Episode 183

The Keynote Creation Series (Part 4): Unlocking Storytelling Secrets

Mastering Storytelling for Impactful Keynote Presentations

In this episode of Present Influence, John Ball, a keynote coach and professional speaker, delves into the importance of storytelling for effective communication in talks and presentations. As part four of his keynote creation series, John provides detailed guidance on how to find and utilize stories to enhance your message. He shares his process for choosing personal and non-personal stories, discusses the types of stories to avoid, and offers practical tips for incorporating stories seamlessly into your presentation framework. The episode also covers the significance of being present and avoiding negativity in your narrative, aiming to help business leaders develop skills that maximize their impact and influence.


00:00 Introduction to Storytelling in Presentations

00:28 Keynote Creation Series Overview

00:52 Importance of Storytelling

01:41 Finding and Using Stories

04:59 Personal Story Examples

17:32 Professional Storytelling Tips

21:19 Humor and Appropriateness in Stories

26:37 Resources and Exercises for Storytelling

27:50 Conclusion and Upcoming Episodes

Visit https://presentinfluence.com to find out more about courses and speaker bookings.

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Transcript
John:

Welcome to the show.

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Do you ever wonder how to add

stories to a talk or presentation?

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Do you ever find it difficult to

do so or stress out about what kind

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of story should I be, including

where can I even find these stories?

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People often do worry about adding

stories to their presentations.

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Should they be personal?

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Should they be other people's stories,

maybe a mix of those funny stories?

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And there may be, even worry about how

to introduce and tell those stories

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inside of a keynote presentation.

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This is part four of my

keynote creation series.

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And If you haven't already

caught the first three parts,

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please do go back and watch.

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They're pretty short episodes.

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Very consumable.

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And I'm taking you through my

keynote creation process for a

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keynote that I will be delivering

and selling as a speaker this year.

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And.

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I want you to see how that process

goes for me as I, hopefully it helps

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guide you in your process as well.

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So by the end of this episode,

you will know how to find

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stories for your presentations.

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What kinds of stories to use, what kinds

of stories not to use and why stories are

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essential for effective communication?

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Welcome to Present Influence the show

that helps business leaders develop the

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skills to influence impact and inspire.

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My name's John Ball.

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I'm a keynote coach professional

speaker, and your guide on the

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journey to leadership level

communication and presentation skills.

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My mission is to provide rising business

leaders like you with everything

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you need to be able to maximize your

impact and present with influence.

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You can follow the show on

your favorite podcast app.

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So weekly episodes and interviews

with influence experts.

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So let's get into things for today.

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If you have already caught the previous

episodes, you'll know that we've

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already explored things like choosing

your topic, creating the structure

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and outline for your presentation.

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Creating a framework for the presentation.

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And now it's important to start to look

at adding some stories into that framework

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so that we can really connect and get

our message across to our audience.

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And that really is one

of the keys for stories.

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Storytelling is essential in

communication, especially from a platform.

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Any kind of didactic environment,

if you are teaching in any sort

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of way, even if your presentations

are essentially epidiectic , which

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would mean that they are more on

the inspirational side of things.

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You're still going to have a level

of deliberative teaching within

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those are going to be points that you

want to get across to your audience.

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And stories are a great way to do that.

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Whatever capacity you may be

wanting to share information

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or whatever level stories, help

people to understand information.

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Being able to see things in

practical application can really

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help your audience to put things

into a correct frame in their mind.

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And to see how, what you're explaining

to them can and should be utilized.

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There are many people out there

who are doing coaching just

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in the area of storytelling.

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That is how important this is as a craft.

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And it is essential to being a good

keynote speaker and a good communicator.

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Being able to use story and metaphor

helps your audience to understand things.

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Helps them to make connections

in the right kind of way.

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And that's really what we want to do.

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How them to be able to make the right

kinds of connections and to deeply

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understand what we are sharing with them.

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The other good thing with stories

is they tend to stick in our

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brains far more than anything else.

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In fact, Where you will find again and

again, is that presentations that don't

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contain stories are going to be much

more forgettable than presentations that

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do now that said, if the stories are

boring or irrelevant, then that may not

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be strictly true, but general cases.

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Storytelling when it's done well,

when it explains things well,

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Can really captivate an audience.

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It is potentially one of the most

important elements of your talk, even

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though it might not feel like it.

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What stories can also allow people

to do is to see things from their

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own eyes or from a different

perspective than their own.

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And that is great for being able

to reframe particular situations

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and get people on board for

new ideas and understanding.

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They're not being told what

to do or what to think.

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They are having something

presented to them.

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That is going to help lead them to

making a conclusion or decision.

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Or generating an idea for themselves.

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As a reminder, for those of you who have

tuned into previous episodes on this.

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And especially for those who

haven't, the, there was a story to

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go with each of the key principles.

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These are the key principles for my talk.

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Which we should be the

case for yours as well.

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So I've created a structure,

an outline for the talk.

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I know what the principles, the key

messages going to be for the talk.

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We have a framework.

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It's It's a nine point framework.

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Where are you going to be delivering

three key elements of that?

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Maybe four, if we have to

do a slightly longer talk.

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So the first element of that in my talk

is is going to be about finding your

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vision, which is essentially going to

be on the importance of creating goals

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and purpose and direction for yourself.

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Now what I was thinking about

that I thought I know I'm already

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thinking of some personal stories

for other elements of the talk.

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So for this, I really wanted

to refer to something that is

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relatable for lots of people.

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And even though it is quite well used, I

wanted to tell a story a little bit about

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Viktor Frankl in Man's Search for Meaning.

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And essentially, because what he

ended up developing was something

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called logo therapy, a therapy to

help people find purpose in the lives.

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And that's what I want this key principle

in my talk to be able to do with the

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audience, getting thinking about creating

purpose, direction in their own lives

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and choosing what that's going to be and

understanding how much more fulfilling

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that life tends to be when we are

purposeful in our lives, rather than

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just meandering and floating through

life without purpose and direction.

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So that was going to be

the first I want to use.

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I don't want to go too much into Frankel's

experiences in the camps other than

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to summarize them and then ready to

talk about why the meaning he applied

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to that situation was so important.

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Helped him survive that whole thing.

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But then really what I want to get

into is what he saw with people who

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had been through those experiences,

who felt like they'd had everything

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ripped away from them, of course,

and had been through major trauma.

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And we're struggling to find

any purpose or happiness or

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joy in the lives once again.

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So his therapy.

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Was able to help people to

start to do that once again.

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And certainly if if it can have

any benefit for people, who've been

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through something as extreme as a

concentration camp experience, it

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can help the rest of us as well.

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In the next key point of the talk.

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Which is called, enjoy the ride.

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This next section is

about being more present.

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So I want to help people

enjoy their experiences.

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And be able to take themselves off,

operating on automatic for awhile.

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Have those moments where you can stop

and smell the roses, enjoy, appreciate

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what you're actually getting the

opportunity to be doing right now.

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And be in the moment in the now,

because very often our brains are

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thinking about what's coming up more

than anything else or thinking about

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something we did or said previously

that might be playing on our brains.

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These things can even keep us awake

at night, but when we are more

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in the now in the present moment.

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We are able to think more in the

moment we're able to relax more.

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We actually have more.

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More opportunity available to us,

our brains, more flexible when we are

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operating in the present and we tend to

have greater fulfillment and awareness.

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And certainly when we give other

people the gift of our presence.

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It tends to deepen relationship.

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In fact, it's one of those things

that the quality of your time with

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other people is often, far more

valuable than the quantity of it.

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So you could spend a whole week with

somebody, but not really be there

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and be present with them, but an

hour or a day of being with someone

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and being really present with them

is going to have much more impact.

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And it's going to develop closeness

and trust in that relationship.

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So that is really something

we want to aim for.

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And this isn't just in our personal lives

where it's at, and he has an impact, but

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also in our professional lives as well.

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How many times do we maybe find ourselves

in a meeting was on a token somewhere that

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clearly distracted, or maybe even checking

the phone on looking at their watch.

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And then not really tuned into what's

being said in the not really listening.

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This.

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They're not really listening to you

and giving you their full presence.

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If you are a coach, if you do any

kind of coaching or consulting and

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that, and you are the person who's

not really paying attention, who's not

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really fully present with a client.

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That will probably, and rightly be

called out by your clients and should be

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hopefully caught out by yourself as well.

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It's the, certainly know that's

correct in those situations.

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That you do need to be fully present

when you are working with a coaching

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client or consulting client.

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But why not take that

into all areas of life?

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Because even in our professional

lives, we are coaches.

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A lot of the time, it, many of the

situations that we find ourselves in.

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Being fully present actually shows

people that we are listening to

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them that we're tuning into them.

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So I want to include things like.

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P that we can be doing active

listening, which isn't just going, man.

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Yeah, every few seconds.

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Oh, let's keep the conversation going,

but maybe even repeating some things back.

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Oh, When you said, this is

this what you meant, asking.

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Asking some questions or.

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All right.

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You just said, this is not right.

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Am I understanding this correctly?

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So we check in for comprehension.

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We showed the person who really

listened to them and hearing their

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words and seeking to understand them.

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That's a level of being really present

with somebody and sometimes even

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just a holding space for people to be

able to think and work through things

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without trying to rush them along.

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It can be a really powerful way

to be present with them as well.

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So it's a lot of things to go into here.

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What I wanted to include as a

story to talk about how important

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this is, was was essentially.

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Really my past life is that flight

attendant, which a long time ago.

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Even though it doesn't.

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Even though it doesn't feel

like it's that long ago.

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It was a.

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Gotcha.

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Over 15 years ago now.

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And And one time on.

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I had a few hairy experiences.

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Now, when you're flying pretty much

every day, or at least several times a

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week for your work you're bound to have,

if you experiences over years, that

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might might even put you off flying.

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You weren't used to them.

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One of those experiences for me, and I

thought she was debating between whether

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to choose a landing gear failure or

th of:

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Now the thing is the flight on

September the 11th for me, we

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were halfway across the Atlantic.

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We've got 10 around.

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It wasn't especially traumatic.

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There was some incidents and yet

it was horrifying to be be hearing

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over the radio in the cockpit.

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Cause we were sometimes going and

listening what had been happening.

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And certainly when we were at

altitude that was concerning.

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But it wasn't traumatic in any way to

what people who were on the scene were

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experiencing or so even to watching the

footage, when we actually got back home,

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which was far more traumatic than that.

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So the landing gear failure for me, felt

like more of a high-intensity situation.

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That was more of the do or die live.

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Em imminent.

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Imminent danger.

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And the purpose of that story for me was.

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Just knowing that we were

going, being told that no, the

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landing gear wouldn't come down.

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We didn't have enough fuel

to keep circling around.

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So we're going to have to land and

do what I call a barely landing.

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And that was very scary because

the planes have engines, they

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carry lots of fuel and things.

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And landing without the landing gear.

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Is definitely not something

that you would choose to do.

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However.

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Those kinds of moments can be

where you might choose to either

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panic and stress yourself out.

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Or you might actually have a

moment of clarity, which is

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what I did, where I decided.

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If I'm going down, if we're going

down, if this is there, then

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I want to go down peacefully.

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I want to want it to know.

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I want to accept my fate

and just deal with that.

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I've had a good life and be

happy for all those things.

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And if I can, I want to help

as many people as I can in

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this situation right now.

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And then least be here for the passengers.

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And that was the whole story for

me, of being really present in that,

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knowing that we might actually no crash

and things like 10 serious, we might

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not all even survive this kind of.

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There was a good chance of

survival, but we might not.

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And that got very scary.

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But it was a great wake

up call for me personally.

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Into being really present in that moment

and with my own thoughts and myself

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and the people that I was with and

care, showing them some love and care.

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And for the people who were

passengers on that flight as well.

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So that's the story I decided

that I'm going to use here.

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Landing gear failure for key point two.

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And going on then too key point

three, which is about leaving,

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complaining and criticizing behind.

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And so the whole idea here is I'm

not taking things personally, but

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also not badmouthing other people or

complaining about your own situation.

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Not to the whole thing of

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you get served bad food in our restaurant,

not sending it back or anything.

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Of course you should do that.

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But not whingeing about it or Not

feeling like the universe is against

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you or anything like that because

your steak was cold or whatever it is.

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It really is much more about being

able to control our responses to

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things and taking responsibility for

our own thoughts for guarding our

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own thoughts and for acting with what

the Stoics might call greater virtue.

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If you've ever read the four

agreements, wonderful book, Don

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Miguel Ruiz, wonderful book.

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I love the four agreements.

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I've had to love the fifth agreement

as well, but in the four agreements,

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two of the key ones here were about

not taking things personally and

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being impeccable with your word.

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And I think that ties into

both of these as well.

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I wonder the story that was going to

reflect it, but also had a bit of humor.

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And because that key point three is.

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In most of my talk experiences

is going to be the critical.

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The last point that.

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Keep going through this in

most of my talks is going to be

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the last point that I get to.

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And I wanted to have some, what

did they have a bit more humor?

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And so I chose here to tell a story

about when my grandfather remarried.

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He was already quite old when my

grandmother died and he wasn't very good

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at very capable at looking after himself.

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Bless him.

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And He ended up getting

remarried to an, to a friend.

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So someone that he knew had been friends

with her and that my, my grandparents have

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been friends with her and her husband.

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For many years.

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And her name was Mona.

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And and it couldn't have

been a more appropriate name.

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I have some humor here.

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Like she was one of those

people who would absolutely do

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her very best to piss you off.

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She could walk into a room

and suck all the air out.

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And just with you with a few words.

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She was absolutely offensive,

but would act innocent about it.

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So she would say the most horrible things

and then just have face like butter

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wouldn't melt in her mouth kind of thing.

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There's some definite humor in this.

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And she knew.

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Yeah.

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She knew exactly what she was doing.

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I thought, but really what I

wanted to get with the story is.

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How that made people around her feel

the effects that they had on family

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and friendships and the actual pressure

that put on situations of she was not

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someone you would want to spend time with

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if you had the choice.

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Generally now I understood my granddad's

reasons for wanting to be with her.

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He wanted to be taken care of, and

she actually did a great job of that.

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And, but all her faults pretty,

we're pretty grateful for that.

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The other side of that though, was we

absolutely hated having a come to visit.

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Mainly these reasons because she was

an absolute nightmare of a person

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and that you're not supposed to

speak to the dead, but there's some

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humor in this and it's nothing.

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And really nothing.

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So not degrading or horrible out there.

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Really just the facts, the reality

of our experience of my experience.

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My family's experience in dealing

with someone who was pretty much.

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Pretty much a nightmare, but in the

family at that late stage of my granddad's

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life, So that can be a somewhat fun.

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I'm going to keep that very light.

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They're going to keep that whole

thing very light, but it's going

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to make a really clear point

about the kinds of people who

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insult and moan about everything.

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And Yeah, absolutely.

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Perfect that her name was Mona

for that particular element.

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And so these are stories as well.

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Now clearly the key point

one is not my own story.

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But I am going to talk somewhat in there

about my own experience from reading and

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understanding man's search for meaning

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but where do these stories come from?

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Cause key point two and key point

three, the, these are personal

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stories and I do personally think.

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It's a good idea to have a mix of

personal and non personal stories.

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You may, even in certain professional

talks where you're perhaps maybe not

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so much on the inspirational side where

you are more teaching specifically.

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You may actually want to make sure you

include case studies as part of the

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stories that you have here as well.

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And you can certainly use elements of

case study in story mixed together.

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If you want to be really

advanced with, during that.

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I've seen that done very well

in certain presentations,

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often in online presentations.

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Certainly my favorite resource on

storytelling is from Matthew Dicks.

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Who's a really good author

and such nice guy as well.

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If you want to hear me talking to

Matthew, it was a long time ago, but

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you can go back to episode 36 or 38.

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I have to split the

episode into two parts.

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It was such a good but long

conversation with so much value.

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So episode 36 and absolutely.

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So Jay is part two of that interview.

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You can go back and listen to

me in conversation with Matthew

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Dicks or bounced Story Worthy.

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And it's such a good book that gives

away so many storytelling secrets

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and gives you a very clear how

to, of have to put these together.

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How to tell your stories from the stage.

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I do recommend it.

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It's my favorite resource.

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It also gives some really good clues

on how to find stories for yourself.

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One of the things that Matthew

recommends in the book.

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Is creating what he

calls homework for life.

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I know he won't mind me having

you about homework for life.

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'cause I'm telling you.

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Because it is from him.

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I'm not telling you it's something that

I've come up with is that, and he isn't.

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And I've had similar things from

other coaches and courses and

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programs that I've been in as well.

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Of creating these stories for yourself.

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He has some really great strategies

for creating these stories.

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But homework for life is the favorite

is his favorite one, because very often.

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The stories that have the most impact and

meaning are ones that just come up from

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our daily life, but we lose so many of

them because we don't keep track of them.

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So what he recommends is creating

a spreadsheet for yourself.

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Where you just note in to that at the end

of the day, the most story worthy thing

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or things that have happened that day.

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And that way you start to keep a record

of all these things they might want

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to make an a why was story worthy,

or add a little detail, but you don't

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going to write the whole story then,

and there, you're just going to give

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yourself the prompt and the reminder

of what the story, what the thing was.

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And what made a story where they.

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And from there you have a

resource that you can dip into

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at any time and go through.

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And find various opportunities for

stories that can fit with the elements

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of a presentation that you have,

that might be the most appropriate.

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I have no problem at all with people

who want to put all personal stories.

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But I do think it's a good

idea to not go the other way of

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having all impersonal stories.

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Simply because personal stories, even just

one personal story in your presentation.

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Is going to give you a better opportunity

to connect with your audience.

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They're going to feel like they

know more about you when you

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share a personal story with them.

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So that is an opportunity for

vulnerability and for real sharing

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and connection, a connection moment.

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With your audience.

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And even in professional

settings, that's really valuable.

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It can be a really powerful

tool to put into this.

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And in these days where we want

more, where we do seem to want more

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emotional intelligence and connectivity

in our professional relationships,

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stories can be a great way to help you

introduce that and have more of it.

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There are personal stories

that I would generally avoid.

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I give you one example of this.

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Now some of you may know that I've

for many years worked with the the

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great Harv Eker and his organization.

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And at one time, I can remember

Harv telling a story from stage.

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About dancing.

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To an event and he was dancing with

a very attractive woman and getting

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:

very aroused from the whole thing.

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I would generally steer clear

of those kinds of stories.

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I, he made it work.

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He got away with it, but I

think talking about things.

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:

Even any.

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In a, any kind of professional

setting, certainly.

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Talking about things like sexual,

arousals probably an appropriate

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:

and I would steer well clear of it.

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I would also steer clear of

stories that make you look stupid.

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:

Cause you might want to have

some funny stories, but you don't

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:

want them to be self denigrating.

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You don't really want them to

make you look unreliable or.

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:

Or stupid that somebody might not

actually want to work with you.

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:

And think, oh, that was dumb.

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So you don't really want to do

yourself down with the stories

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:

that you tell you certainly.

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:

Okay.

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To have a little bit of joke at your

expense, but not something that's actually

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:

going to make people think less of you.

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:

Being vulnerable or having no

showing that you can at least laugh

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:

at yourself is great and handled

right back and still be very funny.

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:

And we're not looking to make a

complete fool of ourselves just to have

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:

a humorous story in a presentation.

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:

That kind of vulnerability is probably

not going to serve you so well.

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:

Especially in professional settings.

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:

So I would steer clear of that too.

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:

Also steer clear of stories that, you

know, from mates nights out, whether

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:

it's with the lads of the girls.

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:

Some of the stories you may tell

to your friends are not going to

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:

be appropriate for telling from

the stage and the way you tell them

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:

might be a little different as well.

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:

So we really want to be

telling appropriate stories.

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:

Use your common sense.

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:

And If you're not sure.

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:

Get some outside advice.

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:

I will say this though.

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And this is particularly

from people from the UK.

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:

Very often when people from the UK want

to tell humorous stories, funny stories.

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:

They tend to.

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:

Go straight to embarrassing situations.

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:

And very often, those are things

like getting caught out, not

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:

being able to get to a toilet.

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:

Maybe they soil themselves.

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:

Maybe they wet themselves.

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:

Being caught being locked out of a hotel

room, naked, those kinds of things.

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:

These are not appropriate stories.

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:

And they're really,

actually not that funny.

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:

And they're not very original either.

447

:

So I would steer clear of those in any

kind of setting and just know that most

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:

people have had that kind of situation.

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:

And it might be funny

with friends and family.

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:

It might be funny in the

moment, but generally those

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:

stories are not that funny.

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:

So I would steer clear of them

if you're trying to go for humor,

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:

try and get it in a different way.

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:

Now, most of us will have personal

stories, family things we can

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:

use and get some humor from, but

it doesn't need to be offensive.

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:

It doesn't need to be punching down.

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:

It doesn't need to be making anybody

into a complete idiot or an object

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:

of ridicule, especially yourself.

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:

So do avoid that.

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:

If you do want to do that and you

find a way to make it work, I'd love

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:

to hear about it because I think

that would be very challenging.

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:

And that probably mean that you're

a very gifted storyteller to be

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:

able to make those things work.

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:

But I think you'll find even in PR.

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:

Things like moth story competitions and

story slams that they tend to discourage

466

:

people from those kinds of stories.

467

:

For those similar reasons,

they're very common.

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:

Most people have those kinds of stories.

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:

And most people don't find them funny.

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:

I would also stay well clear.

471

:

Of.

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:

Some of the parabalistic stories

that people use a lot of the time.

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:

And I think.

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:

And I've used it myself, but stories

like that, the Chinese farmer, if

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:

you haven't come across that one,

the time he's filed me has his son

476

:

finds a horse and the neighbors all

gather and say, oh, I was very lucky.

477

:

And then the horse is wild.

478

:

It throws his son off and the

thumb breaks his leg, the neighbors

479

:

gather and say, oh, we've prayed.

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:

Very unlucky.

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:

If you haven't, I'm not going to go

through the whole thing, but if we

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:

haven't heard at all, it's really just the

principle of you don't know if it's good

483

:

or bad luck, cause it's just maybe seems

like we're in the moment, but it actually

484

:

might work out to be good in the future.

485

:

So maybe.

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:

The reserve judgment.

487

:

It's a great principle.

488

:

But the story gets used a lot.

489

:

There's one about the stone cutter or

the The Mason and one of them to start.

490

:

I'm carving stone.

491

:

And the next one says I'm

building a cathedral and the

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:

next one says, we're creating.

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:

Creating a divine home for people to

come and commune with God and the angels.

494

:

Something along those lines, as far

as the different forms of vision that

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:

people have doing exactly the same job.

496

:

So perspective is everything.

497

:

It's so common.

498

:

I've heard it used in talks several times.

499

:

At least.

500

:

I would stay away from the more cliched

stories, unless you can find a way

501

:

to make it interesting or different

than how most people would tell it.

502

:

If you really want to get some stories

off the ground, now that you're looking

503

:

to put into your talk, I recommend an

exercise that I got from Matthew Dicks.

504

:

Where you might do

first, last, best, worst.

505

:

Sorry.

506

:

You create your first, your last,

your best, your worst for maybe

507

:

things like car, your first car, your

last car, your best car, your worst.

508

:

Ah, your pets first pet last pet.

509

:

worst best bet those guys and

go through things like that.

510

:

First kiss, your first date.

511

:

Best worst.

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:

And all of those.

513

:

You will find story material

from going through that.

514

:

So it's an exercise that you could

do in a group or with a few friends.

515

:

If other people who want

to work in this too.

516

:

A great thing to do in a

workshop for storytelling.

517

:

If you're looking to come up and create

stories for yourself there for your talks.

518

:

So that gives you another

resource to be able to find

519

:

stories, to put into your talks.

520

:

I would say the most important thing

with putting stories into your talks

521

:

is that they are the most appropriate

stories that are going in there.

522

:

The ones that you use, the best stories

you have to be able to get the point

523

:

across that you want to get across.

524

:

So you use the best stories

that you can come up with.

525

:

And you might want to do

some workshopping with that.

526

:

If you want help adding stories

into your talk or you want help

527

:

structuring and outlining your

talk, please do get in touch.

528

:

You can visit the new website,

present influence.com.

529

:

Or you can hit me up on LinkedIn.

530

:

You will find links in the show notes

to be able to do either of those.

531

:

And I would love to hear from

me and please feel please

532

:

do feel free to get in touch.

533

:

Now, if you're not already

following the show, please do.

534

:

I will be coming back with more parts

of the keynote creation process.

535

:

I haven't really figured out how

many episodes this is going to be

536

:

in total, or I don't want, I don't

want it to be super long episodes.

537

:

This one is probably already a bit longer

than I had originally planned, but.

538

:

I do have some amazing

interviews coming up.

539

:

I have a conversation that I had with

Cam Beaudoin and about demo videos.

540

:

And whether having a bad demo

video is better than having

541

:

no demo video as a speaker.

542

:

Very interesting.

543

:

I know you're going to love it.

544

:

I absolutely loved my

conversation with cam.

545

:

And it's particularly helpful.

546

:

I also had a, I was having an

interview with a lady called Lida

547

:

Citroën, who is an influence expert

herself and has books on this topic.

548

:

And I'm pretty sure you're going

to enjoy that conversation too.

549

:

Or maybe you will see you there.

550

:

Where are we?

551

:

He would have some points.

552

:

Some slight points of disagreement,

friendly disagreement, but we have a,

553

:

there's a few things we didn't necessarily

agree on that as well, which is, which

554

:

was definitely interesting to talk about.

555

:

There's a whole bunch of Indies current.

556

:

Which have just been fantastic.

557

:

I.

558

:

I'm so lucky with the guests that

I'm able to get onto the show.

559

:

And the conversations that we're

able to have, and I'm just doing

560

:

my very best to keep them relevant

and interesting for you as well.

561

:

If that is a value to you and you want to

listen to these These episodes are more.

562

:

Make sure you're following the show.

563

:

Please do consider sharing

the episode with your friends

564

:

and your network as well.

565

:

It certainly helps us.

566

:

And if you haven't already

maybe leave the show, a review

567

:

on apple podcasts or Spotify.

568

:

Give us a five star review.

569

:

Our helps other people.

570

:

Just to find the show, but it helps other

people to know that it's a good show.

571

:

I'm worth listening to, and if you

think that, but I would certainly

572

:

love to hear from you as well.

573

:

And as always wherever you're going,

whatever you're doing have an amazing

574

:

week and we'll see you next time.

About the Podcast

Show artwork for Present Influence
Present Influence
The podcast that helps professional communicators learn the skills that increase influence, impact and authority.

About your host

Profile picture for John Ball

John Ball

John Ball is a keynote coach and professional speaker on a mission to help upcoming leaders master their communication, create impact and stand out as experts in their field.
John left the high life of his flying career to do something more meaningful to him and has since worked with several leading personal and professional development organisations as a lead coach and trainer.
The heart of everything John does involves helping people shift to personal responsibility and conscious awareness of how they show up and perform in every situation, whilst equipping them with the tools to be exceptional.
John also co-hosts The Coaching Clinic Podcast with his great friend and colleague Angie Besignano.
He lives in the beautiful city of Valencia, Spain with his husband and often visits the UK and US for speaking and training engagements. When he's not speaking or podcasting, he's likely to be out swimming, kayaking or enjoying time with friends.

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