Episode 188
Your Marketing Is A Joke! Boost Your Brand with Comedy | Adam Hunt (White Label Comedy)
Harnessing Humor in Marketing: An Interview with Adam Hunt of White Label Comedy
Summary
In this episode of 'Present Influence,' host John Ball is joined by Adam Hunt from White Label Comedy to discuss the power of humour in marketing. Adam shares how humour can serve as a unique tool to help brands stand out amidst the clutter of social media.
They delve into the inception of Adam's company, the development of their key product 'Brands Against Mundanity,' and practical steps to infuse humour into marketing strategies.
The conversation covers the importance of relatable, entertaining content and ways in which humor can build trust and rapport with an audience. Adam also offers insights into their various services, including done-for-you marketing and innovative training products that help clients create engaging and humorous content.
This episode is a must-listen for coaches, speakers, and business leaders looking to make their marketing more impactful and enjoyable.
Go to White Label Comedy to find out more about Brands Against mundanity and other products.
Chapters
00:00 Introduction and Secret Marketing Tool
01:15 Guest Introduction: Adam Hunt from White Label Comedy
03:46 The Power of Humor in Marketing
11:49 Adam Hunt's Background and Journey
13:55 Launching White Label Comedy
18:08 Products and Services Offered by White Label Comedy
23:06 Effective Use of Humor in Different Industries
26:29 Training and Tools for Coaches and Speakers
30:03 The Value of Humor in Content Creation
30:52 Client Experiences and Feedback
34:57 Effective Use of Templates
36:31 Exploring the Portal and Templates
39:41 Tips for Crafting Engaging Content
46:57 Subscription Benefits and Final Thoughts
53:31 Conclusion and Upcoming Topics
Keywords
humour, influence, marketing, comedy, trust, rapport, audience engagement, content creation, business strategy, communication, content creation, marketing humour, Brands Against Mundanity, fill-in-the-blank frameworks, audience engagement, social media strategy, comedy in marketing, effective storytelling, marketing tips, creative marketing
Takeaways
Humour is essential for influencing and engaging audiences.
People prefer entertainment over being sold to.
Building trust through humour enhances communication.
Understanding the audience is key to effective humour.
Comedy can address uncomfortable topics in a relatable way.
Humour can be structured and formulaic for marketing purposes.
Empathy is crucial in creating relatable content
Products like Brands Against Mundanity help streamline content creation.
Humour can significantly improve marketing strategies for coaches and speakers. Crafting a journey in content is essential for engagement.
Fill-in-the-blank frameworks simplify content creation.
Humour should enhance, not overshadow, the marketing message.
Understanding your audience's pain points is crucial.
Engagement can be maximised with relatable humour.
Different types of posts serve different marketing purposes.
A mix of easy and complex frameworks aids learning.
Invest time in understanding what to say before being funny.
Comedy can significantly enhance marketing effectiveness.
Get In Touch
Go to presentinfluence.com to get your copy of my guide to building authority through podcast guesting and for speaking enquiries or connect with me on LinkedIn
Thanks for listening and please give the show a 5* review if you enjoyed it.
Transcript
Welcome to the show.
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:And today I'm going to be
sharing something that I
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:have been keeping a secret.
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:Well, not a big secret, but it's
something that I use in my own
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:marketing as a way to stand out and
be a bit different from other people.
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:And let's face it, standing out in
terms of marketing and being visible,
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:especially in social media and
organic traffic is very hard to do.
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:And so you all sorts of people have lots
of different mechanisms and suggestions
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:and Nearly everyone piles on them all
straight away But here is something that
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:not everyone is going to be doing that
you could do and it's really going to
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:be more applicable to you if you have a
good sense of humor and Your brand can
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:cope with a bit of laughter as well.
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:Not that we're going to be doing anything
damaging to the band but we're actually
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:going to be utilizing humor as a tool
of influence and you've been listening
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:to the show for a long time, you'll know
that I've talked about humour before as
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:being one of the most overlooked elements
of influence that gets Miss time and time
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:again and often people are afraid of it
Don't want to want to approach it or that
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:they recognize the humor is important
But they still have some fear around
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:it and will avoid it So even though we
know that it's a great influence tool
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:there are very few people who apply it
well And my guest today is Adam Hunt.
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:And Adam has a company called White Label
Comedy that helps people with brands like
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:speakers and coaches and professional
communicators, anyone who has a brand, a
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:service product, or even just a company
that could use a little bit of standing
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:out with your online marketing and
messaging, then you might find that this
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:episode To be incredibly valuable and We
are also going to be taking a look into
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:one of the products that I've been using
from White Label Comedy for a long time.
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:To hopefully give you a sense of
how you might be able to apply this,
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:help you build up and flex those
comedy muscles and get more people
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:noticing your marketing having your
personality and certainly that humorous
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:aspect of you standing out even more.
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:So welcome to Present Influence the
show that helps coaches, speakers, and
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:business leaders develop the communication
skills to influence and inspire.
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:My name is John Ball, keynote coach,
professional speaker, and your guide
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:on the journey to mastery level
communication and presentation skills.
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:My mission is to provide professional
communicators like you with
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:everything you need to maximize your
impact and present with influence.
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:Follow the show on your favorite
podcast app for weekly episodes and
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:interviews with influence experts.
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:And if you're not already
receiving our weekly blog, you
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:can sign out for that at LinkedIn.
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:So find my profile on LinkedIn.
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:It's in the show notes and you can
get the weekly blog, which will have
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:some introductions to the episodes
as well as some bonus material that
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:you may not hear in the episodes.
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:I'll look forward to
connecting with you there.
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:Adam, welcome to Present Influence.
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:I've been so excited to talk to you.
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:You've been on my guest
wishlist for a long time.
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:And so I wasn't sure you'd say yes,
when I asked you to come on the show.
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:And it was a very easy.
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:Yeah.
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:So I was very pleased.
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:Adam Hunt: Do you know what?
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:It was an easy yes.
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:And it was an immediate yes.
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:Obviously you're active inside
our membership and are on
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:our right with our schools.
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:And it's an, it's a no brainer.
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:Really excited to chat today.
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:And Where kind of comedy, psychology,
marketing, and influence all kind of
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:intersect like that's my favorite subject.
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:So yeah, it would have
been very hard to say no to
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:John: this.
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:This makes me happy and this is exactly
why I wanted to have you on the show.
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:I'd like to give those, before we
really take a look at things like
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:the brands against mundanity and
other things that you have available
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:through your white label services.
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:To just start off with that why you
feel that humor is so important in
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:terms of being able to influence
and have an impact on people?
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:Adam Hunt: Yeah, that's a
really interesting question.
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:And it's a really, it's a broad question
that I could choose to answer in so many
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:ways, but the simplest answer would be.
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:Is that people like being entertained.
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:They don't like being sold to, they
don't really like being influenced.
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:And so whatever your agenda with
someone persuasively, whether that
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:is to change their mind, change their
position or sell them a product.
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:If you can use entertainment and humor
to do it, then you slide under the
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:radar and, people are just more willing
to listen to what you've got to say.
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:John: I do have this theory of humor
for what kind of my own, but I've
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:listened to some rather long winded
lectures on theory of humor as well.
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:It's a thing it's out there and
for those who are interested,
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:it's worth checking out.
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:My own theory goes
along the lines of that.
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:It's one of those things that like
you say, it does bypass things.
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:It does get more direct, but people
do tend to just have a deeper level of
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:trust for people who make them laugh.
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:It's automatically this thing.
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:Oh yeah we disarm ourselves
a little bit more.
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:We want to people more
when they make us laugh.
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:I don't think I'm unique in thinking that.
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:But I do think it's one of
the really important aspects
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:of humor to be able to use.
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:Adam Hunt: I think the trust factor.
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:Is really important and really useful, but
also why that works, it becomes like much
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:more salient when you enter our world
and the way we teach humor, the way we
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:teach kind of entertainment for marketing
sake is a lot of people think that
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:being funny is just about being funny.
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:It's not, it's about
relating to the other person.
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:It's about communicating something that
they can relate to in an entertaining way.
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:And so actually it makes so much sense
that builds trust because you're showing
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:that you get it, that you understand
that well, you couldn't make a joke about
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:influence if you didn't understand the
struggles with trying to influence people.
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:So if you to make a joke about influence.
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:It immediately communicates your
expertise and it communicates that
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:you understand the problem that I'm
suffering from because I laugh at that.
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:You've, you've got my problem nailed.
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:So yeah it's.
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:It's trust, it's expertise and
it's it's rapport building.
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:At the end of the day, people, again, I
know that I'm always coming at this from
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:in the context of selling, that's not
everything you're about, whether you're
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:buying a product or buying someone's
position, people buy from people.
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:And if you can build that rapport
by showing people that you get it.
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:Then it just changes the game is
it's so much more effective than
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:I'm going to say more effective
than any other form of persuasion I
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:don't know about all the other ones
I only know about my favorite one.
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:But yeah, I think it's
that's how I see it.
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:John: It's sadly one of the areas
of influence and persuasion that
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:Robert Cialdini left out of his
famous book on the psychology of
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:influence, but it's, I do see it
as being one of the critical areas.
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:I it has quite the same level of.
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:Impactful influences things that he was
talking about, which is more my immediate
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:effect, but I think it is something
that sets you in a certain position to
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:be able to have greater influence and
even to persuade because I do think
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:humor and comedy actually allows us to
talk about things sometimes this isn't
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:so much related to the sales side, but
talk about things that perhaps it would
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:be uncomfortable for people or the
viewpoints that express new viewpoints
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:in a way that if you can make people
laugh and you introduce it to them, one
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:of the reasons why I think shows like
these comedy news shows and John Oliver
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:for being an example of that or The
Daily Show, those sorts of things where
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:people can cope with the information
and they probably absorb more because
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:they're laughing whilst they watch it.
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:Adam Hunt: Do you know, I I used
to love getting all of my news
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:from having one news for you.
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:It was that kind of weekly dose
of the news wrapped up with humor.
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:And it was luckily I was social stuff
back then, when you just say, 15 years ago
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:in, in my youth and so disconnected from
the new cycle, it was really satisfying.
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:And I think there's a lot to be said
for humor to package up information.
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:I want to draw on something else you
mentioned, because you did, you rightly
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:said, chilled in left it out of his book.
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:And while we're launching a new course,
like right now, we're literally mid launch
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:and the angle that our head of copy,
Tom has taken with the page that selling
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:it is basically, all of the godfathers
of Copywriting, persuasion, marketing,
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:all of them have basically in one way
or another said humor sells and none
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:of them have been able to give anyone
a kind of manual for how to use humor.
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:They just go, ah, just be funny.
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:And you know what I'm so proud of
with all the work we do is it's
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:all about making the ability to be
funny, be humorous, be entertaining.
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:That's in a way that furthers
your messaging, furthers your
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:persuasion accessible and
something you can actually do.
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:So yeah, it's, it was, it almost felt like
you, you were reading from the Tom's new
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:sales page when you mentioned shield and
not being in shield in his book there.
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:John: Oh, there you go.
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:I'm glad to be on the right page
for things that you're thinking
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:about at the moment as well.
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:There are so many areas of influence and
persuasion that Cialdini doesn't look at.
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:And I do think one of the reasons why
perhaps this doesn't get looked at as
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:much by psychologists is because it's
a little bit out of their comfort zone.
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:People who are in the sciences
are not always known for being the
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:most humorous people, for example.
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:And so scientific investigations tends to
be fairly serious and comedy probably feel
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:or humor feels a little uncomfortable.
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:Which is, I find it's the case for many
of the people I work with when I'm helping
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:I help people develop their presentation
and communication skills, and the keynote
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:speeches, and people are so scared of
trying to be funny, think, and just think
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:that they can't or that they're not.
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:One of the things I love about what
you do you create that bridge to help
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:them figure out that they can be.
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:And it isn't actually as difficult
as they imagine it to be.
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:Adam Hunt: Yeah.
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:I think what is really useful in any,
in anything that you do is limitations
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:are really useful when you could do
anything, it can be really overwhelming.
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:In years ago, when I might've been trying
to be funny, might've been trying to, I
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:was working in TV around comedy writers
and all my friends, are stand ups.
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:So let's, maybe I'll have a crack,
you get a notebook and you try
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:and write a joke, but that joke
could be about absolutely anything.
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:So it's really overwhelming is
also really hard to know what to
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:actually say, you haven't invent
opinions for yourself to communicate.
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:It's all overwhelming and there
is a real risk of doing the wrong
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:thing, saying the wrong thing.
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:The second you move trying to be
funny into a place with purpose
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:like marketing, then you're okay.
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:I've got some limitations because I need
this funny to further my brand message.
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:So I've got a whole lot of guardrails,
things that it won't include.
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:And then you start thinking
about, what does someone want
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:from a piece of humorous content?
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:And.
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:Again that it just, it narrows it down
and brings it into the middle to the
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:point where you realize that actually
all people want from, not with all the
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:one, but all you need to do to be funny
in the right way is empathize and relate.
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:And we, we didn't know that when we
began this company, I didn't always just
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:go, ah, it's all about relatable humor.
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:We began by doing a mix of the wrong
kind and the right kind of funny.
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:And it's the wrong kind of funny.
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:It's not just that it can.
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:Get you in trouble.
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:It just doesn't land as much.
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:Whereas the right kind of funny and
what's brilliant is the right kind of
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:funny is easier because you're just
trying to understand the audience
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:and presenting what the audience
thinks, feels, knows, loves back
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:at them in a way that is humorous.
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:It's I feel like I'm cheating when
people hire me to write jokes or, they
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:hire me to hire someone to write jokes.
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:I feel like I'm cheating
because it is so simple.
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:Is
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:John: your background then
more in the comedy writing than
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:comedy delivery sort of area?
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:Adam Hunt: So I, no,
yes and no, mostly no.
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:I was a TV producer.
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:And in those roles, basically I worked on
shows like The One Show and shows like I'm
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:trying to think of various quiz shows and
whatnot, as well as the occasional comedy
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:entertainment show like Mock The Week and
Have We Got News for You, but loads of my
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:work was on the slightly less funny shows.
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:In that role, your job is to
write the script and make it
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:make sense, make sure it contains
the meaning it needs to contain.
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:And then if you're lucky, you get a budget
for comedy writers to help make it funny.
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:If you're not lucky and there is no
budget, either it's a boring show, or
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:you manage to make it funny yourself.
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:And there's, there's a little bit
of wriggle room in between, but
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:I've never been a comedy writer.
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:I've always been a producer.
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:I've always been a guy that works
out what we're trying to do and then
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:brings everyone together to make
sure that happens and that works.
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:And I think, I always think that if I'd
been an out and out comedy writer, I would
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:never have built this company because I
would have been so obsessed with my own
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:comedy writing career, but I'm much more
obsessed with using brilliantly talented
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:people to take us in new directions.
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:And actually, like even just
the process we have internally
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:is someone writes the jokes.
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:Someone looks at them
and thinks about them.
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:Yeah.
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:And it's, you need those two parts.
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:You can't just, you can't
just sort do it on your own.
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:And I insist that I'm not a comedy
writer, obviously, in the last five
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:years I've written the odd joke.
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:I've signed off tens of thousands of jokes
in, in, in different way shapes of form.
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:So I'm probably, the only person I
know that thinks about jokes like I do.
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:And yet still, I would say, yeah,
it's, it is not my background,
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:it's just where I've landed.
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:John: Oh that's perfect.
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:I think probably helps
us to know that as well.
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:What was the inception then?
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:Where did you recognize the need
and think, I think we should
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:build a business to do this.
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:Adam Hunt: Do you want the,
long answer or the short answer?
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:Do you want the PR polished answer
or do you want the real one?
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:John: The real answer.
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:We, and we've got time,
so there's no rush.
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:Adam Hunt: All right.
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:Back in the day, I was TV producer.
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:Like I said, working on shows like
the one show I was basically first
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:in line for another series of The
One Show always, and 19th in line
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:for jobs on The Last Leg, et cetera.
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:If you're listening from abroad,
basically Last leg is probably
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:the closest thing we've got to a
late night talk show in that it's,
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:topical topical comedy studio show.
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:I needed to find a way to make myself
more appealing to those other jobs.
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:So all of this began to try and
get me into the right rooms and TV.
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:It was always still with one view on TV.
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:I'm trying to do just other cool stuff.
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:I began by launching a satirical
news website now long dead.
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:That had what I thought was a
really clever business model because
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:there were two key things that
were gonna make a stand out thing.
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:Number one, I'd identified that
on sites like The Onion and The
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:Daily Mash, there was one joke,
it was a joke in the headline.
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:And then the article was absolute guff.
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:It was nonsense.
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:It was just spit.
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:And I was like I want our articles to
be fact, gag, fact, gag, fact, gag,
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:basically the same level of quality
that you find in Have I Good News
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:For You, that, that level of script.
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:That, that was my ambition for them.
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:And the other part of it was that I wanted
us to create, and we did create a merch
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:store for fast turnaround comedy merch.
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:Something in the news today, we
write an article that goes out.
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:If it does well, you can buy it
on a, buy the funny picture on a t
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:shirt tonight, that sort of thing.
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:I built that and put about a year and
a half into it making no money giving
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:every, the, all the ad revenue that
we made, I'd give out to the writers.
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:We had a team of volunteer writers.
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:So we're just in a collaborative,
this big collaboration.
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:It wasn't making any money,
but it was a labor of love.
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:And the kick I got out of assessing
the pitches, the articles, the jokes,
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:it was, that was the beginning of
my brain tapping into this process.
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:We now have as an actual company,
after a little while of kicking my head
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:against the wall and thinking, how am I
going to make this add up financially?
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:It was a full time job
on top of full time jobs.
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:I decided to try and pitch to
brands, businesses to fund us.
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:Basically the angle was give
us the money, help us grow.
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:And it can be a kind of corporate
social responsibility play from you.
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:And we had this big pitch deck that went
out to about 90 different big businesses.
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:And all about like us and
why we should be supported.
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:And there was one tiny line buried
in there basically was like Oh,
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:we've got these comedy writers.
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:We could do some stuff for you.
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:And it took me pitching that to
crickets for a good month or so before
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:I realized that line there, that's.
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:The company that this writer's room that
I'd developed of TV level comedy writers
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:who were just collaborating for the joy
of something, putting them to use for a
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:brand, a business, that's the company.
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:And so initially was called, I
won't name the particular website.
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:But it was the name of
the website white labeled.
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:Cause the idea is, you were white
labeling that website's content creators.
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:Within about a week, I realized
that actually that then relies
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:on you maintaining the quality of
that website so that you have the
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:implied quality of the business.
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:And actually no one needs that.
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:And I didn't have time to
be running the website.
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:So we just dropped that, dropped the
name, but became white label comedy.
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:And honestly, the rest was history.
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:It was, Yeah that's where it came from.
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:And I'll tell you what, John, you are
the first person I've ever publicly
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:on a podcast told that story to.
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:I promise it's not a dark
secret, but it's a long story.
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:There's many twists and turns and
you can probably tell the, the PR
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:sales pitch version needs to be
shorter to make a persuasive argument.
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:But yeah, that's the truth.
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:John: And thank you for
sharing that with us.
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:And let me ask you, did it primarily
start off as you working with just
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:doing marketing for particular
clients or did you think, Oh no,
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:I think we have a broader market.
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:We can actually create some
particular products that, how
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:did it really get launched there?
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:Adam Hunt: So it began with
an idea, which was just.
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:We've got comedy writers.
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:We know that brands need funny content
and we would pitch ourselves to a
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:blue in the face and try and win work.
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:That was it.
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:It was all about done for
you, done for your work.
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:And it was, Obviously with all
businesses, first year was, I
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:wouldn't say terrible, but first year
certainly was not a big moneymaker.
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:All the work we got in was
through cold pitching, people
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:on LinkedIn and cold email.
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:And it was, again, it was a full time
job just saying to people, Hey, come and
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:hire my, my, my team of comedy writers.
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:The product side of the business
came about almost by accident.
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:Because.
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:Early on, we had no reputation these days.
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:We have a good reputation.
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:People know we exist.
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:And so it's much easier for us
to attract new clients back then.
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:People like who, who are these people?
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:Who are these guys?
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:What even are they?
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:And obviously I had, I had my
credentials creating content for brands.
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:I didn't, it wasn't like I'd
never worked for any brands.
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:In amongst the TV work I'd moonlighted
for various brands in, content
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:creation roles and marketing roles,
but still as a company we didn't
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:really, we weren't on their radar.
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:So we money was running out, basically,
the, as always was spending more money on
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:running the company and trying to reach
new clients than actually we could afford.
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:There was a deadline,
there was a time limit.
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:And I'd seen from from marketing circles,
lots of people selling courses, trainings
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:and not just selling them to make money,
but selling them to be a kind of essential
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:part of their own marketing process.
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:You sell a training, people take it
enough of them ascend and go on to
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:hire you on a done-for-you basis.
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:It's really, trodden pathway.
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:And I thought we could do that.
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:Began planning out like this
massive comprehensive, here is
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:everything about how you sell
on social using humor training.
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:And I was like, this is one, this
is going to take me years to put
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:together two, it's probably going
to be a bit shit because we, at that
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:point, weren't the experts we are now.
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:So it didn't quite feel right, but also,
money was running out faster and faster.
365
:We needed to get something
to market quickly.
366
:There was one kind of half idea that
we had in our sketched out in my notes
367
:for the training on, on the table in
my kitchen, the millions of bits of
368
:paper sprawled everywhere that was,
what if we could teach people to write
369
:jokes using algebraic formula using,
Fill in the blank templates because
370
:we'd already got, we'd already begun
to really get a sense that the best
371
:jokes were the ones that were relatable.
372
:So can we codify that relatability
and put that as blanks in algebra?
373
:And we made that a thing.
374
:So we, we wrote some, Prompts for I
shouldn't use the word prompts these days.
375
:Cause people expect to say I, we
wrote some frameworks for simple
376
:Twitter jokes turned into a product
called brands against mundanity.
377
:The first iteration was just a PDF.
378
:It was just literally a PDF with some,
with 48 fill in the blank Twitter jokes.
379
:And.
380
:We put it online, started sending it
using Facebook ads, which at the time
381
:I didn't even really know much about,
never run my own ads before just dabbled
382
:with it for clients and it just took off.
383
:It just, we just sold so
many copies of that silly PDF
384
:and even better people then.
385
:As as we would have planned for the
bigger training that we thought we'd need
386
:to make this happen, people bought the
PDF, saw us go, Oh, these guys are cool.
387
:Booked, booked in a call through
the very, very rudimentary buttons
388
:on the very old rubbish website.
389
:And then we started to
get our first clients in.
390
:So it's it was all stuttering along.
391
:And then simultaneously we were
in the product and the done
392
:for you business overnight.
393
:John: Yeah, even in the time that I think
I've been a subscriber, I should say,
394
:really to the Brands Against Mundanity,
that you've set newer things up, like
395
:we've got the right for you sessions,
which I think were there probably from
396
:when I joined, but also that's really
helpful just that we can actually get on
397
:a call with you and one of your writers
and get some help and some suggestions
398
:and a bit of feedback on some of the
ideas we may only go through a handful of
399
:them but it gets you into some momentum
and the right way of thinking about it
400
:with things and also to avoid the wrong
ways of thinking about it which is just
401
:as important but things like being able
to directly upload everything into Canva
402
:so it's all there ready for you to edit
so helpful you I personally love it.
403
:I know you can't say too much about
specific brands that you've worked
404
:with, but have there been like general
Industries where this has worked better?
405
:And, 'cause I'm a fan
of two part questions.
406
:What kind of results have clients
experience from working with you?
407
:Adam Hunt: Yeah, so I, I think, first
question I'll answer the reverse
408
:of that, because I often get asked,
is there any industry where this
409
:won't work, where humor won't work?
410
:And I always insist, no.
411
:But the truth is the industry
is where you're selling on
412
:aesthetic, fashion, et cetera.
413
:You can use humor, but do
you need to probably not?
414
:You can, we're not necessarily
going to move the needle for you.
415
:I think in terms of, industries with
particular success, I think that
416
:stuff that is broad, that is a mass
market, it's easier to get results.
417
:The reason I say that is, you know, what
we do and what we teach is great for B2B.
418
:It's great for B2B because the because
of the messaging benefits of, basically
419
:reflecting your audience's pains.
420
:In the content that you're creating
shows, and we get it, but getting that
421
:content in front of them can be hard.
422
:It can be expensive.
423
:It, it's, you're either having to
grind around the platforms, being,
424
:being your account yourself, your brand
on the platform to get that reach.
425
:Or you're having to pay
for pay that spend for to.
426
:Get the reach you need to make a
meaningful difference with broader
427
:brands who are selling, who,
where anyone could buy the thing
428
:by anyone could buy the thing.
429
:Big soft drinks company or, chocolate
company that, that sort of thing.
430
:It's easier to write jokes that almost
everyone that sees it will engage with it.
431
:Interact with it, comment.
432
:And so the getting the organic propellant
population, I don't know if that's the
433
:right word is easier for it, for someone
that can speak to a broader audience.
434
:As for, I see, I always like to focus
more on business outcomes and that's why
435
:actually, even though, you mundanity is
all about social We are pivoting now and,
436
:internally and with our W clients, we're
much more interested in taking clients on
437
:a full service marketing basis, because
actually this kind of content, whether
438
:you use pay spend or legwork to get reach.
439
:If you are bringing loads of
awareness to a product, a funnel
440
:offer that reliably converts, then
it's like pouring oil on a fire.
441
:If you're bringing that attention to
a product that doesn't convert, it's,
442
:yeah, you might get a load of reach.
443
:You might get a load of eyeballs.
444
:Where's the money, where's
the money in the bank.
445
:So I'm now much more interested, the
first conversation I will have with
446
:any new client is what are we selling?
447
:How's it selling?
448
:And can we improve that
first before we do anything?
449
:So I definitely.
450
:Don't think I directly answered
your question there, but I said
451
:a lot of words that I hope were
interesting and useful all the same.
452
:John: I feel like it mostly
did answer, answer my question.
453
:I don't necessarily have a follow
on relating to that, but I do want
454
:to perhaps talk about you mentioned
about creating these sort of formulas
455
:for jokes, which is very much what
brands against mundanity does.
456
:Like pretty much like you, you plug
in the words as to what best fits.
457
:And we're going to take a look
at some of that in a moment
458
:so people can get a taste.
459
:And so for our listeners, you may want to
check out some of the YouTube elements of
460
:this so that you can actually see stuff.
461
:I will put some links in the
show notes for you as well.
462
:But before we come to that, you mentioned
that you have a done for you service.
463
:What other things do you have
available for people that could
464
:help them with their marketing to.
465
:Stand out a little bit more.
466
:Adam Hunt: So we're basically,
we've got a whole range of
467
:trainings, tools, templates.
468
:So go to white label comedy.
469
:com and there's a big shiny button
that probably says like trainings
470
:and templates, or you can just put
forward slash store and see all
471
:the different things we've got that
there's two brand new trainings that,
472
:that I'm really excited about that
I think are a great place to start.
473
:There's one that launched yesterday.
474
:Cool.
475
:Basically they're all now coming
under the jokes that sell banner.
476
:So jokes that sell funny Facebook ads
is basically taking this sort of fill
477
:in the blanks, bam template vibe, but
expanding it to actually give you what
478
:you need to write full Facebook ads.
479
:And you're gonna give you
variations on the hooks and also
480
:a bunch of creatives to test.
481
:The reason why I
particularly recommend that.
482
:As a place to start, it's not just that
part of the training, but it also comes
483
:bundled with an ebook that that I wrote
that was meant to just be a kind of
484
:short, couple of thousand words some
t of tips for media buying in:
485
:just, is his, how I think about running
your ads and it actually, it turned
486
:into a sort of epic 10, 000 word book.
487
:It's a lot, it's a lot in there
and it basically covers everything.
488
:I think you need to be thinking about
if you're trying to get your ads, if
489
:you're trying to get your products
running successfully to cold traffic
490
:using paid ads, because I think, the
most important thing I know that people
491
:expect me to talk all about comedy
and how, comedy can help you sell, but
492
:you need to get the fundamentals down.
493
:You need to get the right offers back.
494
:You need to have something
that people are going to buy.
495
:And then you can use humor to,
to make that make that kind
496
:of big, bigger and better.
497
:So that's the one thing I would say
everyone, by we've priced it about 20
498
:percent of what it really should be.
499
:Cause it's going to be our new front
end product that we're going to be
500
:selling to, to culture for ourselves.
501
:There's also one that
we released last month.
502
:That's on that basically teaches you how
to make what we call gag reel videos.
503
:One line of videos.
504
:Of yeah, just you reading
off a load of jokes by that.
505
:Although, cards on the table,
if you buy the Facebook ads one,
506
:you'll get a better deal by just
saying yes in the upsells after.
507
:So I would go for the Facebook
ads trading that's product wise.
508
:And then, in, in terms of our
done for you stuff, we're here for
509
:everything and the kitchen sink.
510
:But the main thing is we don't
really start a conversation by
511
:you telling us what you want.
512
:We start a conversation by you telling
us what your problems are and then
513
:we'll work with you to work out how
we solve them with copy and comedy.
514
:John: Great.
515
:A lot of my audience are professional
coaches and professional speakers or
516
:people who do a lot of professional
communication in their work.
517
:Great.
518
:Could you see the product working
well for those that specifically
519
:the brands against mundanity?
520
:Adam Hunt: Yeah, absolutely.
521
:Absolutely.
522
:I think, brands against mundanity
is great for people who know
523
:they need to be churning out to
a certain degree, social content.
524
:They haven't really got the time, the
energy to write these long value posts
525
:day in, day out, and they want to bring
a bit of humor to to their content.
526
:And BAM helps you as you've already seen.
527
:BAM helps you do that way more quickly,
way more easily and with better content,
528
:a lot of the time than stuff you've
spent hours and hours slaving over.
529
:And yeah, so that we've got
loads of coaches loads of,
530
:B2B, solopreneurs, et cetera.
531
:Obviously it doesn't solve all
your problems, but nothing does.
532
:The, if your problem is content and
I want to just Get my content created
533
:quickly and easily so that I can
then focus on running my business.
534
:It's a great thing to buy.
535
:It's not, we don't sell it with the
promise that by this you're going to
536
:go viral and you're going to get a
million people signing up to your,
537
:done for you services overnight.
538
:Cause that's a massive overpromise,
but it's certainly, it's a
539
:great way to get attention.
540
:And it's a great way to, to create
way more content in the time that
541
:it was taking you to do it before.
542
:And it's funny.
543
:John: One of the things I often say to
clients I work with on improving their
544
:speaking skills is that not that they
don't have to become standup comedians,
545
:but if we lose the idea that you actually
need to entertain your audience, you're
546
:going to, you're going to miss out big
time that far too much is just serious
547
:and data driven or factual stuff.
548
:And people do crave entertainment.
549
:They want to be entertained
by your content as well.
550
:That's one of the reasons why
it particularly stands out..
551
:Before we take a look at the actual
cards themselves I wanted to ask do
552
:you ever get to see any of your stuff
out in the wild, like stuff that you
553
:haven't all created yourself and had
your team done whether you actively
554
:look for that, any sort of thing.
555
:Or they're doing a good job with it, or,
ooh, I don't think they've quite got it.
556
:Adam Hunt: So do you mean in terms of the
stuff that Our team creates for a done
557
:for you clients or the stuff that we see.
558
:John: The stuff that people are
creating with the templates that you
559
:give, do you ever get to see any of
that in actual, actually out in the
560
:world and thinking, yeah, that's going
561
:Adam Hunt: with us.
562
:We, we do.
563
:I think what I love is that obviously
we've got our monthly write with us
564
:sessions where people will bring, either
they bring stuff they've already worked
565
:on or they work on it in the room.
566
:But even with that, the.
567
:The sort of first month someone's with
us, the jokes they pitch, as you'll
568
:have seen from those calls can often
be a bit confusing and a bit misguided,
569
:and they've misunderstood the brief,
especially a lot of people will sign
570
:up, buy the thing, look at the templates
and they are not going to, I'm not
571
:going to watch that really easy to
watch half an hour quick start training.
572
:I'm just going to get
on with it and do it.
573
:And then.
574
:They've just missed the brief entirely.
575
:And we do occasionally see that
kind of stuff out in the wild.
576
:For a while, one of our teams had a
sort of a weekly task to searched for
577
:various terms that we knew were in our
templates just to try and find examples.
578
:And we did use, we used to find.
579
:Examples of great uses.
580
:There was a, a mechanical keyboard company
that we didn't even know had signed up who
581
:were getting great use and great results
out of our stuff and you find terrible
582
:uses, I say terrible, not terrible, just
kind of stuff that doesn't quite hit the
583
:mark, but generally, once someone has
been flexing those comedy muscles for Long
584
:enough, they get used to doing it right.
585
:And I think, the best thing about
those write with us sessions is
586
:it's a chance to come unstuck.
587
:It's a chance, it's a chance to, like
the biggest mistakes I see are people
588
:will often try and crowbar their products
into a joke and trying to make their
589
:products the punchline of the joke.
590
:So it's not, that's not true.
591
:Like often the form, the formula
won't make sense if you're
592
:Even if it would make sense, you can
only crowbar your product in if that is
593
:really what your audience is thinking
in that particular moment in time.
594
:Probably that'll be easier for us
to think about when we're looking at
595
:some specifics, like Starbucks could
probably write a joke that, imagine
596
:a meme with someone just looking
Absolutely exhausted lying on a desk,
597
:they could easily make a rather lame
mean that's, me before my matcha latte,
598
:my, my, what's that one pumpkin spice
last night that they could do that
599
:because that is true for the audience.
600
:You could not do, me before listening
to this month's Present Influence
601
:podcast, cause it's not true.
602
:Forgetting that.
603
:The truth is the most important thing.
604
:And if you haven't bothered to find
the truth, then you're not going to
605
:create content that's going to engage.
606
:But yeah, we, I generally, I, sorry,
I keep, I'll waffle them for days, but
607
:I generally don't go looking for BAM
content myself now personally because
608
:if I see something that I think, oh,
that's missed the point, I want to
609
:then reach out and help them out.
610
:And we're the best one in the world.
611
:You're, you're paying me a
couple of quid a month and I,
612
:I haven't got time for that.
613
:But yeah that's why the right
with us cause exists anyway.
614
:John: Yeah.
615
:I did actually see today on
Instagram, I don't use Instagram
616
:very much, but I did actually see an
ad that looked like it looked like
617
:a brands against mundanity based.
618
:Thing, but they had done exactly
what you just talked about of trying
619
:to make their product the punchline
and it just didn't make sense.
620
:And I've seen this on, I think I've
even been guilty on it on the write
621
:With Us call, as well of trying to
make it more about the the brand and
622
:the promotion than about the joke.
623
:And I think you do have to go for
the humor and like you said earlier,
624
:the connection, the empathy and
the, relating to your audience.
625
:I think that's a perfect point for us
to take a look at some of the some of
626
:the brands against mandamity things.
627
:So we're going to be, you
628
:Adam Hunt: know, John, before, before
we look at the cards I just, I want
629
:to help sow a seed that can solve that
problem of trying to make it about the
630
:plan to make it about the offer, because.
631
:The cards in brands against mundanity
teach you to write a joke that is mostly
632
:going to be in the creative of your post.
633
:That's the image, right?
634
:But you still have a lot of real estate.
635
:You have the post copy.
636
:If we think about the the creative as
usually, not every format, but usually
637
:relating to the pain that we're going
to offer to help them solve later on.
638
:So usually, if if you're trying to
coach people, To be more confident
639
:speakers say then it might be jokes
about the pains of public speaking,
640
:the fears of public speaking and.
641
:Yeah.
642
:If you try and get your pitch into that
creative, it's going to ruin it, but it's
643
:really conceivable to have the copy that
begin a PAS problem as you say, solution.
644
:So have the copy begin with the
pain that you're talking about.
645
:And then just everything below the
fold can be taken us on a journey
646
:to the point where it is relevant
to pitch your products and services.
647
:That, that blows the line a little
bit, cause they'll become more like
648
:offer posts or belief shift posts.
649
:But.
650
:If in doubt, use the joke to open
a conversation for some people.
651
:That conversation is opened in one
piece of content and then resolved
652
:in a later piece of content or
through retargeting or ads or emails.
653
:If you're just itching to go, I just
really want to talk about what I'm
654
:selling just chart a course from A
to B and make sure the copy takes
655
:you on the journey that makes sense.
656
:John: That's really helpful.
657
:I think that's a great
way to think about it.
658
:What you are hopefully seeing on the
screen right now is my, my portal
659
:into the White Label Comedy site.
660
:And so within that, you'll see a whole
bunch of stuff that I have purchased
661
:from them, some of the things that
were included and add ons as well.
662
:However, it's the Brands Against
Mundanity monthly subscription
663
:that we want to take a look at.
664
:This is now March, but we
recorded this back in November.
665
:So it gives you some idea of
some of the time that tends
666
:to happen between episodes.
667
:So we need to go all the
way back to November,:
668
:So we can go back in time because I've
been a member of White Label for a while.
669
:So any time that you, any period that
you've had membership with White Label,
670
:you can go back and access those cards.
671
:So if they're ones that you didn't use or
you want to go back and maybe update them,
672
:refresh some of the ideas that you've
had before, you can certainly do that.
673
:We're going to take a look at November 24.
674
:What you'll see here is you can
either, we can either download a PDF
675
:or we can access Canva templates.
676
:I can't remember when the Canva thing
came in, but since I have a Canva
677
:membership and I do recommend it.
678
:It's so easy that the templates just
get loaded automatically into Canva and
679
:I can start editing them straight away.
680
:It takes moments, so super easy.
681
:So here we now come to some of the
templates that are available for you,
682
:that were available back in November.
683
:Adam Hunt: Yeah.
684
:So this like John said is,
this is inside the portal.
685
:Basically every month we release a new
set of fill in the blank frameworks that
686
:each one of them basically has a joke
mocked up as if it were being posted
687
:by a big name recognizable brand to
give you just a sense of how to use it.
688
:But really all of the magic, all of
the power comes from the bit on the
689
:right hand side, the the instructions
the way we fill in the blank.
690
:This one here the example that would be
from packed, how to catch a coffee snub
691
:and it's a mousetrap with expresso on top.
692
:By the way, if you don't get that
joke, you are the enemy and it's fine.
693
:We don't need to be friends.
694
:You can carry on drinking your
expresso until the cows come home.
695
:The framework, how to catch X.
696
:So X is either your audience or a
recurring character in their lives.
697
:For me, it could be how to catch
a marketer or it could be someone
698
:that we don't like, or that gives us
problems like how to catch a Facebook
699
:ads manager, or, whoever's giving
your audience trouble that day.
700
:And then why, so why being
the blank that's on top of
701
:the cheese is something that.
702
:The recurrent character X
might struggle to resist.
703
:And that could be something that
they are known to really enjoy, or
704
:it could be something that might
respond really negatively to.
705
:If imagine, I don't know if we're in a
sort of Facebook ads world how Facebook
706
:ads manager it could be 10 X ROAS on
there because that's what they want.
707
:And.
708
:Generally that is, that would be a
positive example and they're less funny.
709
:So it's always more, it's always
more funny to have a negative.
710
:So ideally, we should pick
pick an enemy and then we throw
711
:something in there that they hate.
712
:So yeah, there's 31 of
713
:John: these.
714
:With this one where it fell out
for people who are speaking would
715
:be like how to catch a bad review.
716
:Adam Hunt: Yeah, so I, I guess
the is it how to catch a bad
717
:reviewer or how to catch a bad?
718
:John: Oh, we could make it a reviewer.
719
:We can make it a person how to, yeah.
720
:Go that
721
:Adam Hunt: I, it's funny actually 'cause
be before we did the last write with our
722
:session Alex is, who's the comedy writer
that I usually have me in the sessions.
723
:He said, Adam, can you not put that,
this one in the deck for the call?
724
:'cause actually I find it really
hard and it keeps confusing people.
725
:It is tough.
726
:It is tough.
727
:. I may struggle to do this justice
for you, John without Alex.
728
:But I think, the way I would play
with it is, so we need to think about.
729
:We need to think of an enemy.
730
:So if the enemy is.
731
:A bad reviewer, why are they bad?
732
:Are they are they lazy?
733
:What's the what's the, and what
is it they do that annoys us?
734
:Yeah, if we can think around there
and we may find the right answer.
735
:We may not there's not always the
perfect answer for any framework.
736
:John: Yeah, that's the opposite
is that I do find I'm not always
737
:able to use all of the templates.
738
:However, there's always
enough there that I can.
739
:Yeah, I don't need to
worry too much about that.
740
:I think there's one here.
741
:If I look a bit further down,
I think there's probably one
742
:here that I have already used.
743
:One that's like science, you're a fiction
writer, I was able to turn it into
744
:science, you're a professional speaker
that, that there's, it's like a pie chart
745
:with the small pie being that you write
fiction and the big part of the pie being
746
:your Google search history implicates
that implicates your multiple homicides.
747
:I think that's a bit easier for
me to do some sort of version
748
:of playing that around with.
749
:So some, certainly some of them, I
think, Oh, The answer, the solution
750
:comes pretty quick and some of them do
take a bit more work and I do tend to
751
:when I'm going through it and I like
to spend pretty much a morning and also
752
:this, I don't resent doing my marketing
when it's making me laugh when I'm
753
:coming up with jokes, I enjoy doing my
marketing, which is one of the reasons
754
:why I like the BAM packs as well.
755
:That I'll go through it and I'll tend to
just write if I get stuck on one, I'll
756
:come back to it later and go through and
see how many I get, and then ones that
757
:I get stuck on, I might revisit later,
depending on how many I'm able to fill in.
758
:So yeah, it's quite an easy process.
759
:Adam Hunt: I think so.
760
:The ones that are the easiest are
the ones where what you would put
761
:in gap a doesn't change depending
on what you've put in gap B.
762
:Signs you're a fiction writer,
you write fiction, and then you've
763
:got one funny thing to add in.
764
:Signs you're a you're a podcast
host, you host podcasts, that's
765
:always going to be the case.
766
:So that's written for you.
767
:And then the big one, I don't know what
you've got in yours, something like
768
:you spend, 18 hours a day rebooting
Riverside Studio to try and make it work.
769
:That, that would be my truth for you.
770
:John: That's a little close to home now.
771
:I don't have been having some
problems with our platform today.
772
:But yeah, mine, mine was the small part
of the pie being you speak at events,
773
:the bigger part of pie being, you expect
everyone to be quiet when you're speaking.
774
:Brilliant, brilliant.
775
:Which I think works.
776
:Adam Hunt: I think that's
great because that's taking.
777
:What's happening in their world in
a, in a day to day way and expanding
778
:it into other areas of their life.
779
:And that, yeah, that that's
making it bigger too.
780
:And if we think about that compared
to the one that we struggled with, the
781
:the cheese, the, the mousetrap one,
the reason I would say, with the, with
782
:enough time we'd crack that, but what you
need is two lists side by side of the.
783
:People that could be the recurring
character, the thing that they do that
784
:is going to trap them, the kind of,
or the thing that would trap them.
785
:And then you play around with
different combinations of those
786
:two until you have one that fits.
787
:And the added layer here, which is
tricky, is it needs to make sense.
788
:It needs to make sense as a thing
you'd put on a trap for that person.
789
:So it always takes a bit more work.
790
:So we always have some kind of pro level
ones that even Alex struggles with.
791
:And then we have the easy ones to fill in.
792
:John: Yeah, which is a
great way to think about it.
793
:I think my favorite one of this
pack was the one that looks like
794
:it, where it says sensitive content
on there, a lot of things you get
795
:over certain posts that blur it out.
796
:Yeah.
797
:And it was it's a mock up for a Pizza
Express ad that says this post has been
798
:hidden in case it reminds you of the
time your waiter said enjoy your meal
799
:and you replied you too, which is great.
800
:And so my version of that was this
post has been hidden in case of it.
801
:In case the accident reminds
you of the time you live
802
:streamed your coaching session.
803
:Yeah.
804
:For my coaching podcast.
805
:There's stuff about that was really
easy and I think that was my favorite
806
:one and it just came straight away But
yeah, some of them definitely take a bit.
807
:I
808
:Adam Hunt: think what I love about that
one is as well as having the joke Which
809
:is you know taking an embarrassing?
810
:occurrence and making it Out
to be a kind of, so sensitive,
811
:it needs that content warning.
812
:It's got that element to
it where it draws you in.
813
:Cause you think something
controversial here.
814
:What it's the bait and switch
just with the format, even before
815
:you've written the joke is a bit
of a kind of hook to draw you in.
816
:And then, yeah, all it takes is a
playful, embarrassing moment that either
817
:people can relate to, or that they
can relate to the fear of happening.
818
:Even if you've never done that, I
guarantee you're, scared of doing that.
819
:And yeah it's a great little format.
820
:John: I'm a big fan of the cards.
821
:I've been subscribed to them for a
long time and find them very useful.
822
:I get a lot of positive
feedback from people.
823
:They do notice it and they notice
that they like my messaging.
824
:They like the stuff that I'm posting and
they comment because it makes them laugh.
825
:I really like the right with the
sessions as well, where you and them.
826
:Alex, so usually on the call and you help
guide us with how to write some of these,
827
:do you generally pick out the tougher
ones to help people with on that call?
828
:Is that kind of a theory though?
829
:So
830
:Adam Hunt: What we normally do is we
will start with a couple of easy ones
831
:to ease everyone in because actually
you've got to give people confidence.
832
:You've got to make sure that they
can they believe they can do it.
833
:So start with a couple of easy ones.
834
:And then after that, actually.
835
:We choose ones that we want
to use in our marketing.
836
:I will choose if I want to sell BAM
with a video of me and Alex riffing
837
:on a bunch of formats, I will choose
the sensitive content warning because
838
:it looks good in an ad I will choose.
839
:So that's what you generally,
and the ones that look good are
840
:also often the most complicated.
841
:So that's why we generally have.
842
:A couple of easy ones, and then some
of the more unique complex ones.
843
:And I think the mixture of that
also really just the progression
844
:from people where, they'll come
the first time and they're just a
845
:bit lost in their pitching stuff.
846
:That doesn't quite make sense or work.
847
:And then, three, four months down the
line, even with the really hard ones.
848
:They're pitching stuff that
just absolutely nails it.
849
:And I think it's good to have a mix.
850
:John: And it's very true about
flexing your comedy muscles.
851
:When you get into a certain
way of thinking, it does start
852
:to get a little bit easier.
853
:I particularly like that.
854
:It's very easy to use.
855
:People can just go through it.
856
:You have the help.
857
:You can watch.
858
:You can be live on the call with
you and Alex or you can watch the
859
:replay and it's like 45 minutes and
it's not going to take a heat wrap
860
:and that will still help you even if
you can't get onto those live calls.
861
:What what would be your message
for somebody who's still thinking,
862
:Oh, this seems interesting.
863
:I'd like to have a play around with it.
864
:What's the best thing for them to do?
865
:The message is buy
866
:Adam Hunt: it, man.
867
:It's it's look It's 3 for the first month.
868
:And when you spend those 3,
you get immediate access to the
869
:month we're currently in and
the next kind of four months.
870
:So basically, if you were to sign
up on the first week of November,
871
:you'd immediately get access to all
November and the next set that's
872
:just released the December sets.
873
:So try it on for size, it's, we
deliberately make it a no brainer because
874
:you do, with this sort of thing, you need
to see it to understand how easy it is.
875
:You need to get your hands dirty.
876
:You need to join us on a call.
877
:So yeah, just go to white label comedy.
878
:com forward slash store.
879
:Follow, follow the links from there
to any of the stuff we sell, but
880
:definitely, the brands against
mundanity monthly itself is.
881
:It's the perfect way to start
flexing your comedy muscles for
882
:very little financial investment and
just a tiny bit of time investment.
883
:And then you'll see how easy it is
to have fun with your marketing.
884
:John: I think that's one of
the things I love about it.
885
:Like you can pretty much set up
a whole month's worth of posting.
886
:With just a morning or an
afternoon set aside to spend
887
:a bit of time working on this.
888
:It's a nice low level commitment
to actually come up with stuff
889
:that you, that a team has already
been working on this stuff.
890
:You have a lot of help to help
get you over there and as you do,
891
:more of it is gonna get easier.
892
:We talked about one quick question,
really about and we'll start to wind
893
:things up, I promise is about actually
using the, using these in post.
894
:Is it better to just post these
standalone or is it okay to post these
895
:with some paragraphs or some stuff
attached to it that doesn't necessarily
896
:relate directly to the joke itself?
897
:Adam Hunt: So that depends on your
objectives, what you're trying to
898
:achieve with the even post in general.
899
:So there's a free training on our
website that you'll find quite easily
900
:called the social success machine.
901
:Basically, that.
902
:The model that we work to with organic
content that basically the way we look
903
:at it is there's three different types
of posts, you've got entertain posts,
904
:they're at the top of the funnel.
905
:And that's what Bam monthly
is teaching you to create.
906
:So that is, here's a joke in an image
and you want to have a line of post copy
907
:or two lines, but you don't want to be
selling anything and you want to just make
908
:it Support the joke, going to give people
a reason to engage in, in that kind of
909
:content, further down the funnel, we've
got what we call belief shift and offer
910
:posts, and they are much more salesy.
911
:They often can still have
a joke in the creative.
912
:So actually, what you could really
easily do is you write all your jokes
913
:and you go these ones feel great.
914
:For entertain posts, quick
and dirty, bit of fun.
915
:I'm just going to write, a question that
goes with this one, put it out there.
916
:These three feel really like they're
making a really important point about the
917
:pain that I'm here to release people from.
918
:I might turn those into longer form posts.
919
:I might just try and shift
the belief and persuade them.
920
:Something I might try
and pitch my services.
921
:So as long as you're not adding
walls and walls of texts to all of
922
:your posts, then, play it by ear.
923
:I think the most important
thing is to have those different
924
:content pieces in the mix.
925
:So if you just post jokes, no, one's got
any paths to follow to give you any money.
926
:If you only have really heavy handed
pitches, even if they start with
927
:a joke, it's easy to ignore them.
928
:And I'll pick on, the.
929
:element of your question that
is important there as well
930
:is, can you put text in there?
931
:Can you put copy in there?
932
:That is that is slightly related.
933
:And I would say Yes, but
start where the joke ends.
934
:So if the joke is about the pain
of not having this problem solved,
935
:start there and then right from
there and what you shouldn't ever do.
936
:I have seen, some people you
mentioned earlier, posts in the wild.
937
:I've seen some people.
938
:But the same identical copy and
paste block of text and block
939
:of hashtags on all their posts.
940
:And it just, it makes people reading
it, think you're not really paying
941
:attention and you don't really care.
942
:So long as you write around
them and then, sometimes you'll
943
:be inspired to write an essay.
944
:Other times you'll be inspired to just
write just put a kind of a thoughtful
945
:emoji as a, yeah, play it by ear.
946
:John: I just love that you've made
this so easy for me particularly,
947
:but for everyone really as well.
948
:And I've been a big fan of Brands
Against Mundanity for quite some
949
:time and I love playing with it.
950
:And I feel a bit like I'm giving
away one of my Secret tools that
951
:I like to use, but I'd be happy
to see other people doing this.
952
:And frankly, I think there's there's
enough scope because you're going to
953
:have different answers, different jokes,
different things, but I'm probably going
954
:to post stuff on different days as well.
955
:I'm not too worried that timelines are
going to get flooded with copies of very
956
:similar things, but I would love to.
957
:I'd love to see it.
958
:We're going to have all the links
in the show notes for anyone
959
:who wants to go and check this
out or go to white local comedy.
960
:com for slash store.
961
:You said you can get started.
962
:Three quid a month is almost nothing to at
least have a go with this and have a play
963
:and doing something that's gonna, I think,
make your marketing stand out, probably
964
:a bit more than most other people do.
965
:Adam it's been a real pleasure to have you
on the show and thank you for bearing with
966
:all the technical issues we had today.
967
:We managed to get through it and you
helped us to fix all that up as well.
968
:Really appreciate you today
and everything that you said.
969
:Is there any final message that you have
that you'd like to share with everyone?
970
:Adam Hunt: Yeah.
971
:Buy our stuff.
972
:I'm having a baby.
973
:I need to buy some nappies.
974
:No, I would never even have guessed
that you were pregnant, but yeah
975
:if I stood up, you'd understand
but no, do you know what the main.
976
:The main takeaway I want to leave
with people is one of the notes that
977
:I will give on pretty much any piece
of content that I look at that isn't
978
:right is don't try and be funny,
find something worth saying, and
979
:then use humor to communicate that.
980
:If you don't invest the time working out
what to say, you're wasting your time.
981
:So even though we're all about
comedy, you need to be all about
982
:marketing and then comedy is going
to make your marketing better jokes
983
:on their own don't sell anything.
984
:They just help things
that already sell more.
985
:John: Yeah, that's great.
986
:So basically don't half ass it.
987
:But if you do, if you're a kind
of half ass person, maybe just
988
:get you to do it all for them.
989
:And that's going to solve that.
990
:Yeah.
991
:I
992
:Adam Hunt: mean, we love half.
993
:We love half asses with budget.
994
:We love half asses with budget for sure.
995
:John: That's fair enough.
996
:I think we all do.
997
:Adam, thanks so much for coming and
being a guest on Present Influence.
998
:Thanks John.
999
:If you do follow me on any of the
social media platforms, you probably
:
00:53:36,929 --> 00:53:40,019
will have seen Some of my funny
posts that come up for time to time.
:
00:53:40,019 --> 00:53:41,949
Maybe some of them are funny Maybe
you find some of them aren't.
:
00:53:42,479 --> 00:53:46,379
Comedy can be a little hit and miss But I
do still think it's a great way to stand
:
00:53:46,379 --> 00:53:51,469
out have a little bit of playfulness
Enjoy the process of marketing It
:
00:53:51,479 --> 00:53:53,569
really does need to fit with your brand.
:
00:53:53,569 --> 00:53:56,849
I think Adam gave some good advice on
that, that maybe there are some brands
:
00:53:56,849 --> 00:54:01,959
that it's not going to work with, but
I think for most coaches and speakers
:
00:54:01,959 --> 00:54:05,759
and people have products and services
online, it could probably work for you.
:
00:54:06,164 --> 00:54:08,994
So long as it kind of fits with
your personality to some degree.
:
00:54:09,264 --> 00:54:13,334
So if you are one of those people who
always avoids humor on stage and in
:
00:54:13,334 --> 00:54:17,824
your presentations, maybe it's time
to dip your toe, or maybe this just
:
00:54:17,844 --> 00:54:19,704
isn't for you, I would understand.
:
00:54:20,074 --> 00:54:22,579
But I'm assuming as you have got to the
end of this episode, you've enjoyed it.
:
00:54:22,579 --> 00:54:24,729
You're probably at least a
little bit interested in that.
:
00:54:25,019 --> 00:54:28,759
And I hope you will go and check out
all the many options available at
:
00:54:28,819 --> 00:54:30,579
Adam's website, white label comedy.
:
00:54:30,959 --> 00:54:31,339
com.
:
00:54:31,699 --> 00:54:36,089
I've been using brands against mundanity
for probably the last two or three
:
00:54:36,089 --> 00:54:40,959
years on and off and find it to be an
incredibly useful resource that helps
:
00:54:40,979 --> 00:54:45,399
me to have fun doing my marketing
and it does get noticed online and I
:
00:54:45,399 --> 00:54:47,359
do get people commenting, laughing.
:
00:54:47,889 --> 00:54:50,219
That's a very nice way
to stand out sometimes.
:
00:54:50,229 --> 00:54:54,659
So this can be a really great
addition to your online marketing.
:
00:54:54,919 --> 00:54:57,399
If you'd like to go and check out
Brands Against Mundanity, Funny
:
00:54:57,439 --> 00:55:00,419
Facebook Ads, and all the other
products that Adam has available.
:
00:55:00,579 --> 00:55:05,409
Or maybe have his team working with you,
more of a done for you service, take
:
00:55:05,429 --> 00:55:07,339
even more of the effort out of this.
:
00:55:07,534 --> 00:55:11,394
And have funny standout social
media properties that could
:
00:55:11,394 --> 00:55:15,984
really help to turn up get you
noticed and build your influence.
:
00:55:16,281 --> 00:55:19,201
That's pretty much it for me for
this week next week We're going
:
00:55:19,201 --> 00:55:21,101
to be talking about demo reels.
:
00:55:21,118 --> 00:55:26,328
my guest will be Cam Beaudoin And
Cam is an expert in demo reels.
:
00:55:26,518 --> 00:55:30,028
We'll answer questions like is
it better to have a bad demo
:
00:55:30,028 --> 00:55:31,978
reel than no demo reel at all?
:
00:55:31,988 --> 00:55:35,398
What does a professional level
demo reel need to include?
:
00:55:35,708 --> 00:55:38,518
We're going to be talking about
that on next week's episode.
:
00:55:38,568 --> 00:55:41,868
So if you are a professional speaker
or you want to be a professional
:
00:55:41,868 --> 00:55:45,678
speaker in any way, shape or form,
you can't afford to miss that.
:
00:55:45,908 --> 00:55:48,898
If you're not already following the
show, make sure you are, but wherever
:
00:55:48,898 --> 00:55:51,668
you're going, whatever you're doing,
have an amazing rest of your day.
:
00:55:52,028 --> 00:55:52,808
See you next time.