it better to maybe,
473
:go for more classic looks or is it
okay to kind of go with some trends?
474
:Or does it just depend on the person I.
475
:Kay Korsh: Trends are really important,
and that's, you remember in the beginning
476
:of our conversation, I was talking
about the two buckets for credibility.
477
:So one was fit, the second one is
being current and looking up to date.
478
:And, a lot of people disregard trends
because they think it's too fashiony.
479
:But in fact, looking at long-term
trends, which have been around for
480
:10 years even, crucial because.
481
:This is another way to
connect with your audience.
482
:If, you look out of date, people might
think, whether it's consciously or
483
:subconsciously, that your ideas are
also out of date and you don't want
484
:that as a speaker, and, they will
feel that you are part of that tribe.
485
:It's the same way as when you hear a song.
486
:Lots of times you start humming that
song, you become familiar with it.
487
:In the same way when we see people
wearing certain things online and in
488
:real life we get used to, our eye gets
used to it, our brain gets used to it.
489
:So people in the audience, when
they see things you are wearing,
490
:which they can relate to, they
automatically relate to you faster.
491
:They can trust you faster.
492
:And yeah, so looking at trends.
493
:And training your brain on what
is in style now is, is very
494
:important as part of being credible.
495
:John: No, I.
496
:Worth thinking about.
497
:And it makes sense to me as well,
I get that, is that if you have at
498
:least something that shows that you
are, keeping with the times, I hadn't
499
:considered what you said there.
500
:We hadn't ever thought about that
before, how people might judge you on,
501
:if you don't show those signs of, that
you're aware of what current trends
502
:are that you might see a little out of
touch is like, yeah, that makes sense.
503
:And it's like, as someone who is, you
know, over 50 now, I certainly think when
504
:I was in my twenties and thirties, I cared
way more about that stuff than I do now.
505
:But I, again, now, I was like, okay,
I'm older, maybe don't care about it,
506
:but I should still pay some attention
to it for, for exactly those reasons.
507
:So
508
:Kay Korsh: A lot of speakers I work with,
they are older, and some of them would
509
:be in the sixties and the seventies even.
510
:And, it's, I would say even more
crucial for all the speakers to look
511
:into it, to make sure that they look
up to date, because I hear this,
512
:especially from female speakers who are.
513
:They feel like they're getting booked
less now that they become older.
514
:And looking current is definitely
one of the easy things they can
515
:do to, eliminate that problem.
516
:John: And, and is that just
small adjustments or, I
517
:mean, what kind of things?
518
:We like, could we just currently make male
and female think about doing to help us
519
:be a bit more current and you know, get
in touch with some of the latest trends.
520
:Kay Korsh: The main thing to
look at is actually the details.
521
:Your footwear, your accessories, your
jewelry, your hairstyle, your makeup.
522
:This is what makes or breaks the outfit.
523
:So I would recommend to, in the same
way, as I said, try to find your,
524
:celebrities who have similar body type.
525
:You might want to look into,
celebrities who have similar
526
:hairstyle or similar hair type to you.
527
:Or for, and it would apply to men as well.
528
:And, you know, with, for example,
facial hair, what kind of facial
529
:hair, like what kind of beard
shapes are in style now, right?
530
:The same with footwear.
531
:So you, you can ask charge for help.
532
:You can Google what are
current trends on, on footwear.
533
:And I guess a lot of it now is
with being more relaxed, right?
534
:So it's, looking into minimal sneakers,
instead of some, more dress issues.
535
:But that's not to say that you
shouldn't have dress issues because in
536
:some, circumstances you do need them.
537
:So looking at the styles
which are current, within
538
:the footwear is, important.
539
:John: Yeah.
540
:I think I.
541
:Recently I was having a conversation,
I can't even remember if it was on
542
:the podcast now, but it was, but it
was to do with, paying attention.
543
:It was on the podcast.
544
:It was to do with paying attention
to things like people's shoes as part
545
:of, as part of viewing the context
of the person as like the, how much
546
:you can tell a lot about somebody.
547
:Just by the shoes.
548
:There's actually, Keith Kong, a guy
who's a professional mentalist, and
549
:this is one of the things he was saying
is like when he is, he has to do quick
550
:evaluations on people on stage when
he's working with them for the mind
551
:reading and techniques and stuff.
552
:And, and the shoes is one of the
first things he looks at because it
553
:tells you so much about a person.
554
:So,
555
:Kay Korsh: Oh, wow.
556
:I absolutely love this, actually,
that I didn't think about that.
557
:Yeah, I should look into
it and maybe even chat.
558
:What is this person's name?
559
:John: Keith Kong.
560
:Super, super nice guy.
561
:I'll connect you with
him if you'd like to.
562
:But yeah, he, based in Vegas and
he's a professional mentalist.
563
:So so I was asking him
like, oh, is it that?
564
:Things like, someone has verypristine
shoes, they're like shiny.
565
:They're really smart.
566
:You can tell someone own, say, yeah.
567
:And it's the same as someone's got really
scruffy shoes on or they're falling
568
:apart or whatever else you can, it tells
you something about their character.
569
:They've come out for an evening out.
570
:This is what they've
chosen to wear for that.
571
:And it is probably how they
don't generally show up.
572
:So it gives you an insight
into their character.
573
:It's part of the how you, kind of what you
mentioned, that how you dress is part of
574
:the context of who you are, that is giving
your audience clues, whether consciously
575
:or unconsciously about who you are.
576
:Kay Korsh: Yes.
577
:Brilliant.
578
:I love that.
579
:John: Excellent.
580
:Are there a few, sort of
style do's and don'ts?
581
:I know you covered some good stuff
already, but some particular style do's
582
:or don'ts that we could probably benefit
from, from your wisdom and insights.
583
:Kay Korsh: I would give you one, which
is less is more if you are unsure.
584
:For example, as I mentioned now, like
accessories can make it or break it.
585
:Jewelry.
586
:Hair style, if you are unsure, it's
always better to go less because
587
:it's less chance of making a mistake.
588
:So, that, and also as I mentioned,
the fit, just making sure that the fit
589
:is right of whatever you are wearing.
590
:And, I guess, making sure
your clothes is not creased.
591
:Things like that.
592
:Practicing in front of a mirror in your
outfit while delivering your talk advance.
593
:John: Yeah, I was kind of thinking
just what occurred to me that, your
594
:look as a speaker, your outfit is
a bit like, a perfume or a cologne.
595
:Like, if you put too much perfume
or cologne on it, it's gonna stink
596
:Kay Korsh: Yeah,
597
:John: and.
598
:If you, if you wear one that doesn't
suit you, it's gonna smell bad.
599
:It's gonna, it's gonna stand out.
600
:But if you wear a, a perfume or
cologne that does really suit
601
:you, and you just have a light, a
light spray of it, it's gonna be.
602
:Almost unnoticeable.
603
:If you do notice, if you do happen
to think about it, you're gonna
604
:think, ah, it just seems right.
605
:It looks good.
606
:No, it smells good on you.
607
:Same with your outfits.
608
:It looks good on your, you mentioned
about things being a distraction.
609
:It's like, you know, the too
much or too little or the
610
:wrong thing is a distraction.
611
:Whereas when I think maybe where you know,
you've got the right kind of look for
612
:you is where it's just not a distraction
and it feels right for you and people.
613
:May notice it, but generally
don't even think about it 'cause
614
:it just seems right for you.
615
:Kay Korsh: I'm going to use
this thing with the perfume.
616
:I love that.
617
:I
618
:love that metaphor.
619
:Thank you.
620
:John: Yeah, please do.
621
:You're you're very,
you're very welcome to it.
622
:My, my gift to you from,
from, from this episode.
623
:When's, just to just sort of, Kyle, I'm
curious when someone does come to work
624
:with you, and I can see why, why people
would, I definitely would encourage it.
625
:How long would they
generally work with you for?
626
:Kay Korsh: I tend to prefer to work
with people over a longer period of time
627
:because I don't believe that you can go
to the shops with somebody for two hours
628
:and they come out joyful and transformed.
629
:It takes time for that transformation
for you to get to know yourself
630
:and for me to get to know you.
631
:So I tend to work with people over
three months period to kind of get
632
:naturally, organically to the place of
where they're happy with the results.
633
:And I'm always driven by the
results to make sure that
634
:they're happy with what they get.
635
:And, I achieve that either
through one-to-one work.
636
:Or I also have a group style program
where I take people exactly through the
637
:same process, which I take my one-to-one
clients through, and that allows the
638
:group, the group program is also three
months long, so it allows for the same
639
:time for them to get that transformation.
640
:John: Fantastic.
641
:Do, do you ever go shopping with, with
your clients or take them to the tailor?
642
:To help them pick out their outfits.
643
:Kay Korsh: Of course, yes,
with, one-to-one clients.
644
:And, I love, a combination of online
shopping and in-person shopping.
645
:As I developed this business, after COVID
started, I developed all the processes
646
:online and, you get so much more choice
online versus in shops these days.
647
:Some brands are simply, they don't
have physical stores or even those
648
:which do have physical stores.
649
:The choice of their online stock
is much bigger, so it's always
650
:nice to have a combination of both.
651
:John: That's great.
652
:Yeah, I, I love this.
653
:I don't think I've, I've seen, like,
I listen to other sort of professional
654
:communication and speaking podcast,
and I don't think I've ever seen one.
655
:On episode where anyone's really
talked about how you look on stage and
656
:how to style yourself as a speaker.
657
:So I love that you're doing this and,
and I'm, I'm pretty sure, you know,
658
:people who may be watching on YouTube
or listening on the podcast may be
659
:thinking about, oh, I might be interested
in working with Kay as, maybe one
660
:to one, maybe in your group program.
661
:What's the best way for them
to find out more about you?
662
:Kay Korsh: I love meeting
people on LinkedIn.
663
:So if you are listening to this podcast,
connect with me on LinkedIn and, say
664
:that you listened to the episode and,
I would love to start a conversation.
665
:John: Fantastic.
666
:Well, I'll make sure that the, the
links to connect with you are in
667
:the, in the description and the show
notes for people who want to do that.
668
:I do do encourage it as well.
669
:Do you, do you share content on
there with style tips as well?
670
:If we follow you on social media, I.
671
:Kay Korsh: Oh yes, definitely.
672
:Yes.
673
:There's a lot of, free content,
which, you can check out.
674
:John: Fantastic.
675
:Well, another good reason to
come and connect with you.
676
:Kay.
677
:It's been a real delight
to chat with you today.
678
:This is such an interesting topic and
an important one that I think so many
679
:speakers don't really think about or they.
680
:Trying to figure it out for themselves
and maybe we shouldn't have been.
681
:'cause most of us don't have a
clue about fashion and style.
682
:Better to go to someone who has a bit
more of an idea, and can guide us to
683
:look really good because I do think that
whole context thing is super important.
684
:And absolute pleasure chatting.
685
:I hope people will come
and connect with you.
686
:And thank you for coming
and being my guest today.
687
:Kay Korsh: Thank you for having me.
688
:John: So there you have it.
689
:Style isn't about fashion as
much as it's about communication.
690
:Now, Kay reminded us today that what
you wear on stage isn't superficial.
691
:It's strategic.
692
:Your look helps shape how
your audience perceives your
693
:authority, energy, and relevance.
694
:Whether you're speaking to thousands
or leading a workshop, your
695
:outfit is a part of your message.
696
:And if you're ready to show up with
more presence, polish and personal
697
:power, reach out to Kate on LinkedIn.
698
:Send her a message.
699
:Mention this show and start leveling
up your visual influence now.
700
:Next episode on Friday, we'll be
continuing the series of robert Cialdini's
701
:Tools of Influence for Speakers.
702
:If you haven't already been
following that series, I think we
703
:are at number five outta seven now.
704
:So do go and check out
those previous episodes.
705
:Can find them on your podcast
channel or you can find 'em on
706
:YouTube, whichever you prefer.
707
:I recommend YouTube 'cause there's a
lot more visual stuff going on there.
708
:There is content I'm putting on
YouTube that is not coming onto the
709
:podcast, so do make sure you are
subscribed to the show there as well.
710
:Otherwise, you might be missing out on
some content that you might just enjoy.
711
:You can also find clips and highlights
from particular shows and other
712
:content that I'm putting out there.
713
:And if you are interested in following
some of my standup comedy, that's
714
:gonna be the place for you to find it.
715
:Hope to see you there.