Episode 223

From Timid to Powerful: Transforming Technical Experts into Confident Speakers with Mark Robinson

Unlocking Presentation Mastery with Mark Robinson: From Technical Expert to Influential Speaker

Summary

In this episode of Present Influence, host John Ball chats with speaking coach and presentation skills expert Mark Robinson about transforming technical experts into compelling speakers. Mark offers insights on avoiding detail overload, the power of storytelling, and the significance of stage presence. They discuss practical tips for confident communication, from structuring content and practicing effectively to using advanced techniques like 'star moments.' This conversation is essential for anyone looking to enhance their presentation skills and make their messages memorable.

Chapters

00:00 Introduction to Present Influence

00:05 Meet Mark Robinson: Transforming Technical Communication

01:50 The Importance of Clear Messaging for Technical Experts

05:04 Overcoming Stage Fright: Mark's Personal Journey

10:14 The Power of Practice and Preparation

16:08 Advanced Presentation Skills and Techniques

18:43 Using Hand Movements in Presentations

19:06 Controlling Unconscious Movements

22:20 The Power of Storytelling

24:59 Encouraging Personal Stories

32:31 Creating Memorable Presentations

35:09 Conclusion and Final Thoughts

Go to presentinfluence.com to take the Speaker StrengthsFinder Quiz and discover your greatest strengths as a speaker as well as where to focus for growth. For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn

You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence

Thanks for listening, and please give the show a 5* review if you enjoyed it.

Transcript
John:

Do technical experts make the best speakers?

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Not always, but with the

right support they can.

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And in this episode of Present Influence,

I'm joined by speaking coach and

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presentation skills expert, Mark Robinson.

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Mark specializes in helping tech

professionals and senior leaders.

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Transform complex content into clear,

confident, and compelling communication.

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Mark shares the secrets behind

making your message memorable.

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How to avoid detail overload and

why storytelling practice and

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authentic delivery are essential

even for the most analytical minds.

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We also dive into stage presence,

star moments, and why it's not about

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being flashy, but about being heard.

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If you've ever felt like your

message gets lost in translation,

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or you want to help your team speak

with more clarity and impact, this

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conversation is very much for you.

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If you're not already subscribed

to us on YouTube, please make sure

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you hit the like and subscribe

and maybe leave us a comment.

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Let us know if you're enjoying the show.

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If you are listening to us on Audio

podcast, do join us on YouTube for sure.

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But please also make sure you are

following the show on your favorite

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podcast provider so that you

don't miss any future episodes.

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Welcome to Present Influence, the

Professional Speaking Show for

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speakers and communicators who want

to impact, influence, and inspire.

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My name's John Ball, your guide

on this journey to mastery

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level communication skills.

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I think it's a great privilege for me

today to be able to welcome my guest who

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is undoubtedly an expert in speaking.

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Lemme welcome, Mark Robinson.

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Mark Robinson: Thank John and

it's, an honor to be here.

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I've seen some of your previous

episodes, the speakers, the guests,

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you've on pretty awesome lineup,

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John: I do pretty well for guests.

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Thank you.

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You for our audience, just say a

little bit about, the kind of training

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and work that you do at the moment.

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Mark Robinson: My background,

first of all is in it.

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So most of my customers are technical

people, and what I do typically to.

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Where I give people practical tips that

they can immediately implement everything

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from, thinking of your goal, getting

that clear, preparing how you start,

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how you structure, how you end, how

you can have more confidence, how you

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can add storytelling, how you can use

PowerPoint and what you shouldn't do,

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how you can do online presenting, and

how you can make sure your presentation

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is something which is memorable.

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That years later people will say, oh,

that's, that was that presentation.

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John: I think you, summed that

up very well, and just to get a

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better of an understanding of that,

so you work mostly with people in

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technical spaces for that training.

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Why, why is it that they particularly

need that and, where, where are they

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gonna be using and applying that?

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Mark Robinson: Mostly they apply it

in their work environments when they

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speak at conferences, in the last couple

of weeks I've trained, two CEOs, one

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who was, presenting to her company,

and another one who was pitching for

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a large in multimillion investment.

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John: Why do they need this training?

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Mark Robinson: technical people

tend to love, the details and the

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products, but they're not necessarily

great at understanding the audiences.

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And so they tend to just go into

lots, lots of detail, rather

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than getting to the core message.

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Even getting clear yourself, what.

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Presentation and many of us, I include

myself in this, don't naturally think

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of those things and presentations dull.

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John: Do you ever get feedback that

this helps them in other parts of

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their lives with communication as well?

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Mark Robinson: John, when you can

present well or confidently in front

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of a group, then in a one-on-one

like we're having now, or even a,

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social setting, like a date, a party,

anything, you have much more confidence.

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It's a job interview, you

can be much more confident.

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So it helps in multiple areas as well.

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And even.

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writing articles or writing emails.

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One of the things I talk about in my

workshop is kill your darlings, right?

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Get rid of all the things you

would love to say, but you'd just

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be overwhelming your audience.

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And that principle applies equally

to an article, to an email.

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What's your core message?

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And get rid of things

that don't help your goal.

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John: That we will met those people who

spend so long dancing around the topic

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that they're actually trying to get to,

that you probably lost interest or tuned

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out long before they ever get there.

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Mark Robinson: Can I tell you

one quick story about that?

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A few, couple of years ago I was giving

a workshop to a number of technicians,

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but there happened to be a very

senior manager in the room as well.

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And when I talked about, when I said,

when you're in front of senior management,

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think in terms of headlines, what's

the main thing you want to say first?

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Tell them what you want them to do.

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And when I said this, the

senior manager said, thank you.

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He said, many times engineers come to

me and they speak for half an hour.

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And at the end I think, what do you want?

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Why are you telling me

all this information?

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So yeah, just getting that

clear is already a big help.

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John: Yeah, it's like giving you all

the, instructions and technical spec on a

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rocket when all you really want is a, a,

a new, I don't know, have steering wheels,

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I guess, but a new seat or something

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let me, let me ask you for, for yourself.

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I know you've said that when you

first were getting up on a stage,

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you were absolutely terrified.

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Tell me a bit about that and what made

you then push through and continue.

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Mark Robinson: Yeah.

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Well, thank you John.

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That was when I was 13

years old at school.

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In fact, I talk about that a bit in the

TEDx talk, that when I stood in front of

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my classmates, I was absolutely terrified.

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30 unimpressed teenagers all looking at

me, and I just felt so self-conscious.

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I was shaking.

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I was told later I went totally white.

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I was convinced that I

would never do that again.

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It was horrible, traumatizing, even.

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But we had to do it again because, at

school you have to do that a few times.

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And then I went on a workshop by a guy

who's quite well known in the Netherlands.

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Then he gave a follow up

workshop about public speaking

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called Speaking with Impact.

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And he explained, transparent.

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He explained the tricks that he did,

does to keep people's attention keep

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people listening the whole time.

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And I thought, wow, apparently

I can do it as well.

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So I just started learning and

applying these techniques and so

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that is in a nutshell how I went

from thinking I couldn't do it to,

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Hey, I can, and if I can, anyone can.

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John: Yeah.

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Yeah, I, I kind of feel that way as well.

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I mean, yes, some people are going

to probably be a little more adept

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than others, and that's okay.

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I mean, we all start from different

places with these things anyway,

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and some people might be able to go

further than others with it because

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they maybe have more of a performance.

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Personality that is more,

just fits better on the stage.

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But then again, it depends on the kind

of speaking you're doing to the kinds of

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audience you do as to what's gonna be most

effective and most connective for them.

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For, for yourself.

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What's been the kind of speaking, speaking

work that you've done since then and, and

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how do you feel going up on stage now?

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Mark Robinson: I feel more

confident, but I'm still nervous.

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And I think that's a good thing

because a few years ago I was

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totally relaxed, way too relaxed

in the run up to a presentation

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and a couple days before I thought.

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Actually, I haven't really well prepared.

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Well, so I, I like crammed for 48 hours,

making sure I was really well prepared.

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So I think a bit of nerves can help.

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And I'm feeling more confident.

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John: That, that's good to hear.

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I mean, it's not the level of

nerves that you had before.

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You were terrified with the

blood strain in front your face.

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So that's, so that's good to hear.

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But I, I do think, a little bit of nerves

kind of shows that you care and that

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you want to do a good job, but we don't

want the level of nerves where you are.

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Almost paralyzed or want to run

away screaming in tears, which,

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which I have seen in various speaker

trainings I've done over the years.

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It does happen.

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Some people are that terrified.

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I.

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Mark Robinson: indeed.

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And, and yet you are a great example

of this because you have been

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able to do standup comedy, right?

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And, and that must take

even more confidence.

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John: Do, do you know, can I share

with you something about that?

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That, 'cause people do keep asking me

about this and like, oh, I couldn't do it.

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I'm terrified.

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And that's how I probably felt.

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And then when I did it and people

saying, aren't you nervous?

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This is before I'm going up on stage.

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'cause you want people to be

asking you, are you nervous just

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when you're about to perform.

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Right?

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But,

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Mark Robinson: right.

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John: that really helps.

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But, I was like, no, not that much.

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I really wasn't.

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I was a little bit nervous, but I had

already framed in my head that the win

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for me was getting up on stage to do this.

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And I gave myself permission to bomb.

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I really did.

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It's like, if I'm terrible, it's okay

because I can be better next time.

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And it kind of helped as well

that a few of the people who

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were up before me in the lineup.

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Did bomb and it, and it was okay.

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The audience was still really

supportive and I thought, this is fine.

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Not nothing's gonna, nothing is

gonna happen except no laughs and

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which would be a bit disappointing,

but it wouldn't be a failure.

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So, so even though people think,

oh yeah, he must be terrified.

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I, I wasn't, it ended up being

a really positive experience.

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What has terrified me in the past

has been competitive speaking.

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That scares me.

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That fills me with dread.

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Mark Robinson: So what you are,

you are in a line of people all

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pitching or what is that setting?

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John: no.

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Like doing the Toastmasters

World Championship.

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Mark Robinson: Right?

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Wow.

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John: It was fun, but it, I found

it absolutely terrifying, especially

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as I got up to higher levels of

the competition and like, oh no,

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I don't know if I want to do this.

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Mark Robinson: Very good though.

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Very good.

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You even did it.

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That sounds incredible, John.

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John: It is, definitely if, if people

who are in into that kind of thing,

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I think it's a great experience.

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Ultimately I decided it

doesn't do, even if you win, it

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doesn't do that much for you.

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It's like, it's, it's a good accolade.

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But, then I just thought it wasn't

worth it because I was like,

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honestly, my heart beating through my

chest, the palpitations, the sweat.

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Too.

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It was a little too much, and I don't

get that when I'm doing keynotes, when

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I'm doing standup comedy, you know,

it's like, let's, let's stick to that.

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Mark Robinson: and if I may give

a tip to your listeners, one thing

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that I think makes the single biggest

difference for confidence is practice.

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John: Right?

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Mark Robinson: I practice, I,

I probably practice at least

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10 times any presentation.

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The first five times, I'm just getting

the story right because I dunno about you.

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But the very first time I give any

presentation at home, it's terrible.

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Really, really awful.

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And I think second time is

slightly less bad and so on.

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And I'm so glad that I don't go

live with my first draft because

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that would not be a success.

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Then the last few times, I'm

just making sure I know it.

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So when I'm in front the

audience, my notes I'm I know it.

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John: And you and I probably both

know from people we've worked with

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that most people are finishing

their first draft the night before.

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Right?

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Mark Robinson: Yeah.

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Yeah,

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John: Which is not the best time to

do it and to try, then you've got

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no real time to practice it and you

end up going up on stage, ring it.

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But I tend to go with the idea that.

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How we do anything is

how we do everything.

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Not all the time, not with everything,

but, but generally it's like if you're the

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kind of person who crammed for your exams

and stressed out the whole time you're in

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there, you're probably gonna do the same

tactic with something like this as well.

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And it's not great.

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It's not great, so we don't recommend it.

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What would be, what would be your

recommendations for people to practice?

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Like how could you help people like set

up and schedule a good level of practice

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that would have them ready to go?

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Mark Robinson: So I think it depends how.

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On a number of factors like how

well you know the topic, how much

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you need to research and so on.

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So it will vary for me from anything

from two weeks to two months in advance.

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I start thinking about it.

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I will typically, do a mind map.

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So for, first of all, think about the

goal, what I want to achieve, and then

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my tip is I think about the three Hs.

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The head.

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What should people remember?

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One, two, or three things.

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The heart, how do you want to feel,

which is usually inspired or excited,

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something that leads to the final H,

which is the hands, the actions, what

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you want people to do as a result.

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Because if there's no call to action,

doesn't matter what you're talking

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about, talk about your holiday,

makes no impact on the world.

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So head, heart, and hands.

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Get that clear first of all.

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John: Cool.

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Do, do you create a little stage area

to practice or how do you set that up?

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Mark Robinson: So can you talk about that?

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Who do you have?

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What happens?

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John: Look, I've had, so many

coaching, experiences over the years

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that I have an amazing network of

people who are friends and coaches.

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So some of them we connect

with and coach regularly.

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Some of them are incredibly good

speakers who I can go to and say, Hey,

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look, can we do a bit of work on this?

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Can you take a look?

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But I also get the opportunity

to have coaching regularly.

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On this show from people like yourself

who, have great expertise and you know,

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as much as we may even work in similar

areas, there's stuff, you know, that

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I don't, there's stuff I know that you

don't, you know, it's like, so always

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learning, always getting development,

but, but also sometimes it means.

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We connect with people sometimes you

really click and you stay in touch

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and you can give each other coaching

or go to them and say, Hey, would

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you coach me on this for a bit?

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So yeah, done some of that.

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I've worked with, world Champion, I had a

coach for who's world champion of public

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speaking with Toastmasters a while back.

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It's all the stuff that

helps you progress faster.

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Mark Robinson: Can I tell you

one quick story about that?

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So, when I gave a workshop at my local

university, it's what I'm saying is it's

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very important to pick the right coach.

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When I gave a workshop at my local

university, see, on my workshop,

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I only give positive feedback, and

the students are not used to that.

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They're used to being

criticized by their professors.

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Very hard.

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I said to them, they said, you know, our

professors, they attack our presentations.

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I said, okay, how good are

your professors at presenting?

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They're terrible.

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They said, and yet they're

the ones giving the criticism.

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So it's very important as you are

doing to pick really good coaches.

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Otherwise you're gonna get

your, the feedback you get could

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actually harm more than help.

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John: I like that.

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And I often say this to people about

groups like Toastmasters, that it will

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help people who are getting started,

but unless you can find a club that

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has experienced speakers in it, it

may be hard to progress further.

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I.

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Because you're not gonna get the feedback

and the encouragement, and you're not

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gonna see and be able to model the more

advanced speakers if they're not in

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your group, if they're not in your club.

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So what I couldn't say

Toastmasters can't do that.

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Some clubs can, some clubs can't.

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That's why exactly that point, you have

to get feedback from the right people.

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And the kind of feedback that's

actually gonna help you to

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grow and develop and encourage.

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So I like that.

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I

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Mark Robinson: and, and you mentioned

an interesting word you said about

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encouragement as well, and that's

also super important, not just to hear

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what you did wrong, but also what you

can, what you did well, because as I

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say on my workshop, I say, who, when

I talk about only positive feedback,

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they say, but why'd you do that?

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I say, well, who's our worst critic?

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And they all say, yeah, it's ourselves.

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Exactly.

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I often see this people, after

they've given their presentation on my

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workshop, they will go back to their

saying, oh, I didn't do that right.

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John: You're reminding me of a

speaker training I did early early

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to mid two thousands where we

weren't supposed to give negative

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feedback to anybody in the group.

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And one guy said, I've got loads of

feedback for you, but it's loads of

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negative, we're not allowed to give it.

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And so I said, let's go outside 'cause I

really want to hear it 'cause I'm not the

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kind of person who takes it personally.

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And, it was all really good feedback,

but it wasn't constructive feedback.

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The trainer overheard what we

were doing and he nearly got

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kicked out of the training.

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So you gotta be careful.

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Mark Robinson: was that a course?

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John: It wasn't, it wasn't, I don't wanna

say who it was 'cause the guy's kind of

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not, the guy's not in business anymore

and, there's good reasons for that.

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But, I'll leave it there.

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But, let me ask you, have a book

on advanced presentation skills.

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And I wanna ask you what constitutes

advanced presentation skills and

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how does somebody know when they're

ready, when they've got enough

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foundation to be ready for that?

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Mark Robinson: Yeah, well,

that's a great question.

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What's the difference

between basic and advanced?

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I, some of the, some of the things people

just don't even think about anyway, so

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I mean, like, at a basic level, people

don't even, some people don't even

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get, and these are people who are, as I

say, like CEOs or very smart people who

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wouldn't do anything without having a.

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A presentation.

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So getting some things

like that is a basis.

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Then the next level is making sure

you, as soon as you start speaking,

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you grab people's attention.

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How'd you do that?

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One way is what I'm doing

right now, isn't it?

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I'm just asking questions, aren't I?

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So that's one easy way to

grab people's attention.

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That's kind of the next level,

and then the advanced things.

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Short story.

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I was at a giving a workshop to

another at a technical company and

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there was a lady from Iran there,

and that's important for the story.

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And she said, we get products from

our suppliers and I'm gesturing to my

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right now for the people listening.

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We put it in our warehouse, gesturing

to my center, and then when we

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get an order from our supplier, we

deliver it to the customer to the.

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That was brilliant, but that's different

to what most westerners would do.

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Most westerners would say, for example,

if I say cells are increasing, I'm

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gesturing from my, from my bottom

left to my top right, which for the

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audience, when our past is normally

we think of the past on our left

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means it's kind of going back in time.

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So you've always got to mirror

things when you are in front of an

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audience, and this lady from Iran does.

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So for her, the past is on the right.

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So in a nutshell, that's an example

of one of the more advanced tricks,

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:

which when you've got the rest in

place, then you can think about,

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:

John: Yeah, so that's I've heard

it called temporal anchoring on the

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:

stage, we'll go with that because it

sounds like you've heard that as well.

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:

And, and so it is understanding where

things are timeline-wise when you're

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:

presenting, which is just as important

on video as it is on the stage as well.

372

:

But it does, I dunno, I still find it

gets confusing working in mirror image

373

:

that you do have to think about it and

train it a bit, which maybe is where the

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:

practice part comes in for that as well.

375

:

Mark Robinson: John.

376

:

John: Because it makes a difference

where you're standing as well, right?

377

:

So, you know, if the, if the left

of, if the left audience left of

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:

the stage is the past for them, and

you are talking about things in the

379

:

past, it makes sense to be there.

380

:

And the same with the right

hand side, if that's the future.

381

:

So

382

:

Mark Robinson: or you can use your hands

when you are in a conversation like this.

383

:

You just use your hands.

384

:

But that's also important when

I'm gonna give a presentation.

385

:

I.

386

:

Early to check out the setup and

if possible, get photos in advance.

387

:

I can already start to think

exactly what you're, John, where

388

:

would I stand when I'm about this?

389

:

Get an idea of the setup already.

390

:

John: Yeah.

391

:

Another thing maybe is then you

talked a little bit about hand

392

:

movements and, and it's something

that I think some people end up

393

:

being very conscious of, but there's

also a lot of unconscious movement.

394

:

Which you talked about with the thing with

your hand, CLA being, and nearly everyone

395

:

has got some kind of unconscious body

movement they tend to do, especially when

396

:

those nerves are creeping up a little bit.

397

:

What, what's your advice for getting

that under control and having

398

:

more volition with your movement?

399

:

Mark Robinson: Well, one thing that I

don't do, and I learned this from Scott

400

:

Adams, the guy who used to do the D

book cartoons, one thing that he says is

401

:

don't, draw attention to those kind of.

402

:

If you do and say, Hey, you're

doing this, don't do that.

403

:

Often, the tick will just move somewhere

else because it's a symptom of nerves.

404

:

So I think the biggest thing

is what we talked about is

405

:

increase your self-confidence.

406

:

One way to do that is, as we talked

about, practice, practice, practice, even

407

:

practice for a particular presentation.

408

:

But also, of course, the

more presentations you

409

:

give, the easier it gets.

410

:

So I think that's probably

the most important thing.

411

:

And, and then another tip for

hands is, best tip I've ever

412

:

heard is just forget about them.

413

:

Don't think about them, because

then they'll move naturally

414

:

and that's the best you can do,

415

:

John: I'm kind of there with that

except you see, you do see a lot

416

:

of people doing strange things with

their hands sometimes when they're

417

:

presenting, and I always fear that.

418

:

So long as you get that picked

up somewhere and do something

419

:

about it that 'cause it, it

does end up being a distraction.

420

:

Mark Robinson: So that's what

I did when I practiced in front

421

:

of my wife and got found out

that, so that that really helped.

422

:

John: I would say it's interesting what

you say there, 'cause I know, Darren

423

:

Brown, the mentalist, Darren Brown,

he, he has a, a tick, which is this

424

:

sort of head nod thing, which, which

works very well for him with the kind

425

:

of thing he does with the mentalism.

426

:

And that's what he's done.

427

:

He's, he doesn't, hasn't

tried to change it or stop it.

428

:

He lets it work, work for him in a way.

429

:

And so, yeah, I think there's

sometimes we can be okay with that and.

430

:

Just not focus, as you say,

not focus on it and just get

431

:

on with the job you went to do.

432

:

But if you're like, I think you

are a bit like me, you like to

433

:

talk with your hands a bit and,

434

:

Mark Robinson: A bit.

435

:

John: And gesticulate, I think, so

long as we don't go over the top

436

:

with that, it's, it, it can be very

effective and, and really helps to

437

:

punctuate what we're talking about.

438

:

And interestingly enough, and, I'm gonna

try and remember the lady's name now.

439

:

Vanessa Van Edwards.

440

:

Do you know her?

441

:

Very interesting ladies.

442

:

Some great books, on

human behavior and stuff.

443

:

And one of the things she says is that

research research shows that, people

444

:

feel more calm, more trusting, more calm

if they can see the backs of your hands.

445

:

So they can see your hands,

especially when you're in video.

446

:

But if, see when they can

see the backs of your hands.

447

:

I guess it's some sort of ancient

psychological thing about not being a

448

:

threat, but being able to see your hands,

particularly the back of your hands is,

449

:

apparently quite a significant thing.

450

:

So

451

:

Mark Robinson: Wow.

452

:

Yeah, that's a

453

:

John: worth, worth checking out her books.

454

:

She's, she's a very,

very interesting lady.

455

:

Um, lemme say the come

to presentation skills.

456

:

Advanced presentation skills,

what, what else really helps us to

457

:

be that bit more professional and

progressed when we're on the stage.

458

:

Mark Robinson: I think one of the other

things is, and again, people don't

459

:

often think about this, particularly in

the technical world, is storytelling.

460

:

If you tell a story, then

people will remember it.

461

:

Your what?

462

:

Your message for a long time to come.

463

:

You make a natural connection

with your audience.

464

:

They love to hear it.

465

:

You know, one of the things

I sell my workshop is it's

466

:

great for keeping attention.

467

:

No child has ever when

there's been taken to bed.

468

:

I said, can you please give

me a PowerPoint presentation?

469

:

No.

470

:

They want to hear a story, right?

471

:

So a PowerPoint presentation would

probably send to sleep faster, but indeed.

472

:

So I think storytelling is very important.

473

:

And how I train people in my workshop

is I say simply remember the three Ps.

474

:

Stories have to be personal.

475

:

So preferably talk from your own

experience, talk about the second P is

476

:

a problem, something you encountered.

477

:

And then that what keeps our

attention is how you resolve that.

478

:

And then finally, the point or the

purpose, why are you telling it?

479

:

And one phrase I find

particularly helpful is.

480

:

So what I learned is, and by saying that

phrase, then you round up your message.

481

:

Yeah.

482

:

Your story with your main message.

483

:

John: I tend to, I tend to agree that

I, I encourage people to tell more

484

:

personal stories than anything else.

485

:

I certainly encourage people to stay away

from those para ballistic stories that.

486

:

Speakers use.

487

:

We've talked, you know, we've talked about

488

:

Mark Robinson: I heard

that from the last one.

489

:

Absolutely.

490

:

John: Yeah.

491

:

So, we talked about that

with Danny b Brassel.

492

:

He hates that as well.

493

:

But, you know, if you've ever been to,

if you, if you're a speaker, you probably

494

:

hear a lot of people speak and you go

to a lot of talks and, and the fact that

495

:

there are very well paid and experienced

speakers who use these make you.

496

:

Makes people think it's okay,

or that's a great story.

497

:

They are, they're great.

498

:

They're illustrative, but

they're just overused.

499

:

But personal stories aren't, but I

think you, I would say you probably

500

:

can sometimes get away with stories

that are about other people as well.

501

:

Um, would, would you agree with that?

502

:

If, if it's from your, maybe if it's

from your own perspective as well.

503

:

Mark Robinson: That's

important what you just said.

504

:

So why are you telling that story?

505

:

What does it mean to you?

506

:

Why are you showing?

507

:

You could say, so I found this

particularly inspiring when

508

:

I, and then you introduce your

own story, why it affected you.

509

:

John: I, I always think storytelling

probably is one of the most

510

:

powerful tools that we have.

511

:

And I know there are people who

specialize just in training,

512

:

storytelling, and I can completely

understand why for me and what I do,

513

:

and it may be similarly for you as well.

514

:

It's just a part, it's a part of

the bigger picture because there's

515

:

so much, there is so much more.

516

:

But I think those basic

story storytelling skills.

517

:

Those basic storytelling

skills are essential.

518

:

How now, what, what, what do you do

if you get someone who comes along?

519

:

'cause I'm sure you've had this where

they say, I haven't got any stories.

520

:

I can't think of anything.

521

:

I'm not, I'm not interesting

or something like that.

522

:

Mark Robinson: I use, some persuasion

tricks throughout my workshop.

523

:

And one simple one I do is peer

pressure, but in a very natural way.

524

:

And I, and I, by the way, some people

say, oh, I don't feel it's ethical.

525

:

I think it's ethical when

it's in their benefit.

526

:

I'm not doing it for my

benefit, but for them.

527

:

So how it works is.

528

:

On the workshop, I say I give them,

talk a bit about storytelling.

529

:

I first of all show a video, then

talk about how, how you can do it

530

:

and why you should tell stories.

531

:

Then I say, now we're gonna take two

minutes in silence to think of story

532

:

we could share with this criteria.

533

:

So it's personal, your experience,

problem you encountered and your point.

534

:

So what I learned is, and I give

them a couple minutes to think

535

:

and I say, okay, now who's first?

536

:

So always let people themselves.

537

:

So someone will say, oh, I'll

go first, and then they start,

538

:

and then someone else goes next.

539

:

Then let's say you are the ninth or

10th out of the 10 people in the room.

540

:

By the time the seventh or eighth

has spoken, you are thinking, oh,

541

:

everyone else has done it except me.

542

:

And then I think there's only

been one person in the thousands

543

:

of people I've trained who said,

I really can't think of a story.

544

:

Everybody comes up with

a story by the end.

545

:

John: We've all got the stories inside us.

546

:

I, I'm of the mind that mostly we

need the prompts to help us remind

547

:

ourselves what those stories are,

548

:

incredibly helpful and

549

:

Mark Robinson: heard the other

people, that triggers them to

550

:

think, oh yes, I've got something.

551

:

John: I think there's something innate in

storytelling that we relate ourselves into

552

:

the story and we do start thinking about

times in our own life that are similar

553

:

or comparable to, to the story we heard.

554

:

We can't help but relate into

the story, so it's a, a, a

555

:

very, a very powerful tool.

556

:

How would you.

557

:

Advise people to use storytelling

in their presentations.

558

:

'cause we don't wanna just have a

whole story for like 45 minute keynote.

559

:

So, so what do, what do you and

how do we, we structure that in.

560

:

Mark Robinson: So, first of all,

how many stories you should use.

561

:

I would probably use one short

story every roughly five minutes.

562

:

So it could be two minutes every 10

minutes, but roughly every five minutes.

563

:

'cause then you have the, the

attention resets with the stories.

564

:

'cause everyone loves it.

565

:

If you start by saying, lemme tell

you about something, something that

566

:

happened to me two years ago, which

completely changed my soon as.

567

:

Everybody in the room is listening.

568

:

So that's how often when you should do it.

569

:

I mean, you can start

with a personal story.

570

:

One thing that I do also mentioned

in my TED Talk, there is a few

571

:

different points, a few different

ways you can structure your talk.

572

:

For example, you want to talk about a

problem and a solution, and then you could

573

:

talk about how you discover that issue,

what happened, what went wrong, and.

574

:

I mean, even a story, Hey, my first

day at work was a complete disaster

575

:

because the last project I did and then a

576

:

John: What about if we want to

tell stories, but we can't, we

577

:

don't necessarily have personal,

relevant experience to the

578

:

point that we want to make.

579

:

What, how can we still tell

a story in that situation?

580

:

Mark Robinson: So, I, well, my

initial reaction is to push back and

581

:

say, Hey, let's think about that.

582

:

Why are you giving this message?

583

:

What's the relevance to you?

584

:

And then we start thinking, oh

yeah, there is an experience.

585

:

I could relate.

586

:

So that's what I would initially do.

587

:

But as you said, you can

always talk about other people.

588

:

I don't make up stories just to

be clear, because I feel I want

589

:

to be authentic and also being.

590

:

Inauthentic, your

confidence level goes down.

591

:

So I always talk about personal

stories and I might refer

592

:

to stories of other people.

593

:

I could say, you know, this person

said to me so and so, if I have

594

:

their permission, then I can repeat

someone else's story as well.

595

:

I, at the very far end are the ones you

talked about earlier, the parables, the

596

:

ones that everyone uses or a famous story.

597

:

I do mention those from time to time.

598

:

But lot.

599

:

But then I a lot less often.

600

:

John: When, when I, I, somewhere back,

I trained to be a stage trainer and.

601

:

It was different to how I

thought it was going to be.

602

:

'cause I knew there was a lot of stories,

and I think some part of me may be guessed

603

:

as well because it was a very particular

kind of training for a particular company.

604

:

Those stories had to be the stories

that the other trainers told.

605

:

could, you could put your own spin

on them, but they had to be the

606

:

same stories in essence, so they

were never your personal stories.

607

:

And I always felt that that was somewhat.

608

:

Damaging to, to your authenticity,

especially if you train that into

609

:

yourself, in, in the long term, that

finding your own authenticity again

610

:

after that, where you kind of, you

maybe get to a point where you get

611

:

pretty good at faking the authenticity

on it, is not a, not a healthy

612

:

way to proceed as a storyteller.

613

:

Mark Robinson: This relates very well

to the topic you talked about in your

614

:

last podcast when you gave, kind of gave

a monologue for 20 minutes about being

615

:

authentic, being your authentic self.

616

:

Very, very important, John, and that's

one reason why I couldn't follow a set

617

:

standard from a well-known company.

618

:

For example, say, Hey, mark, go and

do this presentation skills workshop,

619

:

because it wouldn't be authentic To

me, authenticity is so important and it

620

:

really increases your confidence as well.

621

:

You don't need to look to your

notes when you're telling a story.

622

:

Hey, what did I do next?

623

:

Because you know the stories,

you can speak it confidently.

624

:

It's very powerful.

625

:

John: Yeah, it's interesting to

me that I see lots of other people

626

:

who've gone through that kind of

pathway and they do lack a degree of

627

:

connection with their audiences to,

to me at least it seems that way.

628

:

It was my perspective, but they,

they don't seem to have the warmth

629

:

and connection that somebody who's

really being truly themselves

630

:

and natural and not putting on a

personality from the stage, can do.

631

:

That said as well, I still think there's

a level of curation in what we show

632

:

on stage to what we don't as well.

633

:

Mark Robinson: The online

kind of curs of things.

634

:

You know, people have ups and

downs and what they tend to show

635

:

online is everything above a

certain level, which is Yeah, yeah.

636

:

John: Yeah, but also, you know, we

are not gonna air our dirty laundry or

637

:

pull the skeletons out the closet just

'cause we're on a stage being authentic.

638

:

Mark Robinson: There's something, there's

like a level that you think, no, that's

639

:

just, that's not for public consumption.

640

:

Yeah.

641

:

John: It, it makes

sense I think, I think.

642

:

We probably do all have the experience

of it and, and let me know if you agree

643

:

or not with this, but, we are not exactly

the same in every situation we're in.

644

:

We're not exactly the same in

the office as we are at home.

645

:

We're not necessarily the same

with our, with our parents

646

:

as we are with our friends.

647

:

So we, we show up a little differently

in different social situations,

648

:

but there's still versions of.

649

:

Us, and I think it's finding that

version of you for the stage that's

650

:

gonna connect well with the audience,

but also not undermine yourself or your

651

:

credibility whilst you're up there.

652

:

Mark Robinson: I think

that's a very good point.

653

:

'cause we all have labels, right?

654

:

Son, father, husband, whatever it is.

655

:

But tho and, and those all have different

sides of us, you're absolutely right

656

:

and on stage, you, you may, show a

different side of you, but it's still you.

657

:

Absolutely.

658

:

Yeah.

659

:

John: What, what are your thoughts

about presence and charisma on stage?

660

:

Is there anything you, you

teach relating to that?

661

:

Mark Robinson: I think a part of it

we've talked about, so practice is super

662

:

important, then you have more presence.

663

:

And also what we talked about,

yeah, your, your storytelling and

664

:

being authentic is super important.

665

:

One.

666

:

Thing.

667

:

I think it will make a big difference to

your presence or make sure people remember

668

:

this is another advanced technique

is something called a star moment.

669

:

It's something they'll always remember.

670

:

And when you can do that, then you

come across much more confidently,

671

:

which also increases your presence.

672

:

So.

673

:

An example of a star moment is, you

can do something unusual like, Steve

674

:

Jobs, for example, demonstrating

the iPhone and using it on stage

675

:

and showing how powerful it.

676

:

Pizza for 4,000 people or something.

677

:

I can't remember exactly what it was.

678

:

That's a powerful moment.

679

:

You can draw something.

680

:

There's a very good TED talk about how

to, do drawings on flip charts and things.

681

:

That's what I also teach on my

workshop and I make use of it myself.

682

:

You can get the audience to do something.

683

:

I remember one time on my workshop

there was a, a technical leader.

684

:

She said to everyone, okay,

everyone come to the middle.

685

:

'cause the tables were in a U form.

686

:

We all came to the middle and

she pointed to one person,

687

:

said, you're the team leader.

688

:

Get them all to stand a

meter and a half apart.

689

:

So this person was moving us all around.

690

:

Took about a minute and a half.

691

:

She said, okay, now

all come back together.

692

:

We all came back together.

693

:

She said, now you are

a self organizing team.

694

:

Stand a meter and a half apart and

within five seconds we'd all done it.

695

:

So you can do something unusual.

696

:

You can draw something, you can

get your audience to do something.

697

:

You can show something as well,

you know, like a, A something, a

698

:

prop we would call under a cover.

699

:

If that's on stage and you talk

about it without revealing it, that

700

:

immediately keeps people's attention.

701

:

One simple example, I a pitch

once at a pitch evening.

702

:

There was a student who

came on stage with a.

703

:

Plastic carry bag.

704

:

It looked like he'd just come from

the supermarket and he plunked it

705

:

on the desk and he started giving

his pitch and I thought he looked

706

:

so unprofessional, but his topic was

sustainable housing and he started taking

707

:

out from the bag different ingredients,

which came from the supermarket,

708

:

which I used in sustainable housing.

709

:

It was brilliant.

710

:

So that's some examples of increasing

your stage presence with a star moment.

711

:

John: Yeah.

712

:

I, I like that.

713

:

I like the mystery box kind of

thing, or the eliciting curiosity.

714

:

It's, definitely good ways of doing it.

715

:

So that's one of the ways in which

we can make our presentations.

716

:

More memorable.

717

:

I'm sure you have plenty of others

that you teach people as well.

718

:

Well, I, I certainly hope people

will come and check you out.

719

:

I'm, I'm very keen to take the quiz

'cause I need to know how good I am.

720

:

But I really appreciate everything

we've talked about today.

721

:

It's been, it is been a really

interesting conversation.

722

:

I feel like I've learned something

and I think we, I hope I.

723

:

Listener has as well.

724

:

And so just let's say thank you,

mark, for coming and speaking with

725

:

us on present influence today.

726

:

Mark Robinson: Well,

thank you very much, John.

727

:

You've had some great guests on, so

I'm very privileged to be one of them.

728

:

Thank you, John.

729

:

John: happy to add you to the list.

730

:

Well for me, and I hope for you too.

731

:

That was a brilliant chat with

Mark Robinson Jam, packed with

732

:

practical tools, relatable stories,

and real world presentation wisdom.

733

:

If you took away one thing today, let

it be This great speakers aren't born.

734

:

They're built through practice

feedback and a little bit of courage.

735

:

Even the most nervous communicator

can become a confident presenter.

736

:

Now, if you'd like to learn more

about Mark or his presentation skills

737

:

quiz, check out the links in the show

notes and if present influence is

738

:

helping you sharpen your speaking and.

739

:

If present influence is helping

you sharpen, and if present

740

:

influence is helping you sharpen

your speaking communication

741

:

game, don't forget to subscribe.

742

:

Leave a review and share this episode

with someone who needs to hear it.

743

:

Until next time, keep showing up, keep

speaking up, and keep influencing.

744

:

See you next time.

About the Podcast

Show artwork for Present Influence: The Professional Speaking Show
Present Influence: The Professional Speaking Show
Speak to inspire. Influence with integrity. Lead with presence.

About your host

Profile picture for John Ball

John Ball

John Ball is a keynote coach and professional speaker on a mission to help upcoming leaders master their communication, create impact and stand out as experts in their field.
John left the high life of his flying career to do something more meaningful to him and has since worked with several leading personal and professional development organisations as a lead coach and trainer.
The heart of everything John does involves helping people shift to personal responsibility and conscious awareness of how they show up and perform in every situation, whilst equipping them with the tools to be exceptional.
John also co-hosts The Coaching Clinic Podcast with his great friend and colleague Angie Besignano.
He lives in the beautiful city of Valencia, Spain with his husband and often visits the UK and US for speaking and training engagements. When he's not speaking or podcasting, he's likely to be out swimming, kayaking or enjoying time with friends.

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