Episode 227
Podcast Guesting For Professional Speakers, Coaches & Experts
Mastering Podcast Guesting: Strategies for Speakers, Coaches, and Experts
Summary
In this episode of Present Influence, host John Ball, an award-winning keynote and presentation skills coach, reveals the secrets of being a strategic podcast guest. He discusses the pitfalls of relying on agencies, the importance of finding the right shows, and the essential practices for turning podcast appearances into client leads. John also shares insights on how to be an engaging and prepared guest, how to leverage relationships with hosts, and the significance of having a media strategy. Packed with practical advice and tips, this episode is a comprehensive guide for speakers, coaches, and experts looking to grow their influence through podcast guesting.
Get the free podcast guesting strategy guide at presentinfluence.com/podcastguest
Try out PodMatch as part of your guesting strategy: https://www.joinpodmatch.com/presentinfluence
Chapters
00:00 Introduction to Podcast Guesting
00:48 The Pitfalls of Podcast Agencies
06:32 Strategic Podcast Guesting
09:03 Preparing for Podcast Appearances
16:55 Finding the Right Podcasts
22:27 Building Relationships and Following Up
28:24 Conclusion and Resources
Visit presentinfluence.com/quiz to take the Speaker Radiance Quiz and discover your Charisma Quotient.
For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn
You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence
Thanks for listening, and please give the show a 5* review if you enjoyed it.
Transcript
Want more leads, more speaking gigs and zero awkward cold dms or emails,
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:what podcast guesting is hands down
one of the best business growth tools
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:for speakers, coaches, and experts.
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:When done right in this episode,
I'm revealing how to be a strategic
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:podcast guest who actually gets
clients, not just compliments.
6
:and I'll share the common mistakes
to avoid what hosts really want from
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:their guests and have turn every
mic moment into long term influence.
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:So let's get into it
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:Welcome to Present Influence;
the Professional Speaking show.
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:My name's John Ball, keynote
and presentation skills coach,
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:award-winning storyteller, and
sometimes standup comedian.
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:And your host on the show That
helps professional speakers,
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:coaches, and experts deliver more
impact, influence, and inspiration.
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:There's a lot of talk on social
media about being a podcast guest.
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:You probably even get emails in your
inbox like I do from time to time,
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:inviting you to get booked onto particular
shows as a podcast guest and people who
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:are gonna help you do that, of course
you pay them for that privilege, but
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:is that the right way to go forward?
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:Is this something that you should
definitely be thinking about doing?
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:Look.
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:I'll say this, I think podcast
guesting can be great when it's good
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:and can be frustrating when it's not.
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:And so let me explain what I mean by that.
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:I think a lot of people do sign up
with agencies and hear people saying,
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:oh, get on podcast, get on podcasts,
and then just start getting on all
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:sorts of different podcasts, but.
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:If they're not strategic about or if
they've got an agency who's reaching out
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:on their behalf, what you will probably
find is that you'll be getting onto shows
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:that aren't particularly relevant to you
and what you want to deliver, and maybe
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:shows that don't even have much audience.
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:What a lot of agencies doing, and I won't
say all of them 'cause some definitely
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:are better than others, but what a lot
of these 'so-called' agencies are doing
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:is really just looking for podcasts that
are in the industry area that you are
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:in and not really looking at who the
host is, what it's about, or sometimes
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:even whether it's actually an interview
based show, and will send pitches with
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:your bio and information to the hosts
hoping that they might consider bringing
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:you on as a guest onto their show.
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:now as a podcast host myself, I do not
love most probably 99% of the pitches that
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:I receive from those kinds of agencies.
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:And I get them in my inbox pretty much
every day, sometimes several times a day.
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:And more often than not is really
just that they have people who they
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:who are paying them to get them onto
podcasts, and they're just gonna
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:blast every podcast that they can find and
hope that they get some return on that.
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:Now, there is a very small percentage
of the people who do get presented to
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:me by these people who actually are
potentially a good fit for my show.
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:I have had some really cool guests from
those kinds of introductions that I
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:wouldn't otherwise have found for myself.
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:But that is a very small percentage.
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:This is one of the reasons why
I mostly don't say to these
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:agencies, don't contact me.
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:I'm probably a little more open-minded
than some others, but the vast majority
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:of guests that they put forward to my show
are not a good fit and not suitable for
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:what I want to deliver to my audience.
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:but there are other things
to consider here as well.
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:Many hosts will not even consider
proposals or pitches from agencies.
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:And not just because they don't know
much about the show most of the time,
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:or because the guests aren't usually
a good fit, but also because very
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:often the guests who are being put
forward don't know anything about you,
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:they don't know anything about your show.
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:They have no connection with you
other than their agency is trying
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:to get them onto your show.
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:And so if you want guests who
actually do appreciate you and your
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:show that's a good way to do it.
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:But I'll say this,
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:many of the pitches that I receive
from agencies or even sometimes
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:from individuals have just taken
a, the briefest of looks at
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:some of my most recent episodes,
probably haven't listened to them.
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:Even though they'll say they have, I
loved your episode, I titled this and
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:with this guest, and generally they
haven't, and they don't really have any
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:idea who I am or what my show is about.
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:They're just looking to get their
guest booked, and that's hard
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:for me to want to respond to.
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:And so I get it that a lot of hosts
just end up blocking all these agents
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:the same as, you know, I get emails
pretty much every day from people who
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:want to help me grow my YouTube channel.
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:It's like, well, I appreciate that,
but I'm not just gonna go with some
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:rando who shows up in my inbox.
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:And it can definitely be the
same with podcast guests.
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:So I personally use podcast matching
services as well as inviting guests
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:who I would like to have on my show.
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:So the recent episode with Kennedy,
for example, about email marketing.
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:There was not through any kind
of podcast matching service.
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:I'm in Kennedy's community.
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:We got more personally introduced
through a previous guest on my show,
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:but I already knew who Kennedy was.
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:He was already on my guest wishlist
and I was very happy to bring him on.
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:Joel Morris, who I've got coming
up soon, comedy writer, a bit of a
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:legend in comedy writing in the uk.
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:Pretty much any top comedy program
in the UK, he has been a writer for.
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:And so getting an interview with him was
not through, was not gonna happen through
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:any kind of podcast connecting agency.
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:That was me finding someone
who I wanted to have on the
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:show and reaching out to them.
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:And sometimes when you reach out to
people who are pretty well known,
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:you're gonna get nos and that's fine.
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:And sometimes you're gonna get yeses, and
it's the same for you as a guest as well.
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:If you're reaching out to shows that
are top level shows, you're likely
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:to get a lot of nos unless you are
already competing or showing up in
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:that sort of arena as a top level guest,
speaker, coach, whatever it is you do.
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:I wouldn't say don't apply to go on top
level shows if you have a great topic,
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:if you have really good ip, if you are
very eloquent and good at speaking about
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:what you do, and you are a great guest.
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:It might be worth a try, but be prepared
for the nos because you'll probably get
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:them, but also know that you can still
go back to that show in the future if
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:you want to try again, but work on it
and get some improvement over time.
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:Here's something really important.
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:If you're getting started with this,
you will probably want to go on a few
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:newer, pretty unknown shows just to
get some experience in talking about
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:what you do and what you offer, and get
a bit more familiar with the formats.
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:Now, you'll have different
experiences with more experienced
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:interviewers and longer running shows,
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:for sure.
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:People who are just starting out with
a podcast may not have the interview
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:skills, you might find it's not
the most fun interview, sometimes.
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:But can it, it can still be worth going
on those kinds of shows, but if you are
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:consistently going on shows that you're
just being booked onto and just to get
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:on as many shows as possible, you're
probably going to find that it's not going
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:to move the needle and it's gonna be very
frustrating for you to be investing a lot
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:of time, money, energy, your knowledge
and expertise as well into shows that
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:aren't really getting downloads and aren't
gonna move the needle for you at all.
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:So they may or may not, but the
chances are you're gonna end up
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:thinking that that podcast guesting
doesn't work because you're not
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:going on the right kinds of shows and
you're not being strategic about it.
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:So, strategy is super important, and I
actively would encourage you to avoid
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:the spray and pray approach to podcasting
of just going on as many shows as
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:possible and hoping that it delivers
some results, because it generally
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:doesn't, and most podcasts are getting
less than 30 downloads an episode.
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:And whilst that can still lead to
some potential leads for you, it may
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:not be where you're wanting to go
to and it may end up not being very
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:effective for you if you're looking
to grow your brand and to actually
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:get some lead flow from this as well.
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:So how do you find the
right shows to go on?
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:Well, I think there's a bit of work to
do first, and so putting in the time to
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:have a bit of practice and getting good at
talking about what you do with a few shows
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:that might be pretty much inconsequential
to you in the long run is gonna be good.
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:Get some, get some reps in.
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:You would, I hope you would do this with
your speaking work as well, that you get
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:the reps in before you start getting paid
for a keynote that you have created, if
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:you haven't ever delivered it before,
you don't know how it's going to land.
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:I would never get up on stage and deliver
something that I haven't practiced and,
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:and expect to be paid for it as well.
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:So as a paid professional, it's
essential that you are as good
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:as possible at talking about what
you do and being a good guest.
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:There are some things I would encourage
you to have ready for going on podcasts,
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:maybe even before you go on any test
run podcasts as well, because it's gonna
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:help you to be able to approach these
things when they come up on the podcast.
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:But knowing what you offer and being
clearly able to talk about that,
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:having a clear introduction that
sets you up for some credibility.
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:Ideally, you at least want to
have an active lead magnet page
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:as well, or somewhere where
you can direct people to go.
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:Now, I don't care if it's your
LinkedIn profile or if it's your
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:website, so long as you have
somewhere you can direct people to
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:go if they want to reach out to you.
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:But if you actually have something
like a lead magnet or a quiz or
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:anything along those lines,
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:it can make a huge difference
for the results that you get
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:from your podcast guesting.
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:So you need to think of
this as a media strategy.
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:That's exactly what it is.
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:Think about it this way, if you're looking
to be interviewed on TV shows for what you
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:do, you wouldn't expect to just show up
and wing it and hope for the best, right?
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:You would want to, I hope, maximize
the potential of that experience, which
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:means you have somewhere for people
to go to find out more about you, or
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:at least be able to search your name
online and find something about you
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:there that gives them a clue of how
they can get in contact with you.
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:Now this could just as easily
be your social media, as your
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:website, or really anywhere, but
you need somewhere for people to go.
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:You need to be findable after
you've been on the show as well.
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:Uh, it can be really helpful, can be
really helpful to have a media kit
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:ready to go so that you, when you're
looking to go on shows, you can send
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:them, you can send them your images,
your introduction, some background
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:on you, you can maybe even send some
clips or excerpts or other shows that
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:you've been on so they can get a sense
of how you show up on those episodes.
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:But any background that you feel is
particularly relevant, it's not so
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:important really these days that you
share how many followers you have on
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:each of your social media platforms
unless you want to, because the
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:majority of podcasters are not that
interested in leveraging your audience
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:so much as they are about having you
on theirs, and probably talking to
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:you about what it is you talk about.
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:So having clear ip, clear intellectual
property frameworks and being able to
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:talk eloquently or have some stories
ready to go, have some memorable
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:moments ready to share and talk,
it's gonna be far more helpful to
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:you to be prepared for these things.
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:Be clear for each show you go
on, what's the win for you?
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:Is it that you're
looking to get lead flow?
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:Are you looking to connect with
the host because it's somebody who
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:you maybe want to work with in the
future in some way, shape, or form?
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:So you can use this as a
tool to build relationships.
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:But I would say be, be somewhat
respectful when you are guessing on
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:shows that even though you are giving
up your time and your knowledge for
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:these appearances is not really a
good idea to be a diva about it.
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:And I've certainly had some
people approach me in my show
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:who've been like that and.
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:Honestly, when I, when I
encounter that attitude, I will
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:not bring them on the show.
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:I have canceled guests who
have shown bad attitude to me
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:because it's not a great start.
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:It makes an uncomfortable beginning.
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:So if you start being a bit
of a diva with the people that
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:you wanna show up for, it's.
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:It's a different story if they
start messing you about if
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:they're playing with the times
or not showing up for recordings.
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:Things that by all means reach
out to them and, speak to them.
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:And you might not be too impressed.
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:I would say there, there has certainly
been times for me where I haven't, where
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:I haven't been able to get to my studio
for a recording in time for a session,
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:and it's rare and it usually means
something has come up that stopped me
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:from getting to the studio rather than
me just not managing my time very well.
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:And so in those instances, people
are nearly always find when you
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:reach out and let them know,
Hey, I'm really sorry about this.
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:Something has come up.
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:Or one time it was a procession
through the city and I just
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:couldn't get through that.
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:It's a very common thing here in Spain,
but a procession through the city.
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:The roads were blocked off.
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:I couldn't cross over.
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:There were people everywhere, and
it took me half an hour longer than
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:usual to get into my office and into
my studio for an early recording time.
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:These things do happen sometimes, so
you might need to be a little patient
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:and give a bit of leeway, but most
hosts will at least try and let you
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:know that they might be running late.
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:But if someone does start messing
you about, by all means, call
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:them out on it or just take them
off your list and say, all right,
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:I'm not, we're not doing a show.
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:Sorry,
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:that's that you had your chance.
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:It's entirely up to you how
you want to handle that.
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:But I say don't.
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:be an arse about it because it could
affect you for future opportunity.
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:So show up as the kind of person who
you would want to be connecting with
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:as well as you as you go for this.
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:There are some people out there
right now who are charging people
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:for being guests on their show.
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:I do not like this.
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:Now, I'm not saying
you should never do it.
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:I would probably encourage
you not to do it.
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:I would not encourage any of my clients
to go down that path because, I don't
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:think podcasts should be monetizing
the knowledge and expertise the same
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:as these organizations that, ask
speakers to pay to get on their stages.
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:I don't know.
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:There might, there may be exceptions
and situations where it could work
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:out and could be worth your Well,
I generally don't think it is.
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:I would never pay to go
on someone else's stage.
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:I wouldn't pay to go on
someone else's podcast.
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:I think there are better ways to monetize
the show and also if it's paid to play,
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:You are just appearing on the show that
will have anyone on who is willing to
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:pay to go on rather than people who
have actually been properly vetted for
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:the show and who's really listening
to that anyway, I would be very
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:doubtful about their listener numbers
or the quality of people who do that.
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:So I doubt that you're gonna get much bang
for your buck in those sorts of situations
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:when they have probably, and they might
have recording going out every day, of
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:somebody who's paid to be on that episode.
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:Make your own decision on this.
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:But just know the vast majority
of podcasts will never ask
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:you to pay to be a guest.
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:Now I think it's a bit different.
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:If you are a celebrity or you know,
you're very well known in your industry
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:and your time is very, very valuable
and you might put a premium on that,
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:then sure you might be in a situation
where, you would charge to be a
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:guest rather than pay to be a guest.
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:Or if there's a show that you really
want to go onto and you love the
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:show, but they do have a pay to
play kind of thing, it's unlikely.
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:But if they do and you really
wanna do it, sure, why not.
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:But I think the vast majority of
cases, this is a scam, and it is
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:monetizing the show in the wrong way.
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:The shows should be monetized through
advertising or through audience,
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:or through promotions or through
affiliates or whatever else, but not
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:through the guests who are coming on
and giving of their time and their
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:energy to be a guest on the show.
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:I would say stay away
from those kinds of shows.
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:Now there are definitely best practices
to have when being a guest on a show.
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:Like, you know, obviously you want to
show up early, show up at least a couple
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:of minutes early to the most of the time
you're gonna be speaking to people on
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:Zoom or virtual studios unless they're
actually paying for you to travel as well.
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:Some shows will do that if
they have the budget for it.
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:So show up early, whether you are live
in person or whether you are on Zoom,
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:even with virtual recordings, being
online at least a minute or two early
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:could give an opportunity to just check
sound and audio and make sure that you
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:can finish things up in time rather
than having to check all those things.
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:So I do have a great checklist for
this and I'll share with you a bit
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:later on how you can get hold of that
to make sure you do all the right
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:things before going on to show when
you're booked into do it as well.
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:But how do you even find these
shows in the first place?
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:Well, there's a number of ways you
can do this and take your pick.
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:It might be shows that you already know.
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:You can really go to some matching
services that we talked about.
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:I don't recommend going
down the agency route.
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:I use Pub Match myself.
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:I find it's a great, great place
for professional experts to go and
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:be guests on other people's shows.
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:And if you are a host as well, it can be a
great place to find expert guests as well.
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:So I've had lots of amazing
guests through Pod Match.
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:I really like it as a service and I would
highly recommend it to you, if you are
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:looking to be a guest and it might just
be something you do for a few months,
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:get yourself booked on a bunch of shows
and then pause it or cancel it and, find
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:other ways to get on shows as well.
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:As you start getting on shows asked to
be introduced, ask your host if they
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:know about the shows that you might
be a good fit for, or other hosts that
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:they might be able to introduce you to.
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:This is the power of your network, right?
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:Do some simple searching in,
in your niche, in your genre,
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:on Apple Podcasts, on Spotify.
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:There are some paid
services that you could use.
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:Maybe just take, again, just take out
a one month subscription for where
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:you can check out where shows are
in the charts and how many listeners
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:roughly that they're getting.
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:But if the show is on YouTube, you
can certainly check them out there
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:for free and just look at how many
downloads their videos are getting
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:and see which guests they have
that are doing really well as well.
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:So YouTube could give you
a pretty good idea of that.
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:But do know that audio
podcast audiences can be a bit
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:different to YouTube audiences.
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:They are different formats that tend
to have different demographics as well.
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:So YouTube will only
give you some insight.
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:It won't show you the audio
side of things, which could
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:look completely different.
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:So they might have low downloads on
YouTube, low views on YouTube, but really
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:huge audio downloads or vice versa.
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:Or they might be exploding on both
channels or struggling on both.
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:Who knows?
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:But there are things you can do
to check that out, so that could
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:be a good part of your strategy.
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:But to go on these shows,
you do need to contact them.
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:So you'll need to find out at the
very least, who the host is, and
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:if you can find their email, great.
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:But otherwise you might be able to send
a message to them directly with the show.
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:They probably have some method for
getting in contact with them anyway,
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:which they talk about on the show.
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:So I would encourage you to at least,
check in, drop in on a couple of
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:episodes to get a sense of their style
and how the show runs and how you
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:could then fit in for that as well.
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:It will show that you've actually checked
some stuff out and you can talk to 'em.
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:All right.
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:Yeah, I've checked out a few of your
episodes and, you may not listen to the
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:whole thing, especially if they're long
episodes, but certainly if they're not,
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:if they're on the shorter side, great.
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:It might be, it might be pretty
easy to listen to the whole thing.
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:I.
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:I tend to listen a lot
on double triple speed.
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:Sometimes if they're speaking very
slowly, I'll listen on triple speed,
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:but it can be a good way to at least
get a sense of what's going on and
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:get that information that you need to
be able to get in contact with them.
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:So that could be a good way of doing it.
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:You may also want to do things like
look at their guest list, their previous
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:guest list, and, and then put their
names into Apple Podcasts and see which
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:other shows those people have been on.
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:You're probably gonna find a ton of
shows that would be a good fit for you
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:as well from the kinds of people who
are appearing on similar shows to you.
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:And again, when you get on those
shows, you can do the same thing.
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:Go through their guest lists
and find new names, look at the
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:different shows that they've been on.
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:That can be a great strategy.
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:You'll probably never run
out shows to look at, but.
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:I would encourage you to check a
show out before you pitch them.
355
:This is gonna do a few things for you.
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:It's going to allow you to know
whether you like the show or not.
357
:And I, that's important.
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:If you don't like the show, if you end
up not liking the host very much, you
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:don't like the, the star, you find 'em
too brash or anything like that, you
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:will know and you'll be able to avoid it.
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:And trust me, it's a good thing.
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:Awkward podcast interviews, are not fun.
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:But also it's going to allow you to
take a look at the kinds of things that
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:they have already been talking about.
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:And so if you do see that there are
episodes that very much cross into what
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:your main expertise or subject matter
is in, check those ones out especially,
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:and see what you could bring that wasn't
brought in those episodes because, podcast
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:hosts don't really just want to reiterate
what they've already done either.
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:You need to have a pretty unique
way of explaining stuff, or you
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:need to have some pretty unique
IP that other people haven't done.
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:So you need to be able to offer something
that everyone else isn't offering.
372
:So for example.
373
:I sometimes get coaches who want
to be on my show and sometimes
374
:they are generalist coaches.
375
:, they don't have a specific kind
of person they help or a specific
376
:kind of problem they solve.
377
:And.
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:Generally, that's no good to me.
379
:I need to know who they help
and how they help people.
380
:I need to know that they
have some frameworks that
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:they use to work with people.
382
:I need to know that they have some IP
or some expertise or some real value
383
:and something unique that they can share
with my audience, that's gonna make it
384
:interesting, exciting for me and for you.
385
:So if you don't have those things,
there's probably gonna be some work to
386
:do before you start doing your podcast
guesting in any kind of professional
387
:way to make sure you have those things.
388
:And to be honest with you, as a
professional speaker, coach, or
389
:expert, these are things that ideally
you should have for your business
390
:going forward anyway, so you really
want to have those, if you want
391
:to come across as professional.
392
:But do focus on creating relationships
with the shows that you go on.
393
:Be nice to people, be friendly,
be warm, and be personal as well.
394
:So it is, it's a good idea.
395
:Now, if you can leave a review for
the show, leave a review for the show.
396
:Leave a review for the host, send
them a thank you note and an email or
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:maybe send them a copy of your book.
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:I would say one of the things
that most people do not do, and
399
:that I would encourage you to do.
400
:Is follow up after the recording as well.
401
:it is worth keeping some kind of file
of shows that you've been on, and so you
402
:should be able to get a rough idea of the
expected release date for the episode.
403
:And if the host can't give you that,
then and there it might be something
404
:you you want to check in or have an
assistant check back in on in the future.
405
:But also you probably want to review
your appearance as well, because
406
:whether it's video, audio, or both,
if somebody puts out an unedited
407
:video, and this has happened to me by
mistake, a video ended up going out
408
:that wasn't properly edited and
it got a bit rushed through.
409
:I, I will have to admit that it got
rushed through 'cause I wanted to get
410
:the episode published in time and it
went out with a bunch of mistakes in it
411
:that had to be corrected after the fact.
412
:Not a great look for me when the
guest who was on the show listened
413
:to the episode as soon as it came out
and contacted me to let me know that
414
:all these mistakes were in there.
415
:So you will want to review your
appearance, if not, just to pick up
416
:any mistakes that might be in there
or anything you're not happy with.
417
:But also to watch and listen to what
you maybe could have done better or
418
:what you did well, and to try and watch
it with as much detachment as you can
419
:manage to give yourself some feedback
or maybe get someone else to watch it.
420
:You might have a coach who you already
worked with who could watch some of that
421
:for you or listen to it back and give you
some guidance on, what you did well and
422
:what you could improve for the future.
423
:But I would say keep a track of
these things also, because sometimes
424
:episodes don't get published, and
that can be for any number of reasons.
425
:Sometimes it could be because
the host decides that the episode
426
:wasn't good enough to go out.
427
:Now I've had that.
428
:In my experience, I was gonna have
an expert to talk about this, but
429
:when after recording the episode,
I felt like I had more to offer
430
:on the topic than the expert.
431
:And so whether that's right or wrong,
that was the decision I ended up making,
432
:thinking I think I would rather deliver
this show solo because I feel like
433
:it's more value for you, to share my
knowledge and content than the expert
434
:that I was otherwise looking to bring on.
435
:Who was someone who came to me through,
436
:through one of these agencies, and
I thought looked good, but when,
437
:when we actually showed up and did
the recording, it just wasn't great.
438
:And considering I've had an episode
with a lady called Christine Ammerman a
439
:while back now I do recommend going and
checking it out if you get the chance.
440
:Um, but she's like the queen of
podcast guesting, and she shared
441
:so much good value in that episode
of stuff that she actually did.
442
:And she did the things that she talked
about as she was a guest on my show,
443
:and I was really looking for that
kind of experience again when I was
444
:bringing someone else back on to talk
about this topic, because it's been a
445
:while since we've covered it and it,
it just wasn't really there for me.
446
:So.
447
:You've got me by myself talking
about this topic, but, I hope you're
448
:finding some value in this as well.
449
:Find out where your host is on social
media and connect with them there as well.
450
:That way you can stay in
contact and you're going to see
451
:when their episodes come out.
452
:You're gonna see when
your episode comes out.
453
:If so long as it does, and you are
also gonna know if it doesn't, you
454
:can check back in with them and say,
Hey, look, haven't in the episode.
455
:Can you let me know?
456
:Is it still coming out?
457
:When might I be able to
watch that or download it?
458
:And that could also be a good
opportunity for you to just stay
459
:connected with people who you
hopefully want to have in your network.
460
:Now, I generally wouldn't do normally
a solo episode that is this long.
461
:But this is a topic that could be
a whole workshop in itself and, and
462
:one that I probably will run in the
future if there's demand for it.
463
:Because even with this completely abnormal
length for a solo episode for me that
464
:we are just scratching the surface.
465
:I'm leaving a lot of content out,
to get through to the importance
466
:stuff as quickly as possible, but.
467
:Look there.
468
:There are a bunch of qualities that
I think are gonna make you a great
469
:podcast guest, and I hope you want
to be a great podcast guest as well.
470
:So look, to be entertaining as a speaker,
it's important to be entertaining as a
471
:communicator, we want to deliver some
level of entertainment, so do this.
472
:Someone who does podcast guesting
really well, whether you like
473
:him or not, Gary Vaynerchuk.
474
:Gary V does a really good
job at podcast guesting.
475
:I would encourage you if you are
interested to check this out more,
476
:to listen to one of his appearances
on the Jordan Harbinger show and see
477
:how podcast guesting is done well.
478
:Because Gary always knows what he's
gonna say, he has a story ready to go.
479
:He has some pithy comments ready to go.
480
:He wants to drop some knowledge
bombs and he nutshells the content
481
:as effectively as you possibly can
so that you have memorable things
482
:to take away from those episodes.
483
:You're far more likely to remember
some of the things that he might
484
:have said, because he makes it
really pithy and really memorable.
485
:He does it in a really good way.
486
:Again, the episode with Christine
Ammerman will give you a lot of these
487
:tips as well, showing you the value of
sharing some of the episodes that you've
488
:listened to on a show when you are being
interviewed because it gives additional
489
:credibility to the host and also makes
them feel good because hardly any guest
490
:they will ever have, have listened to
episodes of their show before other
491
:than maybe ones that they've been on.
492
:There's a lot more that I could
share about podcast guesting that's
493
:gonna help you be not just an amazing
podcast guest, but to really get
494
:some results from this as well.
495
:But we're already really in overtime,
far, far in excess of what I would
496
:normally ever do on a solo episode.
497
:If you would like me to run an
online workshop on this, let me
498
:know in the comments or get in touch
with the, john@presentinfluence.com
499
:and I will happily set that up
and, and make it happen because
500
:I think this is such a key area.
501
:But ultimately I'm a keynote
and presentation skills coach,
502
:not a podcast guest coach.
503
:But if you're interested in this,
from particularly the angle of
504
:being a professional speaker and
getting bang for your buck there.
505
:Get in touch with me and, but I
wanna make sure that you have at
506
:least some resource available that's
going to help you to go forward.
507
:So, if you feel ready to grow your
authority and book more business through
508
:podcast guesting, don't just wing it.
509
:I've put together a full podcast,
guesting playbook, and it's gonna walk
510
:you through every step from getting
booked to turning interviews into clients.
511
:It's totally free and there is no fluff.
512
:You can grab your copy of the link in
the show notes, the description, or head
513
:to presentinfluence.com/podcastguest
514
:and start getting booked like a pro.
515
:And hey, if you've enjoyed this episode,
please make sure that you are following
516
:the show on your favorite podcast
provider and know that there is new
517
:content going up on YouTube that is
exclusive to YouTube and will not be
518
:getting released on the podcast episodes.
519
:Also important to note that you, although
I have been doing two episodes a week
520
:this year, I'm gonna be scaling back
for the time being to one episode a
521
:week, simply because I'm struggling
to manage my production schedule
522
:along with all the other things
that I'm working on at the moment.
523
:So hopefully be able to smooth things
out in the future and go back to
524
:two episodes a week at some point.
525
:But for now, we are gonna be going back to
weekly Wednesday episodes and alternating
526
:between solo shows and interviews slots.
527
:As well.
528
:So next time I'll be bringing you
an interview and oh my goodness.
529
:It is an awesome one.
530
:I'm gonna be speaking with professional
comedy writer Joel Morris, who
531
:is one of the writers behind
some of the top UK comedy shows.
532
:Things like Charlie Brooker's, screen
wipe, things like, Philomena Kunk, and
533
:he's been a writer in the Paddington
Bear movies and so much more as well.
534
:So most of the top UK comedy shows he
has had some kind of hand in as a writer.
535
:You won't wanna miss that.
536
:We talk about his creative process,
we talk about his book, which is
537
:really looking into the power and
the influence of humor as well.
538
:And, he's a super nice guy and it's
an absolutely unmissable episode, so
539
:I hope you'll join me for that, and
it's certainly an excellent reason
540
:to make sure you are subscribed.
541
:We'll see you next time.