Episode 275

What Your Speaker Demo Reel Is Actually For (and Why Most Get It Wrong)

Bernadette Marciniak is a video producer who works specifically with speakers and event organisers, giving her a rare dual perspective on what actually gets speakers booked. She has captured footage at live events, produced demo reels for speakers at various stages of their careers, and uses speaking engagements herself as a visibility lever for her business.

What you'll take away from this episode:

  • Why most demo reels function as sizzle reels and what the difference actually costs you
  • What event organisers are specifically looking for when they watch your video
  • The "through line" principle: how to build a reel that shows your message, not just your mic drops
  • Whether a lower-quality demo is better than no demo at all
  • How to start capturing footage when you have no stage access and no budget
  • When to bring testimonials into your video and when to leave them out
  • What a practical media library looks like and why YouTube is part of your booking strategy
  • The AI tools that could help polish your final cut without compromising authenticity

Connect with Bernadette Marciniak:

Website: solhausmedia.com/speakers (Solhaus spelled S-O-L-H-A-U-S) LinkedIn: Bernadette Marciniak Instagram: Bernadette Marciniak

Chapters:

00:00 Demo Reel Myth Busting

00:58 Meet Bernadette Marciniak

02:13 Her Speaking Origin Story

05:37 What A Demo Reel Does

08:58 Demo Versus Sizzle Reel

11:57 Good Enough To Share

17:08 Capturing Footage Right

20:28 Editing For A Through Line

25:29 No Stage No Problem

31:44 Watch Yourself Improve

33:54 AI In Demo Videos

38:00 Budget And Hiring Pros

40:07 Long Form Clips On YouTube

44:17 Wrap Up And Where To Connect

47:25 Final Takeaways And Next Episode

FAQ SECTION

Frequently Asked Questions

What should a speaker demo reel include to get booked by event organizers?

According to video producer Bernadette Marciniak and speaking coach John Ball on the Professional Speaking podcast, a speaker demo reel should demonstrate two things above all: your presence on stage and the through line of your message. Marciniak distinguishes between a sizzle reel, which showcases mic drops and highlights, and a demo reel built for bookers, which shows what an audience is going to get from you. Event organisers are not looking for cinematic production or audience testimonials; they are looking for evidence that you can deliver a coherent message in front of a crowd. The ideal length is two to three minutes, with a clear narrative structure rather than a compilation of unrelated sound bites.

Is it better to have a bad demo reel or no demo reel at all?

Bernadette Marciniak's position, discussed with John Ball on Professional Speaking, is that having a demo reel is better than not having one, provided you are intentional about how and where you distribute it. Poor lighting or iPhone video does not automatically disqualify a reel if the audio is clear and the speaker's presence comes through. What Marciniak identifies as genuinely undermining is an over-reliance on B-roll and cinematic sweeps that give the viewer no sense of what the speaker actually says or how they engage with an audience. The goal is always to improve the footage over time, not to wait for perfect conditions before starting.

How can a speaker start building a demo reel with no stage experience?

John Ball and Bernadette Marciniak discuss several practical entry points on this episode of Professional Speaking. Speakers can hire a local videographer for a small room presentation, gather a group of peers who each speak for five minutes to a live audience, or capture footage from workshops, retreats and local events. Podcast interviews are also flagged as legitimate speaking engagements that generate video evidence of a speaker's communication style. Marciniak recommends building a media library consistently over time rather than waiting for a single high-production opportunity, and suggests partnering with a videographer across multiple events so the footage looks cohesive.

What is the difference between a speaker sizzle reel and a demo reel?

John Ball explains on Professional Speaking that a sizzle reel is designed for public awareness, while a demo reel is designed for bookers. A sizzle reel is a highlights compilation intended to build brand visibility and is appropriate for a speaker's website or social channels. A demo reel, by contrast, is a two-to-three-minute video built around a through line: a coherent message that reflects what an audience will experience if they hire the speaker. Bernadette Marciniak adds that both serve a purpose, but speakers who want to land more paid engagements need the demo version, not just the cinematic highlight package.

Should speakers use AI tools when creating a demo reel?

Bernadette Marciniak and John Ball address this on Professional Speaking with a clear distinction between useful and damaging AI applications. Marciniak cautions against using AI-generated video to simulate speaking experience a speaker does not have, arguing that misrepresentation is a fast route to damaging a professional reputation. However, both acknowledge that AI tools can legitimately assist with audio clean-up, removing isolated errors, adding text overlays, and smoothing transitions between segments. The principle Marciniak applies is that any AI enhancement should serve authenticity, not replace it.

How should speakers use YouTube as part of their booking strategy?

Bernadette Marciniak recommends using YouTube as a media library rather than a public-facing channel, a point developed with John Ball on Professional Speaking. Full keynote recordings and longer clips of speaking engagements can be hosted on YouTube as unlisted videos and sent directly to event organisers who want to see more than a two-minute demo reel. Marciniak notes that bookers will often skip through a full recording to check how a speaker opens, handles transitions, and interacts with an audience, making the longer format valuable even if it is never shared publicly. A YouTube playlist of speaking engagements also provides an organised reference point that can be linked from a speaker's website or proposals.

Visit https://strategic-speaker.scoreapp.com to take the 2-minute Strategic Speaking Business Audit and find out what's blocking you from getting more bookings, re-bookings, referrals and bigger fees. There's a special surprise gift for everyone who completes the quiz.

Want to get coached for free on the show? Fill in the form https://forms.gle/mo4xYkEiCjqtz9yP6, and if we think your challenge could help others, we'll invite you on.

For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn

You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence

Thanks for listening. Rating the show 5* on Spotify helps their algo recommend the show, so please take a moment to follow the show and leave a rating.

Transcript
John:

Most speakers know that they need a demo reel.

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Very few know what it's really for.

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If you think your demo reel is there to

impress people who stumble across your

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website, you've built the wrong thing.

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Bookers aren't looking for the

highlight reels of your best moments.

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They want to know what your audience

is going to get from you, and

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whether you can deliver it under

pressure in a room full of strangers.

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In this episode of Professional Speaking,

I'm talking with Bernadette Marciniak,

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a video producer who works specifically

with speakers and event organizers,

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she's been on both sides of the

camera and both sides of the

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booking conversation, which makes

her take on this unusually useful.

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We're covering what a demo reel is

actually for, what a sizzle reel is, and

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why most speakers get the two confused.

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How to start building footage when

you have no stages yet, and what

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bookers are actually watching for

when they press play on your demo.

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Welcome to Professional Speaking, the show

for people who are serious about speaking

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and becoming known, booked, and paid.

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My name's John Ball, professional

speaking coach, keynote speaker,

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stand-up comedian, and sci-fi nerd.

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I'm here as your guide on the journey

to a successful speaking career

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welcome to Professional Speaking

Podcast, Bernadette Marciniak.

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Welcome to the show

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Bernadette Marciniak: Thank

you so much for having me, John

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John: It's a delight to be speaking

to you, and I've wanted to come

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back to the topic of demo videos for

quite some time, and that's where

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we're gonna spend some time today.

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And I know that one of the things

what we talked about before recording

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was that there's these different

tracks for it, like whether you're

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speaking as a business, or whether

you're speaking to bring in business.

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And so before we get into all that,

which side do you fall on there?

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Are you speaking as a

business or for your business?

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Bernadette Marciniak: Yeah, so

I am somebody who is speaking to

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bring in business, who knows where

the winds may take me someday.

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the spotlight is tantalizing and

attractive, as I'm sure it is to many.

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but as of right now, I'm having a

really great time, having, speaking

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engagements put eyes on my business

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John: Great.

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And so g- just to give us a sense

of, like, your speaking career, like

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how long have you been speaking, and

roughly how many speaking engagements

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do you have, uh, roughly in a year?

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Bernadette Marciniak: within

a year I'd say I do probably

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a handful, three to four.

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And there, that, you know, there,

there's a variety of different ones

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from stages to leading workshops.

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I personally count podcast

interviews as speaking engagements.

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I know that some folks might not

agree with that, but it's all about

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visibility and, and PR at the end

of the day, especially in my case.

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So I count podcast interviews

as speaking engagements.

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I've been speaking for about a decade now.

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and, yeah

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John: what first got you

up on stage as a speaker?

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Bernadette Marciniak: ooh,

that's a good question.

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the one that's coming to mind right now

is when I actually won an award for a

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community that I was part of, and I knew

that it was a business community, so I

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was, receiving, an award within this,

business community, and we all gave,

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about 10-minute thank you speeches.

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But that was a moment to also put a

spotlight on your business and what you

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do, because there were a lot of people in

attendance that may not have heard of me.

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you know, it was also a

networking opportunity for folks

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who were not in the community.

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And so, that was the one that is, I think

the one that was most transformative

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and I caught the bug and I was like,

"Oh, I need to do more of this."

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I really loved the energy of being up on

stage and ha- like, uh, I rehearsed my

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talk a bunch of times, and I practiced

like the cadence and the pacing and

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everything, and I really enjoyed it

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John: Great.

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And that's definitely something you

would want to be practiced and rehearsed

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for, but also a, an ex- a really nice

reason to be up on stage as well.

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So, great.

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a good event, and I can de- definitely

associate with getting the bug for

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wanting to be up there and do more,

especially once you've been practicing

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and running through and coming off

thinking, "Oh, yeah, that went great."

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That's a really good experience.

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So it's great that speaking has been

a part of your business for quite

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some time now, and certainly some of

our listeners they may have similar

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length of time in the industry or

maybe much less, maybe just coming

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to this fresh and still fairly new.

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But it's good to know that we all start

from small things that give us a lead

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in into to doing this for the business.

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So was that where you also really

saw that there was an opportunity

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for you to use speaking as a lever,

a platform for your business more

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often or was it just actually more

fun that led to more business?

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Bernadette Marciniak: No, actually

it was, and I had already been

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learning about this, so I knew that

was kind of the goal with speaking.

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But I also had proof of concept after

getting up on stage and accepting

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the award because a lot of folks

actually reached out to me afterwards

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and were asking about my services.

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They said, "We loved your energy on stage.

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We love the way, you

know, you approach things.

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and I would love to, you

know, work with you."

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And so I actually ended up

getting a couple of clients out

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of that one speaking engagement

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John: Great.

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That's fantastic, and that's what

it's all about a lot of the time.

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Let me ask you this.

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for, for our listener, for our

professional speaker who's tuning

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into this, we've come here to talk

specifically about demo videos as well.

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So what is a demo video, and why

do they need to think about this?

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Bernadette Marciniak: Yeah, so demo

video or I, I know over here in

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the US we call them speaker reels.

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same thing.

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so it's a, kind of like a

culmination of the best of the

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best of your speaking moments.

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And listen, if you're starting out

and you might not have, uh, a huge

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library yet, uh, there's still gonna

be a thorough line between all of your

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talks, some-something that, that you

s- like say or hint to from talk to

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talk that's along the same message.

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And so it's about a two-minute video.

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I say you don't wanna go over much

longer, maybe three minutes at the most,

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but even I think at that point, you

know, attention spans start falling.

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but the reason you wanna have a speaker

reel is, y- A, you wanna be able to

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send it out to event organizers, so that

you, they can, you know, see what your

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speaking, presence is like, how you appear

on stage, and also what your message is.

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Now, of course, there's the

expectation that your message is

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probably going to evolve over time.

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But regardless, you know, y- that's

why you're gonna get it updated, you

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know, every few years or whenever,

you know, you feel like you're making

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a big pivot or something like that.

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but that, those are the two main

reasons why you need one, is to

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show your presence and to show

what your message is going to be.

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John: Yeah.

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I think that's important what you said

as well because I do f- I find that

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a lot of speakers get confused as to

what the purpose of the demo video is.

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a lot of them, a lot of people know

they need to have it, but they don't

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always seem to know what it's for and

think it's more for public awareness

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of them rather than being something

that's, kind of like a short ad or

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taster for the people who can book you

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Bernadette Marciniak: Yeah.

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Well, so there's a few things that

I'd love to say to that point.

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First of all, I've worked on

both sides of the coin here.

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I have been a speaker, and I have

also been capturing, video at

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events where there are speakers.

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I work s- specifically with speakers

and with the event organizers.

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And I will say that there are-- like

the conversation in, in, like with

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the event organizers is that so many

folks are still not sending in videos.

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And so the immediate way to stand out

is to attach a speaker reel or some

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sort of evidence of you up on stage.

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That's not to say that you will

immediately get disqualified

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if you don't, but you will

immediately stand out if you do.

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John: I, I think that's, that's really

important for people to understand as

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well, and I hope it sinks in for people.

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'Cause I think it's good to know that you

absolutely can still get booked without a

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demo, but if you really want to stand out,

it's gonna make a big difference for you

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Bernadette Marciniak: Yeah.

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Yeah.

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and you mentioned, that some folks

see it as a form of public awareness.

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I think the, the reason that happens is

that a lot of speaker reels are not made

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or produced with this vision in mind of,

for lack of better terms, telling a story.

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what I really mean is, like, having

your message, having your through

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line displayed through the video.

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What I see a lot of speaker reels, demo

reels, demo videos, show is just some,

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like a compilation of mic drops and

sound bites that may not necessarily be

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reflective of what you wanna be known for.

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And, you know, the video might be great,

the audio might be great, whatever.

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But if that storyline isn't there,

then yeah, then it does become

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a, " Hey, look at what I do.

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Like, I'm really cool up on stage,"

not, "Hey, hire me because this is what

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I'm going to give to your audience."

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Event organizers are looking

specifically for what you're going

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to provide for their audience, and

there's no better way to show that

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than proof of concept in a video.

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John: Yeah.

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And, my take is this, that I think some

of the confusion with this comes from

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the fact that some speakers do have

what we call more of a sizzle reel,

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which is like some of their highlights

or, as you say, the mic drop moments,

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and that is meant for the public.

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That's not really meant for the bookers.

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That's just meant to like you,

you land on my website and maybe

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we have other services as well.

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You say, "Hey, wow,

that's, that looks great.

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That looks really, glossy and shiny."

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But that's not what the bookers

are looking for to book you.

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They're looking for a

demo a bit different.

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And I think I, I tend to think that's

where the confusion has come from,

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that there is that difference between

the sizzle reel that is for the public

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and sort of like, "Hey, look at me.

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Aren't I great?"

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And then there's the one for the bookers.

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It's like, are you actually gonna be

any good if we book you for our event?

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Bernadette Marciniak: Yeah.

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And, you know, there's a

place for both, honestly.

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It, like, even if you currently

have that version of a reel that's

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just the mic drops, that still lends

itself to really great content.

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Public awareness, brand awareness is

really important when you are-- especially

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if you are, uh, building a, a speaker

business as your main source of revenue,

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but also if you're using speaking as a way

to funnel more eyes onto your business.

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Um, you know, co-content is

content, and I know that we're,

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like, all overwhelmed with content,

but, you know, it, it exists.

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It's there, and there's a, there's,

uh, you know, the people who are going

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to resonate will resonate with it.

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So it, it does all have a place.

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It's not completely useless.

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But if you are looking to get on

more stages, then you need this demo

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reel that has that thorough line.

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John: Absolutely.

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Let me ask you this 'cause I've

asked this only to a handful of

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people ever on the show because it's

not always relevant to everybody.

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But when it comes to demo videos, do

you personally feel that it's better

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to have a demo re- demo video even

if it's not great, or that a bad demo

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reel should not go up on your website

as like, like better to have a bad

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demo reel than no demo reel at all?

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Bernadette Marciniak: I mean,

first of all, it doesn't

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need to live on your website.

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I would say it's better to have one and

be intentional on how you distribute

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it and where you distribute it.

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The reason I would say it's better to have

one than not at all, especially if you're

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trying to land more speaking engagements,

is that you are still giving a glimpse

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to event organizers about your presence

on stage, about how, you know, you're

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engaging with their audience, interacting

with their audience, what their audience

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is going to get from you, which is really

hard to describe otherwise in written word

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or, you know, to just try to explain it.

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So, my personal take is use what

you have with the intention of

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always aiming to make it better

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John: Yeah.

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No, I mean, that's a, a good suggestion.

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my experience has been working

with clients that, it's a good

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thing to have, but it's also have

to-- important to define what

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actually would be a bad demo reel.

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and I think it's really just gonna be

something that doesn't reflect you well.

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So you're thinking, oh, the maybe the

micro- maybe the sound isn't fantastic,

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maybe the lighting isn't fantastic,

or the camera was done on an…

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Maybe it filmed on an iPhone

or something like that.

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That doesn't necessarily

make it a bad demo.

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It…

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But something that won't

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be…

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But

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Bernadette Marciniak: I agree.

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Yeah.

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I would say, we want the best

quality, especially if we're

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gonna be going out and paying for

professional video, audio, whatever.

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Sometimes, you know, lighting, audio

is not in y- uh, your control because

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of the way the event is organized.

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That being said, even some sort of

snippet on an iPhone, as long as you

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can clearly hear what's being said, I…

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I'll say the examples of demo reels,

speaker reels that I have found

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underwhelming are the ones that, like,

lean in way too much on fancy B-roll.

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W- I-- Like, we don't care about that.

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It would-- It's great to have B-roll of

audience engaging and interacting, nodding

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along, laughing and whatnot, but, you

know, I've seen these, like, cinematic

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productions of the sweep of the whole…

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Like, that's unnecessary, and

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John: I've seen that too.

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Bernadette Marciniak: I see a lot of

speakers, like, that's, that's the, the

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one and only shot they keep reusing,

and I'm like, "I know nothing about

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what you're actually talking about,"

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John: I think, I was talking with, a

lady called Maria Franzoni recently.

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I don't know if you've heard

of Maria, but, sh- she's great

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on th-this subject as well.

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And, we had a little chat about demo

reels in a much bigger conversation.

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But one of the things that she was

saying s-specifically that she hates

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seeing in these demo reels, and I do

agree with her to a point, is the, video

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testimonials from people in the audience.

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That, whilst you want to include

your testimonials, it's far better

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to have some text on the screen

than have someone else coming up and

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speaking, because it's much quicker.

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And also remember, this

is for your bookers.

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They haven't come to hear people at

your events talking about you, but

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they want to see that, but they don't

wanna spend a lot of time with it.

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They want to watch you on the demo video.

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what would be your take on that?

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do you kind of agree with that?

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Bernadette Marciniak: I can see how

that makes sense if you're sending it

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out primarily to, to event organizers.

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My one pushback on it is if you are using

a speaker, reel, a demo video as a…

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Or I'm sorry, if you're using your

speaking engagements to get more business,

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it might not be the worst thing in the

world to have those testimonials in there

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as kind of like a hybrid of an intro video

to you and, and evidence of you, you know,

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sharing your expertise out in the wild.

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I actually did create a video like

that for a client where it was a hybrid

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of a video business card, where she

also spoke directly to the camera

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saying who she was and what she does.

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We included testimonials and,

and, and a whole bunch of clips

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from her speaking engagements.

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and she's…

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We made that video back in 2021,

and she's still using it to this

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day, and she's getting up on stages.

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So, I think it depends

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John: It depends.

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Yeah.

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Bernadette Marciniak: Yeah, it

depends on w- which stages I

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think you're gonna try to be on.

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John: That makes sense.

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Maria's much more focused on people

who are primarily speaking as their

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business than people who are using

speaking to grow their business.

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So that context does make sense.

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and she may well concede that

as well in certain cases.

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it's probably a good thing.

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I, I have to see if I can ask

her about that at some point.

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but yeah, fantastic.

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So let me ask you this.

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there may be some…

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Maybe even a listener hasn't, maybe

a listener hasn't yet done a demo

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video and is thinking, "Well, okay,

where do I even get started with this?

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what do I need to be thinking about

and how do I put this together?"

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How would you guide somebody to

getting started with a demo video?

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:

Bernadette Marciniak: Sure.

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:

So, if you're first starting out, I would

utilize any way you can to get video

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footage of your speaking engagements,

and no matter how small or big they are.

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:

if you are speaking at an event

where there's going to be an in-house

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media team, ask if you can…

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if they're going-- First of all,

ask if they're going to re-be

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:

recording all the full keynotes.

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Some places aren't.

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But I will say that what I offer to my

clients who are throwing the events,

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who are organizing the events, is to let

their speakers know that I am on site,

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:

and even though I'm not hired to capture

all the speakers and keynotes for them, I

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:

am available to capture, at an additional

cost, obviously, for individual speakers.

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I actually just did that last week.

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and, it…

311

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And so that's how…

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Like, if there's a media on team on…

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:

if there's a media team on

site, definitely utilize them.

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If there's not, I would definitely start

out with finding a local videographer.

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I would make sure that they

know how to do audio and video.

316

:

Not all videographers are created

equal, and so somebody might say,

317

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"Oh, I know how to do video," and they

might think, "Oh, it's easy enough to

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:

just get video of somebody speaking,"

but, you know, you need to either mic

319

:

somebody up or be able to plug into the

soundboard and capture audio that way.

320

:

and so start collec- start building

a little library for yourself of

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:

your speaking engagements that way.

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:

I would say, like, if, if, if all else

fails, we're gonna l-lean on the iPhone,

323

:

but at the very least, make sure that

you have a microphone that you can plug

324

:

into your iPhone, those, like, little

microphones that content creators use.

325

:

you know, you can find

them easily on Amazon.

326

:

John: and

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Bernadette Marciniak: at

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:

John: not expensive.

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:

Bernadette Marciniak: audio.

330

:

Yeah, they l- they work great.

331

:

I use them with my clients.

332

:

and so at least you have clean audio,

and ask a friend to stand and, you

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:

know, monitor the video, make sure

that nobody just, like, stands in front

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:

of the shot while, you know, while

you're recording it on the iPhone.

335

:

Um, we wanna make sure that it's

a flattering angle and not, you

336

:

know, like, from, from down above.

337

:

realistically, you wanna be hiring

somebody to take video of you

338

:

at your speaking engagements.

339

:

And Ultimately, I think the best move

would be finding somebody to partner

340

:

with for half a year, depending on,

you know, how many engagements you

341

:

have and in what timeframe, so that

everything looks consistent for the final

342

:

product of a demo reel, and for your

content and brand awareness in general.

343

:

and so it's not looking like it's

just, like, piecemeal from everywhere.

344

:

you w- you wanna have some, some brand

identity behind what you're capturing.

345

:

John: So, so let's say we've got

a bunch of events that we've done

346

:

that have been filmed, and now it's

time to put the demo video together.

347

:

Are we gonna leave that in the hands

of the videographer, or are we gonna

348

:

be actively involved in that process?

349

:

are we just gonna be using clips

from those, or are we gonna be using

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:

other media and content in with that?

351

:

Or what would be your

recommendations there?

352

:

Bernadette Marciniak: So I would say,

again, it, again, not all videographers

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:

are created equal, so just because

somebody can capture good quality audio

354

:

and video doesn't necessarily mean

that they know how to weave a story

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:

that, you know, has that, that, that

storyline, that thorough line through it.

356

:

so I would see if the person that

you're-- if you're, if you are gonna

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:

partner with somebody, you know, for

the year, ideally they can do both.

358

:

they know how to capture good quality, and

they know how to produce good quality in

359

:

that there is a, a story at the end of it.

360

:

If you're working with, a, you know,

a v-various videographers because

361

:

perhaps you're going, you know, to

a lot of different locations, you're

362

:

speaking all over the country or, or

the continent, then it's, you know,

363

:

y-you get the good quality video,

but then it's still important to have

364

:

somebody to produce it that has the

ability to do that, that, thorough line.

365

:

John: I like the point you're making

about making these things too flashy

366

:

as well, 'cause I certainly think

some people seem to think they have

367

:

to make a huge investment into having

the top flashiest demo video that they

368

:

can have that's gonna wow the bookers

and get them booked for every event.

369

:

And yet I've seen some of these, you know,

where people have spent, several thousand

370

:

bucks on a demo video, and it's come back

and it's like it, it's all just show.

371

:

It's more like, it's more

like that sizzle reel.

372

:

There's no depth to it.

373

:

There's no through line, as you say.

374

:

There's no clarity about, you

know, beginning, middle, or end.

375

:

I can't see really what you're like

on stage other than a few clips

376

:

or where you've got your audience

maybe going, "Yay," or clapping,

377

:

whatever, and we wanna see more.

378

:

we need to see more than that.

379

:

So what kind of content, is it just the

talks that go into the demo reel, or would

380

:

you put other content in there as well?

381

:

Bernadette Marciniak: So I

would say it, it all depends on

382

:

what your ultimate goals are.

383

:

I have clients who are just set on

wanting to get on more stages, and at

384

:

that point, you want to show just stages.

385

:

If you are-- If your goal is to use

your speaking engagements, whether that

386

:

is podcasts, TV interviews, workshops,

stages, i- if you're trying to get

387

:

more of all of the above, then I would

say having evidence of everything, you

388

:

know, one, one clip from each of those

avenues in, in, in your demo video.

389

:

Yeah.

390

:

So it, it ultimately comes down

to your goals of, you know, where

391

:

you want to be appearing more.

392

:

And I've done, examples of, I've done

videos for clients, both ways, where

393

:

we're pulling in TV interviews and podcast

interviews and, and appearances on stages.

394

:

But this also means that you have to be

really diligent about keeping everything

395

:

organized, downloading it as soon as

you get it, essentially creating and

396

:

building a media library that is very

easy to navigate around for both you

397

:

and whoever is producing your reel later

398

:

John: Right.

399

:

that, that would be my downfall.

400

:

Excuse the church bell,

bells in the background here.

401

:

This is Spain, life in Spain.

402

:

but yeah, it's character.

403

:

It's character.

404

:

so this is all super important,

so it definitely depends on what

405

:

your objectives are with the demo

video, as to what kind of content

406

:

you should probably put in there.

407

:

We have a bit of an idea of the

timeframe and things like that.

408

:

What are the touches for you that make

it that bit more professional without

409

:

it having to become some big production?

410

:

Bernadette Marciniak: you know, I'll

say that like I, m- my personal belief

411

:

is that we don't need to make it fancy.

412

:

we're, we're using what we have.

413

:

we've like, you know, we're working

with what we've got and with the

414

:

ultimate goal in mind, and with

the ultimate message in mind.

415

:

And that, I think time and time again,

is going to be what beats out, you

416

:

know, any- anything flashy or any-

anything else, is to have that story.

417

:

I know it's a buzzword now.

418

:

I hate saying it but it, it still matters.

419

:

And, and that is like, it, it's, it's

the thing that people hate to hear

420

:

about, but the thing that matters most.

421

:

and that's the special

touch is something so basic.

422

:

Yeah

423

:

John: if someone is thinking, "Oh, it's

all good and well, but I don't have any

424

:

opportunities to get on stage just yet.

425

:

I'm just getting started, and don't

have access to a stage that I could

426

:

record on just at the moment anyway.

427

:

Certainly not to an audience right now."

428

:

are there any other things that

they could do that would still

429

:

be helpful for them for a demo?

430

:

Bernadette Marciniak: Absolutely.

431

:

So I would say that, first of all, you

can always hire a videographer to come

432

:

and, like, rent out a room that looks

like it's n- not like a room in a house.

433

:

Although it could still be, depending

on, you know, what kind of speaking

434

:

engagements you're getting after,

because there's a lot of opportunity

435

:

for like, to speak at smaller retreats

and workshops and stuff like that.

436

:

So hire a videographer, and even if it's

just you, or what I've done with some

437

:

of my clients is somebody organizes it,

obviously with my help, where w- they

438

:

get a bunch of their friends together

and, 'cause everybody has the same common

439

:

goal of having evidence of them speaking.

440

:

And so everybody goes

around for five minutes.

441

:

They speak to their audience, quote,

unquote, and it's all captured on video.

442

:

We also take photographs, because

photographs should also be captured.

443

:

It's not just about the video.

444

:

We need all of these

media, pieces of media.

445

:

and so you could just start by

creating the opportunity yourself,

446

:

with something like this.

447

:

Now, don't discredit also, like what

I was saying earlier, the workshops,

448

:

the little retreats, the smaller,

like, local things that you can do,

449

:

where you can speak to an audience

and again, hire somebody to capture

450

:

the video that way un- unless there's

going to be somebody, there on site.

451

:

And then lastly, I'd say n- again, let's

not forget about podcast interviews.

452

:

Like, if you really don't have the

budget to start out with hiring somebody

453

:

or, you know, or, uh, like haven't

quite gotten the ability to present

454

:

at, you know, these local workshops

or, or retreats, podcast interviews are

455

:

a really great way to get, you know,

your feet wet, to just test out the

456

:

waters and get evidence of you speaking.

457

:

This is still a speaking engagement.

458

:

Th- there's still an audience.

459

:

Right now at this current moment, my

audience is you, and then after this

460

:

goes live, the audience will be however

many people listen to this episode.

461

:

So it, you know, it still counts.

462

:

John: Yeah, absolutely

463

:

Bernadette Marciniak: you can do all

the- all of these little things, while

464

:

you're starting out and building.

465

:

We all start somewhere, right?

466

:

John: Yeah, and as you say, probably

in a few years' time you'll want to

467

:

re-record and improve it and, you

know, so I think it is a good thing

468

:

to come back and upgrade your demos

if n- if only because in two or three

469

:

years' time you might look a little bit

different yourself and you might be,

470

:

your talks might be a little different.

471

:

You're going to have developed

and evolved and, it is something

472

:

that should develop with you

473

:

Bernadette Marciniak: I would also say

though, 'cause I think there's this

474

:

mindset that, you know, y- you do, like

you do your first beginner reel or, or

475

:

demo video now, and that in two to three

years' time to burn it all down and,

476

:

and create something completely new.

477

:

The idea is not to do that.

478

:

It's to continue building

on what you've created.

479

:

and you know, at some point some

parts of your demo of, you know,

480

:

some clips of you speaking are

not gonna be relevant anymore.

481

:

Sometimes you might use stuff

from a decade ago because it still

482

:

stands the test of time and it's,

you know, it's still relevant

483

:

to what you're talking about.

484

:

So it's not about completely

reinventing the wheel every few years.

485

:

It's about building upon

what you already have

486

:

John: Yeah.

487

:

And gosh, if you've got a bit of your demo

or bi- bit of video that you absolutely

488

:

love or that people really respond well

to, why would you want to pull that out?

489

:

absolutely keep it in there.

490

:

Yeah.

491

:

No, that ma- that makes

a lot of sense to me.

492

:

We don't have, we don't have

to, burn the house down to

493

:

start building it all up again.

494

:

a- and that's probably useful for a lot

of people to know because, as you said,

495

:

we have-- we all have to start somewhere.

496

:

Again, I was just thinking, even if

what you have is, like, not from one of

497

:

your keynote talks, you've got footage

of you, I don't know, in a, doing

498

:

storytelling or, from your Toastmasters

clubs and that, it's still gonna be

499

:

helpful for somebody to see what you

sound like, what your energy is like.

500

:

Bookers are looking to have confidence

that they can put you on a stage,

501

:

and they're gonna have some sense of

what you're gonna be able to deliver

502

:

or do in front of an audience.

503

:

As-- Which is one of the reasons why I

do think it is, if you can, it is good

504

:

to actually be filmed with an audience

there so they can see, all right,

505

:

you're not just there, you are actually

in front of people delivering this,

506

:

because some people obviously do have

fear and panic attacks when they get

507

:

put up on stage in front of audiences

508

:

Bernadette Marciniak: Yeah.

509

:

So e- exactly.

510

:

That's why I, you know, I m- mentioned

earlier gathering a, you know, your small

511

:

community to, to show that there's, butts

in the seats, for lack of a better term.

512

:

But that's ul- the ultimate goal

for the event organizers too.

513

:

That's why, you know, they're

hiring you is to attract people

514

:

to, to come to their event.

515

:

I…

516

:

You know, that's a very interesting idea.

517

:

I wonder if Toastmasters, li- like

if you're going to Toastmasters

518

:

and, and you've been practicing or

something, if they'd allow you to bring

519

:

a videographer, especially if you're

just, if the videographer is only gonna

520

:

get like the backs of heads of people.

521

:

And you can also, you know, offer

that to the other people there

522

:

saying like, "Hey, I'm bringing in a

videographer, and they're available

523

:

to you," you know, probably at,

you know, at, at an extra cost.

524

:

But you know, like, it, it

like, it, it's about a, a rising

525

:

tide lift, lifts all boats.

526

:

So if you have to be the one to

create that opportunity, um, for,

527

:

for a community, then, uh, y-

I, I personally, uh, don't think

528

:

there's anything better than that

529

:

John: I do think as a, as someone who

trains and coaches speakers that I w- I

530

:

generally advise people to film everything

because they need to watch it back,

531

:

and they probably need to watch it back

with, someone else with them as well.

532

:

But you're never really gonna see or

sense what you're doing on stage unless

533

:

you watch yourself back, and I think some

people just get a little antsy about that.

534

:

They're like, "Oh, I

don't like hearing myself.

535

:

I don't like seeing myself."

536

:

It's like,

537

:

Bernadette Marciniak: Yeah

538

:

John: just have to get

over it, unfortunately

539

:

Bernadette Marciniak: do.

540

:

You know, I can completely resonate

with folks who don't wanna watch

541

:

the, you know, the Monday video

as we call it here in the United

542

:

States, uh, you know, with football.

543

:

You know, to watch yourself do it

again to give yourself, you know,

544

:

feedback and see what you're…

545

:

Like, it is, as the

millennials call it, so cringe.

546

:

but the sooner, like, l- like, let's just

accept, yes it sucks, yes it's cringe, yes

547

:

it's awful, and we're gonna do it anyway,

'cause there's no other way around it.

548

:

it has to be done.

549

:

Whether, you know, you're giving

yourself notes or you're trying to,

550

:

you know, get clips together for a,

a speaker reel, a demo video, then

551

:

it, like, it, you're gonna need to

watch yourself at one point or another

552

:

John: Yeah.

553

:

So if

554

:

Bernadette Marciniak: I will

555

:

John: if it's not if not for

the demo video, at least for

556

:

your own development, right?

557

:

Bernadette Marciniak: I'm sorry?

558

:

John: if the video is not for

your demo reel, it's at least

559

:

helping with your development

560

:

Bernadette Marciniak: 100%.

561

:

I will say a lot of the time when we're

looking at the video and like, 'cause

562

:

I, you know, I also know that there's an

element of like perhaps not loving the

563

:

way we look on video, and that is just

also a crapshoot because you never know

564

:

what the lighting situation is gonna be.

565

:

You never know like how it's

gonna come out on video.

566

:

Again, we're all our

own worst enemies here.

567

:

we're our own worst critics,

and so literally nobody else is

568

:

going to be looking at it with

the same critical lens you are.

569

:

but it's only going to

benefit you in the end

570

:

John: Yeah.

571

:

Have you-- I don't know if

you've come across this.

572

:

I haven't, but I'm suspecting it

might come up, of people perhaps

573

:

being tempted to use AI-generated

videos in their demo reels

574

:

Bernadette Marciniak: have

not come across that yet.

575

:

If I did, it would be like, are you--

do you mean that they would have

576

:

AI-generated examples of them speaking?

577

:

John: You could potentially, couldn't a,

an AI video generated of you on the stage

578

:

with an audience and they're all, and

they're giving you a standing ovation.

579

:

You could do it.

580

:

I don't know how good it would

be, but I suspect that these

581

:

things are gonna start appearing

582

:

Bernadette Marciniak: I obviously,

I, again, I a-agree with you.

583

:

I wouldn't be surprised

if they started appearing.

584

:

I would say could see the

benefit to doing it w- like once.

585

:

If you are, again, at like, at the

beginning, I think you would still

586

:

have to feed it some sort of audio

to, to, you know, have it create

587

:

John: Yeah.

588

:

I've never tried to create

something like that, so I d- I

589

:

don't know exactly, but, yeah,

590

:

Bernadette Marciniak: I would like

if, but if you're looking to be

591

:

on stage in front of real people,

then it would be a disservice to

592

:

offer footage that is inauthentic.

593

:

but I'm sure that's something event

organizers are going to start dealing

594

:

with, sooner or later, but I think

that's also a really quick way to earn

595

:

a reputation for not getting hired.

596

:

you know, you'll quickly become

a one-and-done deal and people

597

:

won't wanna have you back

598

:

John: Yeah.

599

:

I think it's more of a credibility

burner than anything else.

600

:

probably something to steer clear of.

601

:

But, you know, often if you are

actually out there doing some

602

:

speaking, there's no reason to do

an AI video o- of yourself anyway.

603

:

I think it's more for like the people who

are perhaps trying to look like they're

604

:

further ahead than they are, the sort of

fake it till they make it kind of people.

605

:

but yeah, like, like you,

I, I wouldn't recommend it

606

:

Bernadette Marciniak: The-- And that

being said, I'm-- There are some

607

:

AI tools that could be helpful in

producing a demo reel or a speaker

608

:

John: Sure

609

:

Bernadette Marciniak: I would say I

know that we are trying really hard not

610

:

to, like, as a speaker, to have filler

words, say "um" and "uh" too much.

611

:

But if you get, the idea is yes, try

to not say those as much as possible,

612

:

but if they are in the, the speech or

in, in a talk or in the way that you

613

:

talk, getting rid of them is also going

to be a quick way to have a disconnect

614

:

in authenticity when you show up on

stage versus it being not in the video.

615

:

John: Yeah

616

:

Bernadette Marciniak: But I do know that,

there's also tools that now, like, might

617

:

help, uh, like if, if there's like a

word missing at the end of a sentence or

618

:

something, and like having that one word

there and being able to put like B-roll

619

:

over, that I could see being useful.

620

:

I don't see that as inauthentic.

621

:

I see that as like thought completion.

622

:

and I would also, again, use it

sparingly, not as, you know, a, a crutch

623

:

that you go to lean on all the time.

624

:

John: No, 100%.

625

:

No, I think that there are things that can

help clean up your audio, that might even

626

:

help be able to enhance video images and

things like that without changing things

627

:

too dramatically, but would improve that.

628

:

So I think there are AI tools that are

potentially helpful to having a more

629

:

polished demo video that you could

certainly use and undoubtedly the ones

630

:

that can help you, you know, even with

Canva tools and stuff, you can put

631

:

some, text on the screen and, and have,

like, little bits of B-roll or even

632

:

just links between each of the sections

or, so it blends more, more naturally

633

:

between the segments of your video.

634

:

So I think there, there is a lot of

tools that potentially could help

635

:

you to deliver a decent demo video.

636

:

But let me ask you this.

637

:

I, probably, closer to some- one of the

final questions of this, but what sort of

638

:

budget would you recommend somebody have

or invest into creating a demo video?

639

:

Bernadette Marciniak: Well, so this all

is going to come down to whether you're…

640

:

it, it's a whole cost because it's not

just about creating the, the video at

641

:

the end, but about capturing it at the,

you know, through the year, getting

642

:

the footage and the media that you

need throughout a certain timeframe.

643

:

now you're going to find, uh, as with

anything, a wide variety of price ranges

644

:

from videographer to videographer, you

know, video editor to video editor.

645

:

and I'll say there's some of the, the

cheapest folks might do a great job.

646

:

They might be diamonds in the rough.

647

:

But more often than not, you're

going to find that there's some

648

:

place that they fall short, whether

it's the way they frame, the, the

649

:

speaking in, your video of you on

stage, or the audio sounds horrible.

650

:

I think, you know, those are the two

big ones to watch out for, no matter

651

:

the price, whether they're, you

know, on the high end or the low end.

652

:

but for the production of the video at

the end, the demo, video at the end, you

653

:

do want to work with somebody who is more

experienced in weaving together stories.

654

:

Again, I'm going to use that word again.

655

:

not somebody who can just,

you know, say, "Oh, I can put

656

:

together a speaker reel for you."

657

:

Because then you will end up with that

sizzle reel of mic drops and sound bites.

658

:

It has to be somebody who is familiar

with marketing, familiar with

659

:

branding, familiar with your brand

and your goals to be able to produce

660

:

the video at the end that's going

to be reflective of all of that.

661

:

And those folks are going to be on the

higher end of the pricing spectrum.

662

:

John: Yeah.

663

:

do you think there's also value to

having longer versions or longer

664

:

clips of your talks available for,

potential bookers to check out as well?

665

:

Bernadette Marciniak: Sure.

666

:

I think that it's actually super important

to do that because first of all, like

667

:

any video that you get of you, speaking,

it, it-- That, that media library that

668

:

I've been talking about throughout the

course of this episode should not just

669

:

live in the depths of your Dropbox.

670

:

It should also be on your YouTube.

671

:

it, you know, you don't have to

post it on your website, but, like,

672

:

have a YouTube channel and start,

like, having a little library there.

673

:

The idea is not to grow a YouTube channel.

674

:

It is to have a place to send folks,

event organizers or whoever needs

675

:

examples of you speaking, where everything

is, you know, in, in one, one space.

676

:

And so once they watch that demo video

of you speaking, I know that a lot of

677

:

event organizers will also want to see

a longer example, because a demo video,

678

:

again, is still only two minutes long.

679

:

We are, along with the story, m-picking

the best moments, the best delivery,

680

:

especially if you're saying similar

versions of everything the same, you

681

:

know, through-throughout multiple talks.

682

:

but a full keynote recording is going

to give an event organizer evidence

683

:

of how you appear on stage and how you

interact with the audience throughout an

684

:

entire keynote or speaking engagement,

not just how you appear for 30 seconds.

685

:

and so th-that's why I'll, like, I like to

have everything, whether you're using your

686

:

YouTube for other thing, you know, have

a playlist of your speaking engagements.

687

:

You don't have to share the link, you

know, far and wide unless you want to.

688

:

and unless you're doing some serious SEO

work or something about your description

689

:

or caption pops off and for whatever

reason becomes viral, nobody's gonna

690

:

go searching for it, but you still have

this really great library of content

691

:

that you can show to event organizers or,

like I said, whoever else might need it.

692

:

John: Yeah.

693

:

And you can keep that stuff unlisted

so it's not just show- you know,

694

:

gonna be showing up in search as well.

695

:

I think that's re- really important,

bookers as well, they're probably not

696

:

gonna watch the whole 45-minute keynote,

but they are gonna sk- skip through

697

:

it and try and catch different bits.

698

:

They maybe want to see, see if you're

doing anything interactive with the

699

:

crowd, or maybe listen to you telling

a story, or see how you open and

700

:

close, or how you handle transitions.

701

:

all those kinds of things they might

wanna skip through and get a sense of it.

702

:

but having the whole thing available to

them definitely seems to make sense to me.

703

:

it's not something you wanna have up

on your website for obvious reasons

704

:

perhaps, but, but something that

bookers, might well be, may well find

705

:

valuable to helping to make the decision

about whether they book you or not

706

:

Bernadette Marciniak: Yeah.

707

:

And I mean, you can have

it on your website, you can

708

:

not have it on your website.

709

:

You can embed the playlist onto your

website, you know, at, you know,

710

:

as a form of credibility of like,

"Here's all the stuff that I've done."

711

:

Um, I know that there's a lot of folks

who on their About pages have links

712

:

to all of their speaking engagements,

podcast interviews, everything like that.

713

:

one thing that I did wanna touch on

is, you know, we've been talking about

714

:

audience engagement and interaction, and

if you are a speaker who is going to get

715

:

very interactive and engaged with your

audience, perhaps like going out into the

716

:

floor and, you know, giving the mic to,

you know, somebody to answer a question.

717

:

I would say give your videographer a

heads-up that that's going to happen

718

:

so that they can prepare for it.

719

:

Otherwise, your footage might

not come out the way you want.

720

:

I always have a two-camera setup when

I'm capturing, uh, footage for my

721

:

speakers, just, you know, in case of that.

722

:

But also, I always ask them ahead

of time, "Hey, listen, if you're

723

:

gonna go out there, I need to

know so that I can prepare one of

724

:

the cameras to get that angle."

725

:

John: Yeah.

726

:

this has been good.

727

:

I think you've given a pretty

comprehensive overview of, what's

728

:

needed to create your demo video

if already got one, or maybe to,

729

:

pull this together or maybe upgrade

the one that you have currently.

730

:

So thank you for that.

731

:

it's really valuable and hopefully our

listener does understand very clearly

732

:

why this is such an important media

asset for them to have for their future

733

:

bookings as they go forward as well.

734

:

and one thing I would sort of say as

well, just to add to this is I often

735

:

hear people talking about the sort of the

costing and the resources that they have

736

:

available and things like that, and it…

737

:

This is one of those things that doesn't

really have to rely on what resources

738

:

you currently have available to you,

but this is where you can get creative

739

:

and get resourceful and maybe even find

other speakers who are looking to do

740

:

similar objectives and work together if

you can do that, because there's always

741

:

a way to make things happen with this.

742

:

Don't, as I said, don't be limited.

743

:

Don't be limited by your current

lack of resources or like, "Oh,

744

:

I don't know how to do this."

745

:

There, there will be a way

forward if you're determined and

746

:

resourceful with it as well, I think

747

:

Bernadette Marciniak: Yeah, and I think

it all comes down to how determined you

748

:

are and what your ultimate goals are.

749

:

As with anything, th- there are

gonna need to be resources used,

750

:

time, energy, money, to create these

pieces of content, to create the,

751

:

the demo video, the speaker reel.

752

:

But if your ultimate goal is to get up

on stages that, where you're getting

753

:

paid, you know, five figures or

more, then at the end of the day, the

754

:

investment to make it happen is going

to be a huge return on investment,

755

:

John: It's almost insignificant

by comparison really.

756

:

So yeah, very good point.

757

:

Bernadette, thank you so much.

758

:

This has been a valuable conversation.

759

:

I think we've covered pretty much

every aspect of demo videos that

760

:

people would need to be able to get

started and make their demo video.

761

:

We look forward to hearing back from

you, our listener, when you've got your

762

:

demo video made, come share it with us.

763

:

How did it go?

764

:

How do you make it?

765

:

Where did you get started?

766

:

What bits did you, of advice

did you find most useful?

767

:

for our listener, Bernadette, if, if

they would like to get in touch with you,

768

:

and find out more about you, what would

be the best way for them to do that?

769

:

Bernadette Marciniak: So I am on

LinkedIn, Bernadette Marciniak.

770

:

I also hang out a lot on Instagram because

I am a millennial, you know, that's

771

:

kind of what I was brought up with.

772

:

also Bernadette Marciniak, and if

you'd like to check out my website

773

:

specifically for speakers, you can

go to solhausmedia.com/speakers.

774

:

And, Solhaus is spelled S-O-L-H-A-U-S

775

:

John: But all those links will be

in the show notes for anyone who

776

:

would like to come and connect

with you and find out more.

777

:

Thank you so much for sharing

your knowledge and expertise

778

:

with us today on the show.

779

:

Really appreciate it.

780

:

And, and thank you for being my

guest on Professional Speaking

781

:

Bernadette Marciniak: Thank

you so much for having me.

782

:

I had a great time

783

:

John: one thing that's really important

to remember, I think, at the end of

784

:

this conversation is that you can

still get booked without a demo reel.

785

:

But having the demo reel is

gonna be a huge advantage to you.

786

:

Very often when prospective clients

come to me and I take a look at their

787

:

websites and they say, "Oh yeah, I've

got a demo video," they send me a

788

:

link to their demo, and I watch it and

think, "It's not really a demo video."

789

:

The reality is bookers aren't gonna

bother letting you know that your

790

:

demo video isn't actually a demo video

and isn't what they're looking for.

791

:

Th- they want to see what you can do

on stage, they want it to be somewhat

792

:

cohesive, and they want to know what

you can deliver and what the experience

793

:

of booking you as a speaker is.

794

:

Now, there's a, there's a degree

to which some of that can be

795

:

conveyed through a good abstract or

talk description and through your

796

:

conversation and communication with

the bookers that you connect with.

797

:

But having a demo reel that highlights

those things for you, even if you

798

:

have to hire a stage for an hour

or so to record some elements, if

799

:

you can, Splice it in with show

footage or podcasts you've been on.

800

:

Splice it in with any other

gig, any other gigs you've done.

801

:

If you've done some storytelling or

some stand-up or anything like that.

802

:

So long as it's suitable, you can

put some of that in, or at least

803

:

put some of the clips in maybe

with music rather than with audio.

804

:

I think there's a lot you can do

here, but it is gonna be better for

805

:

you to show that you can deliver on

stage than to not have that at all.

806

:

So whilst I say you can absolutely

get booked without a demo video, it is

807

:

a huge advantage for you to have it.

808

:

I hope this episode has inspired

you to go and make your own demo

809

:

video if you don't have one.

810

:

Or maybe you do have one and you're

thinking that it's looking a bit

811

:

old now, and it's time to update it.

812

:

Well, that would be a great

thing to get onto as well.

813

:

I'd love to see your demo videos too.

814

:

If you want a quick review of your demo

video, by all means send it through to me.

815

:

You'll find the contact links in

the show notes for this episode

816

:

or in the YouTube description.

817

:

Coming up very soon, I have an episode

with Brian Miller, who's recently

818

:

released a book called The One Page

Keynote, It's all about how to make sure

819

:

that your keynote has all the elements

in it That are going to be compelling

820

:

and engaging for your audiences.

821

:

And that's really critical for anyone who

is speaking professionally or otherwise.

822

:

He specifically talks in his

book about the lack of a need

823

:

for charisma, that you don't need

to have this g- highly developed

824

:

charisma to have a successful talk.

825

:

Well, I had some thoughts about

that that we got to discussing,

826

:

and

827

:

that's all gonna be coming

up pretty soon on the show.

828

:

If you're not already subscribed,

please make sure you do.

829

:

Otherwise, you might just miss some

of those great episodes coming up.

830

:

And wherever you're going, whatever you're

doing, have an amazing rest of your day.

831

:

Go and do something worth talking about.

832

:

See you next time.

About the Podcast

Show artwork for Professional Speaking: Known. Booked. Paid.
Professional Speaking: Known. Booked. Paid.
John Ball helps professional speakers get known, booked, and paid at $10k+ fees.

About your host

Profile picture for John Ball

John Ball

John Ball is a keynote coach and professional speaker on a mission to help upcoming leaders master their communication, create impact and stand out as experts in their field.
John left the high life of his flying career to do something more meaningful to him and has since worked with several leading personal and professional development organisations as a lead coach and trainer.
The heart of everything John does involves helping people shift to personal responsibility and conscious awareness of how they show up and perform in every situation, whilst equipping them with the tools to be exceptional.
John also co-hosts The Coaching Clinic Podcast with his great friend and colleague Angie Besignano.
He lives in the beautiful city of Valencia, Spain with his husband and often visits the UK and US for speaking and training engagements. When he's not speaking or podcasting, he's likely to be out swimming, kayaking or enjoying time with friends.

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