Episode 223
From Timid to Powerful: Transforming Technical Experts into Confident Speakers with Mark Robinson
Unlocking Presentation Mastery with Mark Robinson: From Technical Expert to Influential Speaker
Summary
In this episode of Present Influence, host John Ball chats with speaking coach and presentation skills expert Mark Robinson about transforming technical experts into compelling speakers. Mark offers insights on avoiding detail overload, the power of storytelling, and the significance of stage presence. They discuss practical tips for confident communication, from structuring content and practicing effectively to using advanced techniques like 'star moments.' This conversation is essential for anyone looking to enhance their presentation skills and make their messages memorable.
Chapters
00:00 Introduction to Present Influence
00:05 Meet Mark Robinson: Transforming Technical Communication
01:50 The Importance of Clear Messaging for Technical Experts
05:04 Overcoming Stage Fright: Mark's Personal Journey
10:14 The Power of Practice and Preparation
16:08 Advanced Presentation Skills and Techniques
18:43 Using Hand Movements in Presentations
19:06 Controlling Unconscious Movements
22:20 The Power of Storytelling
24:59 Encouraging Personal Stories
32:31 Creating Memorable Presentations
35:09 Conclusion and Final Thoughts
Go to presentinfluence.com to take the Speaker StrengthsFinder Quiz and discover your greatest strengths as a speaker as well as where to focus for growth. For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn
You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence
Thanks for listening, and please give the show a 5* review if you enjoyed it.
Transcript
Do technical experts make the best speakers?
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:Not always, but with the
right support they can.
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:And in this episode of Present Influence,
I'm joined by speaking coach and
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:presentation skills expert, Mark Robinson.
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:Mark specializes in helping tech
professionals and senior leaders.
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:Transform complex content into clear,
confident, and compelling communication.
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:Mark shares the secrets behind
making your message memorable.
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:How to avoid detail overload and
why storytelling practice and
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:authentic delivery are essential
even for the most analytical minds.
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:We also dive into stage presence,
star moments, and why it's not about
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:being flashy, but about being heard.
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:If you've ever felt like your
message gets lost in translation,
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:or you want to help your team speak
with more clarity and impact, this
14
:conversation is very much for you.
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:If you're not already subscribed
to us on YouTube, please make sure
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:you hit the like and subscribe
and maybe leave us a comment.
17
:Let us know if you're enjoying the show.
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:If you are listening to us on Audio
podcast, do join us on YouTube for sure.
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:But please also make sure you are
following the show on your favorite
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:podcast provider so that you
don't miss any future episodes.
21
:Welcome to Present Influence, the
Professional Speaking Show for
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:speakers and communicators who want
to impact, influence, and inspire.
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:My name's John Ball, your guide
on this journey to mastery
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:level communication skills.
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:I think it's a great privilege for me
today to be able to welcome my guest who
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:is undoubtedly an expert in speaking.
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:Lemme welcome, Mark Robinson.
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:Mark Robinson: Thank John and
it's, an honor to be here.
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:I've seen some of your previous
episodes, the speakers, the guests,
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:you've on pretty awesome lineup,
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:John: I do pretty well for guests.
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:Thank you.
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:You for our audience, just say a
little bit about, the kind of training
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:and work that you do at the moment.
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:Mark Robinson: My background,
first of all is in it.
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:So most of my customers are technical
people, and what I do typically to.
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:Where I give people practical tips that
they can immediately implement everything
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:from, thinking of your goal, getting
that clear, preparing how you start,
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:how you structure, how you end, how
you can have more confidence, how you
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:can add storytelling, how you can use
PowerPoint and what you shouldn't do,
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:how you can do online presenting, and
how you can make sure your presentation
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:is something which is memorable.
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:That years later people will say, oh,
that's, that was that presentation.
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:John: I think you, summed that
up very well, and just to get a
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:better of an understanding of that,
so you work mostly with people in
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:technical spaces for that training.
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:Why, why is it that they particularly
need that and, where, where are they
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:gonna be using and applying that?
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:Mark Robinson: Mostly they apply it
in their work environments when they
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:speak at conferences, in the last couple
of weeks I've trained, two CEOs, one
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:who was, presenting to her company,
and another one who was pitching for
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:a large in multimillion investment.
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:John: Why do they need this training?
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:Mark Robinson: technical people
tend to love, the details and the
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:products, but they're not necessarily
great at understanding the audiences.
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:And so they tend to just go into
lots, lots of detail, rather
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:than getting to the core message.
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:Even getting clear yourself, what.
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:Presentation and many of us, I include
myself in this, don't naturally think
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:of those things and presentations dull.
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:John: Do you ever get feedback that
this helps them in other parts of
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:their lives with communication as well?
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:Mark Robinson: John, when you can
present well or confidently in front
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:of a group, then in a one-on-one
like we're having now, or even a,
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:social setting, like a date, a party,
anything, you have much more confidence.
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:It's a job interview, you
can be much more confident.
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:So it helps in multiple areas as well.
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:And even.
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:writing articles or writing emails.
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:One of the things I talk about in my
workshop is kill your darlings, right?
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:Get rid of all the things you
would love to say, but you'd just
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:be overwhelming your audience.
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:And that principle applies equally
to an article, to an email.
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:What's your core message?
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:And get rid of things
that don't help your goal.
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:John: That we will met those people who
spend so long dancing around the topic
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:that they're actually trying to get to,
that you probably lost interest or tuned
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:out long before they ever get there.
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:Mark Robinson: Can I tell you
one quick story about that?
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:A few, couple of years ago I was giving
a workshop to a number of technicians,
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:but there happened to be a very
senior manager in the room as well.
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:And when I talked about, when I said,
when you're in front of senior management,
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:think in terms of headlines, what's
the main thing you want to say first?
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:Tell them what you want them to do.
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:And when I said this, the
senior manager said, thank you.
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:He said, many times engineers come to
me and they speak for half an hour.
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:And at the end I think, what do you want?
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:Why are you telling me
all this information?
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:So yeah, just getting that
clear is already a big help.
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:John: Yeah, it's like giving you all
the, instructions and technical spec on a
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:rocket when all you really want is a, a,
a new, I don't know, have steering wheels,
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:I guess, but a new seat or something
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:let me, let me ask you for, for yourself.
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:I know you've said that when you
first were getting up on a stage,
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:you were absolutely terrified.
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:Tell me a bit about that and what made
you then push through and continue.
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:Mark Robinson: Yeah.
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:Well, thank you John.
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:That was when I was 13
years old at school.
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:In fact, I talk about that a bit in the
TEDx talk, that when I stood in front of
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:my classmates, I was absolutely terrified.
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:30 unimpressed teenagers all looking at
me, and I just felt so self-conscious.
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:I was shaking.
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:I was told later I went totally white.
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:I was convinced that I
would never do that again.
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:It was horrible, traumatizing, even.
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:But we had to do it again because, at
school you have to do that a few times.
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:And then I went on a workshop by a guy
who's quite well known in the Netherlands.
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:Then he gave a follow up
workshop about public speaking
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:called Speaking with Impact.
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:And he explained, transparent.
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:He explained the tricks that he did,
does to keep people's attention keep
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:people listening the whole time.
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:And I thought, wow, apparently
I can do it as well.
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:So I just started learning and
applying these techniques and so
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:that is in a nutshell how I went
from thinking I couldn't do it to,
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:Hey, I can, and if I can, anyone can.
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:John: Yeah.
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:Yeah, I, I kind of feel that way as well.
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:I mean, yes, some people are going
to probably be a little more adept
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:than others, and that's okay.
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:I mean, we all start from different
places with these things anyway,
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:and some people might be able to go
further than others with it because
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:they maybe have more of a performance.
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:Personality that is more,
just fits better on the stage.
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:But then again, it depends on the kind
of speaking you're doing to the kinds of
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:audience you do as to what's gonna be most
effective and most connective for them.
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:For, for yourself.
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:What's been the kind of speaking, speaking
work that you've done since then and, and
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:how do you feel going up on stage now?
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:Mark Robinson: I feel more
confident, but I'm still nervous.
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:And I think that's a good thing
because a few years ago I was
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:totally relaxed, way too relaxed
in the run up to a presentation
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:and a couple days before I thought.
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:Actually, I haven't really well prepared.
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:Well, so I, I like crammed for 48 hours,
making sure I was really well prepared.
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:So I think a bit of nerves can help.
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:And I'm feeling more confident.
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:John: That, that's good to hear.
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:I mean, it's not the level of
nerves that you had before.
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:You were terrified with the
blood strain in front your face.
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:So that's, so that's good to hear.
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:But I, I do think, a little bit of nerves
kind of shows that you care and that
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:you want to do a good job, but we don't
want the level of nerves where you are.
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:Almost paralyzed or want to run
away screaming in tears, which,
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:which I have seen in various speaker
trainings I've done over the years.
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:It does happen.
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:Some people are that terrified.
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:I.
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:Mark Robinson: indeed.
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:And, and yet you are a great example
of this because you have been
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:able to do standup comedy, right?
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:And, and that must take
even more confidence.
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:John: Do, do you know, can I share
with you something about that?
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:That, 'cause people do keep asking me
about this and like, oh, I couldn't do it.
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:I'm terrified.
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:And that's how I probably felt.
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:And then when I did it and people
saying, aren't you nervous?
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:This is before I'm going up on stage.
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:'cause you want people to be
asking you, are you nervous just
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:when you're about to perform.
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:Right?
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:But,
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:Mark Robinson: right.
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:John: that really helps.
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:But, I was like, no, not that much.
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:I really wasn't.
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:I was a little bit nervous, but I had
already framed in my head that the win
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:for me was getting up on stage to do this.
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:And I gave myself permission to bomb.
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:I really did.
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:It's like, if I'm terrible, it's okay
because I can be better next time.
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:And it kind of helped as well
that a few of the people who
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:were up before me in the lineup.
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:Did bomb and it, and it was okay.
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:The audience was still really
supportive and I thought, this is fine.
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:Not nothing's gonna, nothing is
gonna happen except no laughs and
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:which would be a bit disappointing,
but it wouldn't be a failure.
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:So, so even though people think,
oh yeah, he must be terrified.
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:I, I wasn't, it ended up being
a really positive experience.
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:What has terrified me in the past
has been competitive speaking.
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:That scares me.
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:That fills me with dread.
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:Mark Robinson: So what you are,
you are in a line of people all
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:pitching or what is that setting?
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:John: no.
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:Like doing the Toastmasters
World Championship.
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:Mark Robinson: Right?
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:Wow.
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:John: It was fun, but it, I found
it absolutely terrifying, especially
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:as I got up to higher levels of
the competition and like, oh no,
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:I don't know if I want to do this.
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:Mark Robinson: Very good though.
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:Very good.
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:You even did it.
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:That sounds incredible, John.
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:John: It is, definitely if, if people
who are in into that kind of thing,
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:I think it's a great experience.
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:Ultimately I decided it
doesn't do, even if you win, it
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:doesn't do that much for you.
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:It's like, it's, it's a good accolade.
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:But, then I just thought it wasn't
worth it because I was like,
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:honestly, my heart beating through my
chest, the palpitations, the sweat.
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:Too.
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:It was a little too much, and I don't
get that when I'm doing keynotes, when
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:I'm doing standup comedy, you know,
it's like, let's, let's stick to that.
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:Mark Robinson: and if I may give
a tip to your listeners, one thing
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:that I think makes the single biggest
difference for confidence is practice.
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:John: Right?
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:Mark Robinson: I practice, I,
I probably practice at least
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:10 times any presentation.
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:The first five times, I'm just getting
the story right because I dunno about you.
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:But the very first time I give any
presentation at home, it's terrible.
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:Really, really awful.
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:And I think second time is
slightly less bad and so on.
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:And I'm so glad that I don't go
live with my first draft because
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:that would not be a success.
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:Then the last few times, I'm
just making sure I know it.
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:So when I'm in front the
audience, my notes I'm I know it.
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:John: And you and I probably both
know from people we've worked with
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:that most people are finishing
their first draft the night before.
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:Right?
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:Mark Robinson: Yeah.
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:Yeah,
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:John: Which is not the best time to
do it and to try, then you've got
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:no real time to practice it and you
end up going up on stage, ring it.
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:But I tend to go with the idea that.
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:How we do anything is
how we do everything.
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:Not all the time, not with everything,
but, but generally it's like if you're the
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:kind of person who crammed for your exams
and stressed out the whole time you're in
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:there, you're probably gonna do the same
tactic with something like this as well.
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:And it's not great.
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:It's not great, so we don't recommend it.
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:What would be, what would be your
recommendations for people to practice?
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:Like how could you help people like set
up and schedule a good level of practice
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:that would have them ready to go?
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:Mark Robinson: So I think it depends how.
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:On a number of factors like how
well you know the topic, how much
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:you need to research and so on.
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:So it will vary for me from anything
from two weeks to two months in advance.
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:I start thinking about it.
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:I will typically, do a mind map.
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:So for, first of all, think about the
goal, what I want to achieve, and then
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:my tip is I think about the three Hs.
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:The head.
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:What should people remember?
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:One, two, or three things.
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:The heart, how do you want to feel,
which is usually inspired or excited,
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:something that leads to the final H,
which is the hands, the actions, what
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:you want people to do as a result.
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:Because if there's no call to action,
doesn't matter what you're talking
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:about, talk about your holiday,
makes no impact on the world.
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:So head, heart, and hands.
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:Get that clear first of all.
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:John: Cool.
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:Do, do you create a little stage area
to practice or how do you set that up?
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:Mark Robinson: So can you talk about that?
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:Who do you have?
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:What happens?
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:John: Look, I've had, so many
coaching, experiences over the years
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:that I have an amazing network of
people who are friends and coaches.
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:So some of them we connect
with and coach regularly.
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:Some of them are incredibly good
speakers who I can go to and say, Hey,
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:look, can we do a bit of work on this?
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:Can you take a look?
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:But I also get the opportunity
to have coaching regularly.
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:On this show from people like yourself
who, have great expertise and you know,
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:as much as we may even work in similar
areas, there's stuff, you know, that
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:I don't, there's stuff I know that you
don't, you know, it's like, so always
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:learning, always getting development,
but, but also sometimes it means.
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:We connect with people sometimes you
really click and you stay in touch
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:and you can give each other coaching
or go to them and say, Hey, would
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:you coach me on this for a bit?
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:So yeah, done some of that.
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:I've worked with, world Champion, I had a
coach for who's world champion of public
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:speaking with Toastmasters a while back.
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:It's all the stuff that
helps you progress faster.
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:Mark Robinson: Can I tell you
one quick story about that?
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:So, when I gave a workshop at my local
university, it's what I'm saying is it's
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:very important to pick the right coach.
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:When I gave a workshop at my local
university, see, on my workshop,
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:I only give positive feedback, and
the students are not used to that.
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:They're used to being
criticized by their professors.
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:Very hard.
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:I said to them, they said, you know, our
professors, they attack our presentations.
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:I said, okay, how good are
your professors at presenting?
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:They're terrible.
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:They said, and yet they're
the ones giving the criticism.
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:So it's very important as you are
doing to pick really good coaches.
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:Otherwise you're gonna get
your, the feedback you get could
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:actually harm more than help.
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:John: I like that.
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:And I often say this to people about
groups like Toastmasters, that it will
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:help people who are getting started,
but unless you can find a club that
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:has experienced speakers in it, it
may be hard to progress further.
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:I.
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:Because you're not gonna get the feedback
and the encouragement, and you're not
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:gonna see and be able to model the more
advanced speakers if they're not in
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:your group, if they're not in your club.
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:So what I couldn't say
Toastmasters can't do that.
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:Some clubs can, some clubs can't.
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:That's why exactly that point, you have
to get feedback from the right people.
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:And the kind of feedback that's
actually gonna help you to
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:grow and develop and encourage.
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:So I like that.
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:I
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:Mark Robinson: and, and you mentioned
an interesting word you said about
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:encouragement as well, and that's
also super important, not just to hear
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:what you did wrong, but also what you
can, what you did well, because as I
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:say on my workshop, I say, who, when
I talk about only positive feedback,
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:they say, but why'd you do that?
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:I say, well, who's our worst critic?
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:And they all say, yeah, it's ourselves.
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:Exactly.
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:I often see this people, after
they've given their presentation on my
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:workshop, they will go back to their
saying, oh, I didn't do that right.
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:John: You're reminding me of a
speaker training I did early early
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:to mid two thousands where we
weren't supposed to give negative
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:feedback to anybody in the group.
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:And one guy said, I've got loads of
feedback for you, but it's loads of
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:negative, we're not allowed to give it.
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:And so I said, let's go outside 'cause I
really want to hear it 'cause I'm not the
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:kind of person who takes it personally.
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:And, it was all really good feedback,
but it wasn't constructive feedback.
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:The trainer overheard what we
were doing and he nearly got
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:kicked out of the training.
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:So you gotta be careful.
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:Mark Robinson: was that a course?
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:John: It wasn't, it wasn't, I don't wanna
say who it was 'cause the guy's kind of
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:not, the guy's not in business anymore
and, there's good reasons for that.
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:But, I'll leave it there.
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:But, let me ask you, have a book
on advanced presentation skills.
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:And I wanna ask you what constitutes
advanced presentation skills and
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:how does somebody know when they're
ready, when they've got enough
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:foundation to be ready for that?
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:Mark Robinson: Yeah, well,
that's a great question.
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:What's the difference
between basic and advanced?
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:I, some of the, some of the things people
just don't even think about anyway, so
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:I mean, like, at a basic level, people
don't even, some people don't even
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:get, and these are people who are, as I
say, like CEOs or very smart people who
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:wouldn't do anything without having a.
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:A presentation.
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:So getting some things
like that is a basis.
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:Then the next level is making sure
you, as soon as you start speaking,
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:you grab people's attention.
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:How'd you do that?
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:One way is what I'm doing
right now, isn't it?
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:I'm just asking questions, aren't I?
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:So that's one easy way to
grab people's attention.
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:That's kind of the next level,
and then the advanced things.
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:Short story.
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:I was at a giving a workshop to
another at a technical company and
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:there was a lady from Iran there,
and that's important for the story.
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:And she said, we get products from
our suppliers and I'm gesturing to my
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:right now for the people listening.
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:We put it in our warehouse, gesturing
to my center, and then when we
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:get an order from our supplier, we
deliver it to the customer to the.
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:That was brilliant, but that's different
to what most westerners would do.
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:Most westerners would say, for example,
if I say cells are increasing, I'm
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:gesturing from my, from my bottom
left to my top right, which for the
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:audience, when our past is normally
we think of the past on our left
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:means it's kind of going back in time.
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:So you've always got to mirror
things when you are in front of an
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:audience, and this lady from Iran does.
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:So for her, the past is on the right.
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:So in a nutshell, that's an example
of one of the more advanced tricks,
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:which when you've got the rest in
place, then you can think about,
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:John: Yeah, so that's I've heard
it called temporal anchoring on the
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:stage, we'll go with that because it
sounds like you've heard that as well.
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:And, and so it is understanding where
things are timeline-wise when you're
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:presenting, which is just as important
on video as it is on the stage as well.
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:But it does, I dunno, I still find it
gets confusing working in mirror image
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:that you do have to think about it and
train it a bit, which maybe is where the
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:practice part comes in for that as well.
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:Mark Robinson: John.
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:John: Because it makes a difference
where you're standing as well, right?
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:So, you know, if the, if the left
of, if the left audience left of
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:the stage is the past for them, and
you are talking about things in the
379
:past, it makes sense to be there.
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:And the same with the right
hand side, if that's the future.
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:So
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:Mark Robinson: or you can use your hands
when you are in a conversation like this.
383
:You just use your hands.
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:But that's also important when
I'm gonna give a presentation.
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:I.
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:Early to check out the setup and
if possible, get photos in advance.
387
:I can already start to think
exactly what you're, John, where
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:would I stand when I'm about this?
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:Get an idea of the setup already.
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:John: Yeah.
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:Another thing maybe is then you
talked a little bit about hand
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:movements and, and it's something
that I think some people end up
393
:being very conscious of, but there's
also a lot of unconscious movement.
394
:Which you talked about with the thing with
your hand, CLA being, and nearly everyone
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:has got some kind of unconscious body
movement they tend to do, especially when
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:those nerves are creeping up a little bit.
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:What, what's your advice for getting
that under control and having
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:more volition with your movement?
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:Mark Robinson: Well, one thing that I
don't do, and I learned this from Scott
400
:Adams, the guy who used to do the D
book cartoons, one thing that he says is
401
:don't, draw attention to those kind of.
402
:If you do and say, Hey, you're
doing this, don't do that.
403
:Often, the tick will just move somewhere
else because it's a symptom of nerves.
404
:So I think the biggest thing
is what we talked about is
405
:increase your self-confidence.
406
:One way to do that is, as we talked
about, practice, practice, practice, even
407
:practice for a particular presentation.
408
:But also, of course, the
more presentations you
409
:give, the easier it gets.
410
:So I think that's probably
the most important thing.
411
:And, and then another tip for
hands is, best tip I've ever
412
:heard is just forget about them.
413
:Don't think about them, because
then they'll move naturally
414
:and that's the best you can do,
415
:John: I'm kind of there with that
except you see, you do see a lot
416
:of people doing strange things with
their hands sometimes when they're
417
:presenting, and I always fear that.
418
:So long as you get that picked
up somewhere and do something
419
:about it that 'cause it, it
does end up being a distraction.
420
:Mark Robinson: So that's what
I did when I practiced in front
421
:of my wife and got found out
that, so that that really helped.
422
:John: I would say it's interesting what
you say there, 'cause I know, Darren
423
:Brown, the mentalist, Darren Brown,
he, he has a, a tick, which is this
424
:sort of head nod thing, which, which
works very well for him with the kind
425
:of thing he does with the mentalism.
426
:And that's what he's done.
427
:He's, he doesn't, hasn't
tried to change it or stop it.
428
:He lets it work, work for him in a way.
429
:And so, yeah, I think there's
sometimes we can be okay with that and.
430
:Just not focus, as you say,
not focus on it and just get
431
:on with the job you went to do.
432
:But if you're like, I think you
are a bit like me, you like to
433
:talk with your hands a bit and,
434
:Mark Robinson: A bit.
435
:John: And gesticulate, I think, so
long as we don't go over the top
436
:with that, it's, it, it can be very
effective and, and really helps to
437
:punctuate what we're talking about.
438
:And interestingly enough, and, I'm gonna
try and remember the lady's name now.
439
:Vanessa Van Edwards.
440
:Do you know her?
441
:Very interesting ladies.
442
:Some great books, on
human behavior and stuff.
443
:And one of the things she says is that
research research shows that, people
444
:feel more calm, more trusting, more calm
if they can see the backs of your hands.
445
:So they can see your hands,
especially when you're in video.
446
:But if, see when they can
see the backs of your hands.
447
:I guess it's some sort of ancient
psychological thing about not being a
448
:threat, but being able to see your hands,
particularly the back of your hands is,
449
:apparently quite a significant thing.
450
:So
451
:Mark Robinson: Wow.
452
:Yeah, that's a
453
:John: worth, worth checking out her books.
454
:She's, she's a very,
very interesting lady.
455
:Um, lemme say the come
to presentation skills.
456
:Advanced presentation skills,
what, what else really helps us to
457
:be that bit more professional and
progressed when we're on the stage.
458
:Mark Robinson: I think one of the other
things is, and again, people don't
459
:often think about this, particularly in
the technical world, is storytelling.
460
:If you tell a story, then
people will remember it.
461
:Your what?
462
:Your message for a long time to come.
463
:You make a natural connection
with your audience.
464
:They love to hear it.
465
:You know, one of the things
I sell my workshop is it's
466
:great for keeping attention.
467
:No child has ever when
there's been taken to bed.
468
:I said, can you please give
me a PowerPoint presentation?
469
:No.
470
:They want to hear a story, right?
471
:So a PowerPoint presentation would
probably send to sleep faster, but indeed.
472
:So I think storytelling is very important.
473
:And how I train people in my workshop
is I say simply remember the three Ps.
474
:Stories have to be personal.
475
:So preferably talk from your own
experience, talk about the second P is
476
:a problem, something you encountered.
477
:And then that what keeps our
attention is how you resolve that.
478
:And then finally, the point or the
purpose, why are you telling it?
479
:And one phrase I find
particularly helpful is.
480
:So what I learned is, and by saying that
phrase, then you round up your message.
481
:Yeah.
482
:Your story with your main message.
483
:John: I tend to, I tend to agree that
I, I encourage people to tell more
484
:personal stories than anything else.
485
:I certainly encourage people to stay away
from those para ballistic stories that.
486
:Speakers use.
487
:We've talked, you know, we've talked about
488
:Mark Robinson: I heard
that from the last one.
489
:Absolutely.
490
:John: Yeah.
491
:So, we talked about that
with Danny b Brassel.
492
:He hates that as well.
493
:But, you know, if you've ever been to,
if you, if you're a speaker, you probably
494
:hear a lot of people speak and you go
to a lot of talks and, and the fact that
495
:there are very well paid and experienced
speakers who use these make you.
496
:Makes people think it's okay,
or that's a great story.
497
:They are, they're great.
498
:They're illustrative, but
they're just overused.
499
:But personal stories aren't, but I
think you, I would say you probably
500
:can sometimes get away with stories
that are about other people as well.
501
:Um, would, would you agree with that?
502
:If, if it's from your, maybe if it's
from your own perspective as well.
503
:Mark Robinson: That's
important what you just said.
504
:So why are you telling that story?
505
:What does it mean to you?
506
:Why are you showing?
507
:You could say, so I found this
particularly inspiring when
508
:I, and then you introduce your
own story, why it affected you.
509
:John: I, I always think storytelling
probably is one of the most
510
:powerful tools that we have.
511
:And I know there are people who
specialize just in training,
512
:storytelling, and I can completely
understand why for me and what I do,
513
:and it may be similarly for you as well.
514
:It's just a part, it's a part of
the bigger picture because there's
515
:so much, there is so much more.
516
:But I think those basic
story storytelling skills.
517
:Those basic storytelling
skills are essential.
518
:How now, what, what, what do you do
if you get someone who comes along?
519
:'cause I'm sure you've had this where
they say, I haven't got any stories.
520
:I can't think of anything.
521
:I'm not, I'm not interesting
or something like that.
522
:Mark Robinson: I use, some persuasion
tricks throughout my workshop.
523
:And one simple one I do is peer
pressure, but in a very natural way.
524
:And I, and I, by the way, some people
say, oh, I don't feel it's ethical.
525
:I think it's ethical when
it's in their benefit.
526
:I'm not doing it for my
benefit, but for them.
527
:So how it works is.
528
:On the workshop, I say I give them,
talk a bit about storytelling.
529
:I first of all show a video, then
talk about how, how you can do it
530
:and why you should tell stories.
531
:Then I say, now we're gonna take two
minutes in silence to think of story
532
:we could share with this criteria.
533
:So it's personal, your experience,
problem you encountered and your point.
534
:So what I learned is, and I give
them a couple minutes to think
535
:and I say, okay, now who's first?
536
:So always let people themselves.
537
:So someone will say, oh, I'll
go first, and then they start,
538
:and then someone else goes next.
539
:Then let's say you are the ninth or
10th out of the 10 people in the room.
540
:By the time the seventh or eighth
has spoken, you are thinking, oh,
541
:everyone else has done it except me.
542
:And then I think there's only
been one person in the thousands
543
:of people I've trained who said,
I really can't think of a story.
544
:Everybody comes up with
a story by the end.
545
:John: We've all got the stories inside us.
546
:I, I'm of the mind that mostly we
need the prompts to help us remind
547
:ourselves what those stories are,
548
:incredibly helpful and
549
:Mark Robinson: heard the other
people, that triggers them to
550
:think, oh yes, I've got something.
551
:John: I think there's something innate in
storytelling that we relate ourselves into
552
:the story and we do start thinking about
times in our own life that are similar
553
:or comparable to, to the story we heard.
554
:We can't help but relate into
the story, so it's a, a, a
555
:very, a very powerful tool.
556
:How would you.
557
:Advise people to use storytelling
in their presentations.
558
:'cause we don't wanna just have a
whole story for like 45 minute keynote.
559
:So, so what do, what do you and
how do we, we structure that in.
560
:Mark Robinson: So, first of all,
how many stories you should use.
561
:I would probably use one short
story every roughly five minutes.
562
:So it could be two minutes every 10
minutes, but roughly every five minutes.
563
:'cause then you have the, the
attention resets with the stories.
564
:'cause everyone loves it.
565
:If you start by saying, lemme tell
you about something, something that
566
:happened to me two years ago, which
completely changed my soon as.
567
:Everybody in the room is listening.
568
:So that's how often when you should do it.
569
:I mean, you can start
with a personal story.
570
:One thing that I do also mentioned
in my TED Talk, there is a few
571
:different points, a few different
ways you can structure your talk.
572
:For example, you want to talk about a
problem and a solution, and then you could
573
:talk about how you discover that issue,
what happened, what went wrong, and.
574
:I mean, even a story, Hey, my first
day at work was a complete disaster
575
:because the last project I did and then a
576
:John: What about if we want to
tell stories, but we can't, we
577
:don't necessarily have personal,
relevant experience to the
578
:point that we want to make.
579
:What, how can we still tell
a story in that situation?
580
:Mark Robinson: So, I, well, my
initial reaction is to push back and
581
:say, Hey, let's think about that.
582
:Why are you giving this message?
583
:What's the relevance to you?
584
:And then we start thinking, oh
yeah, there is an experience.
585
:I could relate.
586
:So that's what I would initially do.
587
:But as you said, you can
always talk about other people.
588
:I don't make up stories just to
be clear, because I feel I want
589
:to be authentic and also being.
590
:Inauthentic, your
confidence level goes down.
591
:So I always talk about personal
stories and I might refer
592
:to stories of other people.
593
:I could say, you know, this person
said to me so and so, if I have
594
:their permission, then I can repeat
someone else's story as well.
595
:I, at the very far end are the ones you
talked about earlier, the parables, the
596
:ones that everyone uses or a famous story.
597
:I do mention those from time to time.
598
:But lot.
599
:But then I a lot less often.
600
:John: When, when I, I, somewhere back,
I trained to be a stage trainer and.
601
:It was different to how I
thought it was going to be.
602
:'cause I knew there was a lot of stories,
and I think some part of me may be guessed
603
:as well because it was a very particular
kind of training for a particular company.
604
:Those stories had to be the stories
that the other trainers told.
605
:could, you could put your own spin
on them, but they had to be the
606
:same stories in essence, so they
were never your personal stories.
607
:And I always felt that that was somewhat.
608
:Damaging to, to your authenticity,
especially if you train that into
609
:yourself, in, in the long term, that
finding your own authenticity again
610
:after that, where you kind of, you
maybe get to a point where you get
611
:pretty good at faking the authenticity
on it, is not a, not a healthy
612
:way to proceed as a storyteller.
613
:Mark Robinson: This relates very well
to the topic you talked about in your
614
:last podcast when you gave, kind of gave
a monologue for 20 minutes about being
615
:authentic, being your authentic self.
616
:Very, very important, John, and that's
one reason why I couldn't follow a set
617
:standard from a well-known company.
618
:For example, say, Hey, mark, go and
do this presentation skills workshop,
619
:because it wouldn't be authentic To
me, authenticity is so important and it
620
:really increases your confidence as well.
621
:You don't need to look to your
notes when you're telling a story.
622
:Hey, what did I do next?
623
:Because you know the stories,
you can speak it confidently.
624
:It's very powerful.
625
:John: Yeah, it's interesting to
me that I see lots of other people
626
:who've gone through that kind of
pathway and they do lack a degree of
627
:connection with their audiences to,
to me at least it seems that way.
628
:It was my perspective, but they,
they don't seem to have the warmth
629
:and connection that somebody who's
really being truly themselves
630
:and natural and not putting on a
personality from the stage, can do.
631
:That said as well, I still think there's
a level of curation in what we show
632
:on stage to what we don't as well.
633
:Mark Robinson: The online
kind of curs of things.
634
:You know, people have ups and
downs and what they tend to show
635
:online is everything above a
certain level, which is Yeah, yeah.
636
:John: Yeah, but also, you know, we
are not gonna air our dirty laundry or
637
:pull the skeletons out the closet just
'cause we're on a stage being authentic.
638
:Mark Robinson: There's something, there's
like a level that you think, no, that's
639
:just, that's not for public consumption.
640
:Yeah.
641
:John: It, it makes
sense I think, I think.
642
:We probably do all have the experience
of it and, and let me know if you agree
643
:or not with this, but, we are not exactly
the same in every situation we're in.
644
:We're not exactly the same in
the office as we are at home.
645
:We're not necessarily the same
with our, with our parents
646
:as we are with our friends.
647
:So we, we show up a little differently
in different social situations,
648
:but there's still versions of.
649
:Us, and I think it's finding that
version of you for the stage that's
650
:gonna connect well with the audience,
but also not undermine yourself or your
651
:credibility whilst you're up there.
652
:Mark Robinson: I think
that's a very good point.
653
:'cause we all have labels, right?
654
:Son, father, husband, whatever it is.
655
:But tho and, and those all have different
sides of us, you're absolutely right
656
:and on stage, you, you may, show a
different side of you, but it's still you.
657
:Absolutely.
658
:Yeah.
659
:John: What, what are your thoughts
about presence and charisma on stage?
660
:Is there anything you, you
teach relating to that?
661
:Mark Robinson: I think a part of it
we've talked about, so practice is super
662
:important, then you have more presence.
663
:And also what we talked about,
yeah, your, your storytelling and
664
:being authentic is super important.
665
:One.
666
:Thing.
667
:I think it will make a big difference to
your presence or make sure people remember
668
:this is another advanced technique
is something called a star moment.
669
:It's something they'll always remember.
670
:And when you can do that, then you
come across much more confidently,
671
:which also increases your presence.
672
:So.
673
:An example of a star moment is, you
can do something unusual like, Steve
674
:Jobs, for example, demonstrating
the iPhone and using it on stage
675
:and showing how powerful it.
676
:Pizza for 4,000 people or something.
677
:I can't remember exactly what it was.
678
:That's a powerful moment.
679
:You can draw something.
680
:There's a very good TED talk about how
to, do drawings on flip charts and things.
681
:That's what I also teach on my
workshop and I make use of it myself.
682
:You can get the audience to do something.
683
:I remember one time on my workshop
there was a, a technical leader.
684
:She said to everyone, okay,
everyone come to the middle.
685
:'cause the tables were in a U form.
686
:We all came to the middle and
she pointed to one person,
687
:said, you're the team leader.
688
:Get them all to stand a
meter and a half apart.
689
:So this person was moving us all around.
690
:Took about a minute and a half.
691
:She said, okay, now
all come back together.
692
:We all came back together.
693
:She said, now you are
a self organizing team.
694
:Stand a meter and a half apart and
within five seconds we'd all done it.
695
:So you can do something unusual.
696
:You can draw something, you can
get your audience to do something.
697
:You can show something as well,
you know, like a, A something, a
698
:prop we would call under a cover.
699
:If that's on stage and you talk
about it without revealing it, that
700
:immediately keeps people's attention.
701
:One simple example, I a pitch
once at a pitch evening.
702
:There was a student who
came on stage with a.
703
:Plastic carry bag.
704
:It looked like he'd just come from
the supermarket and he plunked it
705
:on the desk and he started giving
his pitch and I thought he looked
706
:so unprofessional, but his topic was
sustainable housing and he started taking
707
:out from the bag different ingredients,
which came from the supermarket,
708
:which I used in sustainable housing.
709
:It was brilliant.
710
:So that's some examples of increasing
your stage presence with a star moment.
711
:John: Yeah.
712
:I, I like that.
713
:I like the mystery box kind of
thing, or the eliciting curiosity.
714
:It's, definitely good ways of doing it.
715
:So that's one of the ways in which
we can make our presentations.
716
:More memorable.
717
:I'm sure you have plenty of others
that you teach people as well.
718
:Well, I, I certainly hope people
will come and check you out.
719
:I'm, I'm very keen to take the quiz
'cause I need to know how good I am.
720
:But I really appreciate everything
we've talked about today.
721
:It's been, it is been a really
interesting conversation.
722
:I feel like I've learned something
and I think we, I hope I.
723
:Listener has as well.
724
:And so just let's say thank you,
mark, for coming and speaking with
725
:us on present influence today.
726
:Mark Robinson: Well,
thank you very much, John.
727
:You've had some great guests on, so
I'm very privileged to be one of them.
728
:Thank you, John.
729
:John: happy to add you to the list.
730
:Well for me, and I hope for you too.
731
:That was a brilliant chat with
Mark Robinson Jam, packed with
732
:practical tools, relatable stories,
and real world presentation wisdom.
733
:If you took away one thing today, let
it be This great speakers aren't born.
734
:They're built through practice
feedback and a little bit of courage.
735
:Even the most nervous communicator
can become a confident presenter.
736
:Now, if you'd like to learn more
about Mark or his presentation skills
737
:quiz, check out the links in the show
notes and if present influence is
738
:helping you sharpen your speaking and.
739
:If present influence is helping
you sharpen, and if present
740
:influence is helping you sharpen
your speaking communication
741
:game, don't forget to subscribe.
742
:Leave a review and share this episode
with someone who needs to hear it.
743
:Until next time, keep showing up, keep
speaking up, and keep influencing.
744
:See you next time.