Episode 204
More Clarity, Less Clutter | Oreet Kaufman
Mastering Visual Storytelling: PowerPoint Tips from Oreet Kaufman
Summary:
In this episode of 'Present Influence', host John Ball is joined by Oreet Kaufman, an expert in presentation design, to discuss the importance of clear and visually appealing presentations.
They talk about the concept of 'word dieting' to eliminate clutter and improve communication effectiveness.
Oreet shares practical tips on creating impactful slides, avoiding redundancy, and using animation judiciously.
Despite some audio issues, the conversation is rich with insights on enhancing professional presentations to better connect with audiences. Tune in for valuable advice on mastering visual storytelling with PowerPoint.
Visit Oreet's website to download her tips on word dieting: https://ocdesigns.info/
Chapters:
00:00 Introduction to Professional Communication
00:32 The Importance of Visual Storytelling
01:33 Guest Introduction: Oreet Kaufman
02:21 Cleaning Up Communication Clutter
03:48 Effective Presentation Techniques
13:42 The Role of Imagery in Presentations
26:31 Adapting Presentations for Different Audiences
32:42 Conclusion and Final Thoughts
Go to presentinfluence.com to take the Speaker Strengths Archetype Assessment and discover your greatest strengths as a speaker as well as where to focus for growth. For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn
Thanks for listening, and please give the show a 5* review if you enjoyed it.
Transcript
As professional communicators.
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:Hopefully we all understand that it's
really important to not just be able to
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:do the presentation a bit well, but to
make sure that all elements of what we do
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:look as good and feel as good as possible.
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:We are projecting a, a brand and.
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:Image of how we want to be
perceived by our audience.
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:So if we look a mess, our audience
are gonna make assumptions about us.
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:If our slideshows look
super basic or homemade, I.
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:That's gonna tell a story about
us as well, not a good one.
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:And so I wanted to continue the
elements on visual storytelling.
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:We've had a few episodes on this recently.
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:One with Emily Schneider, and again with
John Demato , and want to continue that.
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:I, one of the reasons why I decided to
do another episode, particularly relating
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:more to PowerPoint was because my guest
are Kaufman, has some really nice.
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:Insights and ideas that relate to this
about how we can be doing something.
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:She calls word dieting, so you
definitely wanna listen to that for that.
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:Now, I will say this, the audio
quality is not the best for one of
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:these, for one of my episodes, and I.
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:Almost was in two minds about whether
to publish it because, because of the
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:audio issues, I think it's cleaned up
enough that it's still just about works.
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:But, hopefully will be able to listen and
hear everything that you need to hear.
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:I tried to take out as much
as possible of everything that
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:wasn't coming through clearly.
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:But there's only so much I can do, so
please do bear with the audio issues.
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:It will be worth it.
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:You'll get some great value from
listening to my guest today.
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:Welcome to Present Influence the show
for professional communicators who
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:want to inspire, impact and influence.
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:My name's John Ball.
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:I am your guide on this journey to
mastery level communication skills.
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:Let me officially welcome Oreet Kaufman
to the Present Influence Podcast.
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:It's great to have you.
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:Here
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:Oreet Kaufman: Good morning.
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:Thank you for having me.
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:John: I'm so delighted to speak to you.
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:I really enjoyed our conversation when we
had a little pre-interview chat a while
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:back, and We recently, as had a friend
of yours, Emily Schneider, on the show.
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:And we'd wanna say, oh, we have, we're
gonna have some other stuff to talk about.
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:Visual storytelling.
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:I think we do.
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:And so that's why I was very much
looking forward to bringing you on
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:because you have some really nice
stuff in your profile that, that hit
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:something for me, oh, I really like this.
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:Things about Cleaning up
your communication clutter.
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:Tell me a little bit about that
and why that's a big thing for you.
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:Oreet Kaufman: Sure.
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:John first I would say, I think it started
from me just being an impatient person.
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:So I don't know whether it's adult a DD
or the fast social pace world we live in
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:today, but I don't have a lot of patience.
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:And so when I see a presentation
slide, I'm at a present.
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:Wherever I'm at, a presentation and I
see so much information on the slide,
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:I'm just, I think to myself, get to it
to the point, and I think we don't do
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:that well enough in communications today.
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:So while there's images and graphics and
help tell the story, it's the message
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:at the core that is really important.
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:So we think about that.
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:Your audience only has three
to five seconds to look at your
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:slide and get your message.
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:Don't waste your audience's time.
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:Don't waste their time
and get to the point.
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:So it is a skill, it does take practice
to understand, to look at and say
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:what's repetitive, what's redundant,
what is saying the same thing?
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:What is bullets should really never
be more than two lines at the most.
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:So you know, it's taking a look
at that and seeing how can we
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:make it shorter, faster, and more
efficient, but still engaging your
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:audience and not wasting their time.
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:John: So there's, there is a
balance to be found here, right?
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:Oreet Kaufman: Yeah, absolutely.
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:John: let me ask you, 'cause
this is interesting to me.
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:We've all met those people who overshare
or over deliver on, on information
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:and is that what this is about or
is there other stuff going on here?
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:Oreet Kaufman: Yeah, I think a lot of
times people write as they speak and
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:that's a different communication skill.
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:So I used to do it as well and it really
took a lot of practice for me to learn
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:how to cut in my own communications.
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:So I think when people
write as they speak.
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:They don't understand what is the key
message, what are those key words?
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:And really going through and
having your messaging to really
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:say what are those key words?
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:What's the key messages?
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:What do you wanna leave your audience
with that they're going to remember?
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:John: Do.
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:Do you ever get clients who come to you
with a slideshow that they've already done
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:and you look at it and go, oh my goodness,
Where do you begin the journey with them?
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:Oreet Kaufman: So I did their permission
from them to get, to have the liberty
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:to say, this is something that I'm
really good at and I really enjoy
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:to be able to cut down your content.
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:and with their permission, I will
take a look and say, if it's a
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:service that they're offering or
if it's a product that they're
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:offering, especially with services,
I try to pull out those keywords.
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:So if you don't offer any.
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:Repair and, diagnosis services.
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:You still need to say,
diagnosis and repair.
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:You don't need to go through and explain.
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:So when I get content from a client, I,
first of all, let's try to understand what
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:their goal is, what design outcome is.
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:What are you trying to say with the slide?
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:What are you trying to say
with the whole presentation?
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:Then from there I'm able to say, okay,
you've got three lines in this bullet
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:that really mean diagnosis and repair,
so let's pull that and everything else.
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:I'll also ask it that's gonna be sent to
a client, or if it's gonna be presented
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:live to know if I can put it in speaker
notes and say, just pull out diagnosis
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:and repair and speak to the rest of it.
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:Because all you're wanting your
clients to remember is the service
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:you provide is diagnosis and repair.
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:John: Yeah.
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:I'm sure this isn't just your philosophy.
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:There must be some sort of results you've
seen from making these kinds of changes.
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:So what has been the kind of feedback
that you've had from people when
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:you have helped them to clean up the
language that they use and make sure
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:the communication is less cluttered?
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:Oreet Kaufman: Yeah, so
about two different examples.
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:One is from presentation designing is
where I've taken a lot of stats and a
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:lot of data, and I've said, okay, what,
let's just pull that number out and,
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:you have all this information on your
slide, but you already told me on this
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:at the top of the slide, the key data.
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:So just pull that out.
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:The slide was crowded.
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:The slide had two different charts on it.
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:Again, all the information,
but I found buried in there.
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:The key stats, I pulled it out.
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:I highlighted just those numbers
with one line underneath it.
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:I highlighted the key
fact and the reaction was.
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:It was just astonishment.
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:It was, we didn't realize
it was that simple.
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:We didn't realize that's really
how we need to communicate.
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:Again, three to five seconds, your
audience is looking all over your slide.
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:They have no idea where
to look, what to do.
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:Animation helps with that.
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:Also, I recommend animation
sometimes with my clients to say.
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:bringing little animation not a great
fan of over animation, but animate
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:appropriately to drive the message.
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:So if you have two statistics on your
slide, then animate one at a time so
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:you can drive the message and you could
talk to that, statistics specifically.
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:Another example I have is when I was
working at a sales organization about
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:two years ago, I was part of a meeting
that was, meant to write instructions
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:for our sellers on how to read a report.
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:It was an hour long meeting.
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:I'm not sure why exactly.
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:I was in that meeting and the instructions
were pretty good except for the end.
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:There were four bullet points and each
bullet started with the same word.
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:And at the end they said, well,
re what would you suggest to
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:add to these instructions?
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:And I said, first thing I would do is
I would take out the first bullet of
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:first word of each of those bullets.
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:It's repetitive.
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:If there's action you want from the
sellers, just start with that action one.
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:They all start with the same word.
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:Take that out.
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:Start with an action word.
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:Get to the point.
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:These are sellers who
don't have a lot of time.
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:Get to the points, with your
action words and minimize the
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:words as much as possible.
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:So.
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:Small changes our communication and
engagement and understanding and
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:ultimately driving those results.
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:'cause that's what you want.
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:John: Absolutely.
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:I could see where that might come from.
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:Trying to do a, do
slides the way we speak.
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:Like there is a sort of rhetorical
technique when we speaking
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:of repeating the same kind of
phrase to have more impact.
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:But I think if you have a whole slide
series just like you wouldn't do that
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:speaking, but definitely overdoing it.
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:Is some of this a bit of, I don't
say laziness, but a bit of maybe
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:people's lack of confidence sometimes.
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:I've seen this as well where people,
rely, make the slideshow a bit of a
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:crutch through their presentation.
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:Is that kind of common as well?
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:Oreet Kaufman: I then you've also
seen people reaving off slides,
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:not just writing as they speak, but
also reading directly off of that.
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:And I can guarantee you every person who
has watched a PowerPoint presentation
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:where they have run off the slides,
you just wanna roll off your seat.
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:You just wanna fall hard.
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:So I think
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:John: It painful.
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:Yeah.
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:Oreet Kaufman: people, I think a lot of
people do definitely use it as a crutch.
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:You are the show, as the
speaker, you are the show.
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:Your slides should support you and help
you tell the story, but not be the story.
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:You are the story.
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:So it's understanding that balance
between how much to put on the slide
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:again between graphics and images
and whatnot, and the messaging.
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:It also takes practice.
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:So if you're a speaker and you're now
gonna adopt this word dieting, and you're
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:gonna, put less words on the slide, let's
take practice to become comfortable with
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:your message so it doesn't become a cru.
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:You need to practice.
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:You need to practice.
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:If you have speaker notes, if you're doing
it at a keynote, there are large speakers.
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:A lot of times there will
be, it's teleprompter.
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:In front of you, it'll
show you the speaker note.
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:Sir, this becomes adding more comfortable
with your message, and you're comfortable
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:talking so that the slides behind you
are just, just sparks of information.
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:John: Yeah, they're complimentary
rather than dependent.
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:I like that.
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:I love that expression you have
as well about word dieting.
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:I'd heard it from you before
and thought, I love that.
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:That's such a good, it's such good
IP for you to use that as well.
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:but it's one of those things
that really stands out.
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:are there some key principles
that you operate by?
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:I know you already shared a bit, but
there's some more key principles you
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:operate by that we could learn from?
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:I would probably encourage people
to work with a professional like you
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:on slideshows because, if you are.
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:I think if you're wanting to stand
out from the crowd, self-made
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:slideshows can look very self-made.
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:But what if we're gonna do that?
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:Maybe just someone starting out,
what are some of the best practices
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:that we could apply to word dieting
and cleaning up our clutter?
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:Oreet Kaufman: Absolutely.
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:I would say like everyone has a little
bit of a teacher in them that loves
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:to take out that proverbial red pen.
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:I think we all enjoy a little bit of that.
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:So I would say look at your own
work from, take a step back and
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:look at it as if somebody's bringing
it to you is asking you for your
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:own feedback, what would you cut?
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:And I would say, look for repetition.
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:Look for redundancies.
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:When we say redundancies, example,
one of the examples I have in my,
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:my handout is next quarter results
for Q2 are available online.
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:Send 'em short.
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:Right?
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:But what do you say time wise?
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:It's Q2.
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:You don't need to say
next quarter results.
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:Just say Q2.
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:They're available online.
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:The word available online,
they were available.
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:another example I like to use is, She
drove in circles around the block.
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:You, if she drove in circles,
she drove around the block.
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:If she drove around the
block, she drove in circles.
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:Look at your own work.
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:See Okay.
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:Until the step out.
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:What seems repetitive?
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:and again, that takes practice.
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:It takes practice.
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:I don't know, John, if I can
recommend an app, there was an
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:app that helps you work on, um.
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:John: please do.
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:Oreet Kaufman: It's called Elevate.
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:it's for adults and for kids.
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:And one of the features I
have on there is brevity.
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:So it will show you sentences like
she drove in circles around the
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:block and will ask you to remove
the words that are redundant.
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:And at a very basic level,
it's a fantastic exercise.
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:It's fantastic.
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:My son does it and he likes to challenge
me about and he'll say, okay, mommy,
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:what don't you put out from here?
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:And I thrive on a challenge
'cause it keeps my skills sheep.
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:It
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:reminds me of, other
instances and of brevity.
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:So I probably recommend
that and just practice.
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:'cause then you start to learn for
yourself what's redundant, what's extra.
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:Oh, and it, a lot of the times
it's an aha moment and you get
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:better at, it's so empowering.
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:John: like anything, it takes practice.
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:And, but I really like that.
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:I'm, I, definitely gonna try that out.
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:I don't know how many redundancies I
have in my general communication, but
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:I'm keen to know, and I am someone who
cares about cleaning up, and being as
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:clear in my communication as I can be.
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:and I'll tell you one of the, one of the
things that, having been editing podcast
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:interviews for a number of years now.
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:I also feel like I've had the
privilege to be able to pick up a
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:lot of my own idiosyncrasies and
redundancies in speaking, but also
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:I think I do far less of the ums
and ahs that a lot of people do.
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:And the, and it's and all these
filler words that, that really are
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:unnecessary in a lot of how we speak.
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:So this to me is a great
opportunity to, to take that a
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:step further and do a little more.
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:me ask you a bit though about, other
instances where people perhaps could
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:use more imagery in, you mentioned
animation, but could we use more imagery
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:instead of perhaps where we may be trying
to just put stuff in words, sometimes
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:do a bit of visual storytelling.
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:Oreet Kaufman: Yeah, absolutely.
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:they say pictures worth a thousand words,
but don't just slap any picture on there.
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:and don't make it a thousand words.
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:So curating the record kind of photos,
I think to connect with your audience,
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:a lot of times the photo needs to,
imagery needs to evoke in motion.
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:It needs to evoke a connection.
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:again, in today's technology world,
we're all seeking for connection.
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:So it should be imagery that is
obviously appropriate to the topic.
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:and really.
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:minimal imagery as much
like on each slide.
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:You don't wanna have competing images.
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:again, three to five seconds and what you
want your audience to take away from it.
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:What image are you trying
to evoke and what feeling?
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:so let's say, think about that as well.
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:So if you're a technology company, if
you're an environmental company, choosing
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:that right imagery, to evoke not only
a feeling and a connection, I'm sorry.
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:I would say no.
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:I'm sorry to evoke that
feeling and emotion.
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:that's really a lot of what the
core of what marketing is because
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:good presentation is good marketing.
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:It's a good marketing tool.
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:And when you see these billboards and
you see these commercials, it's all about
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:how you make you, how it makes you feel.
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:So I always tell my kids what the
key you in marketing is this Excel
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:and marketing is how you connect with
somebody and how it makes you feel.
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:So I think there's really an importance
in choosing the word imagery for those
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:John: Yeah, things that will
stick in people's minds as well.
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:they'll feel that, but they'll also
remember it because it evoke to feeling.
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:so yeah, it, it can be.
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:magical stuff, there, there are.
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:I will say there, there are
slide presentations I can reme.
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:I certainly watched a lot of,
we all did during covid, right?
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:We a lot of Zoom meetings and
a lot of times people would
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:use slides and some of that.
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:There are some I still remember
because they did it really
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:well and the most part I don't.
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:So the ones that do this well do really
stand out and will stick in your memory.
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:sometimes because they had the
visual storytelling, they even used
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:a little bit of humor and things
that, images that were really
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:appropriate to what they were doing.
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:Like it hadn't just been slapped together.
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:Oreet Kaufman: I would
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:people don't remember the words on a sign.
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:People gonna remember you.
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:Images.
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:Nobody walks away with saying, I
really remember those words and
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:how she made it so efficient and.
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:They're gonna, that'll make them
understand and resonate with them.
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:But what they walk away with and what
they're gonna remember is that image on
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:the screen really connected me with their
message, really connected me with what
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:their goal is, and what it means for me.
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:John: Yeah.
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:Look, I I can so relate to pretty
much everything you're saying.
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:lot of.
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:Patience when people are over
communicating or really struggling to
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:get to the point and, dancing around
all of the houses before we get there.
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:so things that are gonna make
things clearer for people,
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:make you understood faster.
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:Connect the ideas with people quicker,
and, really just make a bigger impact,
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:I would say, in what you're doing.
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:That's all got to be good.
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:And if you are a professional.
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:You want to come across as a professional
in what you do, then you should be making
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:sure that your visual representations,
your tools are at that level as well.
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:So I think what you do is super important.
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:Can I ask you Yeah, go ahead.
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:Oreet Kaufman: I, I think it also
sandwiches your credibility, right?
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:It's like showing up, kinda like showing
up as a speaker in a wrinkled suit.
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:So your presentation could be great and
you might have the greatest message, but
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:if you show up in a wrinkled suit, and
that's all the people are gonna remember.
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:So besides your imagery and the
visual storytelling, the clear,
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:concise, and efficient messaging
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:is what's gonna establish your
credibility, that you don't ramble on,
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:that you don't read off the screen,
that your slides are not crowded, you
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:are clear, you are professional, you
are confident, and that's really what
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:presentation design is about in my
mind, is giving you the confidence to
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:get up there and speak about the topic,
that you're the expert on that top.
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:But this gives you the confidence to
get up there, not only to impress.
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:Your audiences, but also get
the results you're looking for.
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:Whether it's to change behavior,
whether it's to change, improve, not
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:change knowledge, gain knowledge,
change behavior, learn something new.
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:But it really gives you that
confidence and establishes your
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:professionalism and your credibility.
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:So it's, excuse me, it's very clear, like
with and without the presentation design,
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:how you present yourself, that's really,
like I said earlier, it's a marketing
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:tool and how you wanna put yourself
out to the world, to your audience.
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:John: I like that there's, an area of
presentation, visual presentation where
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:I maybe have been shifting my position
on this, and I'll share it with you.
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:I'll put it with, put you this way.
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:A lot of the coaching I've done to help
train speakers and help coach 'em to be
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:better speakers, have better keynotes.
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:I will nearly always will get asked about.
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:slideshows and that should be used.
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:Um, should we have them?
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:how many should we have?
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:All that kind of thing.
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:And my general answer has been that
you should only really have them as a
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:speaker if you really gonna need them,
if your presentation requires them.
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:otherwise it's one of those additional
technical things that maybe you
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:could do without, like, you have
to make sure everything's set up.
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:Here's where I am maybe
a bit more with it now.
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:if your visual storytelling, if your
slides are to the level that we're
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:talking about here, that you've worked,
especially if you worked with someone
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:like yourself where you know you're
gonna have a high quality expert
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:looking, presentation, I think that's
only going to enhance what you do.
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:And so it may look a bit different for
different talks, but I do think, you
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:still probably want to be able to, if
all the technical stuff blows up, which
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:you still need to be able to figure
out how you would deliver your talk
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:without this, but that's maybe where
I've shifted my position a little bit.
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:do you think, pretty much any presentation
could benefit from a good slideshow?
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:Oreet Kaufman: I think it depends
on the kind of speaker that you are.
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:So I think not all of us are dynamic,
high energy, engaging speakers.
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:If you're a keynote.
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:Even keynote speakers have
some visual slides behind them.
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:I think, I'm gonna assume the majority
of us who are presenting are not high
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:dynamic energy professional speakers.
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:And I think you also do account
for the different types of
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:learners in your audience.
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:There are visual learners that are
auditory learners, and so even with the
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:most engaging professional high energy
speakers, a lot of people in the audience
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:need to see along with you talking.
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:And so there's, again, striking
the balance between, it's not
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:webinar type slides you're gonna
put up there as a keynote speaker.
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:It's gonna be quick visuals, think
like the TED talks a little bit.
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:it'll be Ted Talk presentation is
really just pictures and very few words.
404
:So those TED Talk speakers
are phenomenal speakers.
405
:and they use very little visuals in
the background to support their story.
406
:So I think to account for the different
types of people in the audience, it's
407
:always good to have some type of visual.
408
:but again, as we said earlier,
not to use it as a crutch.
409
:so I think like you can't hurt.
410
:I think it's always a good age.
411
:John: We.
412
:I guess it must be different for
every talk, but in general, is
413
:there an optimal level of slides to
have, let's say an average keynote
414
:presentation would be around 45 minutes.
415
:how many slides would be too
many, I guess is what I'm asking.
416
:Oreet Kaufman: Fewer the better.
417
:Because we live in a world of slides
and everybody knows the routine.
418
:Everybody knows what they might
expect, what might be coming.
419
:we generally did down lines around two
minutes per slide to speak to, so we
420
:would, I love to stay around 10 to 15.
421
:I.
422
:but I've had clients where for
annual sales calls, it's over a
423
:hundred slides because it's a four
hour call and it breaks it up.
424
:And sometimes that's just
what needs to happen.
425
:It's different departments
submitting content and you
426
:just have those types of calls.
427
:but I always err I'm fewer than more.
428
:because you should, especially for
pitch decks, let's say for example, it
429
:should really be no more than 15 slots.
430
:You need to get your message
across your problem, how you're
431
:solving it, your financing, and
all key elements of a pitch deck.
432
:but always tend to fewer than more.
433
:Don't create slides for the
sake of creating slides.
434
:More slides don't make
you look more intelligent.
435
:Better, smarter slides make you
look more intelligent and the way
436
:you use them will establish your
professionalism and credibility Again,
437
:John: do you feel that there is
or should be a difference between
438
:perhaps how much we use slides in
a live in person presentation to
439
:perhaps a virtual meeting or Zoom call
440
:Oreet Kaufman: no.
441
:John: should be the same.
442
:Oreet Kaufman: It should be the same.
443
:I think you should adapt it.
444
:I mean, it should be
treated as if it's the same.
445
:If you're gonna send me a PowerPoint to
read on my own, I'm less engaged for sure
446
:than if you were to present it to me live.
447
:So if you, I would say this, you're
sending out a presentation afterwards
448
:or in, instead of presenting it
live, make it as short as possible.
449
:Get it down to a one or two page summary,
because everybody is so busy and I don't
450
:wanna read your 26 page, PowerPoint
deck that you just sent me in an email
451
:and you need feedback on by tomorrow.
452
:It's not gonna happen.
453
:I generally, I would say
stick to the same length.
454
:of slides, whether it's presented
live or not, but certainly if you're
455
:gonna send it out only or even
afterwards, make an abbreviated version.
456
:Make it easy on everybody.
457
:Again, nobody has time.
458
:John: I like that.
459
:You may not have an answer, so
I don't know, because this is
460
:more about delivery, for online.
461
:But, is there like a best practice
that you are aware of for slide
462
:presentations on online presentations?
463
:Is there like a best way to do it or is
it just cool to have it just pretty much
464
:take over the screen and, what would
you say is the best way to present a
465
:slide deck and an online presentation?
466
:Oreet Kaufman: A lot of it is the same.
467
:I think you have to remember the
audience is not sitting in front of you.
468
:So when you're doing it on a
webinar, I think your engagement
469
:and the slides needs to be a little
bit more than if it was live.
470
:Actually, I.
471
:Because people are on camera, they're
off camera, they're multitasking,
472
:they're doing other things, versus
sitting alive in an audience where
473
:you have more of a captive tension.
474
:I would say, I think something
else that people tend to do
475
:a lot is they over animate.
476
:Because again, it looks, people
think it looks impressive.
477
:So especially in a webinar setting,
I'm gonna over animate and make
478
:it look fancy and I'm gonna put a
lot of bullets on the screen when
479
:really it's understanding that, all
heard it, that less is more Animate
480
:appropriately to drive your message and
to so that you can drive the message.
481
:Animate for effect, don't over
animate for the sake of animating.
482
:And I think in webinars and zooms,
a lot of people think because their
483
:audience is just sitting behind their
computer, they're just gonna, I.
484
:it, I feel like it's, it feels a little
more permissive in that kind of setting to
485
:over animate, and I just get that reaction
and that that kind of gut feeling.
486
:People feel that permission to
over animate and really don't,
487
:John: Yeah.
488
:Yeah.
489
:Look, I, you, my, my brain's going
back to early age of PowerPoint,
490
:particularly when Keynote came out
491
:Oreet Kaufman: yeah.
492
:John: for and end up, I can remember
going to presentations and seeing the
493
:worst animations and, transitions between
slides as well, because it was all
494
:new and people were having fun playing
with it, but they looked horrific.
495
:Oreet Kaufman: Yeah, and it's
really only three or four
496
:animations that are effective.
497
:PowerPoint gets you so excited that
there's so much you can do, and go there
498
:and try all of them, but it's about
knowing which ones are the most effective,
499
:the most common, and there's a reason
that they're the most common because
500
:they're minimal and they're effective.
501
:You think transitions between slides also.
502
:There's so much fun stuff you can
do there, And my daughter, when she
503
:was in high school, was making a
presentation and she played with all the
504
:transitions and I was like, what's great?
505
:But I have no idea what you're
trying to say in the presentation
506
:'cause I'm so distracted by all
the animations and transitions.
507
:So it's really not knowing your
audience and really, I just putting
508
:yourself in the audience's seat to
say, is this something that you would
509
:wanna sit through, it's fun to make?
510
:this something that you wanna sit through?
511
:And again, three to five seconds.
512
:Don't distract your audience.
513
:Don't waste their time on, on any
effective transitions and animations.
514
:Use it effectively.
515
:Practice, try out different ones,
but then Use ones that are subtle and
516
:that, and then help drive the message.
517
:John: You have brought me to a another
question and I'm curious what your
518
:answer will be to this as keynote
speakers or workshop leaders or,
519
:standard presentations that we may have,
might there be times where we want to
520
:change the slideshow a little bit, for
going to perhaps different audiences.
521
:Oreet Kaufman: I think when we
say know your audience is no.
522
:Who they are.
523
:Is it a corporate audience?
524
:Is it a technical audience?
525
:Is it an artistic audience?
526
:Is an audience that tech that
usually works mostly with,
527
:visuals, who are you speaking to?
528
:One of my favorite clients to work
with are engineers because they're
529
:very technical, but when it comes to
communication and marketing in that sense,
530
:they just overload the slides.
531
:And so it's knowing who are
you talking to and what do they
532
:need to know at that moment?
533
:What is the most important information
that's really for everybody?
534
:What do they need to know?
535
:Where do I find it?
536
:but the tone might need to change.
537
:The language you use might need
to change based on the audience.
538
:Certainly.
539
:you don't wanna have a one slide, one
presentation fits all because that
540
:means, in my opinion that you don't
really care about your audience as much.
541
:You're just gonna slap and paste
the same presentation to everybody.
542
:And it might not be big changes,
but it could be subtle changes in
543
:terms of, like I said, the wording
that you use, the tree that you use.
544
:it just deserves a review before you
go to the next audience to see what
545
:needs to be different to resonate
with this particular audience.
546
:John: so I guess then that's an
important part of the conversation for
547
:you to have with one of your clients.
548
:So who is, or who are
your audiences in general?
549
:who is this, who is this mostly going to?
550
:Because if they're saying, oh, like I
mostly speak to engineers and mechanics
551
:and all like, is gonna be a little bit
different until I, I go to a lot of
552
:creatives, I go to big corporates or
553
:Oreet Kaufman: Right, right.
554
:The
555
:John: it is gonna matter.
556
:Oreet Kaufman: Yeah,
557
:and I think from on sales it's
training experience, I learned how to
558
:really, fine tune that communications
to say what is the least amount of
559
:information they need to do their job.
560
:versus corporate will
want more explanations.
561
:Corporate will want more of the
reasoning and the data behind it.
562
:sellers will just, you I, the
example of parking lot training
563
:in my old organization is that.
564
:I used to design the training mostly
as a one-pager as much as possible to
565
:say which case scenario you are in the
parking lot of a customer, what is the
566
:least amount of information you need to
know to go and have that conversation
567
:with a customer to close that sale?
568
:So it is knowing what your audience
needs, how they communicate with their
569
:customers, with their, audiences as well.
570
:John: I really like your take on
all of this, and I can see that
571
:the benefits of this level of
clarity go far beyond just what.
572
:You deliver on a slide deck, into
hopefully helping people to improve
573
:their general communication.
574
:I think it's always good to
remove redundancies and clutter
575
:in our conversation and, and help
people have more clarity and to
576
:be honest, in, in particularly
professional settings, time is money.
577
:After all.
578
:You hear people saying that
all the time, and yet how much
579
:time gets wasted from people.
580
:Not being able to explain themself
or giving too much information or so,
581
:so I think what you're doing could
be very impactful, beyond, beyond
582
:just having an amazing slideshow.
583
:If someone's wanting to come
and work with you, how could
584
:they find out more about you?
585
:how would you start that process thinking?
586
:All right, I want Oreet to help
me get some clarity and do have
587
:an amazing visual presentation.
588
:Oreet Kaufman: Absolutely.
589
:So they can reach out through
the website or through LinkedIn.
590
:and we'll have a conversation
so I can understand the project
591
:and the scope of the project.
592
:Again, getting to.
593
:The why giving to the audience,
understand the logistics and timing.
594
:And, then what, once we start the
process, then we, I put together
595
:what's called a creative preview.
596
:So I'll send you three to four slides
to make sure we're heading in the
597
:right direction to make sure, you
get input from you if there's a type
598
:of, presentation style that you like.
599
:If it's more modern or more traditional,
whatever it might be, if there's something
600
:out there you've seen that you like.
601
:That creative preview sets the
foundation for, presentation.
602
:So that's your chance of the creative
preview to say, and I tell my clients,
603
:please tell me honestly, because
this is your project, love it.
604
:Change this, change that.
605
:and it might take one or two rounds
different creative directions
606
:to, to make sure that I'm
producing something that you like.
607
:And then from there we'll do
draft reviews and finality.
608
:projects typically take two to
three weeks based on how fast the
609
:client response with feedback.
610
:Some take longer based on, again,
everybody's different timelines.
611
:it's really quite and smooth process.
612
:John: Fantastic.
613
:and you've created a helpful
resource that for the audience as
614
:well could tell us a bit about that.
615
:Oreet Kaufman: Yeah, so according
a resource that's on my site, it
616
:talks about the redundant hardware
cutback, the redundancies in
617
:petition we've been talking about.
618
:It's I word dieting, chips.
619
:And it's three tips with examples,
that you can practice today and
620
:see the before and after, of
cutting, cutting out extra content.
621
:And so that is on my website.
622
:You can download it
directly from the site.
623
:and it's really a good start.
624
:It's a good starting tips.
625
:and certainly if you need
help, let's connect and, I can
626
:help you take that from there.
627
:John: I'll certainly be making sure
that the information for your website
628
:has to get in contact with you and
for your word dieting tips is gonna
629
:be in the show notes for anyone
who wants to go and check that out.
630
:So do take a look at the show notes
and, uh, go and visit Oreet's site
631
:and get yourself, at least get
yourself that helpful resource.
632
:Maybe find out how cool it would be to
work with someone who's gonna help you.
633
:clean up your communication
clutter and go on a word diet.
634
:That's sounds like the kind of
diet I could actually stick to.
635
:So I like that Rick.
636
:Perfect.
637
:It is been an absolute pleasure
having you on the show.
638
:I love some of what you're doing.
639
:I'm so on board with it and, I'm so
happy that you impatience led you to
640
:do something so cool and that you're
helping lots of people have much better
641
:visual storytelling in their talks.
642
:Really appreciate you coming and
being a guest on Present Influence.
643
:Thanks.
644
:Re.
645
:Oreet Kaufman: Thank you so much, John.
646
:It was a pleasure.
647
:John: I just wanted to close things
off today and just say there's been
648
:a lot of exciting stuff happening.
649
:If you haven't already checked out my
last episode, that is where you can
650
:see my very first ever attempt at open
mic standup comedy, as well as my first
651
:ever speaker slam storytelling event.
652
:Some significant and important
firsts for me over recent times,
653
:and I'm sharing them with you.
654
:There's gonna be more.
655
:Please look forward to those.
656
:And I'm happy to say they went pretty
well but there's also plenty of
657
:room for growth and development.
658
:So I don't come here on this podcast as
the perfect, I've got it all figured out,
659
:hey, look at me on I great kind of person.
660
:I'm on this journey as well
and sharing it with you.
661
:So I see this as being where we
can grow and develop together.
662
:Whatever level you're at right now, just
know there's always another level for
663
:growth and development for you and for me.
664
:And there should be, that's what
we want the day we stop growing
665
:and learning, is the day that we
start going in the other direction.
666
:And that's not good.
667
:We don't want to, we really
want to think about that.
668
:But let's wrap things up there for today
and if you're not already subscribed to
669
:the show, please make sure that you do
and why not leave us a five star review?
670
:It always makes my day to see them and it
helps other people to know that this is
671
:a good quality podcast worth tuning into.
672
:It's been my pleasure speaking with you
today, and I will look forward to seeing
673
:you on our next episode back on Friday.
674
:See you then.
675
:Take care.