Episode 188

Your Marketing Is A Joke! Boost Your Brand with Comedy | Adam Hunt (White Label Comedy)

Harnessing Humor in Marketing: An Interview with Adam Hunt of White Label Comedy

Summary

In this episode of 'Present Influence,' host John Ball is joined by Adam Hunt from White Label Comedy to discuss the power of humour in marketing. Adam shares how humour can serve as a unique tool to help brands stand out amidst the clutter of social media.

They delve into the inception of Adam's company, the development of their key product 'Brands Against Mundanity,' and practical steps to infuse humour into marketing strategies.

The conversation covers the importance of relatable, entertaining content and ways in which humor can build trust and rapport with an audience. Adam also offers insights into their various services, including done-for-you marketing and innovative training products that help clients create engaging and humorous content.

This episode is a must-listen for coaches, speakers, and business leaders looking to make their marketing more impactful and enjoyable.

Go to White Label Comedy to find out more about Brands Against mundanity and other products.

Chapters

00:00 Introduction and Secret Marketing Tool

01:15 Guest Introduction: Adam Hunt from White Label Comedy

03:46 The Power of Humor in Marketing

11:49 Adam Hunt's Background and Journey

13:55 Launching White Label Comedy

18:08 Products and Services Offered by White Label Comedy

23:06 Effective Use of Humor in Different Industries

26:29 Training and Tools for Coaches and Speakers

30:03 The Value of Humor in Content Creation

30:52 Client Experiences and Feedback

34:57 Effective Use of Templates

36:31 Exploring the Portal and Templates

39:41 Tips for Crafting Engaging Content

46:57 Subscription Benefits and Final Thoughts

53:31 Conclusion and Upcoming Topics

Keywords

humour, influence, marketing, comedy, trust, rapport, audience engagement, content creation, business strategy, communication, content creation, marketing humour, Brands Against Mundanity, fill-in-the-blank frameworks, audience engagement, social media strategy, comedy in marketing, effective storytelling, marketing tips, creative marketing

Takeaways

Humour is essential for influencing and engaging audiences.

People prefer entertainment over being sold to.

Building trust through humour enhances communication.

Understanding the audience is key to effective humour.

Comedy can address uncomfortable topics in a relatable way.

Humour can be structured and formulaic for marketing purposes.

Empathy is crucial in creating relatable content

Products like Brands Against Mundanity help streamline content creation.

Humour can significantly improve marketing strategies for coaches and speakers. Crafting a journey in content is essential for engagement.

Fill-in-the-blank frameworks simplify content creation.

Humour should enhance, not overshadow, the marketing message.

Understanding your audience's pain points is crucial.

Engagement can be maximised with relatable humour.

Different types of posts serve different marketing purposes.

A mix of easy and complex frameworks aids learning.

Invest time in understanding what to say before being funny.

Comedy can significantly enhance marketing effectiveness.

Get In Touch

Go to presentinfluence.com to get your copy of my guide to building authority through podcast guesting and for speaking enquiries or connect with me on LinkedIn

Thanks for listening and please give the show a 5* review if you enjoyed it.

Transcript
John:

Welcome to the show.

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And today I'm going to be

sharing something that I

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have been keeping a secret.

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Well, not a big secret, but it's

something that I use in my own

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marketing as a way to stand out and

be a bit different from other people.

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And let's face it, standing out in

terms of marketing and being visible,

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especially in social media and

organic traffic is very hard to do.

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And so you all sorts of people have lots

of different mechanisms and suggestions

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and Nearly everyone piles on them all

straight away But here is something that

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not everyone is going to be doing that

you could do and it's really going to

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be more applicable to you if you have a

good sense of humor and Your brand can

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cope with a bit of laughter as well.

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Not that we're going to be doing anything

damaging to the band but we're actually

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going to be utilizing humor as a tool

of influence and you've been listening

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to the show for a long time, you'll know

that I've talked about humour before as

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being one of the most overlooked elements

of influence that gets Miss time and time

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again and often people are afraid of it

Don't want to want to approach it or that

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they recognize the humor is important

But they still have some fear around

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it and will avoid it So even though we

know that it's a great influence tool

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there are very few people who apply it

well And my guest today is Adam Hunt.

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And Adam has a company called White Label

Comedy that helps people with brands like

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speakers and coaches and professional

communicators, anyone who has a brand, a

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service product, or even just a company

that could use a little bit of standing

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out with your online marketing and

messaging, then you might find that this

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episode To be incredibly valuable and We

are also going to be taking a look into

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one of the products that I've been using

from White Label Comedy for a long time.

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To hopefully give you a sense of

how you might be able to apply this,

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help you build up and flex those

comedy muscles and get more people

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noticing your marketing having your

personality and certainly that humorous

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aspect of you standing out even more.

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So welcome to Present Influence the

show that helps coaches, speakers, and

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business leaders develop the communication

skills to influence and inspire.

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My name is John Ball, keynote coach,

professional speaker, and your guide

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on the journey to mastery level

communication and presentation skills.

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My mission is to provide professional

communicators like you with

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everything you need to maximize your

impact and present with influence.

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Follow the show on your favorite

podcast app for weekly episodes and

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interviews with influence experts.

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And if you're not already

receiving our weekly blog, you

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can sign out for that at LinkedIn.

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So find my profile on LinkedIn.

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It's in the show notes and you can

get the weekly blog, which will have

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some introductions to the episodes

as well as some bonus material that

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you may not hear in the episodes.

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I'll look forward to

connecting with you there.

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Adam, welcome to Present Influence.

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I've been so excited to talk to you.

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You've been on my guest

wishlist for a long time.

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And so I wasn't sure you'd say yes,

when I asked you to come on the show.

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And it was a very easy.

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Yeah.

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So I was very pleased.

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Adam Hunt: Do you know what?

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It was an easy yes.

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And it was an immediate yes.

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Obviously you're active inside

our membership and are on

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our right with our schools.

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And it's an, it's a no brainer.

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Really excited to chat today.

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And Where kind of comedy, psychology,

marketing, and influence all kind of

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intersect like that's my favorite subject.

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So yeah, it would have

been very hard to say no to

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John: this.

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This makes me happy and this is exactly

why I wanted to have you on the show.

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I'd like to give those, before we

really take a look at things like

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the brands against mundanity and

other things that you have available

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through your white label services.

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To just start off with that why you

feel that humor is so important in

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terms of being able to influence

and have an impact on people?

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Adam Hunt: Yeah, that's a

really interesting question.

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And it's a really, it's a broad question

that I could choose to answer in so many

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ways, but the simplest answer would be.

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Is that people like being entertained.

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They don't like being sold to, they

don't really like being influenced.

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And so whatever your agenda with

someone persuasively, whether that

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is to change their mind, change their

position or sell them a product.

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If you can use entertainment and humor

to do it, then you slide under the

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radar and, people are just more willing

to listen to what you've got to say.

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John: I do have this theory of humor

for what kind of my own, but I've

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listened to some rather long winded

lectures on theory of humor as well.

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It's a thing it's out there and

for those who are interested,

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it's worth checking out.

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My own theory goes

along the lines of that.

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It's one of those things that like

you say, it does bypass things.

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It does get more direct, but people

do tend to just have a deeper level of

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trust for people who make them laugh.

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It's automatically this thing.

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Oh yeah we disarm ourselves

a little bit more.

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We want to people more

when they make us laugh.

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I don't think I'm unique in thinking that.

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But I do think it's one of

the really important aspects

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of humor to be able to use.

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Adam Hunt: I think the trust factor.

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Is really important and really useful, but

also why that works, it becomes like much

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more salient when you enter our world

and the way we teach humor, the way we

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teach kind of entertainment for marketing

sake is a lot of people think that

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being funny is just about being funny.

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It's not, it's about

relating to the other person.

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It's about communicating something that

they can relate to in an entertaining way.

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And so actually it makes so much sense

that builds trust because you're showing

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that you get it, that you understand

that well, you couldn't make a joke about

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influence if you didn't understand the

struggles with trying to influence people.

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So if you to make a joke about influence.

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It immediately communicates your

expertise and it communicates that

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you understand the problem that I'm

suffering from because I laugh at that.

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You've, you've got my problem nailed.

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So yeah it's.

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It's trust, it's expertise and

it's it's rapport building.

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At the end of the day, people, again, I

know that I'm always coming at this from

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in the context of selling, that's not

everything you're about, whether you're

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buying a product or buying someone's

position, people buy from people.

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And if you can build that rapport

by showing people that you get it.

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Then it just changes the game is

it's so much more effective than

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I'm going to say more effective

than any other form of persuasion I

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don't know about all the other ones

I only know about my favorite one.

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But yeah, I think it's

that's how I see it.

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John: It's sadly one of the areas

of influence and persuasion that

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Robert Cialdini left out of his

famous book on the psychology of

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influence, but it's, I do see it

as being one of the critical areas.

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I it has quite the same level of.

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Impactful influences things that he was

talking about, which is more my immediate

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effect, but I think it is something

that sets you in a certain position to

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be able to have greater influence and

even to persuade because I do think

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humor and comedy actually allows us to

talk about things sometimes this isn't

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so much related to the sales side, but

talk about things that perhaps it would

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be uncomfortable for people or the

viewpoints that express new viewpoints

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in a way that if you can make people

laugh and you introduce it to them, one

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of the reasons why I think shows like

these comedy news shows and John Oliver

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for being an example of that or The

Daily Show, those sorts of things where

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people can cope with the information

and they probably absorb more because

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they're laughing whilst they watch it.

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Adam Hunt: Do you know, I I used

to love getting all of my news

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from having one news for you.

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It was that kind of weekly dose

of the news wrapped up with humor.

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And it was luckily I was social stuff

back then, when you just say, 15 years ago

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in, in my youth and so disconnected from

the new cycle, it was really satisfying.

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And I think there's a lot to be said

for humor to package up information.

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I want to draw on something else you

mentioned, because you did, you rightly

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said, chilled in left it out of his book.

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And while we're launching a new course,

like right now, we're literally mid launch

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and the angle that our head of copy,

Tom has taken with the page that selling

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it is basically, all of the godfathers

of Copywriting, persuasion, marketing,

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all of them have basically in one way

or another said humor sells and none

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of them have been able to give anyone

a kind of manual for how to use humor.

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They just go, ah, just be funny.

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And you know what I'm so proud of

with all the work we do is it's

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all about making the ability to be

funny, be humorous, be entertaining.

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That's in a way that furthers

your messaging, furthers your

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persuasion accessible and

something you can actually do.

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So yeah, it's, it was, it almost felt like

you, you were reading from the Tom's new

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sales page when you mentioned shield and

not being in shield in his book there.

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John: Oh, there you go.

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I'm glad to be on the right page

for things that you're thinking

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about at the moment as well.

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There are so many areas of influence and

persuasion that Cialdini doesn't look at.

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And I do think one of the reasons why

perhaps this doesn't get looked at as

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much by psychologists is because it's

a little bit out of their comfort zone.

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People who are in the sciences

are not always known for being the

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most humorous people, for example.

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And so scientific investigations tends to

be fairly serious and comedy probably feel

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or humor feels a little uncomfortable.

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Which is, I find it's the case for many

of the people I work with when I'm helping

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I help people develop their presentation

and communication skills, and the keynote

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speeches, and people are so scared of

trying to be funny, think, and just think

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that they can't or that they're not.

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One of the things I love about what

you do you create that bridge to help

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them figure out that they can be.

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And it isn't actually as difficult

as they imagine it to be.

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Adam Hunt: Yeah.

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I think what is really useful in any,

in anything that you do is limitations

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are really useful when you could do

anything, it can be really overwhelming.

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In years ago, when I might've been trying

to be funny, might've been trying to, I

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was working in TV around comedy writers

and all my friends, are stand ups.

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So let's, maybe I'll have a crack,

you get a notebook and you try

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and write a joke, but that joke

could be about absolutely anything.

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So it's really overwhelming is

also really hard to know what to

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actually say, you haven't invent

opinions for yourself to communicate.

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It's all overwhelming and there

is a real risk of doing the wrong

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thing, saying the wrong thing.

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The second you move trying to be

funny into a place with purpose

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like marketing, then you're okay.

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I've got some limitations because I need

this funny to further my brand message.

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So I've got a whole lot of guardrails,

things that it won't include.

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And then you start thinking

about, what does someone want

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from a piece of humorous content?

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And.

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Again that it just, it narrows it down

and brings it into the middle to the

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point where you realize that actually

all people want from, not with all the

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one, but all you need to do to be funny

in the right way is empathize and relate.

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And we, we didn't know that when we

began this company, I didn't always just

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go, ah, it's all about relatable humor.

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We began by doing a mix of the wrong

kind and the right kind of funny.

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And it's the wrong kind of funny.

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It's not just that it can.

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Get you in trouble.

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It just doesn't land as much.

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Whereas the right kind of funny and

what's brilliant is the right kind of

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funny is easier because you're just

trying to understand the audience

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and presenting what the audience

thinks, feels, knows, loves back

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at them in a way that is humorous.

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It's I feel like I'm cheating when

people hire me to write jokes or, they

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hire me to hire someone to write jokes.

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I feel like I'm cheating

because it is so simple.

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Is

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John: your background then

more in the comedy writing than

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comedy delivery sort of area?

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Adam Hunt: So I, no,

yes and no, mostly no.

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I was a TV producer.

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And in those roles, basically I worked on

shows like The One Show and shows like I'm

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trying to think of various quiz shows and

whatnot, as well as the occasional comedy

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entertainment show like Mock The Week and

Have We Got News for You, but loads of my

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work was on the slightly less funny shows.

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In that role, your job is to

write the script and make it

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make sense, make sure it contains

the meaning it needs to contain.

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And then if you're lucky, you get a budget

for comedy writers to help make it funny.

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If you're not lucky and there is no

budget, either it's a boring show, or

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you manage to make it funny yourself.

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And there's, there's a little bit

of wriggle room in between, but

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I've never been a comedy writer.

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I've always been a producer.

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I've always been a guy that works

out what we're trying to do and then

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brings everyone together to make

sure that happens and that works.

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And I think, I always think that if I'd

been an out and out comedy writer, I would

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never have built this company because I

would have been so obsessed with my own

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comedy writing career, but I'm much more

obsessed with using brilliantly talented

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people to take us in new directions.

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And actually, like even just

the process we have internally

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is someone writes the jokes.

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Someone looks at them

and thinks about them.

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Yeah.

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And it's, you need those two parts.

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You can't just, you can't

just sort do it on your own.

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And I insist that I'm not a comedy

writer, obviously, in the last five

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years I've written the odd joke.

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I've signed off tens of thousands of jokes

in, in, in different way shapes of form.

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So I'm probably, the only person I

know that thinks about jokes like I do.

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And yet still, I would say, yeah,

it's, it is not my background,

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it's just where I've landed.

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John: Oh that's perfect.

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I think probably helps

us to know that as well.

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What was the inception then?

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Where did you recognize the need

and think, I think we should

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build a business to do this.

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Adam Hunt: Do you want the,

long answer or the short answer?

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Do you want the PR polished answer

or do you want the real one?

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John: The real answer.

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We, and we've got time,

so there's no rush.

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Adam Hunt: All right.

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Back in the day, I was TV producer.

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Like I said, working on shows like

the one show I was basically first

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in line for another series of The

One Show always, and 19th in line

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for jobs on The Last Leg, et cetera.

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If you're listening from abroad,

basically Last leg is probably

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the closest thing we've got to a

late night talk show in that it's,

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topical topical comedy studio show.

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I needed to find a way to make myself

more appealing to those other jobs.

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So all of this began to try and

get me into the right rooms and TV.

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It was always still with one view on TV.

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I'm trying to do just other cool stuff.

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I began by launching a satirical

news website now long dead.

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That had what I thought was a

really clever business model because

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there were two key things that

were gonna make a stand out thing.

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Number one, I'd identified that

on sites like The Onion and The

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Daily Mash, there was one joke,

it was a joke in the headline.

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And then the article was absolute guff.

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It was nonsense.

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It was just spit.

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And I was like I want our articles to

be fact, gag, fact, gag, fact, gag,

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basically the same level of quality

that you find in Have I Good News

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For You, that, that level of script.

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That, that was my ambition for them.

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And the other part of it was that I wanted

us to create, and we did create a merch

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store for fast turnaround comedy merch.

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Something in the news today, we

write an article that goes out.

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If it does well, you can buy it

on a, buy the funny picture on a t

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shirt tonight, that sort of thing.

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I built that and put about a year and

a half into it making no money giving

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every, the, all the ad revenue that

we made, I'd give out to the writers.

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We had a team of volunteer writers.

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So we're just in a collaborative,

this big collaboration.

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It wasn't making any money,

but it was a labor of love.

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And the kick I got out of assessing

the pitches, the articles, the jokes,

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it was, that was the beginning of

my brain tapping into this process.

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We now have as an actual company,

after a little while of kicking my head

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against the wall and thinking, how am I

going to make this add up financially?

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It was a full time job

on top of full time jobs.

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I decided to try and pitch to

brands, businesses to fund us.

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Basically the angle was give

us the money, help us grow.

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And it can be a kind of corporate

social responsibility play from you.

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And we had this big pitch deck that went

out to about 90 different big businesses.

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And all about like us and

why we should be supported.

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And there was one tiny line buried

in there basically was like Oh,

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we've got these comedy writers.

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We could do some stuff for you.

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And it took me pitching that to

crickets for a good month or so before

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I realized that line there, that's.

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The company that this writer's room that

I'd developed of TV level comedy writers

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who were just collaborating for the joy

of something, putting them to use for a

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brand, a business, that's the company.

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And so initially was called, I

won't name the particular website.

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But it was the name of

the website white labeled.

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Cause the idea is, you were white

labeling that website's content creators.

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Within about a week, I realized

that actually that then relies

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on you maintaining the quality of

that website so that you have the

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implied quality of the business.

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And actually no one needs that.

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And I didn't have time to

be running the website.

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So we just dropped that, dropped the

name, but became white label comedy.

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And honestly, the rest was history.

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It was, Yeah that's where it came from.

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And I'll tell you what, John, you are

the first person I've ever publicly

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on a podcast told that story to.

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I promise it's not a dark

secret, but it's a long story.

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There's many twists and turns and

you can probably tell the, the PR

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sales pitch version needs to be

shorter to make a persuasive argument.

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But yeah, that's the truth.

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John: And thank you for

sharing that with us.

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And let me ask you, did it primarily

start off as you working with just

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doing marketing for particular

clients or did you think, Oh no,

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I think we have a broader market.

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We can actually create some

particular products that, how

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did it really get launched there?

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Adam Hunt: So it began with

an idea, which was just.

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We've got comedy writers.

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We know that brands need funny content

and we would pitch ourselves to a

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blue in the face and try and win work.

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That was it.

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It was all about done for

you, done for your work.

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And it was, Obviously with all

businesses, first year was, I

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wouldn't say terrible, but first year

certainly was not a big moneymaker.

331

:

All the work we got in was

through cold pitching, people

332

:

on LinkedIn and cold email.

333

:

And it was, again, it was a full time

job just saying to people, Hey, come and

334

:

hire my, my, my team of comedy writers.

335

:

The product side of the business

came about almost by accident.

336

:

Because.

337

:

Early on, we had no reputation these days.

338

:

We have a good reputation.

339

:

People know we exist.

340

:

And so it's much easier for us

to attract new clients back then.

341

:

People like who, who are these people?

342

:

Who are these guys?

343

:

What even are they?

344

:

And obviously I had, I had my

credentials creating content for brands.

345

:

I didn't, it wasn't like I'd

never worked for any brands.

346

:

In amongst the TV work I'd moonlighted

for various brands in, content

347

:

creation roles and marketing roles,

but still as a company we didn't

348

:

really, we weren't on their radar.

349

:

So we money was running out, basically,

the, as always was spending more money on

350

:

running the company and trying to reach

new clients than actually we could afford.

351

:

There was a deadline,

there was a time limit.

352

:

And I'd seen from from marketing circles,

lots of people selling courses, trainings

353

:

and not just selling them to make money,

but selling them to be a kind of essential

354

:

part of their own marketing process.

355

:

You sell a training, people take it

enough of them ascend and go on to

356

:

hire you on a done-for-you basis.

357

:

It's really, trodden pathway.

358

:

And I thought we could do that.

359

:

Began planning out like this

massive comprehensive, here is

360

:

everything about how you sell

on social using humor training.

361

:

And I was like, this is one, this

is going to take me years to put

362

:

together two, it's probably going

to be a bit shit because we, at that

363

:

point, weren't the experts we are now.

364

:

So it didn't quite feel right, but also,

money was running out faster and faster.

365

:

We needed to get something

to market quickly.

366

:

There was one kind of half idea that

we had in our sketched out in my notes

367

:

for the training on, on the table in

my kitchen, the millions of bits of

368

:

paper sprawled everywhere that was,

what if we could teach people to write

369

:

jokes using algebraic formula using,

Fill in the blank templates because

370

:

we'd already got, we'd already begun

to really get a sense that the best

371

:

jokes were the ones that were relatable.

372

:

So can we codify that relatability

and put that as blanks in algebra?

373

:

And we made that a thing.

374

:

So we, we wrote some, Prompts for I

shouldn't use the word prompts these days.

375

:

Cause people expect to say I, we

wrote some frameworks for simple

376

:

Twitter jokes turned into a product

called brands against mundanity.

377

:

The first iteration was just a PDF.

378

:

It was just literally a PDF with some,

with 48 fill in the blank Twitter jokes.

379

:

And.

380

:

We put it online, started sending it

using Facebook ads, which at the time

381

:

I didn't even really know much about,

never run my own ads before just dabbled

382

:

with it for clients and it just took off.

383

:

It just, we just sold so

many copies of that silly PDF

384

:

and even better people then.

385

:

As as we would have planned for the

bigger training that we thought we'd need

386

:

to make this happen, people bought the

PDF, saw us go, Oh, these guys are cool.

387

:

Booked, booked in a call through

the very, very rudimentary buttons

388

:

on the very old rubbish website.

389

:

And then we started to

get our first clients in.

390

:

So it's it was all stuttering along.

391

:

And then simultaneously we were

in the product and the done

392

:

for you business overnight.

393

:

John: Yeah, even in the time that I think

I've been a subscriber, I should say,

394

:

really to the Brands Against Mundanity,

that you've set newer things up, like

395

:

we've got the right for you sessions,

which I think were there probably from

396

:

when I joined, but also that's really

helpful just that we can actually get on

397

:

a call with you and one of your writers

and get some help and some suggestions

398

:

and a bit of feedback on some of the

ideas we may only go through a handful of

399

:

them but it gets you into some momentum

and the right way of thinking about it

400

:

with things and also to avoid the wrong

ways of thinking about it which is just

401

:

as important but things like being able

to directly upload everything into Canva

402

:

so it's all there ready for you to edit

so helpful you I personally love it.

403

:

I know you can't say too much about

specific brands that you've worked

404

:

with, but have there been like general

Industries where this has worked better?

405

:

And, 'cause I'm a fan

of two part questions.

406

:

What kind of results have clients

experience from working with you?

407

:

Adam Hunt: Yeah, so I, I think, first

question I'll answer the reverse

408

:

of that, because I often get asked,

is there any industry where this

409

:

won't work, where humor won't work?

410

:

And I always insist, no.

411

:

But the truth is the industry

is where you're selling on

412

:

aesthetic, fashion, et cetera.

413

:

You can use humor, but do

you need to probably not?

414

:

You can, we're not necessarily

going to move the needle for you.

415

:

I think in terms of, industries with

particular success, I think that

416

:

stuff that is broad, that is a mass

market, it's easier to get results.

417

:

The reason I say that is, you know, what

we do and what we teach is great for B2B.

418

:

It's great for B2B because the because

of the messaging benefits of, basically

419

:

reflecting your audience's pains.

420

:

In the content that you're creating

shows, and we get it, but getting that

421

:

content in front of them can be hard.

422

:

It can be expensive.

423

:

It, it's, you're either having to

grind around the platforms, being,

424

:

being your account yourself, your brand

on the platform to get that reach.

425

:

Or you're having to pay

for pay that spend for to.

426

:

Get the reach you need to make a

meaningful difference with broader

427

:

brands who are selling, who,

where anyone could buy the thing

428

:

by anyone could buy the thing.

429

:

Big soft drinks company or, chocolate

company that, that sort of thing.

430

:

It's easier to write jokes that almost

everyone that sees it will engage with it.

431

:

Interact with it, comment.

432

:

And so the getting the organic propellant

population, I don't know if that's the

433

:

right word is easier for it, for someone

that can speak to a broader audience.

434

:

As for, I see, I always like to focus

more on business outcomes and that's why

435

:

actually, even though, you mundanity is

all about social We are pivoting now and,

436

:

internally and with our W clients, we're

much more interested in taking clients on

437

:

a full service marketing basis, because

actually this kind of content, whether

438

:

you use pay spend or legwork to get reach.

439

:

If you are bringing loads of

awareness to a product, a funnel

440

:

offer that reliably converts, then

it's like pouring oil on a fire.

441

:

If you're bringing that attention to

a product that doesn't convert, it's,

442

:

yeah, you might get a load of reach.

443

:

You might get a load of eyeballs.

444

:

Where's the money, where's

the money in the bank.

445

:

So I'm now much more interested, the

first conversation I will have with

446

:

any new client is what are we selling?

447

:

How's it selling?

448

:

And can we improve that

first before we do anything?

449

:

So I definitely.

450

:

Don't think I directly answered

your question there, but I said

451

:

a lot of words that I hope were

interesting and useful all the same.

452

:

John: I feel like it mostly

did answer, answer my question.

453

:

I don't necessarily have a follow

on relating to that, but I do want

454

:

to perhaps talk about you mentioned

about creating these sort of formulas

455

:

for jokes, which is very much what

brands against mundanity does.

456

:

Like pretty much like you, you plug

in the words as to what best fits.

457

:

And we're going to take a look

at some of that in a moment

458

:

so people can get a taste.

459

:

And so for our listeners, you may want to

check out some of the YouTube elements of

460

:

this so that you can actually see stuff.

461

:

I will put some links in the

show notes for you as well.

462

:

But before we come to that, you mentioned

that you have a done for you service.

463

:

What other things do you have

available for people that could

464

:

help them with their marketing to.

465

:

Stand out a little bit more.

466

:

Adam Hunt: So we're basically,

we've got a whole range of

467

:

trainings, tools, templates.

468

:

So go to white label comedy.

469

:

com and there's a big shiny button

that probably says like trainings

470

:

and templates, or you can just put

forward slash store and see all

471

:

the different things we've got that

there's two brand new trainings that,

472

:

that I'm really excited about that

I think are a great place to start.

473

:

There's one that launched yesterday.

474

:

Cool.

475

:

Basically they're all now coming

under the jokes that sell banner.

476

:

So jokes that sell funny Facebook ads

is basically taking this sort of fill

477

:

in the blanks, bam template vibe, but

expanding it to actually give you what

478

:

you need to write full Facebook ads.

479

:

And you're gonna give you

variations on the hooks and also

480

:

a bunch of creatives to test.

481

:

The reason why I

particularly recommend that.

482

:

As a place to start, it's not just that

part of the training, but it also comes

483

:

bundled with an ebook that that I wrote

that was meant to just be a kind of

484

:

short, couple of thousand words some

t of tips for media buying in:

485

:

just, is his, how I think about running

your ads and it actually, it turned

486

:

into a sort of epic 10, 000 word book.

487

:

It's a lot, it's a lot in there

and it basically covers everything.

488

:

I think you need to be thinking about

if you're trying to get your ads, if

489

:

you're trying to get your products

running successfully to cold traffic

490

:

using paid ads, because I think, the

most important thing I know that people

491

:

expect me to talk all about comedy

and how, comedy can help you sell, but

492

:

you need to get the fundamentals down.

493

:

You need to get the right offers back.

494

:

You need to have something

that people are going to buy.

495

:

And then you can use humor to,

to make that make that kind

496

:

of big, bigger and better.

497

:

So that's the one thing I would say

everyone, by we've priced it about 20

498

:

percent of what it really should be.

499

:

Cause it's going to be our new front

end product that we're going to be

500

:

selling to, to culture for ourselves.

501

:

There's also one that

we released last month.

502

:

That's on that basically teaches you how

to make what we call gag reel videos.

503

:

One line of videos.

504

:

Of yeah, just you reading

off a load of jokes by that.

505

:

Although, cards on the table,

if you buy the Facebook ads one,

506

:

you'll get a better deal by just

saying yes in the upsells after.

507

:

So I would go for the Facebook

ads trading that's product wise.

508

:

And then, in, in terms of our

done for you stuff, we're here for

509

:

everything and the kitchen sink.

510

:

But the main thing is we don't

really start a conversation by

511

:

you telling us what you want.

512

:

We start a conversation by you telling

us what your problems are and then

513

:

we'll work with you to work out how

we solve them with copy and comedy.

514

:

John: Great.

515

:

A lot of my audience are professional

coaches and professional speakers or

516

:

people who do a lot of professional

communication in their work.

517

:

Great.

518

:

Could you see the product working

well for those that specifically

519

:

the brands against mundanity?

520

:

Adam Hunt: Yeah, absolutely.

521

:

Absolutely.

522

:

I think, brands against mundanity

is great for people who know

523

:

they need to be churning out to

a certain degree, social content.

524

:

They haven't really got the time, the

energy to write these long value posts

525

:

day in, day out, and they want to bring

a bit of humor to to their content.

526

:

And BAM helps you as you've already seen.

527

:

BAM helps you do that way more quickly,

way more easily and with better content,

528

:

a lot of the time than stuff you've

spent hours and hours slaving over.

529

:

And yeah, so that we've got

loads of coaches loads of,

530

:

B2B, solopreneurs, et cetera.

531

:

Obviously it doesn't solve all

your problems, but nothing does.

532

:

The, if your problem is content and

I want to just Get my content created

533

:

quickly and easily so that I can

then focus on running my business.

534

:

It's a great thing to buy.

535

:

It's not, we don't sell it with the

promise that by this you're going to

536

:

go viral and you're going to get a

million people signing up to your,

537

:

done for you services overnight.

538

:

Cause that's a massive overpromise,

but it's certainly, it's a

539

:

great way to get attention.

540

:

And it's a great way to, to create

way more content in the time that

541

:

it was taking you to do it before.

542

:

And it's funny.

543

:

John: One of the things I often say to

clients I work with on improving their

544

:

speaking skills is that not that they

don't have to become standup comedians,

545

:

but if we lose the idea that you actually

need to entertain your audience, you're

546

:

going to, you're going to miss out big

time that far too much is just serious

547

:

and data driven or factual stuff.

548

:

And people do crave entertainment.

549

:

They want to be entertained

by your content as well.

550

:

That's one of the reasons why

it particularly stands out..

551

:

Before we take a look at the actual

cards themselves I wanted to ask do

552

:

you ever get to see any of your stuff

out in the wild, like stuff that you

553

:

haven't all created yourself and had

your team done whether you actively

554

:

look for that, any sort of thing.

555

:

Or they're doing a good job with it, or,

ooh, I don't think they've quite got it.

556

:

Adam Hunt: So do you mean in terms of the

stuff that Our team creates for a done

557

:

for you clients or the stuff that we see.

558

:

John: The stuff that people are

creating with the templates that you

559

:

give, do you ever get to see any of

that in actual, actually out in the

560

:

world and thinking, yeah, that's going

561

:

Adam Hunt: with us.

562

:

We, we do.

563

:

I think what I love is that obviously

we've got our monthly write with us

564

:

sessions where people will bring, either

they bring stuff they've already worked

565

:

on or they work on it in the room.

566

:

But even with that, the.

567

:

The sort of first month someone's with

us, the jokes they pitch, as you'll

568

:

have seen from those calls can often

be a bit confusing and a bit misguided,

569

:

and they've misunderstood the brief,

especially a lot of people will sign

570

:

up, buy the thing, look at the templates

and they are not going to, I'm not

571

:

going to watch that really easy to

watch half an hour quick start training.

572

:

I'm just going to get

on with it and do it.

573

:

And then.

574

:

They've just missed the brief entirely.

575

:

And we do occasionally see that

kind of stuff out in the wild.

576

:

For a while, one of our teams had a

sort of a weekly task to searched for

577

:

various terms that we knew were in our

templates just to try and find examples.

578

:

And we did use, we used to find.

579

:

Examples of great uses.

580

:

There was a, a mechanical keyboard company

that we didn't even know had signed up who

581

:

were getting great use and great results

out of our stuff and you find terrible

582

:

uses, I say terrible, not terrible, just

kind of stuff that doesn't quite hit the

583

:

mark, but generally, once someone has

been flexing those comedy muscles for Long

584

:

enough, they get used to doing it right.

585

:

And I think, the best thing about

those write with us sessions is

586

:

it's a chance to come unstuck.

587

:

It's a chance, it's a chance to, like

the biggest mistakes I see are people

588

:

will often try and crowbar their products

into a joke and trying to make their

589

:

products the punchline of the joke.

590

:

So it's not, that's not true.

591

:

Like often the form, the formula

won't make sense if you're

592

:

Even if it would make sense, you can

only crowbar your product in if that is

593

:

really what your audience is thinking

in that particular moment in time.

594

:

Probably that'll be easier for us

to think about when we're looking at

595

:

some specifics, like Starbucks could

probably write a joke that, imagine

596

:

a meme with someone just looking

Absolutely exhausted lying on a desk,

597

:

they could easily make a rather lame

mean that's, me before my matcha latte,

598

:

my, my, what's that one pumpkin spice

last night that they could do that

599

:

because that is true for the audience.

600

:

You could not do, me before listening

to this month's Present Influence

601

:

podcast, cause it's not true.

602

:

Forgetting that.

603

:

The truth is the most important thing.

604

:

And if you haven't bothered to find

the truth, then you're not going to

605

:

create content that's going to engage.

606

:

But yeah, we, I generally, I, sorry,

I keep, I'll waffle them for days, but

607

:

I generally don't go looking for BAM

content myself now personally because

608

:

if I see something that I think, oh,

that's missed the point, I want to

609

:

then reach out and help them out.

610

:

And we're the best one in the world.

611

:

You're, you're paying me a

couple of quid a month and I,

612

:

I haven't got time for that.

613

:

But yeah that's why the right

with us cause exists anyway.

614

:

John: Yeah.

615

:

I did actually see today on

Instagram, I don't use Instagram

616

:

very much, but I did actually see an

ad that looked like it looked like

617

:

a brands against mundanity based.

618

:

Thing, but they had done exactly

what you just talked about of trying

619

:

to make their product the punchline

and it just didn't make sense.

620

:

And I've seen this on, I think I've

even been guilty on it on the write

621

:

With Us call, as well of trying to

make it more about the the brand and

622

:

the promotion than about the joke.

623

:

And I think you do have to go for

the humor and like you said earlier,

624

:

the connection, the empathy and

the, relating to your audience.

625

:

I think that's a perfect point for us

to take a look at some of the some of

626

:

the brands against mandamity things.

627

:

So we're going to be, you

628

:

Adam Hunt: know, John, before, before

we look at the cards I just, I want

629

:

to help sow a seed that can solve that

problem of trying to make it about the

630

:

plan to make it about the offer, because.

631

:

The cards in brands against mundanity

teach you to write a joke that is mostly

632

:

going to be in the creative of your post.

633

:

That's the image, right?

634

:

But you still have a lot of real estate.

635

:

You have the post copy.

636

:

If we think about the the creative as

usually, not every format, but usually

637

:

relating to the pain that we're going

to offer to help them solve later on.

638

:

So usually, if if you're trying to

coach people, To be more confident

639

:

speakers say then it might be jokes

about the pains of public speaking,

640

:

the fears of public speaking and.

641

:

Yeah.

642

:

If you try and get your pitch into that

creative, it's going to ruin it, but it's

643

:

really conceivable to have the copy that

begin a PAS problem as you say, solution.

644

:

So have the copy begin with the

pain that you're talking about.

645

:

And then just everything below the

fold can be taken us on a journey

646

:

to the point where it is relevant

to pitch your products and services.

647

:

That, that blows the line a little

bit, cause they'll become more like

648

:

offer posts or belief shift posts.

649

:

But.

650

:

If in doubt, use the joke to open

a conversation for some people.

651

:

That conversation is opened in one

piece of content and then resolved

652

:

in a later piece of content or

through retargeting or ads or emails.

653

:

If you're just itching to go, I just

really want to talk about what I'm

654

:

selling just chart a course from A

to B and make sure the copy takes

655

:

you on the journey that makes sense.

656

:

John: That's really helpful.

657

:

I think that's a great

way to think about it.

658

:

What you are hopefully seeing on the

screen right now is my, my portal

659

:

into the White Label Comedy site.

660

:

And so within that, you'll see a whole

bunch of stuff that I have purchased

661

:

from them, some of the things that

were included and add ons as well.

662

:

However, it's the Brands Against

Mundanity monthly subscription

663

:

that we want to take a look at.

664

:

This is now March, but we

recorded this back in November.

665

:

So it gives you some idea of

some of the time that tends

666

:

to happen between episodes.

667

:

So we need to go all the

way back to November,:

668

:

So we can go back in time because I've

been a member of White Label for a while.

669

:

So any time that you, any period that

you've had membership with White Label,

670

:

you can go back and access those cards.

671

:

So if they're ones that you didn't use or

you want to go back and maybe update them,

672

:

refresh some of the ideas that you've

had before, you can certainly do that.

673

:

We're going to take a look at November 24.

674

:

What you'll see here is you can

either, we can either download a PDF

675

:

or we can access Canva templates.

676

:

I can't remember when the Canva thing

came in, but since I have a Canva

677

:

membership and I do recommend it.

678

:

It's so easy that the templates just

get loaded automatically into Canva and

679

:

I can start editing them straight away.

680

:

It takes moments, so super easy.

681

:

So here we now come to some of the

templates that are available for you,

682

:

that were available back in November.

683

:

Adam Hunt: Yeah.

684

:

So this like John said is,

this is inside the portal.

685

:

Basically every month we release a new

set of fill in the blank frameworks that

686

:

each one of them basically has a joke

mocked up as if it were being posted

687

:

by a big name recognizable brand to

give you just a sense of how to use it.

688

:

But really all of the magic, all of

the power comes from the bit on the

689

:

right hand side, the the instructions

the way we fill in the blank.

690

:

This one here the example that would be

from packed, how to catch a coffee snub

691

:

and it's a mousetrap with expresso on top.

692

:

By the way, if you don't get that

joke, you are the enemy and it's fine.

693

:

We don't need to be friends.

694

:

You can carry on drinking your

expresso until the cows come home.

695

:

The framework, how to catch X.

696

:

So X is either your audience or a

recurring character in their lives.

697

:

For me, it could be how to catch

a marketer or it could be someone

698

:

that we don't like, or that gives us

problems like how to catch a Facebook

699

:

ads manager, or, whoever's giving

your audience trouble that day.

700

:

And then why, so why being

the blank that's on top of

701

:

the cheese is something that.

702

:

The recurrent character X

might struggle to resist.

703

:

And that could be something that

they are known to really enjoy, or

704

:

it could be something that might

respond really negatively to.

705

:

If imagine, I don't know if we're in a

sort of Facebook ads world how Facebook

706

:

ads manager it could be 10 X ROAS on

there because that's what they want.

707

:

And.

708

:

Generally that is, that would be a

positive example and they're less funny.

709

:

So it's always more, it's always

more funny to have a negative.

710

:

So ideally, we should pick

pick an enemy and then we throw

711

:

something in there that they hate.

712

:

So yeah, there's 31 of

713

:

John: these.

714

:

With this one where it fell out

for people who are speaking would

715

:

be like how to catch a bad review.

716

:

Adam Hunt: Yeah, so I, I guess

the is it how to catch a bad

717

:

reviewer or how to catch a bad?

718

:

John: Oh, we could make it a reviewer.

719

:

We can make it a person how to, yeah.

720

:

Go that

721

:

Adam Hunt: I, it's funny actually 'cause

be before we did the last write with our

722

:

session Alex is, who's the comedy writer

that I usually have me in the sessions.

723

:

He said, Adam, can you not put that,

this one in the deck for the call?

724

:

'cause actually I find it really

hard and it keeps confusing people.

725

:

It is tough.

726

:

It is tough.

727

:

. I may struggle to do this justice

for you, John without Alex.

728

:

But I think, the way I would play

with it is, so we need to think about.

729

:

We need to think of an enemy.

730

:

So if the enemy is.

731

:

A bad reviewer, why are they bad?

732

:

Are they are they lazy?

733

:

What's the what's the, and what

is it they do that annoys us?

734

:

Yeah, if we can think around there

and we may find the right answer.

735

:

We may not there's not always the

perfect answer for any framework.

736

:

John: Yeah, that's the opposite

is that I do find I'm not always

737

:

able to use all of the templates.

738

:

However, there's always

enough there that I can.

739

:

Yeah, I don't need to

worry too much about that.

740

:

I think there's one here.

741

:

If I look a bit further down,

I think there's probably one

742

:

here that I have already used.

743

:

One that's like science, you're a fiction

writer, I was able to turn it into

744

:

science, you're a professional speaker

that, that there's, it's like a pie chart

745

:

with the small pie being that you write

fiction and the big part of the pie being

746

:

your Google search history implicates

that implicates your multiple homicides.

747

:

I think that's a bit easier for

me to do some sort of version

748

:

of playing that around with.

749

:

So some, certainly some of them, I

think, Oh, The answer, the solution

750

:

comes pretty quick and some of them do

take a bit more work and I do tend to

751

:

when I'm going through it and I like

to spend pretty much a morning and also

752

:

this, I don't resent doing my marketing

when it's making me laugh when I'm

753

:

coming up with jokes, I enjoy doing my

marketing, which is one of the reasons

754

:

why I like the BAM packs as well.

755

:

That I'll go through it and I'll tend to

just write if I get stuck on one, I'll

756

:

come back to it later and go through and

see how many I get, and then ones that

757

:

I get stuck on, I might revisit later,

depending on how many I'm able to fill in.

758

:

So yeah, it's quite an easy process.

759

:

Adam Hunt: I think so.

760

:

The ones that are the easiest are

the ones where what you would put

761

:

in gap a doesn't change depending

on what you've put in gap B.

762

:

Signs you're a fiction writer,

you write fiction, and then you've

763

:

got one funny thing to add in.

764

:

Signs you're a you're a podcast

host, you host podcasts, that's

765

:

always going to be the case.

766

:

So that's written for you.

767

:

And then the big one, I don't know what

you've got in yours, something like

768

:

you spend, 18 hours a day rebooting

Riverside Studio to try and make it work.

769

:

That, that would be my truth for you.

770

:

John: That's a little close to home now.

771

:

I don't have been having some

problems with our platform today.

772

:

But yeah, mine, mine was the small part

of the pie being you speak at events,

773

:

the bigger part of pie being, you expect

everyone to be quiet when you're speaking.

774

:

Brilliant, brilliant.

775

:

Which I think works.

776

:

Adam Hunt: I think that's

great because that's taking.

777

:

What's happening in their world in

a, in a day to day way and expanding

778

:

it into other areas of their life.

779

:

And that, yeah, that that's

making it bigger too.

780

:

And if we think about that compared

to the one that we struggled with, the

781

:

the cheese, the, the mousetrap one,

the reason I would say, with the, with

782

:

enough time we'd crack that, but what you

need is two lists side by side of the.

783

:

People that could be the recurring

character, the thing that they do that

784

:

is going to trap them, the kind of,

or the thing that would trap them.

785

:

And then you play around with

different combinations of those

786

:

two until you have one that fits.

787

:

And the added layer here, which is

tricky, is it needs to make sense.

788

:

It needs to make sense as a thing

you'd put on a trap for that person.

789

:

So it always takes a bit more work.

790

:

So we always have some kind of pro level

ones that even Alex struggles with.

791

:

And then we have the easy ones to fill in.

792

:

John: Yeah, which is a

great way to think about it.

793

:

I think my favorite one of this

pack was the one that looks like

794

:

it, where it says sensitive content

on there, a lot of things you get

795

:

over certain posts that blur it out.

796

:

Yeah.

797

:

And it was it's a mock up for a Pizza

Express ad that says this post has been

798

:

hidden in case it reminds you of the

time your waiter said enjoy your meal

799

:

and you replied you too, which is great.

800

:

And so my version of that was this

post has been hidden in case of it.

801

:

In case the accident reminds

you of the time you live

802

:

streamed your coaching session.

803

:

Yeah.

804

:

For my coaching podcast.

805

:

There's stuff about that was really

easy and I think that was my favorite

806

:

one and it just came straight away But

yeah, some of them definitely take a bit.

807

:

I

808

:

Adam Hunt: think what I love about that

one is as well as having the joke Which

809

:

is you know taking an embarrassing?

810

:

occurrence and making it Out

to be a kind of, so sensitive,

811

:

it needs that content warning.

812

:

It's got that element to

it where it draws you in.

813

:

Cause you think something

controversial here.

814

:

What it's the bait and switch

just with the format, even before

815

:

you've written the joke is a bit

of a kind of hook to draw you in.

816

:

And then, yeah, all it takes is a

playful, embarrassing moment that either

817

:

people can relate to, or that they

can relate to the fear of happening.

818

:

Even if you've never done that, I

guarantee you're, scared of doing that.

819

:

And yeah it's a great little format.

820

:

John: I'm a big fan of the cards.

821

:

I've been subscribed to them for a

long time and find them very useful.

822

:

I get a lot of positive

feedback from people.

823

:

They do notice it and they notice

that they like my messaging.

824

:

They like the stuff that I'm posting and

they comment because it makes them laugh.

825

:

I really like the right with the

sessions as well, where you and them.

826

:

Alex, so usually on the call and you help

guide us with how to write some of these,

827

:

do you generally pick out the tougher

ones to help people with on that call?

828

:

Is that kind of a theory though?

829

:

So

830

:

Adam Hunt: What we normally do is we

will start with a couple of easy ones

831

:

to ease everyone in because actually

you've got to give people confidence.

832

:

You've got to make sure that they

can they believe they can do it.

833

:

So start with a couple of easy ones.

834

:

And then after that, actually.

835

:

We choose ones that we want

to use in our marketing.

836

:

I will choose if I want to sell BAM

with a video of me and Alex riffing

837

:

on a bunch of formats, I will choose

the sensitive content warning because

838

:

it looks good in an ad I will choose.

839

:

So that's what you generally,

and the ones that look good are

840

:

also often the most complicated.

841

:

So that's why we generally have.

842

:

A couple of easy ones, and then some

of the more unique complex ones.

843

:

And I think the mixture of that

also really just the progression

844

:

from people where, they'll come

the first time and they're just a

845

:

bit lost in their pitching stuff.

846

:

That doesn't quite make sense or work.

847

:

And then, three, four months down the

line, even with the really hard ones.

848

:

They're pitching stuff that

just absolutely nails it.

849

:

And I think it's good to have a mix.

850

:

John: And it's very true about

flexing your comedy muscles.

851

:

When you get into a certain

way of thinking, it does start

852

:

to get a little bit easier.

853

:

I particularly like that.

854

:

It's very easy to use.

855

:

People can just go through it.

856

:

You have the help.

857

:

You can watch.

858

:

You can be live on the call with

you and Alex or you can watch the

859

:

replay and it's like 45 minutes and

it's not going to take a heat wrap

860

:

and that will still help you even if

you can't get onto those live calls.

861

:

What what would be your message

for somebody who's still thinking,

862

:

Oh, this seems interesting.

863

:

I'd like to have a play around with it.

864

:

What's the best thing for them to do?

865

:

The message is buy

866

:

Adam Hunt: it, man.

867

:

It's it's look It's 3 for the first month.

868

:

And when you spend those 3,

you get immediate access to the

869

:

month we're currently in and

the next kind of four months.

870

:

So basically, if you were to sign

up on the first week of November,

871

:

you'd immediately get access to all

November and the next set that's

872

:

just released the December sets.

873

:

So try it on for size, it's, we

deliberately make it a no brainer because

874

:

you do, with this sort of thing, you need

to see it to understand how easy it is.

875

:

You need to get your hands dirty.

876

:

You need to join us on a call.

877

:

So yeah, just go to white label comedy.

878

:

com forward slash store.

879

:

Follow, follow the links from there

to any of the stuff we sell, but

880

:

definitely, the brands against

mundanity monthly itself is.

881

:

It's the perfect way to start

flexing your comedy muscles for

882

:

very little financial investment and

just a tiny bit of time investment.

883

:

And then you'll see how easy it is

to have fun with your marketing.

884

:

John: I think that's one of

the things I love about it.

885

:

Like you can pretty much set up

a whole month's worth of posting.

886

:

With just a morning or an

afternoon set aside to spend

887

:

a bit of time working on this.

888

:

It's a nice low level commitment

to actually come up with stuff

889

:

that you, that a team has already

been working on this stuff.

890

:

You have a lot of help to help

get you over there and as you do,

891

:

more of it is gonna get easier.

892

:

We talked about one quick question,

really about and we'll start to wind

893

:

things up, I promise is about actually

using the, using these in post.

894

:

Is it better to just post these

standalone or is it okay to post these

895

:

with some paragraphs or some stuff

attached to it that doesn't necessarily

896

:

relate directly to the joke itself?

897

:

Adam Hunt: So that depends on your

objectives, what you're trying to

898

:

achieve with the even post in general.

899

:

So there's a free training on our

website that you'll find quite easily

900

:

called the social success machine.

901

:

Basically, that.

902

:

The model that we work to with organic

content that basically the way we look

903

:

at it is there's three different types

of posts, you've got entertain posts,

904

:

they're at the top of the funnel.

905

:

And that's what Bam monthly

is teaching you to create.

906

:

So that is, here's a joke in an image

and you want to have a line of post copy

907

:

or two lines, but you don't want to be

selling anything and you want to just make

908

:

it Support the joke, going to give people

a reason to engage in, in that kind of

909

:

content, further down the funnel, we've

got what we call belief shift and offer

910

:

posts, and they are much more salesy.

911

:

They often can still have

a joke in the creative.

912

:

So actually, what you could really

easily do is you write all your jokes

913

:

and you go these ones feel great.

914

:

For entertain posts, quick

and dirty, bit of fun.

915

:

I'm just going to write, a question that

goes with this one, put it out there.

916

:

These three feel really like they're

making a really important point about the

917

:

pain that I'm here to release people from.

918

:

I might turn those into longer form posts.

919

:

I might just try and shift

the belief and persuade them.

920

:

Something I might try

and pitch my services.

921

:

So as long as you're not adding

walls and walls of texts to all of

922

:

your posts, then, play it by ear.

923

:

I think the most important

thing is to have those different

924

:

content pieces in the mix.

925

:

So if you just post jokes, no, one's got

any paths to follow to give you any money.

926

:

If you only have really heavy handed

pitches, even if they start with

927

:

a joke, it's easy to ignore them.

928

:

And I'll pick on, the.

929

:

element of your question that

is important there as well

930

:

is, can you put text in there?

931

:

Can you put copy in there?

932

:

That is that is slightly related.

933

:

And I would say Yes, but

start where the joke ends.

934

:

So if the joke is about the pain

of not having this problem solved,

935

:

start there and then right from

there and what you shouldn't ever do.

936

:

I have seen, some people you

mentioned earlier, posts in the wild.

937

:

I've seen some people.

938

:

But the same identical copy and

paste block of text and block

939

:

of hashtags on all their posts.

940

:

And it just, it makes people reading

it, think you're not really paying

941

:

attention and you don't really care.

942

:

So long as you write around

them and then, sometimes you'll

943

:

be inspired to write an essay.

944

:

Other times you'll be inspired to just

write just put a kind of a thoughtful

945

:

emoji as a, yeah, play it by ear.

946

:

John: I just love that you've made

this so easy for me particularly,

947

:

but for everyone really as well.

948

:

And I've been a big fan of Brands

Against Mundanity for quite some

949

:

time and I love playing with it.

950

:

And I feel a bit like I'm giving

away one of my Secret tools that

951

:

I like to use, but I'd be happy

to see other people doing this.

952

:

And frankly, I think there's there's

enough scope because you're going to

953

:

have different answers, different jokes,

different things, but I'm probably going

954

:

to post stuff on different days as well.

955

:

I'm not too worried that timelines are

going to get flooded with copies of very

956

:

similar things, but I would love to.

957

:

I'd love to see it.

958

:

We're going to have all the links

in the show notes for anyone

959

:

who wants to go and check this

out or go to white local comedy.

960

:

com for slash store.

961

:

You said you can get started.

962

:

Three quid a month is almost nothing to at

least have a go with this and have a play

963

:

and doing something that's gonna, I think,

make your marketing stand out, probably

964

:

a bit more than most other people do.

965

:

Adam it's been a real pleasure to have you

on the show and thank you for bearing with

966

:

all the technical issues we had today.

967

:

We managed to get through it and you

helped us to fix all that up as well.

968

:

Really appreciate you today

and everything that you said.

969

:

Is there any final message that you have

that you'd like to share with everyone?

970

:

Adam Hunt: Yeah.

971

:

Buy our stuff.

972

:

I'm having a baby.

973

:

I need to buy some nappies.

974

:

No, I would never even have guessed

that you were pregnant, but yeah

975

:

if I stood up, you'd understand

but no, do you know what the main.

976

:

The main takeaway I want to leave

with people is one of the notes that

977

:

I will give on pretty much any piece

of content that I look at that isn't

978

:

right is don't try and be funny,

find something worth saying, and

979

:

then use humor to communicate that.

980

:

If you don't invest the time working out

what to say, you're wasting your time.

981

:

So even though we're all about

comedy, you need to be all about

982

:

marketing and then comedy is going

to make your marketing better jokes

983

:

on their own don't sell anything.

984

:

They just help things

that already sell more.

985

:

John: Yeah, that's great.

986

:

So basically don't half ass it.

987

:

But if you do, if you're a kind

of half ass person, maybe just

988

:

get you to do it all for them.

989

:

And that's going to solve that.

990

:

Yeah.

991

:

I

992

:

Adam Hunt: mean, we love half.

993

:

We love half asses with budget.

994

:

We love half asses with budget for sure.

995

:

John: That's fair enough.

996

:

I think we all do.

997

:

Adam, thanks so much for coming and

being a guest on Present Influence.

998

:

Thanks John.

999

:

If you do follow me on any of the

social media platforms, you probably

:

00:53:36,929 --> 00:53:40,019

will have seen Some of my funny

posts that come up for time to time.

:

00:53:40,019 --> 00:53:41,949

Maybe some of them are funny Maybe

you find some of them aren't.

:

00:53:42,479 --> 00:53:46,379

Comedy can be a little hit and miss But I

do still think it's a great way to stand

:

00:53:46,379 --> 00:53:51,469

out have a little bit of playfulness

Enjoy the process of marketing It

:

00:53:51,479 --> 00:53:53,569

really does need to fit with your brand.

:

00:53:53,569 --> 00:53:56,849

I think Adam gave some good advice on

that, that maybe there are some brands

:

00:53:56,849 --> 00:54:01,959

that it's not going to work with, but

I think for most coaches and speakers

:

00:54:01,959 --> 00:54:05,759

and people have products and services

online, it could probably work for you.

:

00:54:06,164 --> 00:54:08,994

So long as it kind of fits with

your personality to some degree.

:

00:54:09,264 --> 00:54:13,334

So if you are one of those people who

always avoids humor on stage and in

:

00:54:13,334 --> 00:54:17,824

your presentations, maybe it's time

to dip your toe, or maybe this just

:

00:54:17,844 --> 00:54:19,704

isn't for you, I would understand.

:

00:54:20,074 --> 00:54:22,579

But I'm assuming as you have got to the

end of this episode, you've enjoyed it.

:

00:54:22,579 --> 00:54:24,729

You're probably at least a

little bit interested in that.

:

00:54:25,019 --> 00:54:28,759

And I hope you will go and check out

all the many options available at

:

00:54:28,819 --> 00:54:30,579

Adam's website, white label comedy.

:

00:54:30,959 --> 00:54:31,339

com.

:

00:54:31,699 --> 00:54:36,089

I've been using brands against mundanity

for probably the last two or three

:

00:54:36,089 --> 00:54:40,959

years on and off and find it to be an

incredibly useful resource that helps

:

00:54:40,979 --> 00:54:45,399

me to have fun doing my marketing

and it does get noticed online and I

:

00:54:45,399 --> 00:54:47,359

do get people commenting, laughing.

:

00:54:47,889 --> 00:54:50,219

That's a very nice way

to stand out sometimes.

:

00:54:50,229 --> 00:54:54,659

So this can be a really great

addition to your online marketing.

:

00:54:54,919 --> 00:54:57,399

If you'd like to go and check out

Brands Against Mundanity, Funny

:

00:54:57,439 --> 00:55:00,419

Facebook Ads, and all the other

products that Adam has available.

:

00:55:00,579 --> 00:55:05,409

Or maybe have his team working with you,

more of a done for you service, take

:

00:55:05,429 --> 00:55:07,339

even more of the effort out of this.

:

00:55:07,534 --> 00:55:11,394

And have funny standout social

media properties that could

:

00:55:11,394 --> 00:55:15,984

really help to turn up get you

noticed and build your influence.

:

00:55:16,281 --> 00:55:19,201

That's pretty much it for me for

this week next week We're going

:

00:55:19,201 --> 00:55:21,101

to be talking about demo reels.

:

00:55:21,118 --> 00:55:26,328

my guest will be Cam Beaudoin And

Cam is an expert in demo reels.

:

00:55:26,518 --> 00:55:30,028

We'll answer questions like is

it better to have a bad demo

:

00:55:30,028 --> 00:55:31,978

reel than no demo reel at all?

:

00:55:31,988 --> 00:55:35,398

What does a professional level

demo reel need to include?

:

00:55:35,708 --> 00:55:38,518

We're going to be talking about

that on next week's episode.

:

00:55:38,568 --> 00:55:41,868

So if you are a professional speaker

or you want to be a professional

:

00:55:41,868 --> 00:55:45,678

speaker in any way, shape or form,

you can't afford to miss that.

:

00:55:45,908 --> 00:55:48,898

If you're not already following the

show, make sure you are, but wherever

:

00:55:48,898 --> 00:55:51,668

you're going, whatever you're doing,

have an amazing rest of your day.

:

00:55:52,028 --> 00:55:52,808

See you next time.

About the Podcast

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Present Influence
The podcast that helps professional communicators learn the skills that increase influence, impact and authority.

About your host

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John Ball

John Ball is a keynote coach and professional speaker on a mission to help upcoming leaders master their communication, create impact and stand out as experts in their field.
John left the high life of his flying career to do something more meaningful to him and has since worked with several leading personal and professional development organisations as a lead coach and trainer.
The heart of everything John does involves helping people shift to personal responsibility and conscious awareness of how they show up and perform in every situation, whilst equipping them with the tools to be exceptional.
John also co-hosts The Coaching Clinic Podcast with his great friend and colleague Angie Besignano.
He lives in the beautiful city of Valencia, Spain with his husband and often visits the UK and US for speaking and training engagements. When he's not speaking or podcasting, he's likely to be out swimming, kayaking or enjoying time with friends.

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