Episode 281
What Speaker Bureaus Actually Do (And Why Joining One Won't Get You Booked) | Dominic Eldred-Earl from London Speaker Bureau
Most speakers think joining a bureau is the finish line. Dominic Eldred-Earl, who books speakers for London Speaker Bureau and speaks himself, explains why it's closer to the starting line.
He breaks down the real difference between a speaker agent and a speaker bureau, why simply being added to a bureau's database doesn't mean the whole team knows you exist, and the specific mechanic behind why newer names sit invisible at the bottom of internal search results. He also shares the one legitimate shortcut speakers use to jump that queue, what fee range actually makes a booking worth a bureau's time, and why bureaus paradoxically want you least when you need them most.
Beyond the bureau mechanics, this one covers what visibility actually looks like to a booker, why information-heavy speaking is losing ground to connection and storytelling, and where the paying opportunities outside the corporate stage actually are.
Want the PDF of this episode's highlights? Here's the link: https://present-influence.kit.com/ddf7974237
Connect with Dominic: https://www.linkedin.com/in/dominicee/
London Speaker Bureau: londonspeakerbureau.com
FAQ Section
Q: What's the difference between a speaker agent and a speaker bureau?
A: A speaker agent represents a smaller, curated portfolio of speakers and sells them directly. A speaker bureau is client-focused rather than speaker-focused: it takes in a brief from a booking client and searches a large roster of speakers across many categories to find a fit.
Q: Why do speakers join bureaus and still not get booked?
A: Bureaus search internal databases by keyword and filter, and results typically surface speakers who've been booked most recently first. A speaker with no prior bookings through that bureau sits at the bottom of the list, effectively invisible, regardless of how long they've been listed.
Q: What's the shortcut to appear higher in a bureau's search results?
A: Passing an existing inbound enquiry through the bureau to close, even at reduced or no fee, creates a recorded booking. That booking moves the speaker up the "recently booked" ranking for future searches on similar criteria.
Q: What speaker fee makes a booking worthwhile for a bureau?
A: Roughly £2,000 upwards from the client is workable, though the bureau's percentage is higher at the lower end to cover minimum costs. Higher fee brackets, around £8,000 and up, give more room for both speaker and bureau.
Q: Should a speaker approach a bureau before they have clear positioning?
A: No. Bureau consultants need to describe a speaker's value quickly to clients, so unclear or unniched messaging makes a speaker very difficult to put forward, regardless of talent.
Q: What makes a speaker "visible" to a bureau?
A: Primarily consistent, valuable LinkedIn activity with genuine interaction and comments from event attendees (not just other speakers), plus positive word of mouth from past clients when a bureau consultant checks references.
Are your speaker fees high enough? Check out this fast speaker fee audit tool to find out: https://presentinfluence.com/speakingfeequiz
For speaking enquiries or to connect with me, you can email john@presentinfluence.com or find me on LinkedIn
You can find all our clips, episodes and more on the Present Influence YouTube channel: https://www.youtube.com/@PresentInfluence
Thanks for listening. Rating the show 5* on Spotify helps their algo recommend the show, so please take a moment to follow the show and leave a rating.
Transcript
Every speaker gets told the same advice: join the bureaus, get
2
:on the database, wait for the phone
to ring, and then it doesn't ring.
3
:Most speakers assume that
means the bureau failed them.
4
:today's guest books speakers for a living,
and he's going to explain exactly why
5
:that assumption is wrong, how a bureau's
internal database actually ranks you,
6
:and the one unglamorous shortcut that
gets you seen before you've built a name.
7
:Dominic Eldredell works with London
Speaker Bureau and is also a speaker
8
:himself, so he sits on both sides of this.
9
:If you've ever wondered why joining
a bureau didn't change anything,
10
:this episode is the answer.
11
:Welcome to Professional Speaking.
12
:This is the show for people who
are serious about speaking and
13
:becoming known, booked, and paid.
14
:My name's John Ball, professional
speaking coach, keynote speaker, and
15
:stand-up comedian, and sci-fi nerd.
16
:I'm here as your guide on the journey
to a successful speaking career
17
:Welcome to the show and, well,
big welcome into the virtual
18
:studio for Dominic Eldred Earl.
19
:Dominic Eldred-Earl:
Thank you very much, John.
20
:Looking forward to it
21
:John: It's great to have you on the show,
and I, I think this is a first for this
22
:show, Professional Speaking, because I
don't think I've had anyone from a speaker
23
:bureau or who's involved with speaker
bureaus before on the show as well.
24
:Now, I know that you are involved
with the London Speaker Bureau, but
25
:you're also a, a speaker as well.
26
:And, I really wanted to start off with,
getting us a better, clearer understanding
27
:of what speaker bureaus are and what they
aren't, because I think a lot of speakers
28
:are a little uncertain or confused about
what speaker bureaus do or don't do
29
:Dominic Eldred-Earl: Oh, absolutely.
30
:Yes, it is, it is a mystical
world, shall we say.
31
:yeah, I mean, for speakers, I,
I guess you could say there's
32
:essentially three routes to market.
33
:So there is directly doing all the
legwork yourself, finding your own
34
:gigs, getting out there, getting your
referrals and everything, that sort
35
:of thing, which is one way to do it,
and is the way that the majority of
36
:speakers start off with, to be fair.
37
:After that, you then have the world
of speaker agents and speaker bureaus.
38
:Now, there is, there is a distinction
between those two, or at least there
39
:is in my world and my perception of
them, in that agents will take on a
40
:smaller portfolio of speakers who they
then will go out and sell, and they'll
41
:either sell them directly to end clients,
or they will sell them to bureaus.
42
:And here's where the bureau comes
in and is distinct from the agent,
43
:because the bureau is client-focused.
44
:They are booker-focused.
45
:They are not speaker-focused,
to some degree.
46
:There is a bit of overlap between the two.
47
:So a bureau will essentially get in briefs
from clients, and they will then go to
48
:their large, big, black book, which has
a whole plethora of speakers in it, to
49
:find which are the best for that client.
50
:Now, whereas agencies may well look
to specialize in certain types of
51
:speakers, the chances are that a bureau
will, will deal with a much wider
52
:variety of speakers, all the way from
politicians and economists through to
53
:wellbeing and after-dinner talent and,
and all sorts of things like that.
54
:So hopefully that gives an
idea of the, the sort of spaces
55
:John: No, it really does, and that,
that's a very helpful answer as well.
56
:let, let me ask you this 'cause I, I come
across a number of people who when I ask
57
:them things like, "Well, what are you
doing to get speaking gigs at the moment?"
58
:Often one of the answers I'll get
is, "Well, I've joined loads of
59
:speaking bureaus," and they're
not really getting gigs from that.
60
:let me ask you, why might it be that
they've joined speaker bureaus and they're
61
:not getting a lot of work from that?
62
:Dominic Eldred-Earl: Ah, yes.
63
:The, the myth that if you join a
bureau you're gonna-- suddenly your
64
:speaking diary's going to be full.
65
:I don't know, am I allowed
to plug a book here?
66
:Not
67
:John: course.
68
:Please do.
69
:Dominic Eldred-Earl: for anyone
listening who hasn't already seen
70
:it, I can highly recommend Maria
Franzoni's The Bookability Formula book.
71
:I mean, that, that will take you through
a lot of this and a lot of the business
72
:side of speaking, which to be fair,
a, a lot of speakers potentially do
73
:not understand and that, and, and you
demonstrate with that question, you know.
74
:Why, why when I've got myself on
all these bureaus am I not getting
75
:called in to speak everywhere?
76
:As I said, you know, a bureau is, is
more booker focused than speaker focused.
77
:So it's probably easiest if I
explain the process that happens
78
:when a, a brief comes from a client.
79
:So brief comes in from the client,
the first place a consultant
80
:will go to will be their head.
81
:Who do they already know
who can fill this brief?
82
:And as that's the first place
they go, they're going to hit on
83
:to people that they already know,
like, and trust to do the job.
84
:And if they don't know about you,
then you're not in that first
85
:sort of filtering of people.
86
:then they'll go to the database, and
they'll run a whole set of filters on,
87
:you know, fees, location, topics, all
those sorts of things on the database.
88
:And the database that I use typically
comes up with whoever has been
89
:booked most recently at the top.
90
:So if you're new to a speaker
bureau, and you've not been booked
91
:by that speaker bureau yet, you
are not gonna be in that list.
92
:You're gonna be way off at
the bottom of it 'cause you
93
:have not yet got any bookings.
94
:So I'm not gonna find you there either.
95
:The most likely way I'm gonna get to
find you is if I haven't been successful
96
:with the client with the ones I've
suggested so far, and I then post on
97
:the internal sort of blog thing and
say, "Hey, I've got this brief, my
98
:client's looking for this sort of thing.
99
:Who, who can you think of?"
100
:And somebody else mentions you.
101
:And will only happen if they
happen to have read the blog
102
:and all that sort of thing.
103
:So just by getting the, the marketing
department or someone at a bureau
104
:to add you to their database does
not mean that everybody in the
105
:organization then knows about you
106
:John: Of
107
:Dominic Eldred-Earl: It's that next
stage of getting to be known by the
108
:other consultants in the bureau that is
one of the most difficult things to do.
109
:But there are some shortcuts
110
:John: Oh, good.
111
:Let's l- I definitely
wanna hear what they are
112
:Dominic Eldred-Earl: The shortcut.
113
:Well, you remember that second stage
that I mentioned to you is we go to the
114
:database, and we search the database
based on keyword and, and other filters,
115
:and who comes up at the top is those
who've been booked most recently.
116
:You might be seeing where I'm going here.
117
:John: Mm-hmm.
118
:Dominic Eldred-Earl: So if you're a
speaker, if you've got an incoming
119
:inquiry, and if you're willing to pass it
over to the bureau to deal with to secure
120
:that booking, you then suddenly appear
in that list of most recently booked
121
:speakers for that sort of search criteria.
122
:So you will be up top of the list.
123
:You will be essentially on that first
page of Google as it, as it used to be.
124
:I don't, I don't know what it is
nowadays with all the, the AI searching
125
:John: I have no idea either.
126
:Dominic Eldred-Earl: I know, you
know, the, the first page of Google
127
:used to be the target, but, so yeah.
128
:So that's essentially the
way to, to shortcut that
129
:getting up the, the listings.
130
:Now, of course, there is a cost to that
because bureaus don't work for free.
131
:John: Of
132
:Dominic Eldred-Earl: We do have to
make a minimum sort of margin on the
133
:jobs that we do in order to make it
worthwhile, A, for our time, and B,
134
:for the admin staff who deal with
it and all of that sort of stuff.
135
:So there, there, there is a
margin that we need to make on
136
:it, so it needs to be viable.
137
:And you know, I've worked in all sorts of
situations, so I have had speakers who've
138
:come to me, they've passed me a brief, and
it's been a decent budget that they've had
139
:from the client, so you know, everybody's
been able to take something from it.
140
:I have also had speakers who've come
to me, and their client only has a
141
:really low budget, but they were happy
to not take a fee in order to do the
142
:job through the bureau so that they
would appear on the, on the list.
143
:So there's, there's a, there's
a number of ways to sort of,
144
:shall we say, game the system
145
:John: Right.
146
:but I'm cur- I, I'm definitely curious
about this, and I wanna dig a little
147
:deeper into it, because I'm also kind of
thinking, well, I have, I've also come
148
:across some speakers who said, well,
they've, they've, sometimes been offered
149
:gigs from the speaker bureaus that maybe
not high-paid gigs, but, just something
150
:that's got them booked somewhere.
151
:But oft- sometimes they've had to create,
create a talk for it to fit the brief
152
:'cause it doesn't really fit with the,
the stuff that they've already got.
153
:Seems like a lot of work for not
a lot of money, but it gets you
154
:onto that being perhaps being
more noticed sort of aspect of it.
155
:So I can see, I can see benefit from that.
156
:But what about speakers who, I guess
there must be speakers who come to you
157
:whose brand, whose maybe lane isn't
quite always so clear to be able to
158
:really fit them into, "All right.
159
:Oh, right, this is really
what they're about."
160
:what happens with, with people
whose maybe haven't quite
161
:figured out their positioning?
162
:Dominic Eldred-Earl: I would
say in that case, they are
163
:not ready to talk to a bureau.
164
:To be honest, time is precious.
165
:So those in the bureau, the people
they're gonna remember for the
166
:jobs they're gonna put forward are
the ones who have clear messaging.
167
:It is, it is worth doing that little
bit of niche, niching down to know
168
:exactly what your target market is.
169
:You know, what, what sort of people
you wanna get in front of, what
170
:it is that you're passionate about
that you're gonna be speaking
171
:about, and, and to make it clear.
172
:Because if you can't make it what
you're talking about clear to a, to
173
:a booker, to a consultant in the, in
the bureau, they're not gonna know
174
:how to talk to you, talk to clients
about you in an effective way.
175
:if, if we don't fully understand what
the message is, there, there's no way we
176
:can actually start putting them forward.
177
:get clear.
178
:Don't be fuzzy
179
:John: So that, so that makes it,
the bureau is probably not the
180
:first step you take when you're
breaking into the speaking world.
181
:There's a few things to figure out first.
182
:I think that's really important
to, to recognize that there are-
183
:there's a time that it's gonna
be right to join the bureau.
184
:Now is…
185
:I can't remember if this is when I
chatted with her on the show or, or
186
:another chat with, with Maria, but, she
had indicated somewhere that probably
187
:the speaker fees that make things
worthwhile for speaker bureaus to really
188
:look at would be, like, somewhere in
the range of 8,000 plus per- for a gig.
189
:Is that somewhere in the right ballpark
for what you're seeing as well?
190
:Dominic Eldred-Earl: Not necessarily.
191
:I mean, certainly that sort of
fee, yeah, very much like to
192
:work within that sort of area.
193
:The market at the moment is a
little bit more contracted, and it's
194
:certainly very turbulent at the moment.
195
:It, you know, we…
196
:I've had several, and I know some of
my colleagues have had several things
197
:where it's literally been all good,
all 100% going ahead until we've sent
198
:them the form to sign, and then it's
like, "Oh no, sorry, we've canceled it,
199
:we've postponed it, we've done this."
200
:it's rough out there at the moment.
201
:In terms of fees though, I mean, I
suppose a client fee anywhere from
202
:2,000 pounds upwards can be worked with.
203
:Obviously, at the 2,000 pound from
the client level, then the percentage
204
:that the bureau will want of that is
gonna be higher than an 8,000 level.
205
:Because, as I say, you know,
there is a minimum level that we
206
:need to achieve in order to, to
cover costs to make it worthwhile.
207
:So I, I would say if it, if the fees
are 2,000 plus, it's probably workable
208
:depending on how much of that the, the
speaker actually wants to walk away with
209
:John: Yeah.
210
:Now, that, that's really helpful, and I
think that will give p- a lot of people
211
:a much clearer understanding of, of where
speaker bureaus fit into the, into the
212
:booking process for people, and where it
would be useful to work with you as well.
213
:I do remember, back in my Speaker Lab
days when, being introduced to a US
214
:bureau and, they did a presentation for
the whole team there and, and one of
215
:the things they said with their bureau
was really they weren't so interested
216
:in, in having people come to them
unless you already had a bit of a name.
217
:Like you were already kind of…
218
:There was some buzz around you.
219
:There was, people act- actively
searching for you and wanting you.
220
:Like if they'd had a, if they'd had
people calling them up and saying,
221
:"Can you get us this speaker?"
222
:That would be someone that they
would look to, to get on the books.
223
:Now, I can see that, that, that's probably
a huge advantage, for getting into it,
224
:but a lot of people would have to do a
fair bit of work to get to that point.
225
:But d- do you see that still happening
in a lot, a lot in the bureau that
226
:p- there's buzz around certain people
or topics, and when they come in
227
:it, it makes it much, much easier to
get people, out there into the gigs?
228
:Dominic Eldred-Earl: Absolutely.
229
:Absolutely.
230
:I mean, if you've ever watched Dragon's
Den or Shark Tank or anything like
231
:that, the people who get investment
are those who already have proven that
232
:they can do what they're talking about.
233
:And it's, it's exactly the same thing
in the, in the speaker world, in the
234
:speaker bureau world especially, is
that if you are in demand, then you
235
:are more of a marketable commodity.
236
:So I, I, I would say, you know, it's,
it's that kind of, Mary Poppins or if
237
:you're more modern, Nanny McPhee kind
of situation whereby, you know, when,
238
:when you want-- when speakers want a
bureau because they want to get more
239
:speaker bookings, chances are the bureau
potentially doesn't want them so much
240
:because they're not that well-known.
241
:But then when you're a well-known
speaker and you no longer really need the
242
:speaker bureaus, you know, that's when
the speaker bureaus are more interested
243
:because, because you are more in demand.
244
:there are very good reasons to
use a bureau, we can, we can
245
:look at some of those if you like
246
:John: Yeah, I would, I
would appreciate that.
247
:Like, is it, you, you, you kind of
said, like, some of the sort of more
248
:well-known people perhaps don't really
need a speaker bureau, but might they
249
:still benefit from, from working with you?
250
:Dominic Eldred-Earl: Totally.
251
:Totally, totally.
252
:And there's, there's, there are
a number of reasons for that.
253
:One is the, especially in the larger
corporates, the, the buying and the
254
:onboarding process for accounting can
be an absolute pain in the backside.
255
:Chances are the speaker bureau may
already be an onboarded supplier
256
:with the larger corporates, so it
just makes things so much easier.
257
:The other thing is with speaker bureaus,
I think pretty much the majority of them
258
:insist that they have the speaker fee from
the client before the event takes place.
259
:Now, being a third party essentially
to the negotiations, the speaker
260
:bureau actually has more leverage to
do that than the speaker, 'cause it's
261
:very easy for, for the end client
to say to the speaker, "Oh, you
262
:know, can-- we're tight on finances.
263
:Can we pay you post-event?"
264
:And that, that's always a, a little
bit sort of questionable, because
265
:obviously once once you've been there,
once you've delivered the value, I
266
:mean, obviously they'll appreciate the
value that you'll deliver 'cause you're
267
:always gonna be an excellent speaker.
268
:However, there, there is that potential
for them to either delay payment or
269
:be re- yeah, be really slow, or in
the worst cases, not actually pay.
270
:I can say in, in the 12 years that I have
been booking speakers, there has only
271
:been one case of us not getting in the
full fee for the speaker, and even in
272
:that case, we did get over half the fee.
273
:and it was because the company, it was an
events company, they'd put on a ticketed
274
:event, and essentially it had been a
last-minute rushed booking, so we'd kind
275
:of gone, "Yeah, okay, if we have to."
276
:And, yeah, they folded and
didn't pay all their bills.
277
:But, there were, there were speakers who
were left with a, a lot more out of pocket
278
:than the one that I was working for.
279
:John: Oh, right.
280
:Well, yeah, I, I guess those things
are gonna happen in business,
281
:but, I mean, good that it's…
282
:it seems that it's been very contained.
283
:Like, you haven't had a lot of that, but
it's probably really stood out for you
284
:where, on the time when it has happened.
285
:hope not, not such a common thing, though.
286
:I mean, I, I think it's one of the bits
of common advice that is nearly always
287
:given to speakers of get paid upfront,
but like you said, there's maybe always
288
:gonna be those exceptional or last-minute
situations where you make some, make some
289
:exceptions and say, "All right, well, this
one time," and that could go either way.
290
:So you never really want to be in
the position of chasing payments,
291
:but, yeah, some- sometimes you…
292
:it's unavoidable.
293
:So, so is there a, is there perhaps
a sense of the speaker bureaus
294
:are perhaps best suited for?
295
:If you're not, like, big-name speaker,
is, like, what would still be, uh,
296
:like, the value of that or what would
still be a good fit for a bureau?
297
:Dominic Eldred-Earl:
In, in terms of, I think
298
:who has a clear message which
is marketable and can show that
299
:they have a clear market has
potential to work with a bureau.
300
:I guess where working with somebody
like London Speaker Bureau especially
301
:is useful is because we do have a very
global network of speaker consultants.
302
:So if you're, if you're interested in
sort of branching out into more global
303
:speaking, then a bureau can certainly
help to do that because obviously they
304
:will have more knowledge about local
marketplaces than, than you might be
305
:able to achieve yourself depending
on your sort of background and, and
306
:knowledge of that sort of thing.
307
:So I would say that was, that was another
reason to potentially look at a bureau.
308
:John: Mm-hmm.
309
:No, I th- I th- I think kind of.
310
:It's, it's sort of like, well, what
perhaps sits as the best sort of type
311
:of client for you other than the,
the, the big names, and I think that
312
:pretty much gives an idea of that.
313
:let me ask you this.
314
:I'm, I'm, I'm curious just 'cause,
you know, back in, pandemic times
315
:and all that when lockdowns and
things, we're doing lots of virtual.
316
:Are you still seeing much demand
for virtual through the bureaus or,
317
:or is it pretty much all in person?
318
:Dominic Eldred-Earl: 95%
is in person again now.
319
:However, what we are seeing a lot more
is that events are running hybrid.
320
:So they will get the speaker in the
room, and you will address the audience
321
:in the room, but at the same time, they
will be either recording it for people
322
:to watch later, or they will be live
streaming it to people in other offices
323
:or other locations around the world.
324
:And that, you know, that's also a, a
cost saving for them in terms of not
325
:having to get everybody into a location
and, and move people around the world
326
:and all that sort of downtime for them.
327
:So in some respects, it is, it is
important that speakers work not only
328
:on their stage presence and their
ability to present and captivate people
329
:within a room, but also to be aware
of the fact that if there is a camera,
330
:if there is a remote audience, you do
need to give them some attention too.
331
:So make sure that if you're in a room
where they're doing either filming
332
:or hybrid, that you treat the camera
as another person, and that you do
333
:take the effort to make eye contact
with the camera so that the people
334
:who are there don't feel left out
335
:John: Yeah.
336
:Okay, good, good to know.
337
:And, now he- here's a maybe a, an
interesting question 'cause I do sometimes
338
:come across people who sort of think, they
can speak on anything and then they come
339
:to want to work with someone like me and
say, "Oh, point me to where the money is.
340
:Where should I go and speak?"
341
:Which is like, oh no, I
don't like the sound of…
342
:I don't like react very well
to that question in general.
343
:But I think we probably all know
that there are hotter areas than
344
:others and, and some areas that
maybe are or have gone a bit cold.
345
:But what, what are you seeing as
perhaps the, the trends and the hot
346
:areas and perhaps stuff that has cooled
off or maybe gone completely cold
347
:in the speaking world at the moment?
348
:Dominic Eldred-Earl: That
is another good question.
349
:And the thing is, at the end of the
day, there is demand out there for all
350
:topics, as you say, some more than others.
351
:Certainly politics, geopolitics,
economics, and the state of the
352
:world is something that people are
very interested in at the moment.
353
:But at the other end of the scale,
there is a lot of interest in
354
:wellbeing and mental health and, and
all those sorts of things as well.
355
:I suppose sustainability and the
sort of more, shall we say, people
356
:and planet-friendly ways of doing
things potentially has taken a bit
357
:of a back seat with the, the current
governments that are out there.
358
:However, it's, it is still a place
where people want to know more about
359
:because it will come back around, and
the organizations who are in a position
360
:to take advantage of it will do better.
361
:Apart from anything else, it's
just the right thing to do,
362
:especially if you've got children
or grandchildren, you know, we…
363
:I, I think one of the biggest, potentially
one of the biggest mistakes that was,
364
:has been made around climate change
is the labeling of save the planet.
365
:It, it's got nothing to
do with saving the planet.
366
:This, this ball of rock and gas that we
live on will continue on hurtling through
367
:the universe, whether we're on it or not.
368
:it has to do with, you know, saving
the, the people, saving humanity, which
369
:is, something which needs a little
bit more focus, but that's, that's
370
:an entirely different conversation.
371
:But in…
372
:I would say don't chase topics.
373
:Absolutely don't chase topics.
374
:Be aware of what is hot.
375
:So yes, AI is a hot topic, and
it is gonna stay a hot topic.
376
:However, what is more important is
to understand the implications of
377
:AI on what is your core specialty.
378
:So if you talk about leadership, if
you talk about wellbeing, if you talk
379
:about communication, if you talk about
branding, those are your key topics.
380
:Those are your focus areas.
381
:That is where you are the expert.
382
:Do not step out of your lane.
383
:However, if you can say how AI is
having an influence on that sort of
384
:thing, that is where the value lies.
385
:So stay with your expert topic,
but understand how the outside
386
:world sort of influences it
387
:John: Yeah.
388
:Just, I mean, th-this may be hopefully
is, is a quick sidebar, but in terms
389
:of the, sort of expert positioning kind
of thing, what are some of the things
390
:that make people an expert that other
than qualifications and degrees and
391
:master's degrees and, that's b- being
known in certain, c- certain industries?
392
:Are there other things that might
qualify people as experts as well?
393
:Dominic Eldred-Earl: It really
has to do with how, how well
394
:you're known for your topic
395
:How, how visible you are
and how well you're known.
396
:Because if you're not known for your
topic, then people aren't either gonna
397
:request you or put you forward for it.
398
:So it, it really is a matter of being
visible for what you want to talk about.
399
:I think it's as simple as that really
400
:John: Yeah.
401
:So, so somebody who just regularly gets
up and speaks about a good topic and
402
:starts to become known for that would
probably at some point start to be
403
:considered an expert in that because
people have heard them speaking about it
404
:Dominic Eldred-Earl: Absolutely.
405
:And,
406
:unfortunately, it, it is one of those
things, it's not necessarily the most
407
:expert expert who gets booked the most
to talk about something because if
408
:they're, as I say, if they're not visible,
then, you know, people don't know that
409
:this is, is the person to put forward.
410
:I, whenever I'm doing a proposal, I
always try and stick in a bit of a wild
411
:card of somebody who I know will be able
to cover off on a topic that, that the
412
:organization may well not have heard of.
413
:John: Mm-hmm.
414
:Dominic Eldred-Earl: So to…
415
:I, I like to try and give sort
of new, new talent or different
416
:talent, that step forward
417
:John: W- what are, what are the visibility
signals that you're looking for?
418
:Like what makes somebody visible, like
clearly visible in the marketplace?
419
:Dominic Eldred-Earl: A lot of it
is LinkedIn presence at the moment,
420
:and it's not just you post a lot.
421
:You have to post with value, and there
has to be visible sort of interaction from
422
:other people, not just other speakers.
423
:Ideally, you know, you see…
424
:What, what's great see is successful
posting of events that speakers have done,
425
:and then especially if there are comments
below it from people who've been at the
426
:event to say, "Oh yeah, this was great.
427
:We really enjoyed it,"
and that sort of stuff.
428
:That, that gives it a little bit of sort
of social proof around, you know, the
429
:fact that they can actually do and deliver
430
:John: Yeah.
431
:So, so primarily LinkedIn is one of
the places that, that bureaus would
432
:be looking, but they are looking for,
I guess, community and for people
433
:beyond just your, your speaker network
to be interacting with your content
434
:and, and seeing what you're doing
435
:Dominic Eldred-Earl: Yes.
436
:Yeah.
437
:I mean, testimonials and, and
knowing from clients who we know
438
:who they've had speak at events.
439
:I mean, whenever I put forward a brief
for a, a speaker, I will always check with
440
:the client as to what speakers they've
had previously, you know, who they had,
441
:what they were like, what sort of things
they like and all that sort of stuff.
442
:So it, it may well be that whilst
you might not be showing up on social
443
:media or might not be on my particular
feed, that because I've spoken to
444
:a client and they've, they've said,
"Oh yeah, we had this person last
445
:year and they did a really good job.
446
:You know, this is the type of thing
we like," that that will bring
447
:someone to my attention as well.
448
:So it's, it's always worth making sure you
leave with a, a very positive impression
449
:and also going, going back to clients
and staying in touch with them as to…
450
:A little, a little trick here is,
again, to build out your sort of
451
:referral network in a way, I suppose.
452
:So network with other speakers who speak
along a similar line to the way that
453
:you speak, so that after an event or
when you're speaking to clients, you
454
:can say, you know, "Here's suggestions
of other people who you might find
455
:really, really good, really useful."
456
:That's, that's handy to have in your back
pocket for either once you've done an
457
:event with a client, you can refer them
someone for the next year, or if you're
458
:not able to do a specific date, you
know, you have the option to refer them.
459
:And that's another good one is if
you have a date that you cannot do,
460
:and you have a bureau that you want
to build a relationship with, that
461
:you maybe started building one with,
is to introduce them to the client.
462
:Say, "Look, I can't do this date,
but this person who, who I work
463
:with, who, who books me for events,
they've got access to a whole bunch
464
:of other speakers that can help you."
465
:And a consultant will really like
you for that because you know, if you
466
:introduce them to a new client and
they get a booking, they are going to
467
:remember you as, as somebody that they
wanna stick forward to other events.
468
:'Cause there, there is a bit
of, you know, I'll pat your back
469
:if you pat mine sort of thing
470
:John: It's, it's not, it, it's not all
about what can you do for me, it should be
471
:like how can we all help each other here?
472
:And speakers refer other speakers
and, but is like referring
473
:stuff to the bureaus as well.
474
:It makes you very helpful,
and s- I, I can't…
475
:I've probably lost tr- lost count
of how many times I've heard it
476
:mentioned in the show that speaking
is a relationship business.
477
:I, it myself countless times.
478
:But it, this is your relationship with
the bureau, this is your relationships
479
:with the clients, your relationships
with your, your peers in the industry.
480
:There's all stuff that helps you
get more booked because if the
481
:bureau, if, if a bureau likes you
and you have, and, and you look after
482
:them, they're gonna look after you.
483
:If a client likes you and, and
you're referring stuff to them,
484
:they're gonna look after you.
485
:I mean, this absolutely makes sense.
486
:It's like this is how
good relationships work.
487
:Give and take, helping each other
out and, and being good in tho- know,
488
:being somebody who's valuable to know.
489
:And, and I always think of, Dr.
490
:Richard Wiseman's book, The
Luck Factor, and he talked
491
:about what makes people lucky.
492
:And he said the, the people who are
generally luckiest are, are like
493
:nodes in, in sort of social networks.
494
:They, they know people and they make the
effort to connect and make the effort
495
:to stay in contact with people as well.
496
:And so you know that it's like if
you need to know somebody, you,
497
:you like to go through that person,
say, "Hey, do you know this?"
498
:Or, "Can you connect me with this person?"
499
:that makes you, let's say lucky,
but I mean lucky that you, luck
500
:that you've created for developing
your future relationships.
501
:So, so I, I, absolutely
it makes sense to me.
502
:David Newman was on the show recently.
503
:In fact, the episode's ju- just
come out and, I don't know if you
504
:know David, but, one of the things
that he was saying was that the,
505
:the end, content speaking is over.
506
:Like, information content
speaking is, is over.
507
:The, the age of the information speaker
is done and we've mo- we've moved on.
508
:But do, do you still see those information
sort of based speakers on, on the market?
509
:are they still getting some bookings?
510
:Is that…
511
:Would you agree that that's,
that age of speaking is done?
512
:Dominic Eldred-Earl: in that
respect, you're talking about
513
:people who can sort of delivering on
statistics and, and things which are
514
:John: Yeah, people who are more sort
of talking on, on informational topics.
515
:Yeah
516
:Dominic Eldred-Earl: I would say not.
517
:I would say that that's still very
valuable, especially if you're
518
:working around economics and
geopolitics and that sort of thing.
519
:However, I would agree insofar as
the, the way of speaking is changing.
520
:So things need to be much more human.
521
:They need to be much
more storytelling based.
522
:They need to be much more emotionally
based, and they need to be more engaging.
523
:So yeah, I mean, speak- speakers who
have slides full of text and all that
524
:sort of stuff, I am less likely to
put them forward personally myself
525
:because yes, there are, there are
situations where a graph is required.
526
:There are situations
where data is required.
527
:However, I'm-- I actually think more
and more now that having a lot of
528
:textual content on the slide actually,
it actually shows a little bit of
529
:laziness on the part of the speaker.
530
:So
531
:You sh- you should know your
presentation, you should know your
532
:materials well enough that you
don't need that text on the slide.
533
:And in order to engage and connect
the best with the audience,
534
:you don't want them distracted.
535
:And if you've got a lot of text and
data on your slide, they're gonna be
536
:reading that and trying to figure that
out, and not listening to you properly.
537
:So the, the best thing to do is
large full screen graphics which,
538
:you know, get attention and provide
backup to what you're talking about.
539
:But yeah, keep, keep the data off the
slide unless it is absolutely necessary
540
:John: Hmm.
541
:Do-- is there still perhaps an
industry expectation of having like
542
:multimedia s- like slides and et
cetera involved in presentations?
543
:Or i- is, is there, a, a, an element
to which you could just get up
544
:and speak, have your microphone,
and that's, all you need really?
545
:Dominic Eldred-Earl: Totally.
546
:Totally.
547
:It's, it's-- Slides are
just a supporting medium.
548
:You know, it's, it's like a prop.
549
:So only use it if you really need to.
550
:If you can, if you can get up on
the stage and literally just have
551
:a, a holding slide that has your
name on it or a plain background or,
552
:you know, a, you know, picture of
something uplifting, I don't know.
553
:What-whatever it is that sort
of speaks to what you're talking
554
:about, and that's all you need.
555
:You, you…
556
:I mean, I know people who
use flip charts as a prop.
557
:You know, people who, who
do use props as props.
558
:So, you know, use tables, water
bottles, hat stands, whatever it is that
559
:they need to get their point across.
560
:So absolutely, you know, you don't
have to have a, a PowerPoint or
561
:whatever other display medium you use.
562
:It is, it is perfectly acceptable to
get up there and, and just be you.
563
:The most important thing is can
you connect with the audience?
564
:Can you deliver to the audience
value for them to be in the room?
565
:Can you deliver to them a different
way of thinking, something that
566
:they might want to get hold of,
something that might influence
567
:their thoughts and their behaviors?
568
:Because that's what, that's what
you're being paid for essentially,
569
:is to take a room full of people,
to give them some ideas so that when
570
:they leave that room, there will
be some sort of behavioral shift.
571
:That's, that's usually the objective
of the person organizing the meeting
572
:John: Yeah.
573
:yeah, I think for the longest time
it was just like how much information
574
:can we cram into people's heads?
575
:And I think there are still people
who come into speaking thinking
576
:that that's what it's all about.
577
:It's like, "I'm just here to relay
information and give you as much
578
:valuable information as I possibly can."
579
:and that's not really what's
changing hearts, and minds,
580
:and actions from, from those
581
:Dominic Eldred-Earl: Sometime,
sometimes less is more.
582
:You know, if you need to get across some
clear actionable messages and keep it, it
583
:in a, in a way that people don't have so
much that they get overwhelmed with it.
584
:You know, just keep it down to that two
or three key things, key changes, key
585
:Yeah, key behavioral stuff that can
have an influence on people's lives.
586
:Give them, give them, give them
just those one or two tips which
587
:will make their lives better
588
:John: Yeah.
589
:H- here's something that our, our
listener might be curious about.
590
:I- is there, is there opportunity
f- still for a speaking career
591
:outside of the corporate sector or
in the terms of the UK and Europe?
592
:Is it pretty much just like if you
want a career doing this, that's
593
:where you need to be speaking?
594
:Dominic Eldred-Earl: There, there is
certainly plenty of stuff outside of
595
:the corporate environment to speak in.
596
:It potentially does not pay as well.
597
:I mean, certainly if you want the bigger
budgets, you are potentially looking
598
:at the corporates, though having said
that, you know, some government advisors
599
:and things also get very well paid.
600
:So it, it depends.
601
:I mean, schools is a, is a huge
marketplace, and yeah, they, they
602
:might not have huge budgets to
pay for speakers, but they do have
603
:some budgets to pay for speakers.
604
:So it depends on your message and
how, how you want to get it out there
605
:and who your audience is, you know.
606
:Where do you want to have impact?
607
:Where do you want to make a difference?
608
:So yeah, I mean, you've
got schools, you've got…
609
:You've even got festivals.
610
:So it may…
611
:There, there's so many wellbeing
and other types of festivals now
612
:where they have speakers along to
talk about various different things.
613
:You know, even Glastonbury has,
you know, talks and things.
614
:So it m- it may be that if you want
to fill your summer with festivals
615
:and, and doing all that sort of stuff,
that you could, you can get onto that
616
:sort of circuit, and they'll usually
give you entry to the festival.
617
:They might give you a, a small fee of
sort of £500 or something, I don't know.
618
:But, yeah
619
:John: paid to go to a festival, I think,
there's a lot of people who think,
620
:"Oh, yeah, I like the sound of that."
621
:yeah,
622
:Dominic Eldred-Earl:
There's options out there.
623
:John: great
624
:Dominic Eldred-Earl: might, it may, it
may well be that, you know, you, you, you
625
:want to travel to various places around
the globe, so you might be happy to do it
626
:for expenses at various different things.
627
:So
628
:Make,
629
:all comes down personal objectives, I
think, in that, in that sort of arena
630
:John: Now y-you particularly have been
noted as being someone who's pretty good
631
:at spotting upcoming talent and, the
speakers who are likely to do really well.
632
:So I'm curious, what, what is it that
you either look for, or what are the
633
:things that you, when you see them,
you're like, "Oh yeah, this, this
634
:speaker's gonna do really well"?
635
:Dominic Eldred-Earl: In some degrees
it comes down to gut instinct.
636
:The…
637
:I guess I go mostly off people who I just
seem to sort of connect with, because
638
:as, you know, so much about
speaking is to do with connection.
639
:It is to do with how well you can connect
to an audience, how well you can take
640
:the audience on an emotional journey.
641
:So if I come across people who I
understand what they're talking about,
642
:they're clear on what they're talking
about, and I connect with them on
643
:more than just a transactional level.
644
:So I connect with them on a, you know,
a more sort of personal level and
645
:understand more about them and their
life and how they deal with people.
646
:Those are the people who I'm more
interested in because they are the
647
:ones who I, I, I believe will be
able to connect to an audience better
648
:John: Hmm.
649
:That's good.
650
:So there's a little bit of the maybe
you, you, you perhaps been around and
651
:in the industry long enough to just
be able to sort of start instantly
652
:sort of recognize the things that
stand out for people, but also you
653
:definitely get that, that connection
thing and the personal connection
654
:thing, is, is an important part too.
655
:'Cause certainly there are speakers out
there who aren't so good at the personal
656
:connection bit, and are, and are maybe
a bit self-centered and egotistic.
657
:I've come across it now and again
658
:Dominic Eldred-Earl: Absolutely.
659
:I mean, the thing to remember is you are
not on that stage to tell your story.
660
:You are not on that
stage to serve your ego.
661
:I mean, that, that's part of the
bookability formula, and the, the E
662
:is very much, you know, that takes
away from the value that you deliver.
663
:You are there to serve
the people in the room.
664
:You are there to give to the people
in the room something that will
665
:change their lives, essentially.
666
:So yeah, whilst you might have an
amazing story, if it's not relevant
667
:and the people in the room can't see
how it connects to their lives, then,
668
:you know, you It's, it's not the sort
of pe- person, not the sort of speaker
669
:that I'm gonna wanna put on a stage
670
:John: Yeah.
671
:A- and you're, you're a
speaker yourself, right?
672
:I mean, you speak and, and you
write books I've seen as well.
673
:so what, what i- what are your,
what are your sort of topics?
674
:What are, what are you out in the
world speaking about for our listeners?
675
:Dominic Eldred-Earl: Yeah, I, I'm dip-
dipping my toe into that a little bit.
676
:I've-- it's, I suppose the last five
years, six years, s- coming up six
677
:years now, I suppose, I've been on
a, a bit of a journey myself in terms
678
:of self-development and learning
about myself and, and the world
679
:around me and that sort of stuff.
680
:So the…
681
:In terms of speaking, I, I do speak
around wellbeing and mental health a bit.
682
:I've done a number of panels on that
through my sort of lived experience side
683
:of things, and unrecognized and undealt
with trauma and how that actually affects
684
:our lives and all that sort of stuff.
685
:And how we can think our lives
are actually perfectly normal
686
:until we suddenly realize
that no, they, they weren't.
687
:Depends on your definition
of normal, I guess.
688
:So yeah, I s- I speak around
that wellbeing side of stuff.
689
:I also-- I've been volunteering on, the
Rebel Finance School for the last five,
690
:six years, which is a great, great free
course which is available online to
691
:help people to deal with money, money
sort of matters around, you know, how to
692
:create a gap, how to create savings, how
to invest, so you can create yourself
693
:a more financially secure future.
694
:And it's all free.
695
:There's no upselling
or anything like that.
696
:But again, it's tied into that sort
of wellbeing side of stuff because
697
:believe it or not, people are more
open to talk about sex and mental
698
:health than they are about finances.
699
:John: Yes.
700
:I would say that's pretty much true.
701
:Dominic Eldred-Earl: And yet finances
are such a cause of mental stress.
702
:that's an important topic.
703
:And the books, the books are centered
around helping people to get better
704
:quality sleep because we've had this
thing going on for years and years
705
:that, you know, get eight to nine
hours sleep a night and you'll be fine.
706
:Actually, no.
707
:You, you can get eight, nine, 10, 11
hours of sleep and still feel really kind
708
:of messed up, and the reason for that
is you've not had good quality sleep.
709
:So you've had good quantity
sleep, but not good quality.
710
:And in order to get good quality sleep,
we need to allow our brains to decompress
711
:because during the day we've got pings and
notifications and emails and phone calls
712
:and all of this stimulus going on around
us which gets our brains into overload.
713
:We're not long out of caves.
714
:In terms of development, you know,
the world has moved way faster
715
:than our, our physical being.
716
:and with everything that's going
on, our brains go into this fight
717
:and flight mode most of the time.
718
:They're really stressed out most of the
time because if you were a caveman, you
719
:used to come out your cave in the morning,
or cavewoman, caveperson, you'd come out,
720
:you'd look around, you'd see the sunshine,
you'd, you'd think, "My, what a wonderful
721
:day," and you'd be pretty chilled.
722
:You'd know you've got to do some
foraging, so you go off and you do your
723
:foraging, and at some point during your
foraging, you know, a, a lion might jump
724
:out of the bush and come to attack you.
725
:Now, there'd be one of two outcomes there.
726
:One, you'd be dead, or two,
you'd have made it out alive.
727
:And if you've made it out alive, the
lion would've gone off somewhere else,
728
:and you could get down and go back to
your foraging and have a happy day.
729
:So your nervous system, yeah, it would've
gone high up, fight and flight stuff.
730
:You'd have survived it,
then it would down-regulate.
731
:Then you would get to
return to homeostasis.
732
:We don't get that in the
world we live in nowadays.
733
:Everything is that lion attacking.
734
:Your ping, a car tooting, you know,
down the road, you know, all these
735
:sorts of things can trigger exactly
the same neurological response
736
:as, as that lion would've done.
737
:So yeah, the books are all around…
738
:The, the audiobook is designed so that
you start it playing when you go to bed.
739
:It helps you down-regulate.
740
:It allows your brain to grab onto
something which is enough information to
741
:keep it, the brain engaged, but not enough
information to sort of stimulate it.
742
:So it allows all of those busy
thoughts to sort of file away, and
743
:then it gives your brain a chance to
sort of recover during the night, and
744
:you get that better quality sleep.
745
:You down-regulate the nervous
system- also some more training
746
:within the book 'cause you leave
it playing whilst you're sleeping.
747
:So there, there's subliminal training
in there to help regulate the dopamine
748
:system a bit better so that you maybe
move away from so much sort of social
749
:media and pings and like hunting.
750
:in theory, it also is designed to
help improve longer term focus.
751
:So rather than looking for the quick
wins and all that sort of stuff,
752
:the ability to do those repetitive
everyday tasks that we need to do in
753
:order to achieve longer term goals
754
:John: Yeah.
755
:I like that.
756
:I like that, like this can help ourselves
decompress with a bit of, audio to wind
757
:down to and leave it playing to pro-
program our brains while we're sleeping.
758
:It sounds good to me.
759
:great.
760
:I'm definitely glad we got onto that.
761
:s- sleep is such an important
part of everything that often
762
:gets overlooked as well.
763
:Dominic, it's been an absolute
pleasure having you on the show today.
764
:I, I learned stuff I didn't even expect
to learn, and, I think m- I have a
765
:lot more insight into bureaus, and
I think our listener definitely does
766
:as well, so I really appreciate that.
767
:But for anyone who is perhaps wanting to
connect with you more, more personally,
768
:or maybe wanting to think, I think
I'm ready for getting in touch with
769
:bureau," what's the, what's the best
way for them to get in touch with
770
:you and the London Speaker Bureau?
771
:Dominic Eldred-Earl: Well, the best way
to get in touch with myself personally
772
:would probably be through LinkedIn.
773
:So if you just look, look me up on
LinkedIn as Dominic Eldred hyphen Earl,
774
:that's E-L-D-R-E-D hyphen E-A-R-L.
775
:There is only one of me.
776
:I've managed to choose quite
a unique surname, so if you
777
:John: yeah, it's definitely
more yin than mine is.
778
:Dominic Eldred-Earl: it comes up
with me or my kids, so so yeah.
779
:So yeah, find me on LinkedIn.
780
:In terms of connecting with London Speaker
Bureau, if you've connected with me, then
781
:potentially, you know, if I think it's
worth pursuing, we can take it from there.
782
:Or if you go to the London Speaker
Bureau website, I believe somewhere
783
:there is a, an apply to be a speaker.
784
:But do be aware that we get thousands
of inquiries every single month, and
785
:very, very few of them actually get
through to being listed on the database
786
:Worth knowing, worth knowing.
787
:Dawnette, thank you so much for your
time and everything you've shared today.
788
:It's been really wonderful.
789
:I, I wanted a, a thorough
episode on speaker bureaus, and
790
:I got that and so much more.
791
:I really appreciate it.
792
:Thank you for coming on "The
Professional Speaking Show."
793
:You're welcome.
794
:It's been a pleasure
795
:John: Well, I don't know about you,
but I'm certainly gonna be thinking
796
:about how I approach bureaus very
differently in the future and
797
:what they can and can't do for me.
798
:I think that really does inform us
very well as to the right way to use
799
:a speaker bureau and how you can,
even if you're fairly early on, still
800
:leverage the bureaus and start working
on building those relationships.
801
:But just understanding that it's not
gonna be the place to sort out all your
802
:problems and get you all your bookings
if you're still early days or you
803
:haven't got things figured out, or if
your positioning is not super clear.
804
:So I have created a PDF document that
is, I should say AI has created it
805
:really, but I've created a document for
you that has all the highlights, all
806
:the key points of this episode because
I think it's well worth reviewing, and
807
:you may not want to listen to the whole
50-minute episode every single time
808
:you want to refresh yourself on this.
809
:So do go and check that out.
810
:It's free to download in the
show notes for this episode.
811
:Now coming up very soon, I have my
interview with Owen Fitzpatrick.
812
:If you don't know who Owen is,
he's definitely worth checking out.
813
:He has a podcast called Inner Propaganda,
which is also the name of his new book.
814
:if you're interested in psychology
and influence, areas that I'm very
815
:fascinated with, which is why I've been
following him for such a long time,
816
:that interview is coming up pretty soon.
817
:I'm pretty sure I asked him questions
that he probably hasn't ever been asked
818
:on a podcast interview before, but they're
gonna be very relevant answers to you.
819
:That's coming up soon.
820
:If you're not already subscribed
to the show, make sure you do.
821
:Owen isn't the only amazing
guest that I've got coming up.
822
:I'm lining up even more fantastic
guests for you as we go along.
823
:Some of them you will have heard of,
some of them you might not have heard
824
:of, but all of the information's gonna
be solid, as well as the opportunities
825
:for me to get to share my insights and
expertise with you in alternate weeks.
826
:if there is anyone you would
particularly like to see on the show,
827
:or if you think you'd be a great
guest, do reach out and get in touch.
828
:the best way to do that is to
connect with me on LinkedIn.
829
:connect with me, send me a direct
message, and let me know you checked
830
:out the show, and either who you'd
like to see on, or why you would
831
:like to come on and be a guest, and
what you would like to talk about.
832
:Do make sure you get that PDF of
highlights from this episode and
833
:join us next time on Professional
Speaking But until then, go and
834
:do something worth talking about.
835
:See you next time
