Episode 210

En Route Storytelling Event - John's Story & a breakdown of how it was created

John's storytelling contest entry: "No happy endings"

Summary

This episode offers a unique twist as host John Ball shares a personal and vulnerable story he delivered in a storytelling competition.

John discusses the challenges of storytelling, including balancing humour with emotion and ensuring the story's core message shines through.

The episode concludes with John's triumph in the storytelling competition and an invitation for listeners to engage with future episodes and offer feedback.

You can watch all the stories from that evening here: https://youtu.be/LXVlgEbR0B0?si=CNY8bmxUEa6jCtB9 and please Subscribe to the En Route Storytelling channel whilst you're there

Chapters

00:00 Introduction and Upcoming Content

00:30 Storytelling Competition Announcement

02:05 Personal Story: Coming Out Journey

11:50 Reflecting on Storytelling Techniques

17:30 The Story Behind the Story

21:15 Feeling Rejected and Scared

22:02 Deciding the Story's Purpose

23:36 Journey to Acceptance and Happiness

25:52 Coming Out to My Parents

27:16 Facing Homophobia and Family Support

29:02 Meeting Someone Special

33:48 Confronting the Villain

37:34 Reflecting on the Storytelling Process

39:46 Conclusion and Future Plans

Go to presentinfluence.com to take the Speaker Strengths Finder and discover your greatest strengths as a speaker as well as where to focus for growth. For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn

Thanks for listening, and please give the show a 5* review if you enjoyed it.

Transcript
John:

This week something a little different for you.

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And if you have been tuning into the show

regularly, and I know some of you do, you

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will have seen that I've been sharing some

storytelling and some standup comedy with

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you, and I'm definitely gonna bring you

more of those things as well as more talks

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that I've got planned coming up as well.

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So I want to share.

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The practical elements of this as well.

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So it's not just me saying, oh, this is

what you should do, or this is what you

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could do, or speaking to other people who

do know, but you can actually see this

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stuff in action from me and from others.

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And so this time I'm bringing you a

storytelling competition that I was

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in recently, and I'll share with you a

bit later in the video where I placed

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in the contest and how that went.

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But first of all, we'll watch the

video together and then we will watch

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it and cut through certain bits.

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I'm gonna share with you how the story

came together, some of the mistakes

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that I made when telling the story and

some of the mistakes I was making in

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putting the story together as well.

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Some of the stuff in this is stuff I

haven't shared much on the podcast over

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time is a very, I would say vulnerable

story, but I wanted to share it and it

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felt really good to share it as well.

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I'm pretty happy with how it turned out.

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I'd love to hear from you what you

think, your thoughts and whether

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maybe it even inspires you to go

and try out some storytelling.

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And let me very quickly remind you, if

you haven't already subscribed to the

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show, please make sure that you do that.

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It's super easy to do on Spotify.

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You just need to click the plus

button and you may even want

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to check out the polls and the

comment section on Spotify as well.

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Would love to hear from you there.

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On Apple Podcast.

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Just click follow.

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It may be different on

your podcast provider.

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If you're on YouTube, it's really

easy, you know what to do, like,

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subscribe and leave a comment.

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It's gonna help me to grow the channel.

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wherever you follow or leave comments

for the show or get interactive in

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whatever way you choose to, you will

have my deepest appreciation for that.

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But let's get on with the show.

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Welcome to Present Influence show for

professional communicators who want

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to impact, influence, and inspire.

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My name's John Ball and I'm your

guide on this journey to mastery

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level presentation skills.

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John Ball's screen-1: As a young

boy, I wanted the stuff you're told

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to want when you're a young kid.

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I wanted nice house, nice job, nice

family, car, of that good stuff.

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But sexual orientation had a few other

ideas and I think I was probably about, I.

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14 years old by the time that I realized

or was told that God wasn't super

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fond of men of the homosexual variety.

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However, I stayed with the church at

that time 'cause I kind of figured

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if some, if anyone was gonna help me

get rid of this unwanted shame I had.

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God was surely the very fellow to do that.

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uh, a few years later I would

mostly be seen hanging around with

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my best Christian friend Marcus.

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Marcus was cool.

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Marcus was charismatic and

Marcus was cute and, uh, Marcus.

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Marcus smelled really good as

well, which was very unusual

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for teenage boys, I guess.

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And I guess I was a bit in love

with Marcus, maybe infatuated.

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Even One day Mark has called me

up and said, uh, can I come over?

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It's really important.

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So I'm like, yeah, okay, sure.

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Come over.

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He got to my house and he said, look,

is there somewhere we can go and talk?

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So we went to the privacy of my bedroom

and he sat on my bed trembling and said,

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I've got a really horrible secret tell.

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I'm not sure.

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I'm not sure I can say it.

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And thought, well, I've got a

horrible secret to share as well.

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I wonder if it's the same one, the

same secret that I had been maybe

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fantasizing about various times as well.

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So I suggested that we both write

our secrets down and swap paper

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and we'd read each other's paper.

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So we wrote our secrets down

and he gave me his paper.

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I gave him mine and I opened

it up and his said, I.

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I am addicted to masturbation.

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A 17-year-old boy addicted

to masturbation ground.

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Groundbreaking,

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but is that it?

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Is that it?

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He opened my paper and they

did not say the same thing.

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Mine said, I think I'm gay.

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And he read that and his face dropped.

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And he said to me, I don't

think I can be your friend

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anymore if you're gonna be gay.

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And I guess compulsive masturbation

didn't seem quite so bad at this point.

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But, uh, he wanted to pray for me.

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I.

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To pray the gay away, and

I didn't know what to do.

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I, I panicked.

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I thought, you know, he might, he could

tell someone, he could tell my parents

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he could help me to various people.

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I said, okay.

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And I let him pray for me.

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There were tears and snot and all

the nasty stuff, and, and at some

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point I, when I just couldn't take

anymore, I said, look, I, I, I think.

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I'm not gay anymore get,

to get him to stop praying

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and, well, he didn't know.

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and, and so not, the only

thing that really changed that

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day was that I felt rejected.

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I felt rejected by him.

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I felt rejected by God.

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I felt rejected by pretty

much the whole world.

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And on that day I realized that

the happy endings that other

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people could have weren't for me.

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I wasn't gonna get that.

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Now it took me another four

years or so to the confidence

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to try coming out, uh, again.

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And I was at university at the time and

I came out to some friends at university.

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I'm happy to say the responses were a

bit more positive and it gave me the

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confidence to come out to my parents.

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So I decided in the next holidays,

I would come out to my parents.

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And when they picked me up from the

train station for the Christmas holidays,

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they drove back to the house and every

conversation in the car was about.

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Gay people.

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Gay.

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This gay, our friends sons gay.

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And, and it wasn't me who was

starting that conversation, so

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something was going on and we got

back to the house and I asked my

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mom, I said, what, what's happening?

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What's the, what's all this

conversation about in the car?

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That was weird.

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she said, we know me and your dad,

we, we know, we know you're gay.

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And it's okay.

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We love you.

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I was like, You know, it is like,

like many queer kids, you have

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that fear for years and years

of what your parents will do.

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When they find out are they gonna kick

you out, are they gonna disown you?

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Or you know, the real fear

is for, for many people.

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Mine didn't.

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Now we've certainly had our ups and downs.

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My dad wasn't very comfortable with it

still, and about a year or so later,

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their church got kind of infiltrated

by this weird religious cult from the

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US and they seemed to get amnesia about

their son being gay for six to 12 months.

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But then that went, thankfully

that went and things normalized

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again, wasn't perfect, and there

was still a lot of work to do.

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I think I pretty much decided at

that point that happy endings and

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relationships probably weren't my thing.

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Like my relationship history was

colorful at best, not very successful.

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And that was seemed to be even

more the case when I moved to

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Javier down the coast here.

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And uh, I.

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Javier, but the gay scene, there

is like several old retired

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couples together with the same sex.

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That's pretty much it.

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But I was happy there.

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I made some friends there.

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Some of those friends had special

benefits as well, and I was like, this

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is I, I could spend the rest of my

years like this and I'm pretty happy.

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And then I met someone and.

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Things happened, things blossomed,

and one day my parents drove by and

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they saw him on the terrace of my

apartment and they wanted to meet him.

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So we set up a dinner and they met him.

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And unlike any of my other

boyfriends, they liked him.

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were happy, conversational, they

really enjoyed getting to know him.

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I thought this is so much progress

from anything we've ever had

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before those awkward times where

they'd met previous boyfriends.

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So I was really happy about it.

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Our relationship continued and as

things deepened, we maybe accelerated

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a little bit by Brexit happening.

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We decided to get married and

uh, and so on the, when I, we got

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started to get married, I wanted

to tell all my friends, I wanted

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to tell the family, and I did that.

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And I even told my Spanish

teacher after our class one day.

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She was so excited.

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She wanted to come to the wedding,

and just as we were finishing up the

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class, a few of her friends came up.

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Now I knew them.

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I had done charity work with Pete

and Trish for, uh, about a year or so

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for a, a food bank that they set up.

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so they knew who I was and Lynn couldn't

keep 'em mouth shut, and b, blood it out

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that I was getting married, and their

faces dropped and it was a strange look.

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They acted as if nothing had been said,

and then abruptly changed the subject.

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Okay, well, I guess they're, we're

not inviting them and, I've had

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worse reactions, so, you know,

but I knew that that wasn't great.

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But I also didn't know at the time

that an invisible fuse had been lit and

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that Tricia had decided to take it upon

herself to start a one woman campaign.

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And she started going up to various

people in my parents' church

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who she knew, and taking them

aside for private conversations.

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My dad kind of got the sense that

something was going on, and one of

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the ladies actually came up to him

one day and said that she had been

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going around various people trying

to convince them that my marriage

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was against what God wanted and that

my parents should not be supporting

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it or even coming to my wedding.

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And this lady unknown to Trisha,

had a gay daughter herself and had

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just been to her wedding so she

wasn't very happy about was going on.

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Now, my dad did try and address the

people, and what ended up happening

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was nobody was actually on her side,

but Trisha did actually manage to

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ambush my mom at a lady's coffee

morning, and my mom was so upset.

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She pretty much ran outta there in tears.

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They didn't want to tell me

'cause they were upset or worried

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about me being upset about it.

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I think this was the first time

my mom particularly had ever

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encountered homophobia herself,

had a personal experience of that.

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So it was quite intense for her.

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But they sat me down and they

told me what had gone on.

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And that Tricia had been waging

this campaign to try and stop

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them attending the wedding.

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Now, it would've done more than just

stop them attending the wedding.

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It would've pretty much damaged all the

progress we'd made in our relationship

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and probably irreparably as well.

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But I had worried for years and

years that at some point my parents

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were gonna have to make a choice

between religion and between me.

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And that day I realized that

they had made their decision.

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they'd chosen me and it was really

only at my wedding, on my wedding day

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looking around, seeing all of my friends

and family there, that my parents were

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really being open about who I was.

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Everyone there was there to celebrate us

and our love that I actually got the happy

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ending that I thought I never could have.

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John: Okay, so, uh, what do you think?

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I, I hope that's all.

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I hope that's all come through.

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Okay.

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But that was the story.

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And, uh, I will show with you.

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I'll show with you now.

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The story won.

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I, I was the winner of the

top raconteur of the night and

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was pretty happy with that.

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I think it was a great, uh, great story.

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There were bits that could have gone

better, but I just wanna, go through some

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of the parts of that story with you so you

can have a, a bit of a sense about some

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of some of the different elements that

I was aiming for with the story as well,

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and what bits of it worked, what bits

of it could have worked better as well.

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John Ball's screen-1: I wanted

all the stuff you're told to

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want when you're a young kid.

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I wanted nice house, nice job, nice

family, car, of that good stuff.

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But my sexual orientation

had a few other ideas.

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I.

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John: Now I stop here because one of the

hardest parts of this whole thing for me

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was figuring out where to start the story.

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And in a lot of storytelling training

that I've done, and you are always

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told to, I've, I've been told.

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To put in a location, the story

needs a location to start with.

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I didn't start with a location.

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If anything, the location was temporal,

uh, of my childhood, my young years.

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Very vague, very general.

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But we do get to a location pretty quick.

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John Ball's screen-1: And I think

I was probably about 14 years old

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by the time that I realized or was

told that God wasn't super fond

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of men of the homosexual variety.

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However, I stayed with the church at

that time 'cause I kind of figured

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if some, if anyone was gonna help me

get rid of this unwanted shame I had.

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was surely the very fellow to do that.

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And, uh, a few years later, I would

mostly be seen hanging around with

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my best Christian friend Marcus.

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Marcus was cool.

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Marcus charismatic, and Marcus was cute.

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And, uh, Marcus.

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Marcus smelled really good as

well, which was very unusual

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for teenage boys, I guess.

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John: Yeah, I, I generally can't help

but go for a few laughs here and there.

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It's the comedian inside me, uh,

and that's always gonna come out.

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But, um, I will say this, there's

certainly some more laughs in this, as

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you've already seen from watching through.

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But one of the things I found myself

doing, and if you are someone who

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tends to go for the joke a lot of

the time, like myself, it's a really

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important thing to watch out for.

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I was going for the jokes over the story

some of the time, so in editing and the

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whole process of creating this, that was

one of the things that I really had to.

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Guard against and stuff there.

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All right.

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Okay.

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Some of my jokes had to go, some of

them actually were damaging the story

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and, and changing the atmosphere of it.

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Like later on there's a, there was

some jokes about Trisha, the lady

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who was like campaigning against

my parents attending my wedding.

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Um, that just seemed.

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Uh, the, some of the feedback

I got in rehearsals that was

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that they seemed kind of nasty.

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Uh, and certainly that wasn't my

intention or it made, it, made it

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look like perhaps there was still

resentment there, which there isn't.

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So, you know, it's all

in the past and moved on.

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But this is a critical element with,

uh, two critical things really was

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storytelling that I have found in this

process, and certainly not the first

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time I've been introduced to these ideas.

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But one is that.

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The, the story is more

important than the humor.

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If you can add humor in and it fits

well with your story, and sometimes

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it's there naturally, then great.

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But don't, don't go for humor just

for the sake of going for humor.

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Let it be natural.

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Let it let it flow as best you can.

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And sometimes the jokes will stand out.

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The the joke that's coming

up, I'll tell you something

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about that when we get to it.

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But the other thing that came up in

this process was very much about I

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have not always been a hundred percent

comfortable talking about my sexuality

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and my relationships in public, and

so that was a barrier to get past,

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and I recognized it was an important

one, that it was something that.

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There was no real reason

for me holding myself back.

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It's not like I'm ashamed of

who I am or anything like that.

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The only thing I could really, ultimately

think that was some that, that pulling

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me back in my brain was this thing that

I've kind of grown up with, I guess.

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And some of that's a theme in the story

as well, to a degree of caring a little

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bit too much about what other people

think of me and the willingness to let

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that go creates, created a level of

vulnerability for me that was very, it

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was, it was in some ways refreshing, but

it was definitely a bit scary as well.

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Alright, let's move on with the story.

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John Ball's screen-1: And I guess I was a

bit in love with Marcus, maybe infatuated.

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Even one day Marcus called me up

and said, uh, can I come over?

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It's really important.

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So I'm like, yeah, okay, sure.

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Come over.

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to my house and he said, look, is

there somewhere we can go and talk?

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So we went to the privacy of my bedroom

and he sat on my bed trembling and said,

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I've got a really horrible secret tell.

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I'm not sure.

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I'm not sure I can say it.

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And thought, well, I've got a

horrible secret to share as well.

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I wonder if it's the same one,

the same secret that I had been.

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Maybe fantasizing about

various times as well.

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So I suggested that we both write

our secrets down and swap paper,

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and we'd read each other's paper.

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So we wrote our secrets down

and he gave me his paper.

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I gave him mine and I opened it up and

he said, I'm addicted to masturbation.

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A 17-year-old boy addicted to

masturbation ground groundbreaking.

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John: All right, I'm pausing at there.

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Now.

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That story is almost, count for

count exactly what happened.

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I mean, very minor changes.

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Nothing that really affects the story,

that is exactly what his piece of

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paper said and all of that stuff.

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And, um, so it's, it's a very true story.

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I don't know, I don't really

know how else to put it to you,

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but the line about, a teenage boy addicted

to masturbation that didn't come to

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me until the night of the story event.

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We sat, sat watching some of the

other storytellers ni course.

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As much as you wanna be focused and

present for the other storytellers, I.

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If you haven't gone and

performed yet, you're still

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thinking about your own story.

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I, that's me anyway.

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Maybe you as well.

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But I think that's pretty natural and

that's where that line came to me is

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like, I, I knew that there needed to be

something to, to punctuate the line of a

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teenage boy addicted to masturbation and.

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And I thought there was that thing.

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I trying to think, trying to remember

it, that line that, uh, that Meryl

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Streep had in the Devil West Prada

that just cracked everyone up and

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it's like, what was the word she said?

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Groundbreaking.

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That's the word.

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That's the punctuation

that, that joke needs.

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And, and it worked.

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And it, and it fits in really well.

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But this whole event was real and actually

very traumatic for me as a 16-year-old

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because I was trying to come out.

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Um, it was a complicated coming out

'cause I was trying to come out to someone

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who I was very attracted to and um, and

obviously with religious complications

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where everything else it didn't go well.

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But the other aspect of this is

stories do kind of need their villains

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and this story kind of has two.

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Marcus is less of the villain because

he was still very young and, and, and

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immature, but still a bit of a villain

because, you know, the, the whole sort

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of turning against me because like, well,

you're gay and I can't be your friend

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if you're a Christian, blah, blah, blah.

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Some people might empathize with him

more than me, but, uh, I might might not

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see him as the villain at all in that.

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A lot of people will, it's not

necessarily intended that he is,

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but he is definitely the antagonist

there rather than the protagonist.

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And uh, and I think it is important,

know it's very helpful to have those sort

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of delineations in your story as well.

363

:

I don't think you again want to ex,

I didn't want to exaggerate that and

364

:

make Marcus into anything he wasn't.

365

:

He was a great guy.

366

:

In so many ways, and I was very

much, I was infatuated with him

367

:

when I was that age, but that

whole situation messed me up.

368

:

So, um, but you know, I'm happy to be able

to share that now from a place of having

369

:

healed from it and, and it not being, not

really affecting me in the same way now.

370

:

John Ball's screen-1: But is that it?

371

:

it?

372

:

He opened my paper and they

did not say the same thing.

373

:

Mine said, I think I'm gay.

374

:

And he read that and his face dropped.

375

:

I.

376

:

And he said to me, I don't

think I can be your friend

377

:

anymore if you're gonna be gay.

378

:

And I guess compulsive masturbation

didn't seem quite so bad at this point.

379

:

But, uh, he wanted to pray for me.

380

:

I.

381

:

To pray the gay away, and

I didn't know what to do.

382

:

I, I panicked.

383

:

I thought, you know, he might, he could

tell someone, he could tell my parents

384

:

he could out me to various people.

385

:

I said, okay.

386

:

And I let him pray for me.

387

:

There were tears and snot and all

the nasty stuff, and, and at some

388

:

point I, when I just couldn't take

anymore, I said, look, I, I, I think.

389

:

I'm not gay anymore get,

to get him to stop praying

390

:

and, well, he didn't know.

391

:

So,

392

:

and, and so not, the only

thing that really changed that

393

:

day was that I felt rejected.

394

:

I felt rejected by him.

395

:

I felt rejected by God.

396

:

I felt rejected by pretty

much the whole world.

397

:

John: Um, again, pretty much blow by blow.

398

:

That is what happened.

399

:

That was the, as best I, as

best as I remember it, memory

400

:

being a pretty fallible thing.

401

:

I know that's pretty much my

memory of that whole event.

402

:

Um, certainly didn't have the discourse

going on in my head about that

403

:

time of, uh, um, you know, I wasn't

making jokes in my head about what

404

:

he was saying or anything like that.

405

:

At that time, I was.

406

:

Really, uh, scared, really scared that

I was gonna be outed to my, my family,

407

:

to the church and this whole community.

408

:

I might actually get kicked outta

this whole community that I was in.

409

:

That did happen years, a few years later.

410

:

But not for those reasons,

interestingly enough.

411

:

And, um.

412

:

There, there was so much more that

I really wanted to say here, and it

413

:

had to be paired down, and I had to

really decide quite early on what the

414

:

point, what the whole purpose of the

story was, like the themes, deadlines,

415

:

but I didn't want the whole story to

be like a countdown or a deadline.

416

:

It just features, features, some deadline

elements in it that, that relate to it.

417

:

So it was almost tangential

to some degree, the theme of

418

:

the, the theme of the night.

419

:

But, I initially wanted the story

to kind of be about too many things.

420

:

I was trying to make it really

clever that it was gonna work

421

:

on all these multiple levels.

422

:

And, you know, I think we were

gonna have a big focus in on

423

:

Brexit being the countdown.

424

:

And that was the thing that, sparked

the marriage and stuff like that.

425

:

But there wasn't enough emotion to it and,

and there wasn't enough purpose to it.

426

:

And, and then it was gonna be,

well, is the story about me not

427

:

really caring about getting married

when I was younger and kind.

428

:

Of pushing all that away from me.

429

:

And then at some point later in my life,

meeting someone who made me want that and

430

:

recognizing, actually, this is important

after all, which I think the, the title of

431

:

the talk that, uh, that Oki has put in is

not what I called the talk, but it does.

432

:

It does allude to that, to do

I want to get married or not?

433

:

And it wasn't ever really about, I mean,

this, this story wasn't about that for me.

434

:

I just didn't care about marriage

and uh, that just ended up not

435

:

really fitting into the story.

436

:

So I had to pull all that stuff out.

437

:

So, so initially it was gonna

be a much bigger focus on

438

:

Brexit, the thing that sort of.

439

:

We got engaged on the day the

Brexit result was announced.

440

:

All of that stuff had to

be pulled out of the story.

441

:

'cause I ended up deciding that it was

more important that it was about, um,

442

:

my whole journey to a happy ending.

443

:

That being someone who was who, who

got to a point in life where they

444

:

believed that that couldn't be for me.

445

:

And having that transformation to

someone who like, not only can it

446

:

be for me, it is, and here it is.

447

:

Here's that happy ending.

448

:

Okay.

449

:

Say Happy ever after is not a fairytale.

450

:

Like life, life goes on, still married,

still very happy, all of that good stuff.

451

:

We are not talking fairytales here,

but that was, to some degree it was,

452

:

it was a happy ending in terms of

ending a, a conclusion of a question.

453

:

That was in my life of

am I allowed to be happy?

454

:

Am I allowed to have the

happiness and the acceptance?

455

:

And the joy that other people have,

that straight people have, and no

456

:

one questions it that often people

do question and, and even try and

457

:

stop for, for queer people, I.

458

:

And that ends up being the question that

gets asked in this story more, more than

459

:

anything else, which is why, which is what

led me to think, okay, well I think the

460

:

next thing to focus in on is that, well,

we bring my parents into that because

461

:

they weren't, they weren't antagonists

as much as the relationship with them

462

:

has been complicated over the years.

463

:

It is good.

464

:

We have a great relationship now, and it

didn't get damaged in this whole event.

465

:

I didn't want that to be the case, but

I recognized that there was another

466

:

villain to bring into the story.

467

:

And, she wasn't even initially

gonna be a very significant part

468

:

of the story, but then I recognized

that there was a deadline there.

469

:

Like she and I probably could have

made more of this in the story.

470

:

She only had a limited amount of time

to try and derail my wedding, derail and

471

:

to try and convince my parents that they

shouldn't attend or support the wedding.

472

:

And, uh, so that, so the clock

had been started and little did

473

:

we know, but we found out for it.

474

:

John Ball's screen-1: And on that day

I realized that the happy endings that

475

:

other people could have weren't for me.

476

:

I wasn't gonna get that now.

477

:

It took me another four years or so.

478

:

To get the confidence to try

coming out, uh, again, and I was at

479

:

university at the time and I came

out to some friends at university.

480

:

I'm happy to say the responses were

a bit more positive it gave me the

481

:

confidence to come out to my parents.

482

:

So I decided in the next holidays,

I would come out to my parents.

483

:

And when they picked me up from

the train station for the Christmas

484

:

holidays, they drove back to the

house and every conversation in

485

:

the car was about gay people.

486

:

Gay this, gay that.

487

:

Our friends sons gay and, and it wasn't

me who was starting that conversation.

488

:

So something was going on and we

got back to the house and I asked my

489

:

Mum, I said, what, what's happening?

490

:

What's the, what's all this

conversation about in the car?

491

:

That was weird.

492

:

she said, we know.

493

:

Me and your dad, we, we know, we

know you're gay and it's okay.

494

:

We love you.

495

:

I like You know, it is like, like many

queer kids, you have that fear for years

496

:

and years of what your parents will do

when they find out are they gonna kick

497

:

you out, are they gonna disown you?

498

:

Or, you know, the real fears for,

for many people, and mine didn't.

499

:

Now we've certainly had our ups and downs.

500

:

My dad wasn't very comfortable with it

still, and a year or so later, their

501

:

church got kind of infiltrated by this

weird religious cult from the US and

502

:

they seemed to get amnesia about their

son being gay for six to 12 months.

503

:

But then that went, thankfully that

went and things normalized again.

504

:

John: Now all that there is is very true

again and, and really it's just there to

505

:

give a bit of context to the relationship

with, with my parents, to give you a

506

:

bit of experience of these are some of

the things that actually we, we went

507

:

through on journey to having something

of a normal, healthy relationship.

508

:

So it felt like they made sense to be

there, but something, I missed something

509

:

out here in the talk, which was my

own fault for just, just forgetting

510

:

about it, that at this point I was

also going to drop in a line of that.

511

:

I recognized here that even with the

progress we made, I still felt that there

512

:

was gonna be some point in the journey

with my parents where they were probably

513

:

gonna have to make a decision between

the church and between their son, which

514

:

would've been a much stronger callback

when we come back to that later on.

515

:

So, no, I was a bit sad that I missed

out in the story there, but it, uh,

516

:

hopefully doesn't take away too much.

517

:

John Ball's screen-1: It wasn't perfect

and there was still a lot of work to do

518

:

now.

519

:

I think I pretty much decided at

that point that happy endings and

520

:

relationships probably weren't my thing.

521

:

Like my relationship history was

colorful at best, not very successful.

522

:

And that was seemed to be even

more the case when I moved to Javea

523

:

down the coast here and, uh, Javea.

524

:

But the gay scene there is like

several old retired couples

525

:

lived together with the same sex.

526

:

That's pretty much it.

527

:

John: Okay.

528

:

That joke was supposed to be

a joke and it didn't work.

529

:

It very flat, but it

didn't damage anything.

530

:

It still kept things going.

531

:

This is the good thing about when

you're storytelling, you don't

532

:

have to be the standup comedian.

533

:

Not everything has to be a laugh.

534

:

Um, we, we swept over that.

535

:

I think possibly people did

realize it was meant to be funny.

536

:

I had been playing with that

joke and hadn't found the

537

:

right way to make it work.

538

:

Uh, so it still needs a bit of work.

539

:

That one.

540

:

John Ball's screen-1: I was happy there.

541

:

I made some friends there.

542

:

Some of those friends had

special benefits as well.

543

:

I was like, this is I, I could

spend the rest of my years

544

:

like this and I'm pretty happy.

545

:

And then I met someone and things

happened, things blossomed, and

546

:

one day my parents drove by and

they saw him on the terrace of my

547

:

apartment and they wanted to meet him.

548

:

So we set up a dinner and they met him.

549

:

And unlike any of my other

boyfriends, they liked him.

550

:

were happy, conversational, they

really enjoyed getting to know him.

551

:

thought this is so much progress

from anything we've ever had before.

552

:

There's.

553

:

John: Now, lemme be clear, my, my

parents had been very civil with

554

:

previous boyfriends, but never

particularly warm or close with them.

555

:

So it, it, this was a big difference,

but I don't, you just can't spend

556

:

too much time in your story making

these distinctions or giving too much

557

:

clarity on this stuff that you might

do when you're less time restricted

558

:

or when you're really trying to, when

you're really trying to give just the

559

:

the essentials of the story so that

people get where we're going with

560

:

this and what we're talking about.

561

:

Um.

562

:

But hopefully you also see at this

point, this was the turning part

563

:

of the story where we start to move

into, the transformation elements.

564

:

Like, okay, well lots of things are

changing, things are shifting, and

565

:

there's a big development there of the

relationship, the new relationship.

566

:

The parents love him, um, I love him.

567

:

Uh, all these kinds of things that

start to take us on a little bit of a

568

:

different path to the per, to the guy who.

569

:

It was just kind of settling

for a few friends and friends

570

:

with benefits along the way.

571

:

Again, that joke didn't quite work the way

I was going for as well, but, uh, okay.

572

:

Not all about the jokes, right?

573

:

Um, and maybe I shouldn't have even

been going for a joke with that.

574

:

But, um, but that was the, that was the

changing point of the story, where it

575

:

moves from, okay, this guy is no longer,

um, someone who's not heading toward a

576

:

happy ending or, or to the happy ending

he really wants, or that other people

577

:

can have heading to something different.

578

:

Something else is going on here.

579

:

John Ball's screen-1: Awkward times

where they'd met previous boyfriends,

580

:

so I was really happy about it.

581

:

Our relationship continued.

582

:

And as things deepened, we

maybe accelerated a little

583

:

bit by Brexit happening.

584

:

We decided to get married.

585

:

John: So Brexit only gets a mention now,

whereas a big part of the story before.

586

:

John Ball's screen-1: And so on.

587

:

The, when I, we got started to

get married, I wanted to tell

588

:

all my friends, I wanted to

tell the family, and I did that.

589

:

And I even told my Spanish teacher our

class one day, and she was so excited.

590

:

She wanted to come to the wedding,

and just as we were finishing up the

591

:

class, a few of her friends came up.

592

:

Now I knew them.

593

:

I had done charity work

with Pete and Trish for.

594

:

Uh, about a year or so for a,

a food bank that they set up.

595

:

And so they knew who I was and Lynn

couldn't keep her mouth shut and blurted

596

:

out that I was getting married and their

faces dropped and it was a strange look.

597

:

They acted as if nothing had been said,

and then abruptly changed the subject.

598

:

Okay, well, I guess they're, we're

not inviting them and, uh, I've

599

:

had worse reactions, so, you know,

but I knew that that wasn't great.

600

:

But I also didn't know at the time

that an invisible fuse had been lit.

601

:

John: Mm-hmm.

602

:

Which is true and, and it really was

only looking back and thinking on it

603

:

that is like that as I was thinking about

this story and Lynn wasn't, my Spanish

604

:

teacher was not gonna be in it at all.

605

:

So we, but I had to bring that in.

606

:

'cause that whole scene where.

607

:

Um, Pete and Trish came into, um, my

Spanish lessons used to be in this

608

:

bar in, in the old town where I lived.

609

:

And um, and they came into the

bar and they came up to see Lynn

610

:

'cause they knew her really well.

611

:

Um, there was a whole conversation

about do I use their actual names?

612

:

Well, I mean, Pete's passed on.

613

:

So he no longer cares, I'm

sure, but Trish is still alive.

614

:

But it was like, well, are people

gonna be able to identify them?

615

:

Maybe.

616

:

But, there was a joke that I

cut out that seemed a bit mean.

617

:

something along the lines of, uh, so

this lady, let's call her Trish, because

618

:

she doesn't deserve an anonymity.

619

:

That was a line that might, some

feedback I got from, from Oki and

620

:

others was that it seemed like there

was still some resentment there that

621

:

that seemed kind of like, uh, I'm not

gonna give you her real name because she

622

:

doesn't, uh, she doesn't deserve better.

623

:

And so it's like, well, we took all

that out, but do I still use that?

624

:

Do I still use the real names?

625

:

I didn't really see any reason not to.

626

:

Um, it's not a way of me trying to

be vindictive or anything like that.

627

:

It was just, this is the story

and this is what happened.

628

:

And um, I don't think anyone can

really object to the situation.

629

:

And if anything, there's a lot

that I left out that certainly

630

:

made her look far worse.

631

:

So here we go.

632

:

John Ball's screen-1: And that Tricia

had decided to take it upon herself

633

:

to start a one woman campaign.

634

:

And she started going up to various

people in my parents' church

635

:

who she knew and taking them

aside for private conversations.

636

:

And my dad kind of got the sense that

something was going on, and one of

637

:

the ladies actually came up to him

one day and said that she had been

638

:

going around various people trying

to convince them that my marriage

639

:

was against what God wanted and that

my parents should not be supporting

640

:

it or even coming to my wedding.

641

:

And this lady

642

:

John: You can't see it here, but

there were shocked looks on people's

643

:

faces in the audience at this point.

644

:

John Ball's screen-1: unknown to Tricia,

had a gay daughter herself and had just

645

:

been to her wedding as well, so she

wasn't very happy about was going on.

646

:

Now, my dad did try and address the

people, and what ended up happening was

647

:

nobody was actually on her side, but.

648

:

Trisha did actually manage to

ambush my mum at a lady's coffee

649

:

morning, and my mum was so upset.

650

:

She pretty much ran outta there in tears.

651

:

They didn't want to tell me

'cause they were upset or worried

652

:

about me being upset about it.

653

:

I think this was the first time

my mum particularly had ever

654

:

encountered homophobia herself,

had a personal experience of that,

655

:

so it was quite intense for her.

656

:

But they sat me down and they told

me what had gone on and that Tricia

657

:

had been waging this campaign to try

and stop them attending the wedding.

658

:

Now, it would've done more than just

stop them attending the wedding.

659

:

It would've pretty much damaged

all the progress we'd made in our

660

:

relationship and probably irreparably as.

661

:

John: And the words that I'm

missing here is had she been

662

:

successful and kind of important.

663

:

So a pain that I missed that

out, but I think the message

664

:

still got across luckily.

665

:

John Ball's screen-1: As well, but I had

worried for years and years that at some

666

:

point my parents were gonna have to make

a choice between religion and between

667

:

me and that day I realized that they had

made their decision and they chosen me.

668

:

Mm-hmm.

669

:

And it was really only at my

wedding, on my wedding day looking

670

:

around, seeing all of my friends and

family there, that my parents were

671

:

really being open about who I was.

672

:

Everyone there was there to celebrate us

and our love that I actually got the happy

673

:

ending that I thought I never could have.

674

:

John: Okay.

675

:

Is that just for your information?

676

:

My husband was in the audience at

the time as well, came to support

677

:

me and, with several of our friends

as well, some of them who were

678

:

actually at our wedding as well.

679

:

And, he liked the story and certainly

there was nothing in there objectionable.

680

:

One of the things that I missed out, and

I'm not upset about this necessarily,

681

:

but at the end there was this whole

confrontational thing with Trisha, which

682

:

was, really where I, I faced up to her

and asked what was going on and said

683

:

that I was aware of what she was doing.

684

:

My parents had told me what she'd

said to my mom and what she'd said to

685

:

other people at my parents' church.

686

:

And she had denied everything

and they even even said, who am

687

:

I gonna believe her or my Mum?

688

:

It was like, well, my Mum obviously.

689

:

So, um, that seemed like a funny

bit to go in there and it was

690

:

kind of closure of that situation.

691

:

But it's closed anyway,

like she'd already lost.

692

:

My parents had.

693

:

Not chosen to go that path.

694

:

No one in the church had

supported that either.

695

:

Because I think that would've

caused, undoubtedly caused, would've

696

:

caused issues for my parents

as well, which it already did.

697

:

Even with, even with that friendship.

698

:

'cause she had been, her and her husband

had been friends with my parents.

699

:

For several years as well.

700

:

So undoubtedly there, there

was more good ness there.

701

:

But it makes me think of something.

702

:

When I was talking to Judy Carter,

uh, some episodes back, uh, we were

703

:

talking about standup comedy and, one

of the things that she says in her new

704

:

comedy Bible book is that even on a

open mic night where a lot of comics

705

:

will go up on stage with their notepad,

uh, with, you know, the, or cue cards

706

:

of things of jokes they've written,

she says, not maybe don't do that.

707

:

Maybe try and do it without

that because you're not gonna

708

:

necessarily remember everything.

709

:

But probably a lot of the stuff

that you'll end up forgetting,

710

:

shouldn't be in there anyway, or

doesn't need to be in there anyway.

711

:

So take a walk and practice your talk or

your, your, your routine or your bit in

712

:

your head, uh, whilst you're walking, but

without the cue cards, without the notes.

713

:

Because if you forget those bits,

then you do have to question,

714

:

do they belong there anyway?

715

:

Can the story still work without them?

716

:

So as much as I think when I, when I had

finished the story, I was like, oh yeah,

717

:

I missed that out, watching it back.

718

:

I, I see that it probably

doesn't need to be there.

719

:

I'm not sure it really adds enough to, to

stick it back in if I tell that, should

720

:

I tell that story again in the future?

721

:

But the conclusion is that, well,

where, where do we land with this story?

722

:

And that's what we have to think about.

723

:

Where do we land?

724

:

Someone who is being, to some degree

barred from having a happy ending in

725

:

their life, to , a happy love life story.

726

:

Discovers that that's no longer the case,

and that that is actually available.

727

:

And, not only is it possible,

but it's actually happened.

728

:

So this is why I felt it was important

that the end scene was the wedding,

729

:

that the decision had been made.

730

:

The, the, the wedding was

there, the family were there,

731

:

and my parents were there.

732

:

Um, no longer caring about

what people thought about them.

733

:

Um, fully accepting, fully open, like the

whole family there, my family, his family,

734

:

all there supporting us and, and just

feeling love and family and connection.

735

:

Um, these are all things, all things that

I just thought were never gonna happen.

736

:

So hopefully that gives you a good

understanding of how this story

737

:

came together and maybe some of the

challenges of creating it, and also some

738

:

of the things that maybe didn't go as

perfectly as they could of on the night.

739

:

Uh, I will be going back to.

740

:

Collect my award for top raconteur

of the night at the next story

741

:

event and I will be telling a

short opening story there as well.

742

:

I'll record that too and I'll share

that with you near the time as well.

743

:

But let's, but let's close things off

there if you haven't already checked out

744

:

my episode with Keith Kong from this week.

745

:

Uh, Keith is a famous mentalist winner

of Penn and Teller's Fool Me Show.

746

:

If you've ever seen that TV show

with Penn and Teller, um, Keith

747

:

won that show with his mentalism.

748

:

He's that good.

749

:

He's, he's won other accolades as well.

750

:

He's performed in all

sorts of wonderful places.

751

:

He's got lots of exciting things coming

up, but he shared some great insights

752

:

into how Mentalism works, how he

constructs his acts for engagement and

753

:

flow and excitement, and making sure

that his performances are memorable.

754

:

All stuff that, you know, you

don't need to be a mentalist or

755

:

a comedian to make this work.

756

:

This is stuff that's really

valuable for speakers and

757

:

communicators, so go and watch that.

758

:

It's already one of my most downloaded

complete episodes on YouTube.

759

:

I would say it's probably one of the

top episodes I've put out recently

760

:

that within, within 24 hours of

publishing, um, it has more downloads

761

:

than just about any other full length

interview video that I've put out there.

762

:

So I do reckon that's worth

going and checking out as well.

763

:

The link to the YouTube video

will be available to you as well.

764

:

Or just come and search for

present influence on YouTube.

765

:

You'll see the channel is there as well

as lots of other videos and shorts.

766

:

Make sure you subscribe, leave some

comments and likes and, uh, 'cause that

767

:

helps other people to find it as well.

768

:

And come and join me next time.

769

:

I, I haven't yet decided.

770

:

Which interview I'm gonna be bringing to

you next week, because there are sometimes

771

:

shows that get recorded that don't make

it to publication, and the decision is

772

:

always one of, would I listen to that.

773

:

If I was in your position as the listener

to this show, would I listen to that?

774

:

And that's the decision I make.

775

:

So I will be playing back some of

these episodes that I have in the

776

:

bank this weekend and deciding

which one is the right next

777

:

episode to bring to you next week.

778

:

So I hope you'll come

and join me for that.

779

:

I will make sure it's a good one for you.

780

:

I am lining up some new guests,

bringing back hopefully an amazing

781

:

guest as well, who's been on the show

a couple of times, friend of the show.

782

:

Um, we will be bringing him back.

783

:

I'll announce that near the time

once we've recorded and, um.

784

:

Certainly, but again, another one of my

most downloaded guests ever having been

785

:

on the show, so you won't wanna miss it.

786

:

All right, so if you're not already

subscribed to the show, please make

787

:

sure you're following me on your

podcast app or on YouTube and, wherever

788

:

you're going, whatever you're doing,

have an amazing rest of your day.

789

:

Hey, follow Oki as well.

790

:

Follow En Route storytelling.

791

:

Go and check out some of the other

stories from that night and other

792

:

nights for the on reach storytelling.

793

:

And if you're in the Valencia,

Madrid, or Barcelona areas.

794

:

Where Oki is doing these events and

workshops do go and check them out.

795

:

They're very cheap to

attend, and a lot of fun.

796

:

And at the very least, you're gonna

hear some amazing stories and maybe get

797

:

to tell some amazing stories as well.

798

:

Wherever you're going, whatever you're

doing, have an amazing rest of your day.

799

:

We'll see you next time.

800

:

Bye-bye.

About the Podcast

Show artwork for Present Influence
Present Influence
The podcast that helps professional communicators learn the skills that increase influence, impact and authority.

About your host

Profile picture for John Ball

John Ball

John Ball is a keynote coach and professional speaker on a mission to help upcoming leaders master their communication, create impact and stand out as experts in their field.
John left the high life of his flying career to do something more meaningful to him and has since worked with several leading personal and professional development organisations as a lead coach and trainer.
The heart of everything John does involves helping people shift to personal responsibility and conscious awareness of how they show up and perform in every situation, whilst equipping them with the tools to be exceptional.
John also co-hosts The Coaching Clinic Podcast with his great friend and colleague Angie Besignano.
He lives in the beautiful city of Valencia, Spain with his husband and often visits the UK and US for speaking and training engagements. When he's not speaking or podcasting, he's likely to be out swimming, kayaking or enjoying time with friends.

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