Episode 183
The Keynote Creation Series (Part 4): Unlocking Storytelling Secrets
Mastering Storytelling for Impactful Keynote Presentations
In this episode of Present Influence, John Ball, a keynote coach and professional speaker, delves into the importance of storytelling for effective communication in talks and presentations. As part four of his keynote creation series, John provides detailed guidance on how to find and utilize stories to enhance your message. He shares his process for choosing personal and non-personal stories, discusses the types of stories to avoid, and offers practical tips for incorporating stories seamlessly into your presentation framework. The episode also covers the significance of being present and avoiding negativity in your narrative, aiming to help business leaders develop skills that maximize their impact and influence.
00:00 Introduction to Storytelling in Presentations
00:28 Keynote Creation Series Overview
00:52 Importance of Storytelling
01:41 Finding and Using Stories
04:59 Personal Story Examples
17:32 Professional Storytelling Tips
21:19 Humor and Appropriateness in Stories
26:37 Resources and Exercises for Storytelling
27:50 Conclusion and Upcoming Episodes
Visit https://presentinfluence.com to find out more about courses and speaker bookings.
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Transcript
Welcome to the show.
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:Do you ever wonder how to add
stories to a talk or presentation?
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:Do you ever find it difficult to
do so or stress out about what kind
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:of story should I be, including
where can I even find these stories?
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:People often do worry about adding
stories to their presentations.
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:Should they be personal?
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:Should they be other people's stories,
maybe a mix of those funny stories?
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:And there may be, even worry about how
to introduce and tell those stories
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:inside of a keynote presentation.
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:This is part four of my
keynote creation series.
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:And If you haven't already
caught the first three parts,
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:please do go back and watch.
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:They're pretty short episodes.
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:Very consumable.
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:And I'm taking you through my
keynote creation process for a
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:keynote that I will be delivering
and selling as a speaker this year.
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:And.
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:I want you to see how that process
goes for me as I, hopefully it helps
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:guide you in your process as well.
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:So by the end of this episode,
you will know how to find
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:stories for your presentations.
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:What kinds of stories to use, what kinds
of stories not to use and why stories are
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:essential for effective communication?
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:Welcome to Present Influence the show
that helps business leaders develop the
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:skills to influence impact and inspire.
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:My name's John Ball.
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:I'm a keynote coach professional
speaker, and your guide on the
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:journey to leadership level
communication and presentation skills.
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:My mission is to provide rising business
leaders like you with everything
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:you need to be able to maximize your
impact and present with influence.
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:You can follow the show on
your favorite podcast app.
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:So weekly episodes and interviews
with influence experts.
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:So let's get into things for today.
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:If you have already caught the previous
episodes, you'll know that we've
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:already explored things like choosing
your topic, creating the structure
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:and outline for your presentation.
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:Creating a framework for the presentation.
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:And now it's important to start to look
at adding some stories into that framework
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:so that we can really connect and get
our message across to our audience.
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:And that really is one
of the keys for stories.
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:Storytelling is essential in
communication, especially from a platform.
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:Any kind of didactic environment,
if you are teaching in any sort
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:of way, even if your presentations
are essentially epidiectic , which
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:would mean that they are more on
the inspirational side of things.
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:You're still going to have a level
of deliberative teaching within
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:those are going to be points that you
want to get across to your audience.
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:And stories are a great way to do that.
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:Whatever capacity you may be
wanting to share information
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:or whatever level stories, help
people to understand information.
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:Being able to see things in
practical application can really
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:help your audience to put things
into a correct frame in their mind.
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:And to see how, what you're explaining
to them can and should be utilized.
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:There are many people out there
who are doing coaching just
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:in the area of storytelling.
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:That is how important this is as a craft.
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:And it is essential to being a good
keynote speaker and a good communicator.
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:Being able to use story and metaphor
helps your audience to understand things.
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:Helps them to make connections
in the right kind of way.
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:And that's really what we want to do.
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:How them to be able to make the right
kinds of connections and to deeply
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:understand what we are sharing with them.
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:The other good thing with stories
is they tend to stick in our
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:brains far more than anything else.
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:In fact, Where you will find again and
again, is that presentations that don't
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:contain stories are going to be much
more forgettable than presentations that
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:do now that said, if the stories are
boring or irrelevant, then that may not
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:be strictly true, but general cases.
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:Storytelling when it's done well,
when it explains things well,
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:Can really captivate an audience.
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:It is potentially one of the most
important elements of your talk, even
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:though it might not feel like it.
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:What stories can also allow people
to do is to see things from their
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:own eyes or from a different
perspective than their own.
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:And that is great for being able
to reframe particular situations
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:and get people on board for
new ideas and understanding.
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:They're not being told what
to do or what to think.
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:They are having something
presented to them.
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:That is going to help lead them to
making a conclusion or decision.
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:Or generating an idea for themselves.
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:As a reminder, for those of you who have
tuned into previous episodes on this.
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:And especially for those who
haven't, the, there was a story to
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:go with each of the key principles.
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:These are the key principles for my talk.
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:Which we should be the
case for yours as well.
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:So I've created a structure,
an outline for the talk.
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:I know what the principles, the key
messages going to be for the talk.
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:We have a framework.
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:It's It's a nine point framework.
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:Where are you going to be delivering
three key elements of that?
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:Maybe four, if we have to
do a slightly longer talk.
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:So the first element of that in my talk
is is going to be about finding your
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:vision, which is essentially going to
be on the importance of creating goals
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:and purpose and direction for yourself.
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:Now what I was thinking about
that I thought I know I'm already
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:thinking of some personal stories
for other elements of the talk.
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:So for this, I really wanted
to refer to something that is
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:relatable for lots of people.
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:And even though it is quite well used, I
wanted to tell a story a little bit about
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:Viktor Frankl in Man's Search for Meaning.
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:And essentially, because what he
ended up developing was something
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:called logo therapy, a therapy to
help people find purpose in the lives.
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:And that's what I want this key principle
in my talk to be able to do with the
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:audience, getting thinking about creating
purpose, direction in their own lives
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:and choosing what that's going to be and
understanding how much more fulfilling
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:that life tends to be when we are
purposeful in our lives, rather than
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:just meandering and floating through
life without purpose and direction.
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:So that was going to be
the first I want to use.
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:I don't want to go too much into Frankel's
experiences in the camps other than
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:to summarize them and then ready to
talk about why the meaning he applied
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:to that situation was so important.
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:Helped him survive that whole thing.
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:But then really what I want to get
into is what he saw with people who
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:had been through those experiences,
who felt like they'd had everything
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:ripped away from them, of course,
and had been through major trauma.
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:And we're struggling to find
any purpose or happiness or
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:joy in the lives once again.
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:So his therapy.
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:Was able to help people to
start to do that once again.
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:And certainly if if it can have
any benefit for people, who've been
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:through something as extreme as a
concentration camp experience, it
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:can help the rest of us as well.
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:In the next key point of the talk.
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:Which is called, enjoy the ride.
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:This next section is
about being more present.
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:So I want to help people
enjoy their experiences.
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:And be able to take themselves off,
operating on automatic for awhile.
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:Have those moments where you can stop
and smell the roses, enjoy, appreciate
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:what you're actually getting the
opportunity to be doing right now.
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:And be in the moment in the now,
because very often our brains are
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:thinking about what's coming up more
than anything else or thinking about
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:something we did or said previously
that might be playing on our brains.
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:These things can even keep us awake
at night, but when we are more
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:in the now in the present moment.
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:We are able to think more in the
moment we're able to relax more.
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:We actually have more.
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:More opportunity available to us,
our brains, more flexible when we are
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:operating in the present and we tend to
have greater fulfillment and awareness.
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:And certainly when we give other
people the gift of our presence.
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:It tends to deepen relationship.
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:In fact, it's one of those things
that the quality of your time with
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:other people is often, far more
valuable than the quantity of it.
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:So you could spend a whole week with
somebody, but not really be there
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:and be present with them, but an
hour or a day of being with someone
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:and being really present with them
is going to have much more impact.
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:And it's going to develop closeness
and trust in that relationship.
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:So that is really something
we want to aim for.
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:And this isn't just in our personal lives
where it's at, and he has an impact, but
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:also in our professional lives as well.
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:How many times do we maybe find ourselves
in a meeting was on a token somewhere that
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:clearly distracted, or maybe even checking
the phone on looking at their watch.
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:And then not really tuned into what's
being said in the not really listening.
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:This.
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:They're not really listening to you
and giving you their full presence.
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:If you are a coach, if you do any
kind of coaching or consulting and
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:that, and you are the person who's
not really paying attention, who's not
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:really fully present with a client.
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:That will probably, and rightly be
called out by your clients and should be
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:hopefully caught out by yourself as well.
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:It's the, certainly know that's
correct in those situations.
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:That you do need to be fully present
when you are working with a coaching
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:client or consulting client.
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:But why not take that
into all areas of life?
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:Because even in our professional
lives, we are coaches.
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:A lot of the time, it, many of the
situations that we find ourselves in.
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:Being fully present actually shows
people that we are listening to
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:them that we're tuning into them.
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:So I want to include things like.
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:P that we can be doing active
listening, which isn't just going, man.
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:Yeah, every few seconds.
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:Oh, let's keep the conversation going,
but maybe even repeating some things back.
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:Oh, When you said, this is
this what you meant, asking.
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:Asking some questions or.
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:All right.
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:You just said, this is not right.
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:Am I understanding this correctly?
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:So we check in for comprehension.
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:We showed the person who really
listened to them and hearing their
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:words and seeking to understand them.
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:That's a level of being really present
with somebody and sometimes even
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:just a holding space for people to be
able to think and work through things
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:without trying to rush them along.
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:It can be a really powerful way
to be present with them as well.
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:So it's a lot of things to go into here.
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:What I wanted to include as a
story to talk about how important
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:this is, was was essentially.
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:Really my past life is that flight
attendant, which a long time ago.
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:Even though it doesn't.
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:Even though it doesn't feel
like it's that long ago.
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:It was a.
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:Gotcha.
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:Over 15 years ago now.
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:And And one time on.
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:I had a few hairy experiences.
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:Now, when you're flying pretty much
every day, or at least several times a
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:week for your work you're bound to have,
if you experiences over years, that
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:might might even put you off flying.
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:You weren't used to them.
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:One of those experiences for me, and I
thought she was debating between whether
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:to choose a landing gear failure or
th of:
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:Now the thing is the flight on
September the 11th for me, we
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:were halfway across the Atlantic.
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:We've got 10 around.
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:It wasn't especially traumatic.
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:There was some incidents and yet
it was horrifying to be be hearing
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:over the radio in the cockpit.
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:Cause we were sometimes going and
listening what had been happening.
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:And certainly when we were at
altitude that was concerning.
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:But it wasn't traumatic in any way to
what people who were on the scene were
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:experiencing or so even to watching the
footage, when we actually got back home,
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:which was far more traumatic than that.
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:So the landing gear failure for me, felt
like more of a high-intensity situation.
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:That was more of the do or die live.
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:Em imminent.
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:Imminent danger.
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:And the purpose of that story for me was.
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:Just knowing that we were
going, being told that no, the
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:landing gear wouldn't come down.
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:We didn't have enough fuel
to keep circling around.
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:So we're going to have to land and
do what I call a barely landing.
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:And that was very scary because
the planes have engines, they
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:carry lots of fuel and things.
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:And landing without the landing gear.
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:Is definitely not something
that you would choose to do.
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:However.
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:Those kinds of moments can be
where you might choose to either
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:panic and stress yourself out.
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:Or you might actually have a
moment of clarity, which is
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:what I did, where I decided.
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:If I'm going down, if we're going
down, if this is there, then
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:I want to go down peacefully.
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:I want to want it to know.
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:I want to accept my fate
and just deal with that.
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:I've had a good life and be
happy for all those things.
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:And if I can, I want to help
as many people as I can in
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:this situation right now.
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:And then least be here for the passengers.
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:And that was the whole story for
me, of being really present in that,
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:knowing that we might actually no crash
and things like 10 serious, we might
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:not all even survive this kind of.
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:There was a good chance of
survival, but we might not.
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:And that got very scary.
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:But it was a great wake
up call for me personally.
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:Into being really present in that moment
and with my own thoughts and myself
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:and the people that I was with and
care, showing them some love and care.
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:And for the people who were
passengers on that flight as well.
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:So that's the story I decided
that I'm going to use here.
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:Landing gear failure for key point two.
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:And going on then too key point
three, which is about leaving,
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:complaining and criticizing behind.
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:And so the whole idea here is I'm
not taking things personally, but
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:also not badmouthing other people or
complaining about your own situation.
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:Not to the whole thing of
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:you get served bad food in our restaurant,
not sending it back or anything.
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:Of course you should do that.
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:But not whingeing about it or Not
feeling like the universe is against
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:you or anything like that because
your steak was cold or whatever it is.
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:It really is much more about being
able to control our responses to
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:things and taking responsibility for
our own thoughts for guarding our
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:own thoughts and for acting with what
the Stoics might call greater virtue.
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:If you've ever read the four
agreements, wonderful book, Don
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:Miguel Ruiz, wonderful book.
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:I love the four agreements.
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:I've had to love the fifth agreement
as well, but in the four agreements,
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:two of the key ones here were about
not taking things personally and
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:being impeccable with your word.
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:And I think that ties into
both of these as well.
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:I wonder the story that was going to
reflect it, but also had a bit of humor.
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:And because that key point three is.
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:In most of my talk experiences
is going to be the critical.
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:The last point that.
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:Keep going through this in
most of my talks is going to be
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:the last point that I get to.
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:And I wanted to have some, what
did they have a bit more humor?
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:And so I chose here to tell a story
about when my grandfather remarried.
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:He was already quite old when my
grandmother died and he wasn't very good
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:at very capable at looking after himself.
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:Bless him.
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:And He ended up getting
remarried to an, to a friend.
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:So someone that he knew had been friends
with her and that my, my grandparents have
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:been friends with her and her husband.
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:For many years.
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:And her name was Mona.
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:And and it couldn't have
been a more appropriate name.
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:I have some humor here.
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:Like she was one of those
people who would absolutely do
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:her very best to piss you off.
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:She could walk into a room
and suck all the air out.
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:And just with you with a few words.
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:She was absolutely offensive,
but would act innocent about it.
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:So she would say the most horrible things
and then just have face like butter
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:wouldn't melt in her mouth kind of thing.
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:There's some definite humor in this.
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:And she knew.
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:Yeah.
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:She knew exactly what she was doing.
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:I thought, but really what I
wanted to get with the story is.
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:How that made people around her feel
the effects that they had on family
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:and friendships and the actual pressure
that put on situations of she was not
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:someone you would want to spend time with
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:if you had the choice.
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:Generally now I understood my granddad's
reasons for wanting to be with her.
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:He wanted to be taken care of, and
she actually did a great job of that.
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:And, but all her faults pretty,
we're pretty grateful for that.
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:The other side of that though, was we
absolutely hated having a come to visit.
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:Mainly these reasons because she was
an absolute nightmare of a person
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:and that you're not supposed to
speak to the dead, but there's some
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:humor in this and it's nothing.
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:And really nothing.
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:So not degrading or horrible out there.
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:Really just the facts, the reality
of our experience of my experience.
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:My family's experience in dealing
with someone who was pretty much.
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:Pretty much a nightmare, but in the
family at that late stage of my granddad's
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:life, So that can be a somewhat fun.
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:I'm going to keep that very light.
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:They're going to keep that whole
thing very light, but it's going
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:to make a really clear point
about the kinds of people who
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:insult and moan about everything.
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:And Yeah, absolutely.
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:Perfect that her name was Mona
for that particular element.
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:And so these are stories as well.
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:Now clearly the key point
one is not my own story.
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:But I am going to talk somewhat in there
about my own experience from reading and
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:understanding man's search for meaning
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:but where do these stories come from?
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:Cause key point two and key point
three, the, these are personal
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:stories and I do personally think.
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:It's a good idea to have a mix of
personal and non personal stories.
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:You may, even in certain professional
talks where you're perhaps maybe not
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:so much on the inspirational side where
you are more teaching specifically.
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:You may actually want to make sure you
include case studies as part of the
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:stories that you have here as well.
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:And you can certainly use elements of
case study in story mixed together.
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:If you want to be really
advanced with, during that.
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:I've seen that done very well
in certain presentations,
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:often in online presentations.
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:Certainly my favorite resource on
storytelling is from Matthew Dicks.
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:Who's a really good author
and such nice guy as well.
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:If you want to hear me talking to
Matthew, it was a long time ago, but
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:you can go back to episode 36 or 38.
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:I have to split the
episode into two parts.
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:It was such a good but long
conversation with so much value.
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:So episode 36 and absolutely.
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:So Jay is part two of that interview.
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:You can go back and listen to
me in conversation with Matthew
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:Dicks or bounced Story Worthy.
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:And it's such a good book that gives
away so many storytelling secrets
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:and gives you a very clear how
to, of have to put these together.
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:How to tell your stories from the stage.
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:I do recommend it.
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:It's my favorite resource.
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:It also gives some really good clues
on how to find stories for yourself.
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:One of the things that Matthew
recommends in the book.
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:Is creating what he
calls homework for life.
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:I know he won't mind me having
you about homework for life.
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:'cause I'm telling you.
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:Because it is from him.
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:I'm not telling you it's something that
I've come up with is that, and he isn't.
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:And I've had similar things from
other coaches and courses and
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:programs that I've been in as well.
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:Of creating these stories for yourself.
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:He has some really great strategies
for creating these stories.
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:But homework for life is the favorite
is his favorite one, because very often.
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:The stories that have the most impact and
meaning are ones that just come up from
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:our daily life, but we lose so many of
them because we don't keep track of them.
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:So what he recommends is creating
a spreadsheet for yourself.
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:Where you just note in to that at the end
of the day, the most story worthy thing
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:or things that have happened that day.
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:And that way you start to keep a record
of all these things they might want
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:to make an a why was story worthy,
or add a little detail, but you don't
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:going to write the whole story then,
and there, you're just going to give
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:yourself the prompt and the reminder
of what the story, what the thing was.
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:And what made a story where they.
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:And from there you have a
resource that you can dip into
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:at any time and go through.
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:And find various opportunities for
stories that can fit with the elements
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:of a presentation that you have,
that might be the most appropriate.
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:I have no problem at all with people
who want to put all personal stories.
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:But I do think it's a good
idea to not go the other way of
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:having all impersonal stories.
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:Simply because personal stories, even just
one personal story in your presentation.
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:Is going to give you a better opportunity
to connect with your audience.
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:They're going to feel like they
know more about you when you
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:share a personal story with them.
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:So that is an opportunity for
vulnerability and for real sharing
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:and connection, a connection moment.
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:With your audience.
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:And even in professional
settings, that's really valuable.
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:It can be a really powerful
tool to put into this.
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:And in these days where we want
more, where we do seem to want more
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:emotional intelligence and connectivity
in our professional relationships,
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:stories can be a great way to help you
introduce that and have more of it.
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:There are personal stories
that I would generally avoid.
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:I give you one example of this.
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:Now some of you may know that I've
for many years worked with the the
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:great Harv Eker and his organization.
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:And at one time, I can remember
Harv telling a story from stage.
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:About dancing.
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:To an event and he was dancing with
a very attractive woman and getting
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:very aroused from the whole thing.
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:I would generally steer clear
of those kinds of stories.
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:I, he made it work.
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:He got away with it, but I
think talking about things.
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:Even any.
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:In a, any kind of professional
setting, certainly.
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:Talking about things like sexual,
arousals probably an appropriate
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:and I would steer well clear of it.
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:I would also steer clear of
stories that make you look stupid.
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:Cause you might want to have
some funny stories, but you don't
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:want them to be self denigrating.
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:You don't really want them to
make you look unreliable or.
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:Or stupid that somebody might not
actually want to work with you.
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:And think, oh, that was dumb.
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:So you don't really want to do
yourself down with the stories
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:that you tell you certainly.
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:Okay.
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:To have a little bit of joke at your
expense, but not something that's actually
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:going to make people think less of you.
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:Being vulnerable or having no
showing that you can at least laugh
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:at yourself is great and handled
right back and still be very funny.
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:And we're not looking to make a
complete fool of ourselves just to have
421
:a humorous story in a presentation.
422
:That kind of vulnerability is probably
not going to serve you so well.
423
:Especially in professional settings.
424
:So I would steer clear of that too.
425
:Also steer clear of stories that, you
know, from mates nights out, whether
426
:it's with the lads of the girls.
427
:Some of the stories you may tell
to your friends are not going to
428
:be appropriate for telling from
the stage and the way you tell them
429
:might be a little different as well.
430
:So we really want to be
telling appropriate stories.
431
:Use your common sense.
432
:And If you're not sure.
433
:Get some outside advice.
434
:I will say this though.
435
:And this is particularly
from people from the UK.
436
:Very often when people from the UK want
to tell humorous stories, funny stories.
437
:They tend to.
438
:Go straight to embarrassing situations.
439
:And very often, those are things
like getting caught out, not
440
:being able to get to a toilet.
441
:Maybe they soil themselves.
442
:Maybe they wet themselves.
443
:Being caught being locked out of a hotel
room, naked, those kinds of things.
444
:These are not appropriate stories.
445
:And they're really,
actually not that funny.
446
:And they're not very original either.
447
:So I would steer clear of those in any
kind of setting and just know that most
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:people have had that kind of situation.
449
:And it might be funny
with friends and family.
450
:It might be funny in the
moment, but generally those
451
:stories are not that funny.
452
:So I would steer clear of them
if you're trying to go for humor,
453
:try and get it in a different way.
454
:Now, most of us will have personal
stories, family things we can
455
:use and get some humor from, but
it doesn't need to be offensive.
456
:It doesn't need to be punching down.
457
:It doesn't need to be making anybody
into a complete idiot or an object
458
:of ridicule, especially yourself.
459
:So do avoid that.
460
:If you do want to do that and you
find a way to make it work, I'd love
461
:to hear about it because I think
that would be very challenging.
462
:And that probably mean that you're
a very gifted storyteller to be
463
:able to make those things work.
464
:But I think you'll find even in PR.
465
:Things like moth story competitions and
story slams that they tend to discourage
466
:people from those kinds of stories.
467
:For those similar reasons,
they're very common.
468
:Most people have those kinds of stories.
469
:And most people don't find them funny.
470
:I would also stay well clear.
471
:Of.
472
:Some of the parabalistic stories
that people use a lot of the time.
473
:And I think.
474
:And I've used it myself, but stories
like that, the Chinese farmer, if
475
:you haven't come across that one,
the time he's filed me has his son
476
:finds a horse and the neighbors all
gather and say, oh, I was very lucky.
477
:And then the horse is wild.
478
:It throws his son off and the
thumb breaks his leg, the neighbors
479
:gather and say, oh, we've prayed.
480
:Very unlucky.
481
:If you haven't, I'm not going to go
through the whole thing, but if we
482
:haven't heard at all, it's really just the
principle of you don't know if it's good
483
:or bad luck, cause it's just maybe seems
like we're in the moment, but it actually
484
:might work out to be good in the future.
485
:So maybe.
486
:The reserve judgment.
487
:It's a great principle.
488
:But the story gets used a lot.
489
:There's one about the stone cutter or
the The Mason and one of them to start.
490
:I'm carving stone.
491
:And the next one says I'm
building a cathedral and the
492
:next one says, we're creating.
493
:Creating a divine home for people to
come and commune with God and the angels.
494
:Something along those lines, as far
as the different forms of vision that
495
:people have doing exactly the same job.
496
:So perspective is everything.
497
:It's so common.
498
:I've heard it used in talks several times.
499
:At least.
500
:I would stay away from the more cliched
stories, unless you can find a way
501
:to make it interesting or different
than how most people would tell it.
502
:If you really want to get some stories
off the ground, now that you're looking
503
:to put into your talk, I recommend an
exercise that I got from Matthew Dicks.
504
:Where you might do
first, last, best, worst.
505
:Sorry.
506
:You create your first, your last,
your best, your worst for maybe
507
:things like car, your first car, your
last car, your best car, your worst.
508
:Ah, your pets first pet last pet.
509
:worst best bet those guys and
go through things like that.
510
:First kiss, your first date.
511
:Best worst.
512
:And all of those.
513
:You will find story material
from going through that.
514
:So it's an exercise that you could
do in a group or with a few friends.
515
:If other people who want
to work in this too.
516
:A great thing to do in a
workshop for storytelling.
517
:If you're looking to come up and create
stories for yourself there for your talks.
518
:So that gives you another
resource to be able to find
519
:stories, to put into your talks.
520
:I would say the most important thing
with putting stories into your talks
521
:is that they are the most appropriate
stories that are going in there.
522
:The ones that you use, the best stories
you have to be able to get the point
523
:across that you want to get across.
524
:So you use the best stories
that you can come up with.
525
:And you might want to do
some workshopping with that.
526
:If you want help adding stories
into your talk or you want help
527
:structuring and outlining your
talk, please do get in touch.
528
:You can visit the new website,
present influence.com.
529
:Or you can hit me up on LinkedIn.
530
:You will find links in the show notes
to be able to do either of those.
531
:And I would love to hear from
me and please feel please
532
:do feel free to get in touch.
533
:Now, if you're not already
following the show, please do.
534
:I will be coming back with more parts
of the keynote creation process.
535
:I haven't really figured out how
many episodes this is going to be
536
:in total, or I don't want, I don't
want it to be super long episodes.
537
:This one is probably already a bit longer
than I had originally planned, but.
538
:I do have some amazing
interviews coming up.
539
:I have a conversation that I had with
Cam Beaudoin and about demo videos.
540
:And whether having a bad demo
video is better than having
541
:no demo video as a speaker.
542
:Very interesting.
543
:I know you're going to love it.
544
:I absolutely loved my
conversation with cam.
545
:And it's particularly helpful.
546
:I also had a, I was having an
interview with a lady called Lida
547
:Citroën, who is an influence expert
herself and has books on this topic.
548
:And I'm pretty sure you're going
to enjoy that conversation too.
549
:Or maybe you will see you there.
550
:Where are we?
551
:He would have some points.
552
:Some slight points of disagreement,
friendly disagreement, but we have a,
553
:there's a few things we didn't necessarily
agree on that as well, which is, which
554
:was definitely interesting to talk about.
555
:There's a whole bunch of Indies current.
556
:Which have just been fantastic.
557
:I.
558
:I'm so lucky with the guests that
I'm able to get onto the show.
559
:And the conversations that we're
able to have, and I'm just doing
560
:my very best to keep them relevant
and interesting for you as well.
561
:If that is a value to you and you want to
listen to these These episodes are more.
562
:Make sure you're following the show.
563
:Please do consider sharing
the episode with your friends
564
:and your network as well.
565
:It certainly helps us.
566
:And if you haven't already
maybe leave the show, a review
567
:on apple podcasts or Spotify.
568
:Give us a five star review.
569
:Our helps other people.
570
:Just to find the show, but it helps other
people to know that it's a good show.
571
:I'm worth listening to, and if you
think that, but I would certainly
572
:love to hear from you as well.
573
:And as always wherever you're going,
whatever you're doing have an amazing
574
:week and we'll see you next time.