Episode 202
The Power of Focus: Enhance Your Speaking and Presentation Skills | Greg Bennick
Mastering Focus and Rehearsal with Keynote Speaker Greg Bennick
Summary
In this episode of Present Influence, host John Ball discusses the importance of focus and consistency for speakers with professional keynote speaker and TEDx coach Greg Bennick.
Greg shares his extensive experience speaking since age 13 and underscores how crucial rehearsal and preparation are for effective communication.
He provides insights on maintaining long-term focus in a chaotic world, delegating tasks to create room for more meaningful work, and the importance of finding life within rehearsed words.
Additionally, Greg talks about his book, 'Reclaim the Moment,' which offers strategies to build a better present by honing focus.
Towards the end, John reflects on the significance of consistency and shares his experiences with public speaking and rehearsals. He also shares some updates on his stand-up comedy and story slam premieres, AND there's a unique offer for those who may want a bit of free speaker coaching.
Remember to find out your speaker strengths archetype from the assessment over at PresentInfluence.com
Chapters
00:00 Introduction: The Power of Consistency
00:30 Guest Introduction: Meet Greg Bennick
01:20 Greg's Speaking Journey
03:51 The Art of Connection
07:55 Balancing Entertainment and Message
12:42 Mastering Focus
16:55 Long-term Focus Strategies
22:12 Delegation and Teamwork
26:59 Creating Space for Possibility
28:58 The Importance of Rehearsal
30:34 Effective Rehearsal Techniques
33:04 Balancing Memorization and Flexibility
35:20 Injecting Personality into Your Presentation
40:24 Consistency and Practice
41:46 About the Book: Reclaim the Moment
43:57 Final Thoughts and Announcements
Go to presentinfluence.com to discover your speaking strengths with the free quiz and for keynote enquiries, alternatively, connect with me on LinkedIn
Thanks for listening, and please give the show a 5* review if you enjoyed it.
Mentioned in this episode:
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Transcript
Consistency is my keyword for 2025.
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:Now, I didn't just decide this.
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:I did figure it out at the start of the
year, and I'm sharing it with you now,
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:but it is the necessary foundation to
build on that many business owners simply
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:try to bypass Consistency requires focus.
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:So how can we be more focused,
present, and free as speakers?
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:How can focusing on rehearsal give you
more flexibility and freedom as a speaker?
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:My guest on this episode is a
professional keynote speaker, TEDx
9
:coach, and the author of a book called
Reclaim the Moment, Greg Bennick.
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:In an increasingly noisy and
distracted world, the ability to
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:focus is becoming rarer and the
need for focus is increasing.
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:Greg is going to share with us some of
the strategies to increase our focus
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:as speakers on the platform and to use
it to enhance our presentation skills.
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:You're going to find out why
focus and consistency are the
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:ingredients for magic as a speaker.
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:Welcome to Present Influence the show
for professional communicators who
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:want to inspire, impact and influence.
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:My name's John Ball.
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:I'm your guide on this journey to
master read level communication skills.
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:Greg, welcome to Present Influence.
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:I'm very happy to have you with us today.
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:Now, this is a show that is primarily
aimed at professional communicators
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:and speakers, and I don't often spend
a lot of time asking guests about their
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:background, but I think in your case you
have a lot of experience as a professional
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:speaker and communicator, and it would
be good to get a sense from you as to
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:just how extensive your experience is.
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:Greg Bennick: Extensive in terms of.
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:I've spoken all over the world.
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:Yes.
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:But first, hi, nice to see you and
thanks listeners for tuning in.
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:Extensive.
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:In terms of all over the world,
speaking, yes, but also extensive.
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:Interestingly in that I've been speaking
ever since I was really a little kid.
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:Basically, I did my first
professional performances and
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:presentations at age 13 years old.
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:And I was doing corporate events as a.
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:Performer starting at 15 years old.
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:So realizing very early on the power
of words, the power of communication,
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:the power of combining communication
and entertainment, and making
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:sure that they blend together.
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:All those things have been part
of my life for a very long time.
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:So as I've traveled around the
world speaking, but more importantly
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:connecting with people those lessons
have joined me along the way.
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:So it's been quite a journey.
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:John: Yeah.
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:And you've also trained other people
in speaking as well in your work.
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:Greg Bennick: I have, and I've trained
a number of different types of people.
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:When I say types, societally
approved types, right?
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:So we think of C-level executives
of being one type of people.
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:And then we think of, people who
are just trying to communicate more
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:effectively as another type of people.
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:People in general, but from
different walks of life.
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:Certainly people have come
to me and asked for advice.
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:I'm also a speaking coach
for TEDx Perth Australia.
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:I'm their first
international speaking coach.
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:So some of the people that I've
gotten to coach from TEDx Perth
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:have been fascinating and.
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:Absolutely from completely different
walks of life, from somebody who does
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:an inquiry based TV show in Australia
where he literally walks up to people
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:on the street and asks them really
intensively personal hard questions to
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:somebody who's doing some of the foremost
research on oceanography and how to save
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:the oceans from mining and exploration.
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:All sorts of different people have come
to me for speaking coaching and ideas
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:on how to communicate more effectively.
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:John: So you've really helped
a wide variety of people
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:to be able to communicate.
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:You've also communicated on
many different platforms.
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:Ted Exchange may be being one, but as a
keynote speaker, a podcaster on radio,
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:do you find that there are similarities
between those or is there a preference
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:as to which one you like to do?
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:Greg Bennick: Absolutely.
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:It's all about connection.
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:And I'll give you a perfect example.
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:So you know right now you and I are
connecting, we're also connecting with
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:your listeners, but this is very different
than if I'm on stage in front of a group.
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:Because in front of a group, I'm
staring at people in the eyes, right?
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:I'm looking at them, I'm connecting with
them personally on a personal level,
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:and you have to translate that so that
connection then comes through regardless
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:of the format that you're using.
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:Technically right now I'm staring
at the screen and behind that
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:screen is a video camera and that's
broadcasting on the internet, but
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:that's not really what I'm looking at.
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:I'm actually looking at your
listeners, if that makes sense.
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:I'm looking at your viewers and
that level of connection has
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:to be maintained throughout.
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:Otherwise, one medium is not just
not gonna work the way that the next
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:will, and we want them all to be
effective means of communication.
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:John: Yeah.
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:In terms of delivery style.
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:Do you enjoy maybe the more casual
approach of radio or podcasting?
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:Or do you like the sort of practice
formal style, or do all of those
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:fit in really well for you?
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:Greg Bennick: It's interesting, right?
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:'cause doing podcasts or doing
radio, you have a different relaxed
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:approach, or at least I do a different
relaxed approach with the audience
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:and you're able to communicate what
seems like a little more casually.
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:I try to match that on the stage as well.
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:I think it's really important to
meet that on the stage because, you
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:definitely hear radio that comes across
like this and peoples that describe
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:their every single word in this way,
and it just doesn't connect with me.
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:I don't know, maybe it works
for you or somebody else, but
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:same thing is true on stage.
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:If I walk out on stage and say, Hey
everybody, it's really great to be here.
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:Steve Martin, the famous comedian, used
to do a joke about that years ago where
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:he would come out on stage and say,
Hey, I wanted to say it's really great
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:to be here and joke about that affect.
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:I think it's important to find a genuine
communicative style that works across the
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:board that works, whether you're doing
a podcast, whether you're on stage in
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:front of a live audience, whether you're
behind a microphone, behind a podium,
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:whatever it might be, ultimately, it's
all about connecting with the audience
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:and making sure that's maintained.
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:John: Yeah, I like what
you're saying about that.
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:'cause one of the things that I
often end up helping people with
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:is how they actually communicate
when they're on a platform.
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:Whether it's a podcast or video or
a live stage is really important.
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:To have that, as you said, the
connection sort of element with it.
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:I think a lot of people are guilty of what
I call the sort of professional presenter
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:style where they're trying to be a certain
way and not be particularly emotional.
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:They end up not really being themselves.
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:I think it comes across a little
inauthentic, much like a radio DJ
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:doing the radio DJ thing, rather than
just speaking to people like a person.
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:Greg Bennick: That's right.
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:And you're easy to speak with,
and I'm looking at a screen
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:rather than a human face.
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:I'm looking at your human face on a
screen, but the point is that making
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:that connection is essential and
remembering that's what we're doing.
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:Not a gift, but just an
offering to your listeners.
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:That's a takeaway, right?
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:When you're in front of an audience
or whether you are in front of
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:an audience virtually in terms of
there's a microphone and airwaves
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:between you, as the case may be.
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:It's important to remember that
you're actually communicating
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:a message to people.
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:You're not just communicating
to quote unquote the internet.
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:You're communicating to people.
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:You know what I'm speaking right now,
I'm imagining that there's some person
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:out there and that person is actually
listening to what I'm saying, and that
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:person's is hopefully gonna take these
ideas and think, oh, the next time I'm in
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:front of the boardroom, I could actually
convince people of my message more readily
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:if I realistically connect with them
more effectively in a more personal way.
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:Maybe they'll tell a different type of
story, approach the audience differently.
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:That's what my hope is.
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:So keeping that in mind when we
communicate is really important.
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:John: I don't think I've come
across too many people who started
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:in speaking as young as you did.
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:I may got up in church and read some bible
verses here or there when I was around
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:that age, and that was probably terrifying
enough for me at that particular time.
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:But you were being involved in corporate
presentations and things like when did you
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:first give your own keynote presentation?
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:Greg Bennick: Sure.
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:I think the first keynote, like the
actual keynote came when I was in my
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:twenties very early on, but I was billed
as a keynote speaker even before that
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:when I was just I shouldn't say just an
entertainer, but I was an entertainer.
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:Primarily, I started out as a juggler.
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:I started out performing juggling
and quickly realized, as I mentioned
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:in my teens, that combining ideas
with entertainment was an incredibly
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:effective form of communication.
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:If I sit here and I describe to you
risk taking, and I show you a PowerPoint
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:presentation, that's one thing.
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:If I describe risk taking while
juggling a machete, all of a sudden
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:it takes on a whole new life.
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:So with that in mind.
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:I realized very early on how effective it
could be when you combine entertainment
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:and education, entertainment and ideas.
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:And it wasn't until, I did my first
maybe 45 minute long solo presentation
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:with intent of communicating a
message that I felt comfortable
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:calling myself a keynote speaker.
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:But it's been quite a journey.
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:It's been quite a journey along the way.
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:John: Yeah, I think in the general
world of keynote speaking and
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:then there are, obviously there's
always gonna be exceptions, but for
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:most people, that entertainment.
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:Payment side is critical for being
successful or being in demand.
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:As a speaker, I would say.
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:Greg Bennick: Absolutely.
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:And even, I have a new promo
video that's coming out today,
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:actually, I think it's today that
I'm gonna get it from my editors.
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:And, I was explaining to them, I want
to hit the audience with the message.
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:Then have that inkling of fun throughout.
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:So somebody watching it, I don't want
them watching the video thinking,
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:oh wow, this is a great magician.
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:We're hiring.
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:This is a great juggler.
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:We're hiring, but there has
to be some substance to it.
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:But amidst the substance, I don't
want the viewer just to see.
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:And then I click through
to the next slide.
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:I'd rather have them see me interacting
with people in the audience.
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:That's a really effective way
of communicating without a
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:John: Yeah I've had the
experience of working with
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:clients on their keynotes before.
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:Some of them have some definite talents
that they can bring and should bring in.
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:I think it is great to do that,
but sometimes struggle to get the
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:balance right of entertainment
and information and presentation.
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:How do you manage that?
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:What maybe do you have as advice
for people on working that out?
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:Like bringing in some entertainment
but not letting that take over?
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:Greg Bennick: It's essential.
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:I would say that the most important
thing is figure out what the message is
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:that you want to communicate and then
figure out what entertainment you can
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:do, whether that's a joke, whether it's
a routine, whether it's a bit as the
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:case may be, that supports the message.
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:That's the essential quality.
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:When you go off on a tangent and you're
entertaining for entertaining sake,
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:it'll come across as entertainment.
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:People will love it, but the reviews
you're gonna get are the same reviews that
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:I got very early on, which were things
like when I would get written reviews.
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:This was really entertaining, but I'm not
sure what the message was supposed to be.
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:So that's not what you want.
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:What you want is people to say,
oh my gosh, this guy came in.
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:He talked about focus, he talked about
focus, and he did this incredible
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:juggling bit where focus was essential,
and it all makes sense towards the
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:end of communicating that message.
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:So I'd say figure out what your message
is for the talk that you're giving, and
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:then figure out, sure, some entertainment
that goes along with that, but maybe
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:the entertainment is just an anecdote,
a fun story, but it's not a fun story
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:that's fun for fun sake, you don't
speak about x and then tell the fun
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:story about y and X never meets Y.
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:Rather think about X as the idea
you're trying to communicate.
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:The main point you're trying to
make, and then have the story
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:support that x as the case may be.
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:I didn't know we were gonna
talk about algebra today,
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:but I think you get the idea.
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:John: i do.
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:And I like it.
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:I like formulas.
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:I was just recently interviewing
a lady called Judy Carter.
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:I dunno if you've ever heard of her,
but she teaches humor and comedy.
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:One of the few people
who does it really well.
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:And we were talking about the formulas
that we can use within that for humour
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:and for punching up your communication.
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:But I was thinking very
specifically about.
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:A lady I worked with, and I'm not
gonna name names, but a classical
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:pianist very talented lady, but
she ended up with almost 10 minutes
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:of a piano concerto in her talk.
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:And it was a little too much.
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:So we had to figure out a way to
still incorporate that, 'cause
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:it was very relevant to her talk.
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:But to not have it take over and be like,
the only thing people would remember
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:or to be sat there thinking, oh how
long is she gonna be playing this for?
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:Is really not what you need.
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:Greg Bennick: I would think that if
somebody was classically trained on
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:piano, that if they played a snippet
a short bar here or there, that it
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:would impress me with their skill
and augment what they were trying to
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:say without doing all of Mozart, all
of Beethoven, as the case may be.
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:John: Yeah.
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:Or the logistics of lumbering
a piano around with you to
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:all your speaking events.
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:I wouldn't fancy it
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:Greg Bennick: nope.
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:I can't imagine.
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:John: No, I wouldn't wanna take that now.
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:You did bring up there that your key
topic, one of your key topics is focus.
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:And I certainly do want to get into
that with you 'cause it's something,
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:and I certainly get challenged.
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:I think we all challenged by it,
but I certainly assume everyone
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:is because of how much I am.
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:But can you share with us a little
bit about what you teach about
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:focus and maybe what's gonna be
relevant to our listener here today
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:as to how we can be more focused.
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:Greg Bennick: Sure.
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:And I'll even tie it into
what we're talking about.
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:So even my answer is gonna be a
metaphor for what we were just
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:talking about earlier is that focus.
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:Why is it important?
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:It's because we live in an
increasingly chaotic world and one
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:that pulls us in constant different
directions and recognizing what
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:matters most is essential to us.
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:So using juggling is a metaphor.
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:For example, whatever ball is in the
air, that's the one we've gotta focus on.
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:And, in life.
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:What that ball is the thing that
if it drops or falls or fails, is
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:going to do the most significant
damage or have the most impact on us.
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:So what I like to think about is.
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:What is that thing?
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:What is the thing that matters most to us?
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:I'd suggest it's the people around us.
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:I'd suggest it's the mission that we have.
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:I'd suggest as we were talking about the
communicative point we're trying to make
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:in the moment, whatever that thing is,
that's what deserves our attention most.
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:If I'm juggling two beanbags in a machete.
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:Where am I gonna keep my focus?
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:I would hope that I'm gonna
keep it on the knife, right?
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:And there's a chapter in my book called
Keep Your Eyes on the Knife, specifically
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:for that reason, the idea that, it's a
juggling metaphor as we're, juggling,
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:let's say our knife making our way
through the constant barrage that we
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:have to deal with throughout the day.
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:Where do we keep our focus?
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:And how do we recognize what matters most?
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:So I often am instructing or teaching
or offering ideas for people on
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:remembering what matters most.
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:John: How do we keep that in our head?
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:Because I think one of the worst
times for me as a speaker, is
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:when you're about to go on.
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:Because I think when you're on stage,
all other things leave your mind but
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:when you're getting ready is that's
where all the stuff can start coming
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:up for you, and the distractions can
start to appear in your environment and
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:start maybe even questioning yourself
about what you're about to deliver.
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:What are the things that we might be
able to do specifically to get more focus
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:ready for going out on the platform?
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:Greg Bennick: For sure what the question
is, it goes back to something that I was
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:told when I was in my early twenties.
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:I was doing a presentation
for Boeing in Seattle.
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:And just when I was about to walk
out on stage, literally just as I
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:was about to walk on stage in the
first big presentation, there's,
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:I can't remember, 2000, 3000.
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:I don't even remember how
many people in the room.
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:It felt like a million
people were in the room.
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:My client turned to me and said, what
do you want them to remember after
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:they've forgotten what you said?
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:And I was full of myself
and I said, they're gonna
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:remember everything I've said.
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:And she said, no, they're not.
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:They're not gonna remember
anything you've said.
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:What do you want them to remember?
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:So that's where I first really
started thinking about, okay, what
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:matters most when I get up on stage?
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:What matters most is,
what does John remember?
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:What does Greg remember?
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:What does Susie remember when
she walks out of the room and
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:she says, yeah, this guy came in.
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:He was great, he had a shaved head,
and he did all these fun things.
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:He told us to build a better now.
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:Done.
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:Great.
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:If she remembers that, then
that's the thing that I focus on.
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:And when I'm about to walk out on stage
and oh my gosh, is my collar okay?
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:Did I remember to shave this morning?
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:There's more people here than I thought.
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:Do I have water with me?
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:Oh, I, okay.
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:I've got water with me.
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:All right.
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:The lighting's a little weird as we
start thinking about all those things,
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:you have to cut through all of it.
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:And imagine the person leaving the room.
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:What do you want them to remember
after they've forgotten what you said?
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:And then focus on that.
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:Because if you walk out on stage and your
collar is weird and your beard is too
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:long and you don't have enough water, and
the light is in your eyes and the stage
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:collapses, whatever it might be, if people
walk outta the room and they remember, oh
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:yeah, Greg said, okay, we gotta reclaim
the moment and build a better now.
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:And he gave us some ideas for that.
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:All right, good.
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:And they go about their day.
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:Then you've just given a successful
presentation, so gotta carve through.
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:Focus on the people leaving the room
and what you want them to leave with,
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:and that's gonna help you get by.
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:John: I like that.
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:That's really valuable advice.
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:I think that will certainly
stay with me as well.
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:So I appreciate that.
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:Do you have any thoughts about
longer term focus throughout the day?
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:'cause a lot of us are content creators.
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:You yourself, you're doing
writing books and gosh, probably
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:many other things as well.
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:Do you have any thoughts or tips for
staying more focused in the longer term?
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:Throughout our professional day?
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:Greg Bennick: Yeah, for sure.
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:We have to remember that our eyeballs
are valuable, and I don't just
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:mean that our vision is valuable.
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:I mean that where we put our
focus is valuable and it's
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:valuable to other people.
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:Other people who are willing
to pay tremendous amounts of
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:money to take our focus away
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:when my focus is over here looking at
the thing that I might buy next, it's
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:because somebody paid for that attention.
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:They bought it, they bought my attention.
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:Keeping our attention is essential,
yes, but also us making the choice.
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:Having the agency, making the
decision to keep our focus on
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:a task at hand is up to us.
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:We're going to constantly feel
that barrage throughout the day.
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:We're gonna constantly have our focus
drawn from us, because the thing is,
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:if we're asked to create a report.
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:The famous TPS report from
the movie office space, right?
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:If we're asked to create a report and we
don't really want to be doing that I gotta
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:tell you, it could be anything from Wordle
to YouTube video to an eBay listing that
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:will quickly draw your attention away.
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:We have to keep our focus.
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:And the reason we have to do that
is because we maintain our sense
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:of self by keeping our focus
when our focus goes over here.
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:With what's distracting us because
we've been, shown something shiny and
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:people are, again, paying lots of money
to show us something shiny and to take
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:our money and to take our attention.
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:We're gonna lose our
sense of self amidst that.
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:We're going to end up with a piece
of ourself over there, a piece
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:of ourself over here, a piece of
ourself back there, and in the
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:midst of that, we lose our ourself.
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:We're gonna end up feeling completely
discombobulated and completely outta line.
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:That's the way that I
feel when I'm not focused.
390
:I feel like I've lost myself.
391
:I haven't gotten anything done today.
392
:I did this, I did that, I did this,
I did that, and I feel like a mess.
393
:When I focus.
394
:And you use the example of writing
the book, when I focus the way I
395
:needed to when I was writing my
book, the sense of self and sense of
396
:accomplishment I got was incredible.
397
:It was generated from within, and
it's not because I'm superhuman.
398
:I'm definitely not.
399
:But what I did was I shut my
phone off for a little while.
400
:I shut down the social media for a
little while, neither of which are evil.
401
:I've got the latest phone, I've got all
the social medias, but shutting those
402
:things down allowed me to not be absorbed
by the allure of distraction and instead
403
:allowed me to get tasks done, which again
led to my self-esteem being boosted.
404
:I wrote the book, I finished the
chapter, I finished the sentence, I
405
:finished the thing I started doing.
406
:It's essential for us psychologically
and in terms of financially as well, to
407
:keep our eyes on the knife, to keep our
eyes on the page what's in front of us.
408
:I think long term, the more
we do that, the better we'll
409
:be and the better we'll feel.
410
:Certainly.
411
:John: Do you find it better
to break things down?
412
:When you have a project on, or when
you have multiple things on the
413
:go do you break down the tasks and
then schedule them in or just create
414
:specific areas of time throughout your
day that you're gonna be working on?
415
:Specific things
416
:Greg Bennick: I think specific time
throughout the day for specific things,
417
:recognizing that sometimes things will
flow over, sometimes things won't.
418
:But the thing is when things flow over,
we have to recognize that something
419
:else is being let go of in that moment.
420
:Yesterday, I have an example of that.
421
:I have a to-do list that's massive,
like everybody's to-do list is massive.
422
:None of it's gonna get done.
423
:If I just sit around thinking about how
massive the to-do list is, and I was
424
:recognizing how important it was to just
focus on one thing for a little while.
425
:In focusing on that one thing for a little
while, and yesterday was my website.
426
:I realized that as I was diving into
the website and diving into what
427
:needed to change and diving in more
that the allotted time that I gave.
428
:To that was so much more effectively
used than if I just said,
429
:okay, I gotta do this website.
430
:Throw five minutes at it,
throw 10 minutes at it.
431
:Instead, I carved out time
specifically for that, and in
432
:doing so, actually got somewhere.
433
:That time was specific to
that, and I just dove in.
434
:Without, or rather with blinders
on to the rest of the world.
435
:I think it's important because there's
always going to be distractions.
436
:There's always gonna be things
which pull me away from the two
437
:hours that I'd set aside to do that.
438
:There's distractions that would love
for the two hours that I set aside
439
:to do that, to be two minutes, and
that they spend the other hour and
440
:58 minutes selling me something.
441
:It's essential that we carve out time.
442
:I think it's really important to do
that, but also to be a bit malleable.
443
:'cause if you carve out 15
minutes and you realize, wait a
444
:minute, I'm in a flow state here.
445
:Go with it.
446
:Spend the time, do good work.
447
:At the end of the day, that's what we
really wanna do, is we wanna do good
448
:work, we wanna get things done that are
valuable and if we spend a little more
449
:time on this and then make up for it.
450
:Later by focusing really
well on something else.
451
:I think that's time well spent rather
than just being scattershot and all over
452
:the place and trying to get everything
done, which is never gonna happen.
453
:No one has ever said, I had this
massive to-do list today, and I just
454
:threw my time all over the place.
455
:I got it all done.
456
:I don't have anything else to do.
457
:My life's good.
458
:I'm complete.
459
:Not gonna happen.
460
:So yeah, carving out time is important,
but be a little bit malleable and
461
:forgiving with yourself as well.
462
:John: No, definitely.
463
:Definitely.
464
:I think that's good advice.
465
:I wonder though, one of my biggest
challenges when it comes to focus
466
:personally is the desire to try and take
on too many things at the same time.
467
:How do you advise people on knowing
whether you've got too much on your
468
:plate and perhaps what you need to
remove or how best to manage that?
469
:Greg Bennick: Absolutely.
470
:Again, it goes back to what's
most important to you, right?
471
:If you're, trying to feed your kids
and you're trying to come up with a
472
:new website, you're designing a new
piece of promo material and you forget
473
:to feed your kids probably not a.
474
:Good approach.
475
:We have to remember what's
most important to us.
476
:And I think that a little more time
spent deciding what's most important
477
:is essential, but also, people need to
remember that by dialing back a bit.
478
:By sending a project to a different
team, by prioritizing one thing over
479
:another, you're gonna be more effective.
480
:Ultimately, you're
gonna be more effective.
481
:I think there's a myth to multitasking
that we can do everything all
482
:at once and get it all done.
483
:And I don't think that's real.
484
:I think that when we focus on
one thing we are better off.
485
:So when people start adding on too
much I always suggest that we need
486
:to start thinking in terms of a team.
487
:Rather than thinking in terms of just
us solo, because when you think of
488
:yourself as this solo, elite fighting
system, just navigating through space,
489
:conquering and destroying everything in
your path, it's not gonna be the case.
490
:You're gonna ruin more than you create.
491
:So I think it's really important
to think in terms of a team
492
:and how can a team support us?
493
:How can we delegate?
494
:How can we share responsibility
rather than taking on so much and
495
:then being completely overwhelmed.
496
:If I could design a piece of promo
material for myself or for you, I gotta
497
:tell you, it's not gonna be the best on my
to-do list for today, is think about new
498
:promo materials in this specific capacity.
499
:I'm definitely gonna ask somebody else
for help with that rather than take it
500
:on myself and flail around for the next.
501
:Three days trying to
figure out how to do that.
502
:Nope.
503
:There's other people who I can turn
to and create some team bonds and
504
:do some relationship building to
get the tasks done that I need to.
505
:I think it's important to delegate and
share and and use a team effectively.
506
:John: I think that's good, solid
advice and any business owner
507
:especially who maybe has more than
just speaking on their plate, who
508
:wants to do other things as well.
509
:Should definitely be thinking about
ways in which you can organize and
510
:delegate and share the workload out.
511
:So it's not just you who's
responsible for doing everything.
512
:Because one of the things I see, and I
come across this with many of the clients
513
:I work with, is they are trying to do.
514
:Everything, especially on social media.
515
:They're trying to be in all
the social media channels.
516
:They're trying to create content
for all of those different channels,
517
:and they're trying to create talks.
518
:Some of them are creating talks every
time they speak, and it's too much.
519
:And so that streamlining and workflow
things and having help to do all
520
:that, I think is super critical and
521
:Greg Bennick: it's so important.
522
:because, I know how to edit video.
523
:Okay, cool.
524
:I know how to edit video, but knowing
how to edit video and being a good
525
:editor are completely different.
526
:Meaning I could make you a video.
527
:It's absolutely true.
528
:It would show your face, it would cut
between this and that, but it's not gonna
529
:look like a professionally edited video.
530
:Gotta delegate, gotta share, gotta
get somebody on your team who knows
531
:how to do that so that you can do.
532
:Check that off the list and have
that be something that gets done
533
:well, rather than just gets done.
534
:We don't wanna just do tasks.
535
:We want the things that we're
involved with to be meaningful
536
:and we want them to be excellent.
537
:And the way to do that is to work together
rather than be, as I said, the solitary
538
:solo fighting system against the world.
539
:It's rather let's work with each
other and actually make some progress.
540
:John: There are definitely other
benefits to having this sort of level
541
:of focus and organization, not just
that you can get more done in your day.
542
:Greg Bennick: That's right.
543
:Meaning that, is that the goal?
544
:Do you wake up in the I don't wake
up in the morning thinking, okay,
545
:yesterday I completed 43 tasks.
546
:If I can complete 88 tasks
today, 72 tasks, 114 tasks,
547
:my day is more successful.
548
:Not at all.
549
:It's not about the number
of tasks that we accomplish.
550
:I want the work that
I do to be meaningful.
551
:I want the work that I do with
others to be meaningful for us.
552
:In my book, I talk about the reverberation
effect, the idea that we can share ideas
553
:amongst each other and develop and grow
together, that we can work together
554
:as an effective team by listening
to ideas and expanding upon them for
555
:one another and with one another.
556
:At the end of the day, I would love to
accomplish one task and do it really well.
557
:Then do a hundred tasks, in this
kind of half complete, not really
558
:effective, low quality approach.
559
:I just wouldn't want that.
560
:I'd rather do less tasks better,
or rather, I'd rather have the team
561
:work on something that was meaningful
to them and actually accomplish it
562
:rather than flail around and not get
done what they wanted to get done.
563
:John: One of the things that stuck in
my head from when we had a chat a while
564
:back was that you mentioned as well
about how this sort of level of focus
565
:and organization will also help to free
up space for spontaneity for people.
566
:Can you talk a bit about more about
that and why that's important?
567
:Greg Bennick: Totally, and I love your
question because here's the thing, I
568
:could go chapter by chapter in my book.
569
:I could tell you about my
book and how I wrote it.
570
:Why, ultimately we could wrap that
all up in about 30 seconds and I
571
:can tell you that my book is about
creating space for possibility.
572
:It's really ultimately what I speak about.
573
:It's not as much about focus
as it is the result of focus,
574
:creating space for possibility.
575
:With juggling, for example, it's not
just about learning a trick, it's not
576
:about keeping the ball in the air.
577
:It's about.
578
:What more can you do when you
create space for possibility with
579
:this amazing skill and talent?
580
:So ultimately that's what
we're talking about here, is
581
:creating space for possibility.
582
:It's creating space for, on a personal
level with the group, with the team.
583
:That's really what we're going after
is that if we're constantly chasing and
584
:constantly trying to catch up, we're never
gonna create space for the possibility
585
:that we want to see in the world.
586
:The bridging of the gap between
what we have and what we want.
587
:I want that gap bridged and
the way we bridge that gap is
588
:through creating space for it.
589
:And focus allows for that.
590
:Focus is a means to an end.
591
:It's not the end in and of itself.
592
:Focus allows us to create space for
possibility to do the things we really
593
:wanna be doing and to accomplish
the things we want to be doing.
594
:And it might very well be at work that
you're focused on a task and that's
595
:the thing you really want to be doing.
596
:The only way you're gonna get
there is through creating space.
597
:And again pushing things to the side,
which are gonna get in the way between
598
:what you have and what you want.
599
:So that's really what the
book is about ultimately.
600
:But it speaks to your question
as well, that if we wanna create
601
:space for the things that we want
most in life, we have to focus.
602
:It's all about creating
space for possibility.
603
:John: Fantastic.
604
:I want to bring things back around.
605
:We haven't really left speaking behind,
but I wanna bring things back around
606
:to speaking specifically because I
know that you very much care about
607
:one of the aspects of presentation
preparation that I do, and I think a lot
608
:of people should and don't, which is the
importance of rehearsal and improvement.
609
:Greg Bennick: Yeah, so your
question is like, how to rehearse
610
:or why is that important?
611
:I just wanna make sure I'm answering
the right question, but yeah.
612
:John: Let's go with the importance
of rehearsal and then may be a
613
:little about how best to do that.
614
:Greg Bennick: Sure, absolutely.
615
:Rehearsal's essential.
616
:In the work with TEDx Perth, for
example, with the three people
617
:that I coached last year, I was
telling each of them the same thing.
618
:You know what?
619
:It's incredible that you have this
amazing television show where you
620
:walk up to people on the street and
ask the hardest hitting questions.
621
:And it's incredible that you are
literally gonna save the ocean over here.
622
:And it's incredible that you over
here take these amazing photos.
623
:I had three incredible speakers
with incredible stories, and I
624
:told them all the same things.
625
:Rehearse, practice, get
used to your message.
626
:And it didn't mean, for some
of them it meant memorization.
627
:And that was an approach
that they wanted to try.
628
:It turns out that none used
memorization as a means to
629
:getting where they wanted to go.
630
:But what they did rather was just get
used to the ideas, get used to the
631
:words, envision themselves in front
of the audience, do some preparation.
632
:If I was really on my game.
633
:We'd have one call and then
maybe we'd have another call.
634
:We'd talk about what's it gonna
look like when we get on this
635
:particular web platform today.
636
:We really dial it in.
637
:The point is it's not essential we're
gonna figure it out 'cause we've done
638
:podcast interviews and been interviewed
before, but what happens if you're
639
:speaking in front of a group next month?
640
:You don't know what the room looks
like and you don't know if you're gonna
641
:have a microphone and you don't know
what the lighting is gonna look like.
642
:You don't know how the
audience is gonna be dressed.
643
:How are you supposed to
dress for this event?
644
:Is it okay if you show up in a
Hawaiian shirt and a pair of shorts?
645
:Maybe if the event is on a beach
and everyone's drinking cocktails,
646
:yeah, that might be perfect.
647
:If you show up in a suit, that's
gonna look a little strange.
648
:But if you show up in the Hawaiian
shirt in the boardroom, right?
649
:It turns out that corporate
office is having you come
650
:in to do your presentation.
651
:I hope you don't have the margarita
in your hand when you walk in, 'cause
652
:that might be your last day at work.
653
:The point is doing that prep,
asking questions about where
654
:you're gonna be presenting and then
getting used to the words, getting
655
:used to the things you wanna say.
656
:Preparing, it doesn't have to be
memorization, but even mental bullet
657
:points so that when you're in front
of the audience, you're not just.
658
:Out there flailing.
659
:But you've got a roadmap.
660
:The roadmap doesn't have to be
word for word, but the roadmap are
661
:things like, you know what, I've
got that little bit of confidence.
662
:'cause I ran through this with
my spouse yesterday and he,
663
:she told me, you know what?
664
:That's pretty good.
665
:I like that.
666
:And that little confidence boost,
that's a signpost on the roadmap.
667
:Or, you know what I went into
the boardroom yesterday and I
668
:use boardroom as an example.
669
:It could be anything.
670
:It could be the stage.
671
:I got up on that stage an hour beforehand
yesterday, before the event, and I
672
:just felt the stage under my feet.
673
:You know what?
674
:That makes me feel a
little more confident.
675
:Another signpost on the roadmap.
676
:I think that those signposts
along the way are what lead you
677
:to success on stage, certainly
rehearsing, going through the words.
678
:Memorizing if need be, coming up with
bullet points, asking about the room.
679
:All of those sorts of
things are all variables.
680
:Let's eliminate some of those variables,
or at least check them off the list
681
:so that when we're in front of the
audience, when the cameras are rolling,
682
:when the lights are on, we're prepared.
683
:And I think Muhammad Ali talked about
that all, the thousands of hours that he
684
:used in training when the lights were off,
prepared him for when the lights were on.
685
:I can't remember his exact quote in the
moment, but it's really telling, right?
686
:It's the hours that you go to the gym
where you're just, lifting something,
687
:sweating and, putting in the time.
688
:That lead to somebody saying, wow,
John, you're looking pretty good.
689
:What have you been doing?
690
:It's ah, I've been gonna,
the gym, that kind of thing.
691
:It's the hours behind the scenes that
lead to the hours in front of the
692
:audience that are most effective.
693
:John: Do you have any guidance for how
much rehearsal is enough rehearsal?
694
:Greg Bennick: I would say
enough to challenge yourself.
695
:It's the same thing with my ab exercises.
696
:Recently I haven't been doing enough.
697
:The point is that I can, I can
feed myself a line and say, oh,
698
:yeah, I've been doing enough.
699
:I did a plank for a few seconds yesterday.
700
:I did a handful of crunches
the other day, not so much.
701
:You wanna see the results.
702
:Challenge yourself a bit, reach the
point where you feel a little challenged.
703
:So with that in mind, if I'm preparing
for a presentation, let's just take one
704
:for example, I'm doing a presentation
in Nashville in a couple months.
705
:We haven't begun communicating about
the event other than what it's about,
706
:who's gonna be there, that I'm the guy
who's gonna be communicating great.
707
:But what I wanna do is I
wanna talk to the tech team.
708
:I want to get into it with them.
709
:I want to hear, and, what's
the sound gonna be like?
710
:I wanna talk to my client
more in the next couple weeks.
711
:I want to, dive in more
and do that extra bit.
712
:It's that extra bit that really
effectively has an impact.
713
:So I think that if you challenge
yourself with your study, your prep.
714
:Your familiarity with the words, your
familiarity with using a microphone.
715
:Challenge yourself a little bit.
716
:Don't just say, okay, yeah,
I picked up a microphone.
717
:Okay, cool.
718
:Yeah.
719
:I know what a microphone feels like.
720
:No, the extra crunches, the extra plank
time that lead to the abs that you want,
721
:are you holding that microphone in your
hand and going through the motions and
722
:awkwardly, uncomfortably trying to.
723
:Give a few minutes of your speech
to yourself in the living room to
724
:yourself on the empty stage, that extra
effort is going to make a difference.
725
:So if you put yourself in a position
where you feel as though you're putting
726
:in a little bit of work, you're actually
probably in a good zone at that point.
727
:It doesn't have to be obsessive.
728
:You don't have to memorize every word,
but start and push yourself a little bit.
729
:And I think that's gonna
yield a different outcome.
730
:John: Yeah, absolutely.
731
:I like to start off rehearsals just
with a loose outline in front of me,
732
:and then if there's bits I'm really
missing, I can go back and review.
733
:I'll write the whole thing out
in full, but I won't memorize it.
734
:But I just like to have that in
my head, like, all right, this
735
:is the whole thing in full.
736
:No, pretty much where it's going,
what it's gonna be about, but
737
:then I can take chunks of it and
practice it and work on them.
738
:So sewing it all together,
as it were from there.
739
:Greg Bennick: And memorization
is almost impossible.
740
:Try to memorize everything that
we've said to one another today.
741
:Impossible.
742
:There's no way.
743
:It's possible.
744
:Sure, but it's really hard.
745
:But instead, if I had to recount this for
somebody and I said, okay, podcast talked
746
:about focus, talked about my background,
talked about how to prepare, and I
747
:listed off 10 things that we've talked
about, people would've a sense of it.
748
:Grab that sense for yourself
before you get on stage, and I
749
:think it's gonna be effective.
750
:Those bullet points, that's an
effective way to avoid having to
751
:memorize everything is having, just
as an outline just go through that
752
:outline, not just once, not just twice.
753
:Go through it.
754
:Challenge yourself.
755
:Do the extra crunches.
756
:Go through that outline 50 times,
and if you do, you're gonna have
757
:a more effective presentation.
758
:And again, that level of focus is going to
lead to a self-esteem boost when you get
759
:off stage and you're like, wow, I did it.
760
:And when people subsequently come
up to you and they're saying,
761
:wow, that was really effective.
762
:I'm so glad.
763
:I came today and listened to you.
764
:It's because you put in the time, you
did the extra crunches, you pushed
765
:yourself a little bit, rehearsed
through this thing 30 times when you
766
:thought one time would be enough.
767
:You have no idea how many times people
have come to me and said, I really
768
:need help with this keynote speech.
769
:I say, great.
770
:What's the topic?
771
:They tell me the topic.
772
:What's your structure?
773
:They gimme a structure.
774
:I say, oh, great.
775
:Go ahead and rehearse that, and then
come back to me in, three days and
776
:let's work on it a little bit more.
777
:And they come back three days later and
I can tell they haven't worked on it.
778
:What they've done is
they ran through it once.
779
:That's not it.
780
:Rehearsal is work.
781
:So put in the work, you'll
be really happy that you did.
782
:John: Yeah as you were talking, I was
thinking about I'm no juggler, but I
783
:do have some entertainment background,
like I was probably a theater kid.
784
:Music and all of that when I
was at school and university.
785
:And I do remember very vividly,
especially from theater.
786
:The pressure I felt to be line
perfect or word perfect with my lines.
787
:And I think I did probably bring
some of that into speaking when
788
:I started to get up on stage.
789
:And I wonder if other people do as well
that sometimes is part of the unconscious
790
:stress about, oh no, I couldn't
possibly get up on stage thinking that
791
:you have to be line and word perfect.
792
:And I hope for some people,
understanding that's not the case.
793
:That you can really just work with
the framework and just know it well
794
:enough that you can riff on it.
795
:You can do a little improv here
and there where you need to.
796
:That's to me, is one of the joys of being
well rehearsed, is that you do have a
797
:lot more flexibility for what you can
do and say on stage because you know
798
:your material well enough to do that.
799
:Greg Bennick: Absolutely.
800
:And then that's what an actor does, right?
801
:So if you and I were doing Shakespeare and
we memorized our sides, meaning our lines
802
:and our scenes and whatnot, and we got up
on stage, we don't just wing it, right?
803
:It's, Romeo.
804
:Romeo.
805
:Where for Arthur Romeo?
806
:That's the line, right?
807
:The line isn't Romeo, dude, where are you?
808
:We don't get to change it, right?
809
:Unless that's the approach that
the director is taking at the play.
810
:But the thing is, if you choose
to memorize, which is valid, find
811
:the life within the words, that's
ultimately what we're talking about.
812
:When you get on stage, you
don't wanna be overcome by fear
813
:because you haven't rehearsed.
814
:Do the rehearsal so that you can
find the life within the words.
815
:And if you've memorized.
816
:Find the life within the words that
you've memorized so that when you're
817
:in front of the audience and you say,
good evening, my name is Greg Bennick
818
:and my topic today is roller coasters,
that you're not just saying, good
819
:evening, my name is Greg Bennick.
820
:My topic today is roller coasters.
821
:We're saying good evening.
822
:Hey, my, my name's Greg Bennick.
823
:My topic today is roller coasters.
824
:The effect is gonna be so
different if you've got some life.
825
:Within and supporting the words,
find that through rehearsal.
826
:Don't just get to the point of
memorization if you choose to memorize,
827
:but find the life within the words and
find the vibrancy within them and find
828
:your own sense of personality within them.
829
:That's what an actor does when
they memorize their lines as a
830
:theater kid or theater professional.
831
:They find some life there, and
that's why if you go to see the
832
:same play night after night.
833
:It's always gonna be a little bit
different because they find new life.
834
:There's a new moment, something
happens, and it's only through being
835
:really comfortable with what you're
saying, that you're gonna get there.
836
:And that comfort isn't, a God-given gift.
837
:That comfort comes from rehearsal
and it's true for all of us.
838
:Yep.
839
:John: Yeah.
840
:I'd say the same is true for music
in my background as well, isn't
841
:that there's a certain level where
you're practiced enough, where you
842
:can actually start to inject yourself
into the music that you perform.
843
:I'm sure it's true.
844
:I'm no dancer, but I'm sure that's
true with dance as well, and that
845
:just have to get to that level where,
the dancer is you, to some degree.
846
:You can just put your personality
into it because you know it's
847
:embodiment to that degree.
848
:Greg Bennick: Yes, for sure.
849
:Absolutely.
850
:I agree.
851
:It's so important you get to a point
where, some people call it a flow state.
852
:Sure.
853
:Some people call it, just
being well rehearsed.
854
:But what it really is the point where.
855
:Secondary is the thought
of what's my next line?
856
:And primary is high
and you're right there.
857
:You're in it.
858
:You're in the moment, as it were.
859
:So yeah, that's essential.
860
:John: And that may be also helps to
answer the question of how do you
861
:know when you've rehearsed enough?
862
:Is that I think when you can
embody it to that level you're
863
:probably pretty much there.
864
:Greg Bennick: I think so.
865
:It's not like there's a light that
goes on and goes, ding, oh, I'm ready.
866
:But put in some time
and you'll find results.
867
:Meaning, again, I don't mean
to use the gym metaphor, but I
868
:mean it, it's important, right?
869
:If we're feeling outta shape and we
watch what we eat a little bit and we
870
:do a couple exercises, that's different
than being consistent over three weeks.
871
:After three weeks you're gonna go,
huh, these pants fit differently today.
872
:Why is that?
873
:I wonder it's not because you
skipped the burger and fries once.
874
:It's because you went to the
gym and you didn't have to
875
:work out like a wild maniac.
876
:You go to the gym consistently,
you see the results.
877
:Same is true with rehearsal.
878
:You rehearse and day one is a stumble
through and you're like, what is my point?
879
:Why did I agree to do this?
880
:I'll never wanna speak.
881
:I don't wanna do this ever again.
882
:And then all of a sudden,
day two, you're like, okay.
883
:Yeah, I still don't wanna do this,
but at least I know that one point
884
:after a few days, you're gonna
feel more comfortable and more
885
:comfortable, and more comfortable.
886
:Is there ever gonna be a point where
you've rehearsed exactly enough?
887
:No.
888
:I'm sure you could always refine
and improve, but do enough that
889
:you feel a little more comfortable,
that you feel a little better.
890
:Basically, what you're trying to do
is take down one belt loop to use
891
:that metaphor with your preparation.
892
:When you've got a belt loop
down you're in good shape.
893
:John: The real goal becomes the
consistency and the practice
894
:rather than the end performance,
which of which there may be many
895
:if you're a professional speaker.
896
:I really love this.
897
:It's been a really helpful conversation
Greg, and there are many more
898
:things I'm sure we could get to,
but I'm sure especially having.
899
:I mentioned it a few times that some
people may want to check out your book.
900
:Just tell us a little bit about
what your book's called and
901
:how we can get hold of that.
902
:Greg Bennick: Absolutely.
903
:The book is called Reclaim the
Moment, Seven Strategies to Build
904
:A Better Now, and it came about
when I was thinking about focus,
905
:thinking about creating space.
906
:It's got seven strategies in it for
ways that we can approach the world
907
:when we've been thrown off track by
the world to get back on track so that
908
:we can create space for possibility.
909
:And it's available wherever books
are sold and your bookstore might
910
:not have it physically in stock,
but all bookstores can get it.
911
:It came out on Wiley.
912
:They're a major publisher, and I
say that not to brag, but because a
913
:friend of mine in Reykjavik, iceland
walked into his local bookstore
914
:and said, do you have this book?
915
:And they said, no, but we can
have it for you next week.
916
:Which.
917
:Blew my mind.
918
:It just completely was amazing to me.
919
:Yeah, it's available all over the place
and it's got ideas in it about, focusing
920
:on the potential of other people rather
than walking into situations, from a
921
:pessimistic mindset or leaping into the
dark with our creativity and the way
922
:that we develop ideas in order to create.
923
:More space for those
possibilities to flourish.
924
:Ideas like that are throughout the book.
925
:And there's, it's story
driven, personal story driven.
926
:So it's a fun read as well as interesting.
927
:There's actually lessons in there on focus
by way of teaching readers how to juggle.
928
:So there's a lot in this book.
929
:So definitely I would welcome
930
:John: I've always wanted to learn
to juggle, but not with the machete.
931
:The only it, the value you've shared
with us today is anything to go by
932
:then that's gonna be very well worth
anyone checking out and grabbing
933
:themselves a copy if someone would like
to reach out to you and get in touch.
934
:Is there a preferred way that
you'd like people to do that?
935
:Greg Bennick: Yeah, I'd love
for people to go to my website,
936
:of course, Greg Benic uh.com,
937
:G-R-E-G-B-E-N-N-I-C k.com.
938
:And of course I'm on LinkedIn as well.
939
:It's another way to find me certainly.
940
:But yeah, check out the website and
there's video content there, and.
941
:Blogs and other podcasts.
942
:If you've enjoyed our conversation, this
other podcasts that delve into these
943
:and similar topics, and I've got those
on the blog section of gregbennick.com.
944
:John: I'm feeling very motivated to go and
focus and rehearse after our conversation,
945
:but Greg, I really appreciate you coming
and being guest on present influence.
946
:Thanks so much.
947
:Greg Bennick: Thank you for having me.
948
:John: So before I go today, I wanted to
share a few thoughts and a few things that
949
:have been going on over the last couple
of weeks that you might be interested in.
950
:But first of all, some
thoughts of this episode.
951
:I do think that rehearsal is one of
the perhaps most painful aspects of
952
:being a professional communicator
that we'd probably all rather prefer
953
:to, dispense with it rather than keep
having to do it because repeating the
954
:same stuff over and over again is dull.
955
:It's not exciting, it's not fun,
but it is an essential element
956
:of becoming an excellent speaker.
957
:Now this is a reality in keynote
speaking that you're gonna get
958
:rehearsal from doing your live events.
959
:I would encourage you, if you are a new
keynote speaker, to do the same thing
960
:I would do with a new talk, which is to
find some places where you can deliver
961
:it for free and get some practice there.
962
:They are essentially
rehearsal times for you.
963
:They are the times where you're gonna
be able to correct things, iron out
964
:any kinks, get some feedback from the
audience to figure out what works and
965
:what doesn't work within your talk so
that when you are being paid to deliver
966
:it, you are gonna be able to do a bang
up job and feel that you are worth the
967
:money you've been putting in the reps.
968
:Nobody gets big muscles in the gym by
just going and doing one workout, do they?
969
:And even if you just went once
a week, well it probably helps
970
:you, but you probably need to
be going several times a week.
971
:You probably need to be eating right.
972
:You need to do all the boring stuff
973
:that gets you the long term results
and you need to do it consistently.
974
:Consistency is something we can
easily come into conflict with
975
:when we tend to be a little more
976
:reactive in our lives and end
up finding ourselves only really
977
:doing the things that we want to
do or that we're gonna enjoy doing.
978
:Rehearsal usually isn't one of them,
nobody's getting excited about, woo-hoo.
979
:It's time to go and rehearse now.
980
:And if you are, I'd love to hear from you.
981
:How are you getting
yourself excited for that?
982
:But we go and do the stuff we need to do
to get the results that we want to get.
983
:And in doing that, we put ourselves above
the people who are not prepared to make
984
:themselves uncomfortable and push through
the boredom and do the things that are
985
:gonna make us excellent at what we do.
986
:So I do think Greg's book on
being able to focus is essential.
987
:I love this.
988
:I think the book's a great addition to
Deep Work by Cal Newport, if you haven't
989
:already checked that out on helping us to
deepen our focus and get more things done
990
:and not be super distracted all the time.
991
:I am still actively working on trying
to lower my distractions from emails
992
:and social media notifications.
993
:I keep my phone silent.
994
:It's face down on the desk.
995
:Try and spend less and less time on social
media, but even then I still find my
996
:brain almost wants to distract itself.
997
:I'll go onto a platform to send a message
or something specific and then find
998
:myself scrolling through a whole load
of stuff that really isn't relevant.
999
:But I think we can get better at
catching ourselves doing these things
:
00:46:53,707 --> 00:46:55,477
and improving if we really want to.
:
00:46:55,717 --> 00:46:56,917
But we have to want it.
:
00:46:56,917 --> 00:47:02,737
We have to want the consistency, and I
do believe consistency is foundational
:
00:47:02,857 --> 00:47:04,627
to everything else that you want to do.
:
00:47:04,627 --> 00:47:07,507
If you can't show up consistently
as a speaker, you're not
:
00:47:07,507 --> 00:47:10,147
gonna get paid frequently, and
you're not gonna get paid well.
:
00:47:10,387 --> 00:47:13,656
I've discovered this the painful way, but
if you're a podcaster and you don't show
:
00:47:13,656 --> 00:47:15,418
up consistently , you lose downloads.
:
00:47:15,458 --> 00:47:16,808
You lose listeners.
:
00:47:17,588 --> 00:47:21,398
If you have a newsletter and you don't
show up consistently, you're going to
:
00:47:21,398 --> 00:47:25,878
lose readers as well, because you're not
gonna be seen as someone who's reliable.
:
00:47:25,878 --> 00:47:29,268
You're not gonna be expected in
their inbox, and you are really
:
00:47:29,268 --> 00:47:34,593
gonna have to catch somebody's eyes
and imagination to get them to want
:
00:47:34,593 --> 00:47:36,033
to start checking you out again.
:
00:47:36,483 --> 00:47:39,273
So consistency really matters.
:
00:47:39,273 --> 00:47:43,293
It makes a huge difference, but be
consistent with the right things.
:
00:47:43,843 --> 00:47:46,753
Be consistent with the stuff
that's going to get you results.
:
00:47:47,753 --> 00:47:51,413
Track the results from your
consistency as well, and notice
:
00:47:51,413 --> 00:47:52,583
how much difference it makes.
:
00:47:52,893 --> 00:47:55,203
If you're looking for growth
on a particular social media
:
00:47:55,203 --> 00:47:58,743
channel and you start committing
to posting more regularly there.
:
00:47:58,973 --> 00:48:02,713
To interacting with people on
different posts and to maybe even
:
00:48:02,713 --> 00:48:06,823
trying a few different elements out
for the kind of things that you post.
:
00:48:07,033 --> 00:48:10,303
You can start to track results
and see what makes a difference.
:
00:48:10,543 --> 00:48:13,123
This is exactly what I've
been doing and especially.
:
00:48:13,458 --> 00:48:16,308
Especially with LinkedIn at the
moment where I'm finding that,
:
00:48:16,308 --> 00:48:20,238
certain posts are getting a lot of
interaction and a, and a lot of growth
:
00:48:20,478 --> 00:48:24,058
and certain posts are mostly just
flying through pretty much unnoticed.
:
00:48:24,358 --> 00:48:28,918
So try stuff out, do different things, but
be focused and stay consistent with it.
:
00:48:29,278 --> 00:48:31,318
Not everything you do is gonna work.
:
00:48:32,298 --> 00:48:37,458
I discovered this on a deeper level at
an open mic comedy night Last week I
:
00:48:37,458 --> 00:48:39,618
did my first ever open mic comedy set.
:
00:48:39,888 --> 00:48:40,818
It was just five minutes.
:
00:48:40,818 --> 00:48:42,888
I think I might have gone a
little bit over, and even then, I
:
00:48:42,888 --> 00:48:45,558
actually forgot some of my act and
I, and I went over five minutes.
:
00:48:45,558 --> 00:48:46,218
So that's crazy.
:
00:48:46,258 --> 00:48:48,088
Probably a good thing that
I forgot some of it, right.
:
00:48:48,418 --> 00:48:50,098
But, it was a great experience.
:
00:48:50,098 --> 00:48:51,488
I'm happy to say I didn't bomb.
:
00:48:51,958 --> 00:48:53,458
I'm gonna be sharing with you.
:
00:48:53,458 --> 00:48:55,828
It's not fantastic recording, but
I'm gonna be sharing with you some
:
00:48:55,828 --> 00:48:59,608
of the recording from that of my
next episode if I get it in time.
:
00:48:59,608 --> 00:49:03,568
I'm also gonna be sharing with you
and talking about the, a story slam
:
00:49:03,568 --> 00:49:07,168
competition that I was in just a
few days before, and another one
:
00:49:07,168 --> 00:49:08,218
of those that I've got coming up.
:
00:49:08,218 --> 00:49:12,178
So I'm gonna talk about that on Friday's
episode this week gonna be a solo show.
:
00:49:12,178 --> 00:49:15,418
Back to the usual Wednesday's
guest Friday solo.
:
00:49:15,778 --> 00:49:18,238
I'm looking to do some
coaching shows as well.
:
00:49:18,238 --> 00:49:21,208
So what I'm looking for at the
moment, if you stayed on this long,
:
00:49:21,208 --> 00:49:22,498
hopefully you are hearing this.
:
00:49:22,838 --> 00:49:26,403
I'm looking for a few people who
might want a bit of coaching on their
:
00:49:26,403 --> 00:49:32,473
presentation skills on their keynote that,
I'll do for free so long as we can record
:
00:49:32,473 --> 00:49:36,323
it and you are happy for me to publish
it, which means you will be on video, you
:
00:49:36,323 --> 00:49:39,263
will be on audio for the coaching session.
:
00:49:39,653 --> 00:49:42,653
Obviously we can cut out anything that
you really wouldn't want going out on air,
:
00:49:42,833 --> 00:49:46,630
but, for the most part I just wanna show
people, What a coaching session would be.
:
00:49:46,630 --> 00:49:50,565
Be like and give some people who are
following the show an opportunity to
:
00:49:50,565 --> 00:49:52,615
have a taster of that, , for free.
:
00:49:52,665 --> 00:49:55,275
It's gonna help you develop some
of your presentation and speaking
:
00:49:55,275 --> 00:49:59,415
skills in your business and
potentially improve your keynote.
:
00:49:59,715 --> 00:50:02,025
I'll show one last thing with
you before we wrap up for today.
:
00:50:02,405 --> 00:50:05,645
I got a message from a lady in my
mastermind group at the weekend who
:
00:50:05,645 --> 00:50:10,145
I did some coaching with about her
presentation, and she was at an event.
:
00:50:10,145 --> 00:50:14,525
She had been rebooked there from the
year before and she said after the
:
00:50:14,525 --> 00:50:18,185
event, the lady who booked her came up
and said, I was so happy you came back.
:
00:50:18,185 --> 00:50:19,895
Rebooked you, we loved you
last year, but you are.
:
00:50:19,895 --> 00:50:20,945
Presentation skills.
:
00:50:20,945 --> 00:50:26,045
Your whole keynote has gone up and up and
up in value and in ability like you are
:
00:50:26,045 --> 00:50:29,075
off the charts improved from last time.
:
00:50:29,465 --> 00:50:30,905
And she said that was down to me.
:
00:50:30,945 --> 00:50:34,515
That was down to us working together,
which is so nice, so, so, so sweet.
:
00:50:34,515 --> 00:50:35,865
And it really, really touched me.
:
00:50:35,865 --> 00:50:37,665
I really, really pleased for her.
:
00:50:37,995 --> 00:50:39,555
Uh, 'cause she absolutely deserves it.
:
00:50:39,555 --> 00:50:40,215
She's amazing.
:
00:50:40,525 --> 00:50:43,495
And sometimes it is just about making
those adjustments that are gonna
:
00:50:43,495 --> 00:50:47,515
help you to really shine and make
a bigger impact with what you do.
:
00:50:47,905 --> 00:50:50,005
If that's something you'd like
for yourself, reach out to me on
:
00:50:50,005 --> 00:50:51,745
LinkedIn or@presentinfluence.com
:
00:50:51,925 --> 00:50:55,375
and we can talk about how you, how
we might be able to help you shine
:
00:50:55,375 --> 00:50:56,785
with your presentations as well.
:
00:50:57,405 --> 00:50:57,645
All right.
:
00:50:57,645 --> 00:50:58,635
That's it for now.
:
00:50:58,635 --> 00:51:01,245
We'll catch up with you
again on Friday's episode.
:
00:51:01,295 --> 00:51:03,875
If you're not already following
the show, please make sure you do.
:
00:51:04,055 --> 00:51:08,721
And if you haven't already left us a five
star review on your app, get it out now.
:
00:51:08,765 --> 00:51:12,815
Take your phone out your pocket and
go and leave us a five star review.
:
00:51:12,815 --> 00:51:14,960
It's gonna help other people
know that this is a good show
:
00:51:15,305 --> 00:51:17,055
and, to come and check us out.
:
00:51:17,085 --> 00:51:18,205
So wherever you're going.
:
00:51:18,265 --> 00:51:20,995
Whatever you're doing, have
an amazing rest of your day.
:
00:51:20,995 --> 00:51:21,715
See you next time.